2137 Résultats
Classification:
livres
livres
Prix:
$63.00
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Résumé:
This book, which accompanies a major exhibition at the Center for New Art and Media (ZKM) in Karlsruhe, Germany, invokes three disparate realms in which images have assumed the role of cultural weapons. Monotheistic religions, scientific theories, and contemporary arts have struggled with the contradictory urge to produce and also destroy images and emblems. Moving(...)
$63.00
(disponible sur commande)
Résumé:
This book, which accompanies a major exhibition at the Center for New Art and Media (ZKM) in Karlsruhe, Germany, invokes three disparate realms in which images have assumed the role of cultural weapons. Monotheistic religions, scientific theories, and contemporary arts have struggled with the contradictory urge to produce and also destroy images and emblems. Moving(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
juillet 2002, Cambridge, Mass.
juillet 2002, Cambridge, Mass.
Titre:
Iconoclash : beyond the image wars in science, religion, and art
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$63.00
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Résumé:
This book, which accompanies a major exhibition at the Center for New Art and Media (ZKM) in Karlsruhe, Germany, invokes three disparate realms in which images have assumed the role of cultural weapons. Monotheistic religions, scientific theories, and contemporary arts have struggled with the contradictory urge to produce and also destroy images and emblems. Moving beyond the image wars, ICONOCLASH shows that image destruction has always coexisted with a cascade of image production, visible in traditional Christian images as well as in scientific laboratories and the various experiments of contemporary art, music, cinema, and architecture. While iconoclasts have struggled against icon worshippers, another history of iconophily has always been at work. Investigating this alternative to the Western obsession with image worship and destruction allows useful comparisons with other cultures, in which images play a very different role. ICONOCLASH offers a variety of experiments on how to suspend the iconoclastic gesture and to renew the movement of images against any freeze-framing. The book includes major works by Art & Language, Willi Baumeister, Christian Boltanski, Daniel Buren, Lucas Cranach, Max Dean, Marcel Duchamp, Albrecht Dürer, Lucio Fontana, Francisco Goya, Hans Haacke, Richard Hamilton, Young Hay, Arata Isozaki, Asger Jorn, Martin Kippenberger, Imi Knoebel, Komar & Melamid, Joseph Kosuth, Gordon Matta-Clark, Tracey Moffat, Nam June Paik, Sigmar Polke, Stephen Prina, Man Ray, Sophie Ristelhueber, Hiroshi Sugimoto, and many others.
Iconoclash : beyond the image wars in science, religion, and art
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Prix:
$63.00
(disponible sur commande)
Résumé:
This book, which accompanies a major exhibition at the Center for New Art and Media (ZKM) in Karlsruhe, Germany, invokes three disparate realms in which images have assumed the role of cultural weapons. Monotheistic religions, scientific theories, and contemporary arts have struggled with the contradictory urge to produce and also destroy images and emblems. Moving beyond the image wars, ICONOCLASH shows that image destruction has always coexisted with a cascade of image production, visible in traditional Christian images as well as in scientific laboratories and the various experiments of contemporary art, music, cinema, and architecture. While iconoclasts have struggled against icon worshippers, another history of iconophily has always been at work. Investigating this alternative to the Western obsession with image worship and destruction allows useful comparisons with other cultures, in which images play a very different role. ICONOCLASH offers a variety of experiments on how to suspend the iconoclastic gesture and to renew the movement of images against any freeze-framing. The book includes major works by Art & Language, Willi Baumeister, Christian Boltanski, Daniel Buren, Lucas Cranach, Max Dean, Marcel Duchamp, Albrecht Dürer, Lucio Fontana, Francisco Goya, Hans Haacke, Richard Hamilton, Young Hay, Arata Isozaki, Asger Jorn, Martin Kippenberger, Imi Knoebel, Komar & Melamid, Joseph Kosuth, Gordon Matta-Clark, Tracey Moffat, Nam June Paik, Sigmar Polke, Stephen Prina, Man Ray, Sophie Ristelhueber, Hiroshi Sugimoto, and many others.
Classification:
livres
livres
Publication:
juillet 2002, Cambridge, Mass.
juillet 2002, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$32.95
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Résumé:
"Peeking through the Keyhole" is about transformations in the way we live and the places we call home. Until the past few decades, transitions in the style of homes and types of households were slow and gradual. With today's instant communication, the way we observe other people, other cultures, and other times has altered, and been altered by, the homes we live in.(...)
