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Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in (...)
Théorie de l’architecture
octobre 2000, Cambridge, Mass.
Uncommon ground : architecture, technology, and topography
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Although both are central to architecture, siting and construction are often treated as separate domains. In "Uncommon Ground", David Leatherbarrow illuminates their relationship, focusing on the years between 1930 and 1960, when utopian ideas about the role of technology in building gave way to an awareness of its disruptive impact on cities and culture. He examines the work of three architects, Richard Neutra, Antonin Raymond, and Aris Konstantinidis, who practiced in the United States, Japan, and Greece respectively. Leatherbarrow rejects the assumption that buildings of the modern period, particularly those that used the latest technology, were designed without regard to their surroundings. Although the prefabricated elements used in the buildings were designed independent of siting considerations, architects used these elements to modulate the environment. Leatherbarrow shows how the role of walls, the traditional element of architectural definition and platform partition, became less significant than that of the platforms themselves, the floors, ceilings, and intermediate levels. He shows how frontality was replaced by the building's four-sided extension into its surroundings, resulting in frontal configurations previously characteristic of the back. Arguing that the boundary between inside and outside was radically redefined, Leatherbarrow challenges cherished notions about the autonomy of the architectural object and about regional coherence. Modern architectural topography, he suggests, is an interplay of buildings, landscapes, and cities, as well as the humans who use them. The conflict between technological progress and cultural continuity, Leatherbarrow claims, exists only in theory, not in the real world of architecture. He argues that the act of building is not a matter of restoring regional identity by re-creating familiar signs, but of incorporating construction into the process of topography's perpetual becoming.
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octobre 2000, Cambridge, Mass.
Théorie de l’architecture
livres
The spaces between buildings
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Ford begins by looking at the growth of four urban places, each representing a historical era as much as a geographic location: the Islamic medina; the city shaped by the Spanish renaissance; the nineteenth-century North American city; and the twentieth-century American city. His first(...)
The spaces between buildings
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Ford begins by looking at the growth of four urban places, each representing a historical era as much as a geographic location: the Islamic medina; the city shaped by the Spanish renaissance; the nineteenth-century North American city; and the twentieth-century American city. His first essay also discusses the evolution of the free-standing structure as a basic urban building type and the problems encountered in beautifying the often work-a-day back and side yards that have helped to create the image of the untidy American city. The second essay examines the urban trend toward viewing lawns, gardens, hedges, and trees as an essential adjunct to architecture. The final essay focuses on pedestrian and vehicular spaces. Here the author includes the landscape of the garage, sidewalks, streets, and alleys. In its exploration of how spaces become places, "The Spaces between Buildings" invites readers to see anew the spaces they encounter every day and often take for granted.
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août 2000, Baltimore
Théorie de l’architecture
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Textes par / by Tanis Hinchcliffe, Annmarie Adams, Louis Martin, Joan Ockman, Réjean Legault, Daniel Guibert, Joseph Rykwert, Martin Bressani, Alberto Pérez-Gomez.
Peter Collins et l'histoire critique de l'architecture moderne / Peter Collins and the critical history of modern architecture
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Textes par / by Tanis Hinchcliffe, Annmarie Adams, Louis Martin, Joan Ockman, Réjean Legault, Daniel Guibert, Joseph Rykwert, Martin Bressani, Alberto Pérez-Gomez.
Théorie de l’architecture
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Today, we live in a kaleidoscopic new world of images : Is there a vocabulary we can learn in order to read these images? Is there something we can do so as not to remain passive when we flip through an illustrated book, or download images on a screen? Are there ways in which we can "read" the stories within paintings, monuments, buildings and sculptures? We say "every(...)
Théorie de l’architecture
octobre 2003, Toronto / New York
Reading pictures - what we think about when we look at art
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Today, we live in a kaleidoscopic new world of images : Is there a vocabulary we can learn in order to read these images? Is there something we can do so as not to remain passive when we flip through an illustrated book, or download images on a screen? Are there ways in which we can "read" the stories within paintings, monuments, buildings and sculptures? We say "every picture tells a story" - but does it? Taking images - photographed, painted, built, sculpted - Alberto Manguel explores how each one attempts to tell a story that we, the viewer, must decipher or invent.
Théorie de l’architecture
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Mass culture is a fact. Its irresistible vitality and force are enthusiastically exploited by all manner of enterprises, whether network providers for mobile phones, hip lifestyle magazines or trendy fashion labels. Oddly enough, architecture and urban planning have so far failed to exploit the potential offered by mass culture. This book presents the findings of a(...)
