2137 Résultats
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livres
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The concrete objects that Francastel examines are for the most part from the architecture and design of the late nineteenth to mid-twentieth century. Through them he engages his central problem: the abrupt historical collision between traditional symbol-making activities of human society and the appearance in the nineteenth century of unprecedented technological and(...)
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The concrete objects that Francastel examines are for the most part from the architecture and design of the late nineteenth to mid-twentieth century. Through them he engages his central problem: the abrupt historical collision between traditional symbol-making activities of human society and the appearance in the nineteenth century of unprecedented technological and(...)
Titre:
Art & technology in the nineteenth and twentieth centuries
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The concrete objects that Francastel examines are for the most part from the architecture and design of the late nineteenth to mid-twentieth century. Through them he engages his central problem: the abrupt historical collision between traditional symbol-making activities of human society and the appearance in the nineteenth century of unprecedented technological and industrial capabilities and forms.
Art & technology in the nineteenth and twentieth centuries
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The concrete objects that Francastel examines are for the most part from the architecture and design of the late nineteenth to mid-twentieth century. Through them he engages his central problem: the abrupt historical collision between traditional symbol-making activities of human society and the appearance in the nineteenth century of unprecedented technological and industrial capabilities and forms.
Classification:
livres
livres
Publication:
mars 2003, New York
mars 2003, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
The accident of art
The accident of art
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Urbanist and technological theorist Paul Virilio trained as a painter, studying under Henri Matisse, Georges Braque, Bazaine and de Stael. In The Accident of Art, his third extended conversation with Sylvère Lotringer, Virilio addresses the situation of art within technological society for the first time. This book completes a collaborative trilogy the two began in 1982(...)
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Urbanist and technological theorist Paul Virilio trained as a painter, studying under Henri Matisse, Georges Braque, Bazaine and de Stael. In The Accident of Art, his third extended conversation with Sylvère Lotringer, Virilio addresses the situation of art within technological society for the first time. This book completes a collaborative trilogy the two began in 1982(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
mai 2003, Cambridge, Mass.
mai 2003, Cambridge, Mass.
Titre:
The accident of art
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Urbanist and technological theorist Paul Virilio trained as a painter, studying under Henri Matisse, Georges Braque, Bazaine and de Stael. In The Accident of Art, his third extended conversation with Sylvère Lotringer, Virilio addresses the situation of art within technological society for the first time. This book completes a collaborative trilogy the two began in 1982 with Pure War and continued with Crepuscular Dawn, their 2002 work on architecture and biotechnology. In The Accident of Art, Virilio and Lotringer argue that a direct relation exists between war trauma and art. Why has art failed to reinvent itself in the face of technology, unlike performing art? Why has art simply retreated into painting, or surrendered to digital technology? Accidents, Virilio claims, can free us from speed's inertia. As technological catastrophes, accidents are inventions in their own right.
The accident of art
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Urbanist and technological theorist Paul Virilio trained as a painter, studying under Henri Matisse, Georges Braque, Bazaine and de Stael. In The Accident of Art, his third extended conversation with Sylvère Lotringer, Virilio addresses the situation of art within technological society for the first time. This book completes a collaborative trilogy the two began in 1982 with Pure War and continued with Crepuscular Dawn, their 2002 work on architecture and biotechnology. In The Accident of Art, Virilio and Lotringer argue that a direct relation exists between war trauma and art. Why has art failed to reinvent itself in the face of technology, unlike performing art? Why has art simply retreated into painting, or surrendered to digital technology? Accidents, Virilio claims, can free us from speed's inertia. As technological catastrophes, accidents are inventions in their own right.
Classification:
livres
livres
Publication:
mai 2003, Cambridge, Mass.
mai 2003, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Factory
Factory
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This book examines the factory in a number of incarnations; as image, as icon, as innovator and as laboratory. It traces the history of the modern factory from the utopian schemes of Robert Owen or Claude Ledoux in the early 19th century, through the great modernist ‘cathedrals of industry’ of Peter Behrens, Albert Kahn and Frank Lloyd Wright, to the post-industrial(...)