$32.95
(disponible sur commande)
Résumé:
"Peeking through the Keyhole" is about transformations in the way we live and the places we call home. Until the past few decades, transitions in the style of homes and types of households were slow and gradual. With today's instant communication, the way we observe other people, other cultures, and other times has altered, and been altered by, the homes we live in.(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
janvier 2002, Montréal
janvier 2002, Montréal
Titre:
Peeking through the keyhole : the evolution of North American homes
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$32.95
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"Peeking through the Keyhole" is about transformations in the way we live and the places we call home. Until the past few decades, transitions in the style of homes and types of households were slow and gradual. With today's instant communication, the way we observe other people, other cultures, and other times has altered, and been altered by, the homes we live in. Avi Friedman and David Krawitz guide the reader through the trends and changes that have influenced residential design and construction over the last fifty years. From kitchens to home offices to entire neighbourhoods, they unravel the effect of technology and consumerism on the way we perceive and use domestic space, arguing that the home is no longer a product of pure design but a response to factors and forces beyond the control of designers, builders, and users. Each chapter approaches the theme of home from a different vantage point: the first three chapters focus on food and kitchens, communication, construction and renovation; the middle chapters deal with childhood and aging; and the final chapters examine our ideas of home in the context of the broader community and as an object of commerce. The authors demonstrate how much life has changed in the years following the Second World War, showing how transformations in society, the economy, and lifestyles are reflected in our homes.
Peeking through the keyhole : the evolution of North American homes
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$32.95
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Résumé:
"Peeking through the Keyhole" is about transformations in the way we live and the places we call home. Until the past few decades, transitions in the style of homes and types of households were slow and gradual. With today's instant communication, the way we observe other people, other cultures, and other times has altered, and been altered by, the homes we live in. Avi Friedman and David Krawitz guide the reader through the trends and changes that have influenced residential design and construction over the last fifty years. From kitchens to home offices to entire neighbourhoods, they unravel the effect of technology and consumerism on the way we perceive and use domestic space, arguing that the home is no longer a product of pure design but a response to factors and forces beyond the control of designers, builders, and users. Each chapter approaches the theme of home from a different vantage point: the first three chapters focus on food and kitchens, communication, construction and renovation; the middle chapters deal with childhood and aging; and the final chapters examine our ideas of home in the context of the broader community and as an object of commerce. The authors demonstrate how much life has changed in the years following the Second World War, showing how transformations in society, the economy, and lifestyles are reflected in our homes.
Classification:
livres
livres
Publication:
janvier 2002, Montréal
janvier 2002, Montréal
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Animation : form follows fun
Animation : form follows fun
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$69.95
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Résumé:
In amusement parks and theme parks the role of architecture in generating an emotional experience has long outgrown its mere functional and structural aspects. This trend is now pervading shopping malls, airports, museums, and even banks. It is a trend that progressive architects will have to confront as it becomes an increasingly important feature for investors and users(...)
$69.95
(disponible sur commande)
Résumé:
In amusement parks and theme parks the role of architecture in generating an emotional experience has long outgrown its mere functional and structural aspects. This trend is now pervading shopping malls, airports, museums, and even banks. It is a trend that progressive architects will have to confront as it becomes an increasingly important feature for investors and users(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
juin 2002, Basel
juin 2002, Basel
Titre:
Animation : form follows fun
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$69.95
(disponible sur commande)
Résumé:
In amusement parks and theme parks the role of architecture in generating an emotional experience has long outgrown its mere functional and structural aspects. This trend is now pervading shopping malls, airports, museums, and even banks. It is a trend that progressive architects will have to confront as it becomes an increasingly important feature for investors and users in our pleasure-seeking society. With a wealth of international examples ranging from the prototype Disneyland (where Walt Disney's concepts of animation were congenially transformed into reality) to historical amusement parks and modern day theme parks, "Animation" investigates this global trend in contemporary architecture for the first time. Visual images and analytical texts reveal how animation architecture functions, the effects it can achieve, and the uses it can be put to.