Snooze : immersing architecture in mass culture
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Mass culture is a fact. Its irresistible vitality and force are enthusiastically exploited by all manner of enterprises, whether network providers for mobile phones, hip lifestyle magazines or trendy fashion labels. Oddly enough, architecture and urban planning have so far failed to exploit the potential offered by mass culture. This book presents the findings of a study by studio Sputnik, a Rotterdam-based architecture practice, of the opportunities that mass culture presents for architecture. "Snooze" analyses products successful in consumer society and relates the patterns behind their success to the city. The nature and importance of communication proves to be pivotal to architecture's role. What does a building signify, what does it communicate? "Snooze" is not about style or form, nor is it about commercial motives or technical ingenuity. It adds a new voice to architectural discourse at the intersection of theory and design. The surprising insights that this book offers are presented in a highly visual essay.
Théorie de l’architecture
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Foreword by Arthur Drexler. Introduction by Vincent Scully. First published in 1966, this book has become a reference in architectural literature. "Complexity and contradiction in architecture" expresses the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's(...)
Complexity and contradiction in architecture
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Foreword by Arthur Drexler. Introduction by Vincent Scully. First published in 1966, this book has become a reference in architectural literature. "Complexity and contradiction in architecture" expresses the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture.
Théorie de l’architecture
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This book is a text reader related to the online platform www.mediaartnet.org presenting a panorama of international art and contexts. It features the most important essays which are accompanied online by multimedia and audiovisual representations of media art. Essays are by Inke Arns, Dieter Daniels, Söke Dinkla, Golo Föllmer, Rudolf Frieling, Oliver Grau and Heike(...)
Théorie de l’architecture
octobre 2003, Vienna
Media art net 1 : survey of media art
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This book is a text reader related to the online platform www.mediaartnet.org presenting a panorama of international art and contexts. It features the most important essays which are accompanied online by multimedia and audiovisual representations of media art. Essays are by Inke Arns, Dieter Daniels, Söke Dinkla, Golo Föllmer, Rudolf Frieling, Oliver Grau and Heike Helfert on topics such as media art forms in the 1910's and 1920's, intermedia currents of the 1950's and 1960's, performance and media art, media activism, mass media, perception, museum and media, virtual narratives, audio arts, communication, telematics, interaction, and immersion.
Théorie de l’architecture
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In a literary tour of the spaces of our homes, noted design essayist Akiko Busch reflects on how we define such elusive qualities as privacy, security, and comfort. Part social history, part architectural history, part personal anecdote, this rich and delightful book uncovers the hidden meanings of the place we call home.
Geography of home : writings on where we live
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In a literary tour of the spaces of our homes, noted design essayist Akiko Busch reflects on how we define such elusive qualities as privacy, security, and comfort. Part social history, part architectural history, part personal anecdote, this rich and delightful book uncovers the hidden meanings of the place we call home.
Théorie de l’architecture
$21.00
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In this meditation on ruins, Christopher Woodward takes us on a thousand-year journey from the plains of Troy to the monuments of ancient Rome, from the crumbling palaces of Sicily, Cuba, and Zanzibar to the rubble of the London Blitz. With an exquisite sense of romantic melancholy, we encounter the teenage Byron in the moldering Newstead Abbey, Flaubert watching the(...)
In ruins : a journey through history, art, and literature
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In this meditation on ruins, Christopher Woodward takes us on a thousand-year journey from the plains of Troy to the monuments of ancient Rome, from the crumbling palaces of Sicily, Cuba, and Zanzibar to the rubble of the London Blitz. With an exquisite sense of romantic melancholy, we encounter the teenage Byron in the moldering Newstead Abbey, Flaubert watching the buzzards on the pyramids, Henry James in the Colosseum, and Freud at Pompeii. We travel the Appian Way with Dickens and behold the Baths of Caracalla with Shelley. An exhilarating tour, at once elegant and stimulating, "In Ruins" casts an exalting spell as it explores the bewitching power of architectural remains and their persistent hold on the imagination.
Théorie de l’architecture
$37.50
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A serious effort to document the changing landscape in the design professions and to make this information available to various constituencies and stakeholder groups as part of an effort to educate as well as bridge the gap between academia and practice.
Théorie de l’architecture
novembre 2003, San Francisco
Reconfiguration in the study and practice of design and architecture
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A serious effort to document the changing landscape in the design professions and to make this information available to various constituencies and stakeholder groups as part of an effort to educate as well as bridge the gap between academia and practice.
Théorie de l’architecture