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This book examines the factory in a number of incarnations; as image, as icon, as innovator and as laboratory. It traces the history of the modern factory from the utopian schemes of Robert Owen or Claude Ledoux in the early 19th century, through the great modernist ‘cathedrals of industry’ of Peter Behrens, Albert Kahn and Frank Lloyd Wright, to the post-industrial(...)
Titre:
Factory
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This book examines the factory in a number of incarnations; as image, as icon, as innovator and as laboratory. It traces the history of the modern factory from the utopian schemes of Robert Owen or Claude Ledoux in the early 19th century, through the great modernist ‘cathedrals of industry’ of Peter Behrens, Albert Kahn and Frank Lloyd Wright, to the post-industrial revival of former factories, such as Renzo Piano’s reconstruction of the Fiat Lingotto factory in Turin, or the landscaped industrial parks created out of former steel mills in the Ruhr area of Germany.
Factory
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This book examines the factory in a number of incarnations; as image, as icon, as innovator and as laboratory. It traces the history of the modern factory from the utopian schemes of Robert Owen or Claude Ledoux in the early 19th century, through the great modernist ‘cathedrals of industry’ of Peter Behrens, Albert Kahn and Frank Lloyd Wright, to the post-industrial revival of former factories, such as Renzo Piano’s reconstruction of the Fiat Lingotto factory in Turin, or the landscaped industrial parks created out of former steel mills in the Ruhr area of Germany.
Classification:
livres
livres
Publication:
mai 2003, London
mai 2003, London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Prix:
$41.95
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Les chrétiens n'ont pas inventé le culte des images, mais une adoration fondée sur une équivalence entre corps et figure de surface. Tout au long des premiers siècles du christianisme, des récits mettent en scène des images qui s'animent: elles se déplacent de leur support, interpellent les spectateurs, les bénissent ou les agressent, perdent leurs humeurs et leur(...)
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Les chrétiens n'ont pas inventé le culte des images, mais une adoration fondée sur une équivalence entre corps et figure de surface. Tout au long des premiers siècles du christianisme, des récits mettent en scène des images qui s'animent: elles se déplacent de leur support, interpellent les spectateurs, les bénissent ou les agressent, perdent leurs humeurs et leur(...)
Titre:
Le peuple des images :essai d'anthropologie figurative
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Les chrétiens n'ont pas inventé le culte des images, mais une adoration fondée sur une équivalence entre corps et figure de surface. Tout au long des premiers siècles du christianisme, des récits mettent en scène des images qui s'animent: elles se déplacent de leur support, interpellent les spectateurs, les bénissent ou les agressent, perdent leurs humeurs et leur sang... On invente alors un ensemble de procédures symboliques et rituelles de " décorporation ", capables de transformer, par la prière, l'extase ou la mortification, les espèces charnelles en espèces figurales. Les trois essais qui composent cette étude explorent, en des lieux et des temps différents de l'Antiquité tardive (Byzance au VIIIe siècle, la Syrie du Ve siècle, Carthage au IIIe siècle), la manière dont s'est construit entre l'homme et l'image un espace de transaction, espace dont la culture visuelle contemporaine n'est pas tout à fait sortie.
Le peuple des images :essai d'anthropologie figurative
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Les chrétiens n'ont pas inventé le culte des images, mais une adoration fondée sur une équivalence entre corps et figure de surface. Tout au long des premiers siècles du christianisme, des récits mettent en scène des images qui s'animent: elles se déplacent de leur support, interpellent les spectateurs, les bénissent ou les agressent, perdent leurs humeurs et leur sang... On invente alors un ensemble de procédures symboliques et rituelles de " décorporation ", capables de transformer, par la prière, l'extase ou la mortification, les espèces charnelles en espèces figurales. Les trois essais qui composent cette étude explorent, en des lieux et des temps différents de l'Antiquité tardive (Byzance au VIIIe siècle, la Syrie du Ve siècle, Carthage au IIIe siècle), la manière dont s'est construit entre l'homme et l'image un espace de transaction, espace dont la culture visuelle contemporaine n'est pas tout à fait sortie.