Animation : form follows fun
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$69.95
(disponible sur commande)
Résumé:
In amusement parks and theme parks the role of architecture in generating an emotional experience has long outgrown its mere functional and structural aspects. This trend is now pervading shopping malls, airports, museums, and even banks. It is a trend that progressive architects will have to confront as it becomes an increasingly important feature for investors and users in our pleasure-seeking society. With a wealth of international examples ranging from the prototype Disneyland (where Walt Disney's concepts of animation were congenially transformed into reality) to historical amusement parks and modern day theme parks, "Animation" investigates this global trend in contemporary architecture for the first time. Visual images and analytical texts reveal how animation architecture functions, the effects it can achieve, and the uses it can be put to.
Classification:
livres
livres
Publication:
juin 2002, Basel
juin 2002, Basel
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Ground zero
Ground zero
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$19.00
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Résumé:
How would it be if what we take for human advance were simply a technological progress that literally leaves us out of its equations? What if Progress is not humanity striking out bravely towards the future, but an ultimately destructive force? Paul Virilio paints a bleak picture of current scientific, cultural, social and political values. Art has succumbed to the(...)
$19.00
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Résumé:
How would it be if what we take for human advance were simply a technological progress that literally leaves us out of its equations? What if Progress is not humanity striking out bravely towards the future, but an ultimately destructive force? Paul Virilio paints a bleak picture of current scientific, cultural, social and political values. Art has succumbed to the(...)
Titre:
Ground zero
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Prix:
$19.00
(disponible sur commande)
Résumé:
How would it be if what we take for human advance were simply a technological progress that literally leaves us out of its equations? What if Progress is not humanity striking out bravely towards the future, but an ultimately destructive force? Paul Virilio paints a bleak picture of current scientific, cultural, social and political values. Art has succumbed to the techniques of advertising and in politics, the battle for hearts and minds has become a mere convergence of opinion. TV ratings have triumphed over universal suffrage. The events of September 11 reflect both the manipulation of a global sub-proletariat and the delusions of an élite of rich students and technicians who resemble the 'suicidal members of the Heaven's Gate cybersect'. And, in this post-humanist dystopia, we are morally rudderless before the threat of biological manipulations as yet undreamt.
Ground zero
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Prix:
$19.00
(disponible sur commande)
Résumé:
How would it be if what we take for human advance were simply a technological progress that literally leaves us out of its equations? What if Progress is not humanity striking out bravely towards the future, but an ultimately destructive force? Paul Virilio paints a bleak picture of current scientific, cultural, social and political values. Art has succumbed to the techniques of advertising and in politics, the battle for hearts and minds has become a mere convergence of opinion. TV ratings have triumphed over universal suffrage. The events of September 11 reflect both the manipulation of a global sub-proletariat and the delusions of an élite of rich students and technicians who resemble the 'suicidal members of the Heaven's Gate cybersect'. And, in this post-humanist dystopia, we are morally rudderless before the threat of biological manipulations as yet undreamt.
Classification:
livres
livres
Publication:
septembre 2002, New York
septembre 2002, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$44.75
(disponible en magasin)
Résumé:
"Tracing architecture" looks at the impact that knowledge of ancient Egyptian, Greek, Roman and British architecture had on aesthetic attitudes and architectural design. It explores the changing relationship between text and image in an era before the introduction of mass mechanical reproduction.
$44.75
(disponible en magasin)
Résumé:
"Tracing architecture" looks at the impact that knowledge of ancient Egyptian, Greek, Roman and British architecture had on aesthetic attitudes and architectural design. It explores the changing relationship between text and image in an era before the introduction of mass mechanical reproduction.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
décembre 2002, Malden / Oxford / Melbourne / Berlin
décembre 2002, Malden / Oxford / Melbourne / Berlin
Titre:
Tracing architecture : the aesthetics of antiquarianism
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Prix:
$44.75
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Résumé:
"Tracing architecture" looks at the impact that knowledge of ancient Egyptian, Greek, Roman and British architecture had on aesthetic attitudes and architectural design. It explores the changing relationship between text and image in an era before the introduction of mass mechanical reproduction.
Tracing architecture : the aesthetics of antiquarianism
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Prix:
$44.75
(disponible en magasin)
Résumé:
"Tracing architecture" looks at the impact that knowledge of ancient Egyptian, Greek, Roman and British architecture had on aesthetic attitudes and architectural design. It explores the changing relationship between text and image in an era before the introduction of mass mechanical reproduction.