Classification:
livres
livres
Publication:
janvier 2002, Paris
janvier 2002, Paris
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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A refugee from Nazi Germany, Nikolaus Pevsner became a central player in the intellectual and cultural life of his adopted country. Almost impossibly energetic, efficient and effective, his contribution both to scholarship and to the public appreciation of art and architecture was immense. In addition to the famous Buildings of England series - known commonly as(...)
$52.50
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Résumé:
A refugee from Nazi Germany, Nikolaus Pevsner became a central player in the intellectual and cultural life of his adopted country. Almost impossibly energetic, efficient and effective, his contribution both to scholarship and to the public appreciation of art and architecture was immense. In addition to the famous Buildings of England series - known commonly as(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
janvier 2003, London
janvier 2003, London
Titre:
Pevsner on art and architecture : the radio talks
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A refugee from Nazi Germany, Nikolaus Pevsner became a central player in the intellectual and cultural life of his adopted country. Almost impossibly energetic, efficient and effective, his contribution both to scholarship and to the public appreciation of art and architecture was immense. In addition to the famous Buildings of England series - known commonly as "Pevsner" - he wrote standard textbooks, held professorships, delivered the Reith lectures, promoted with equal fervour Victorian and Bauhaus architecture; and for over twenty-five years from the end of the war was a regular broadcaster for the BBC. Here his talks ranged from a discussion of Breughel's art to the buildings of Gaudi; from a series on Englishmen's castles to meditations on modern town planning; from Elizabethan mannerism to contemporary American architecture - and of course to his ground-breaking series of Reith Lectures on "The Englishness of English Art".
Pevsner on art and architecture : the radio talks
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A refugee from Nazi Germany, Nikolaus Pevsner became a central player in the intellectual and cultural life of his adopted country. Almost impossibly energetic, efficient and effective, his contribution both to scholarship and to the public appreciation of art and architecture was immense. In addition to the famous Buildings of England series - known commonly as "Pevsner" - he wrote standard textbooks, held professorships, delivered the Reith lectures, promoted with equal fervour Victorian and Bauhaus architecture; and for over twenty-five years from the end of the war was a regular broadcaster for the BBC. Here his talks ranged from a discussion of Breughel's art to the buildings of Gaudi; from a series on Englishmen's castles to meditations on modern town planning; from Elizabethan mannerism to contemporary American architecture - and of course to his ground-breaking series of Reith Lectures on "The Englishness of English Art".
Classification:
livres
livres
Publication:
janvier 2003, London
janvier 2003, London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$41.95
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"Architectures : modernism and after" surveys the history of the building from the advent of industrialization to the cultural imperatives of the present moment. Brings together international art and architectural historians to consider a range of topics that have influenced the shape, profile, and aesthetics of the built environment. Presents crucial "moments" in(...)
$41.95
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"Architectures : modernism and after" surveys the history of the building from the advent of industrialization to the cultural imperatives of the present moment. Brings together international art and architectural historians to consider a range of topics that have influenced the shape, profile, and aesthetics of the built environment. Presents crucial "moments" in(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
novembre 2003, Malden / Oxford / Carlton
novembre 2003, Malden / Oxford / Carlton
Titre:
Architectures : modernism and after
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"Architectures : modernism and after" surveys the history of the building from the advent of industrialization to the cultural imperatives of the present moment. Brings together international art and architectural historians to consider a range of topics that have influenced the shape, profile, and aesthetics of the built environment. Presents crucial "moments" in the history of the field when the architecture of the past is made to respond to new and changing cultural circumstances. Provides a view of architectural history as a part of a continuing dialogue between aesthetic criteria and social and cultural imperatives.
Architectures : modernism and after
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"Architectures : modernism and after" surveys the history of the building from the advent of industrialization to the cultural imperatives of the present moment. Brings together international art and architectural historians to consider a range of topics that have influenced the shape, profile, and aesthetics of the built environment. Presents crucial "moments" in the history of the field when the architecture of the past is made to respond to new and changing cultural circumstances. Provides a view of architectural history as a part of a continuing dialogue between aesthetic criteria and social and cultural imperatives.
Classification:
livres
livres
Publication:
novembre 2003, Malden / Oxford / Carlton
novembre 2003, Malden / Oxford / Carlton
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$63.95
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Résumé:
This volume ranges from studies of Baudelaire, Brecht, and the historian Carl Jochmann to appraisals of photography, film, and poetry. At their core is the question of how art can survive and thrive in a tumultuous time. Here we see Benjamin laying out an ethic for the critic and artist, a subdued but resilient heroism. At the same time, he was setting forth a(...)
$63.95
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This volume ranges from studies of Baudelaire, Brecht, and the historian Carl Jochmann to appraisals of photography, film, and poetry. At their core is the question of how art can survive and thrive in a tumultuous time. Here we see Benjamin laying out an ethic for the critic and artist, a subdued but resilient heroism. At the same time, he was setting forth a(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
mars 2003, Cambridge, Mass.
mars 2003, Cambridge, Mass.
Titre:
Walter Benjamin : selected writings volume 4, 1938-1940
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This volume ranges from studies of Baudelaire, Brecht, and the historian Carl Jochmann to appraisals of photography, film, and poetry. At their core is the question of how art can survive and thrive in a tumultuous time. Here we see Benjamin laying out an ethic for the critic and artist, a subdued but resilient heroism. At the same time, he was setting forth a sociohistorical account of how art adapts in an age of violence and repression.
Walter Benjamin : selected writings volume 4, 1938-1940
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This volume ranges from studies of Baudelaire, Brecht, and the historian Carl Jochmann to appraisals of photography, film, and poetry. At their core is the question of how art can survive and thrive in a tumultuous time. Here we see Benjamin laying out an ethic for the critic and artist, a subdued but resilient heroism. At the same time, he was setting forth a sociohistorical account of how art adapts in an age of violence and repression.
Classification:
livres
livres
Publication:
mars 2003, Cambridge, Mass.
mars 2003, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$67.25
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Résumé:
According to Paul Shepheard, architecture is the rearranging of the world for human purposes. Sculpture, machines, and landscapes are all architecture -- every bit as much as buildings are. In his writings, Shepheard examines old assumptions about architecture and replaces the critical theory of the academic with the active theory of the architect-citizen enamored of the(...)
$67.25
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According to Paul Shepheard, architecture is the rearranging of the world for human purposes. Sculpture, machines, and landscapes are all architecture -- every bit as much as buildings are. In his writings, Shepheard examines old assumptions about architecture and replaces the critical theory of the academic with the active theory of the architect-citizen enamored of the(...)
Titre:
Artificial love : a story of machines and architecture
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According to Paul Shepheard, architecture is the rearranging of the world for human purposes. Sculpture, machines, and landscapes are all architecture -- every bit as much as buildings are. In his writings, Shepheard examines old assumptions about architecture and replaces the critical theory of the academic with the active theory of the architect-citizen enamored of the world around him. Artificial Love weaves together three stories about architecture into one. The first, about machines as architecture, leads to speculations about technology and the human condition and to the assertion that machines are the sculptures of today. The second story is about the ways that architecture reflects the tribal and personal desires of those who make it. In the West, ideas of community, multiculturalism, and globalization compete furiously, leaving architecture to exist as it always has, as the past in the present. The third story features individual people experiencing their lives in the context of architecture. Here, Shepheard borrows the rhetorical device of Shakespeare's seven ages of man to propose that each person's life imitates the accumulating history of the human species. Shepheard's version of the history of humans is a technological one, in which machines become sculpture and sculpture becomes architecture. For Shepheard, our machines do not separate us from nature. Rather, our technology is our nature, and we cannot but be in harmony with nature. The change that we have wrought in the world, he says, is a wonderful and powerful thing.