Classification:
livres
livres
Publication:
décembre 2002, Malden / Oxford / Melbourne / Berlin
décembre 2002, Malden / Oxford / Melbourne / Berlin
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$118.00
(disponible sur commande)
Résumé:
The first issue of the legendary architecture journal "Pencil Points" appeared in 1920 as "a journal for the drafting room." Born out of "The Architectural Review", and merged with "Progressive Architecture" in 1943, "Pencil Points" became the leading voice in architectural and graphic design when modernism flourished, introducing key players from America and Europe. It(...)
$118.00
(disponible sur commande)
Résumé:
The first issue of the legendary architecture journal "Pencil Points" appeared in 1920 as "a journal for the drafting room." Born out of "The Architectural Review", and merged with "Progressive Architecture" in 1943, "Pencil Points" became the leading voice in architectural and graphic design when modernism flourished, introducing key players from America and Europe. It(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
janvier 1900, New York
janvier 1900, New York
Titre:
Pencil points reader : a journal for the drafting room, 1920-1943
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$118.00
(disponible sur commande)
Résumé:
The first issue of the legendary architecture journal "Pencil Points" appeared in 1920 as "a journal for the drafting room." Born out of "The Architectural Review", and merged with "Progressive Architecture" in 1943, "Pencil Points" became the leading voice in architectural and graphic design when modernism flourished, introducing key players from America and Europe. It also established the agenda in architectural theory: multivolume pieces by John Harbeson, Talbot Hamlin, Hugh Ferris, and others dealt with major issues that are still relevant today - architectural education and practice, small-house design and portable housing, city planning, and the influence (or not) of modernism. Items like George Nelson's series of reports from Europe in the early 1930's, H. Van Buren Magonigle's diatribes against modernism, and a glossary of École des Beaux-Arts terms sit side-by-side with the best architectural drawings and photographs of the 20th century. "Pencil Points Reader" re-publishes the most important essays from the journal's 23 years, arranged chronologically, and offers an insider's introduction by John Morris Dixon, the former executive editor of "Progressive Architecture".
Pencil points reader : a journal for the drafting room, 1920-1943
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Prix:
$118.00
(disponible sur commande)
Résumé:
The first issue of the legendary architecture journal "Pencil Points" appeared in 1920 as "a journal for the drafting room." Born out of "The Architectural Review", and merged with "Progressive Architecture" in 1943, "Pencil Points" became the leading voice in architectural and graphic design when modernism flourished, introducing key players from America and Europe. It also established the agenda in architectural theory: multivolume pieces by John Harbeson, Talbot Hamlin, Hugh Ferris, and others dealt with major issues that are still relevant today - architectural education and practice, small-house design and portable housing, city planning, and the influence (or not) of modernism. Items like George Nelson's series of reports from Europe in the early 1930's, H. Van Buren Magonigle's diatribes against modernism, and a glossary of École des Beaux-Arts terms sit side-by-side with the best architectural drawings and photographs of the 20th century. "Pencil Points Reader" re-publishes the most important essays from the journal's 23 years, arranged chronologically, and offers an insider's introduction by John Morris Dixon, the former executive editor of "Progressive Architecture".
Classification:
livres
livres
Publication:
janvier 1900, New York
janvier 1900, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Actions:
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$57.75
(disponible sur commande)
Résumé:
Providing hard data for trends that many perceive only vaguely and some deny altogether, "Designing for diversity" reveals a profession rife with gender and racial discrimination and examines the aspects of architectural practice that hinder or support the full participation of women and persons of color. Drawing on interviews and surveys of hundreds of architects,(...)