Artificial love : a story of machines and architecture
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$67.25
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According to Paul Shepheard, architecture is the rearranging of the world for human purposes. Sculpture, machines, and landscapes are all architecture -- every bit as much as buildings are. In his writings, Shepheard examines old assumptions about architecture and replaces the critical theory of the academic with the active theory of the architect-citizen enamored of the world around him. Artificial Love weaves together three stories about architecture into one. The first, about machines as architecture, leads to speculations about technology and the human condition and to the assertion that machines are the sculptures of today. The second story is about the ways that architecture reflects the tribal and personal desires of those who make it. In the West, ideas of community, multiculturalism, and globalization compete furiously, leaving architecture to exist as it always has, as the past in the present. The third story features individual people experiencing their lives in the context of architecture. Here, Shepheard borrows the rhetorical device of Shakespeare's seven ages of man to propose that each person's life imitates the accumulating history of the human species. Shepheard's version of the history of humans is a technological one, in which machines become sculpture and sculpture becomes architecture. For Shepheard, our machines do not separate us from nature. Rather, our technology is our nature, and we cannot but be in harmony with nature. The change that we have wrought in the world, he says, is a wonderful and powerful thing.
Classification:
livres
livres
Publication:
juin 2003, Cambridge, Mass.
juin 2003, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$51.95
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"The Organizational Complex" is a historical and theoretical analysis of corporate architecture in the United States after the Second World War. Its title refers to the aesthetic and technological extension of the military-industrial complex, in which architecture, computers, and corporations formed a network of objects, images, and discourses that realigned social(...)
$51.95
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Résumé:
"The Organizational Complex" is a historical and theoretical analysis of corporate architecture in the United States after the Second World War. Its title refers to the aesthetic and technological extension of the military-industrial complex, in which architecture, computers, and corporations formed a network of objects, images, and discourses that realigned social(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
juillet 2003, Cambridge, Massachusetts
juillet 2003, Cambridge, Massachusetts
Titre:
The organizational complex : architecture, media, and corporate space
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"The Organizational Complex" is a historical and theoretical analysis of corporate architecture in the United States after the Second World War. Its title refers to the aesthetic and technological extension of the military-industrial complex, in which architecture, computers, and corporations formed a network of objects, images, and discourses that realigned social relations and transformed the postwar landscape. In-depth case studies of architect Eero Saarinen's work for General Motors, IBM, and Bell Laboratories and analyses of office buildings designed by Skidmore, Owings & Merrill trace the emergence of a systems-based model of organization in architecture, in which the modular curtain wall acts as both an organizational device and a carrier of the corporate image. Such an image--of the corporation as a flexible, integrated system--is seen to correspond with a "humanization" of corporate life, as corporations decentralize both spatially and administratively. Parallel analyses follow the assimilation of cybernetics into aesthetics in the writings of artist and visual theorist Gyorgy Kepes, as art merges with techno-science in the service of a dynamic new "pattern-seeing." Image and system thus converge in the organizational complex, while top-down power dissolves into networked, pattern-based control. Architecture, as one among many media technologies, supplies the patterns--images of organic integration designed to regulate new and unstable human-machine assemblages.
The organizational complex : architecture, media, and corporate space
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$51.95
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Résumé:
"The Organizational Complex" is a historical and theoretical analysis of corporate architecture in the United States after the Second World War. Its title refers to the aesthetic and technological extension of the military-industrial complex, in which architecture, computers, and corporations formed a network of objects, images, and discourses that realigned social relations and transformed the postwar landscape. In-depth case studies of architect Eero Saarinen's work for General Motors, IBM, and Bell Laboratories and analyses of office buildings designed by Skidmore, Owings & Merrill trace the emergence of a systems-based model of organization in architecture, in which the modular curtain wall acts as both an organizational device and a carrier of the corporate image. Such an image--of the corporation as a flexible, integrated system--is seen to correspond with a "humanization" of corporate life, as corporations decentralize both spatially and administratively. Parallel analyses follow the assimilation of cybernetics into aesthetics in the writings of artist and visual theorist Gyorgy Kepes, as art merges with techno-science in the service of a dynamic new "pattern-seeing." Image and system thus converge in the organizational complex, while top-down power dissolves into networked, pattern-based control. Architecture, as one among many media technologies, supplies the patterns--images of organic integration designed to regulate new and unstable human-machine assemblages.
Classification:
livres
livres
Publication:
juillet 2003, Cambridge, Massachusetts
juillet 2003, Cambridge, Massachusetts
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Index architecture
Index architecture
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$41.95
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Résumé:
"Index architecture" documents the extensive cross-fertilization of ideas that can occur between architectural practice and education. Through work developed by students and faculty at Columbia University's School of Architecture, it offers not only an archive of avant-garde work but a record of architectural discourse at a time when the design studio has been radically(...)
$41.95
(disponible en magasin)
Résumé:
"Index architecture" documents the extensive cross-fertilization of ideas that can occur between architectural practice and education. Through work developed by students and faculty at Columbia University's School of Architecture, it offers not only an archive of avant-garde work but a record of architectural discourse at a time when the design studio has been radically(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
mai 2003, Cambridge / London
mai 2003, Cambridge / London
Titre:
Index architecture
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$41.95
(disponible en magasin)
Résumé:
"Index architecture" documents the extensive cross-fertilization of ideas that can occur between architectural practice and education. Through work developed by students and faculty at Columbia University's School of Architecture, it offers not only an archive of avant-garde work but a record of architectural discourse at a time when the design studio has been radically altered by digital technology. Writings, interviews, and images are organized according to an alphabetical "index" of key terms. Cross-referencing allows for a rich reading of concepts currently discussed in the field. The contributing critics and theorists include Stan Allen, Karen Bausman, Lise Anne Couture, Kathryn Dean, Evan Douglis, Kenneth Frampton, Leslie Gill, Thomas Hanrahan, Laurie Hawkinson, Steven Holl, Jeffrey Kipnis, Sulan Kolatan, Greg Lynn, William MacDonald, Reinhold Martin, Mary Mcleod, Victoria Meyers, Hani Rashid, Jesse Reiser, Bernard Tschumi, Nanako Umemoto, and Mark Wigley.
Index architecture
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Prix:
$41.95
(disponible en magasin)
Résumé:
"Index architecture" documents the extensive cross-fertilization of ideas that can occur between architectural practice and education. Through work developed by students and faculty at Columbia University's School of Architecture, it offers not only an archive of avant-garde work but a record of architectural discourse at a time when the design studio has been radically altered by digital technology. Writings, interviews, and images are organized according to an alphabetical "index" of key terms. Cross-referencing allows for a rich reading of concepts currently discussed in the field. The contributing critics and theorists include Stan Allen, Karen Bausman, Lise Anne Couture, Kathryn Dean, Evan Douglis, Kenneth Frampton, Leslie Gill, Thomas Hanrahan, Laurie Hawkinson, Steven Holl, Jeffrey Kipnis, Sulan Kolatan, Greg Lynn, William MacDonald, Reinhold Martin, Mary Mcleod, Victoria Meyers, Hani Rashid, Jesse Reiser, Bernard Tschumi, Nanako Umemoto, and Mark Wigley.
Classification:
livres
livres
Publication:
mai 2003, Cambridge / London
mai 2003, Cambridge / London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