$57.75
(disponible sur commande)
Résumé:
Providing hard data for trends that many perceive only vaguely and some deny altogether, "Designing for diversity" reveals a profession rife with gender and racial discrimination and examines the aspects of architectural practice that hinder or support the full participation of women and persons of color. Drawing on interviews and surveys of hundreds of architects,(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
avril 2002, Urbana and Chicago
avril 2002, Urbana and Chicago
Titre:
Designing for diversity : gender, race. and ethnicity in the architectural profession
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$57.75
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Résumé:
Providing hard data for trends that many perceive only vaguely and some deny altogether, "Designing for diversity" reveals a profession rife with gender and racial discrimination and examines the aspects of architectural practice that hinder or support the full participation of women and persons of color. Drawing on interviews and surveys of hundreds of architects, Kathryn H. Anthony outlines some of the forms of discrimination that recur in architecture, such as being confined to certain kinds of positions, typically interior design for women, government work for African Americans, and computer-aided design for Asian-American architects. Anthony discusses the profession's attitude toward flexible schedules and part-time contracts and identifies strategies that have helped underrepresented individuals advance in the profession. Given the traditional mismatch between diverse consumers and predominantly white male producers of the built environment, plus the shifting population balance toward communities of color, Anthony contends that the architectural profession staves off true diversity at its own peril. Through her book, practicing architects, managers of firms, and educators will learn how to create conditions more welcoming to a diversity of users as well as designers of the built environment.
Designing for diversity : gender, race. and ethnicity in the architectural profession
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Prix:
$57.75
(disponible sur commande)
Résumé:
Providing hard data for trends that many perceive only vaguely and some deny altogether, "Designing for diversity" reveals a profession rife with gender and racial discrimination and examines the aspects of architectural practice that hinder or support the full participation of women and persons of color. Drawing on interviews and surveys of hundreds of architects, Kathryn H. Anthony outlines some of the forms of discrimination that recur in architecture, such as being confined to certain kinds of positions, typically interior design for women, government work for African Americans, and computer-aided design for Asian-American architects. Anthony discusses the profession's attitude toward flexible schedules and part-time contracts and identifies strategies that have helped underrepresented individuals advance in the profession. Given the traditional mismatch between diverse consumers and predominantly white male producers of the built environment, plus the shifting population balance toward communities of color, Anthony contends that the architectural profession staves off true diversity at its own peril. Through her book, practicing architects, managers of firms, and educators will learn how to create conditions more welcoming to a diversity of users as well as designers of the built environment.
Classification:
livres
livres
Publication:
avril 2002, Urbana and Chicago
avril 2002, Urbana and Chicago
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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Prix:
$41.95
(disponible sur commande)
Résumé:
À partir d'une collection de lieux choisis, amplement phototographiés et dessinés par Dominique Spinetta, s'élabore un enseignement qui lie intimement la compréhension des formes à leurs usages. Au fil des démonstrations, le lecteur pourra se forger un regard de concepteur, capable de reconnaître - pour les transformer - les logiques des espaces bâtis.
$41.95
(disponible sur commande)
Résumé:
À partir d'une collection de lieux choisis, amplement phototographiés et dessinés par Dominique Spinetta, s'élabore un enseignement qui lie intimement la compréhension des formes à leurs usages. Au fil des démonstrations, le lecteur pourra se forger un regard de concepteur, capable de reconnaître - pour les transformer - les logiques des espaces bâtis.
Titre:
L'apprentissage du regard : leçons d'architecture de Dominique Spinetta
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$41.95
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Résumé:
À partir d'une collection de lieux choisis, amplement phototographiés et dessinés par Dominique Spinetta, s'élabore un enseignement qui lie intimement la compréhension des formes à leurs usages. Au fil des démonstrations, le lecteur pourra se forger un regard de concepteur, capable de reconnaître - pour les transformer - les logiques des espaces bâtis.
L'apprentissage du regard : leçons d'architecture de Dominique Spinetta
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Prix:
$41.95
(disponible sur commande)
Résumé:
À partir d'une collection de lieux choisis, amplement phototographiés et dessinés par Dominique Spinetta, s'élabore un enseignement qui lie intimement la compréhension des formes à leurs usages. Au fil des démonstrations, le lecteur pourra se forger un regard de concepteur, capable de reconnaître - pour les transformer - les logiques des espaces bâtis.
Classification:
livres
livres
Publication:
mai 2002, Paris
mai 2002, Paris
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Infinity and perspective
Infinity and perspective
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$36.95
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Résumé:
Much postmodern rhetoric, suggests Karsten Harries, can be understood as a symptom of our civilization's discontent, born of regret that we are no longer able to experience our world as a cosmos that assigns us our place. But dissatisfaction with the modern world may also spring from a conviction that modernism has failed to confront the challenge of an inevitably open(...)
$36.95
(disponible sur commande)
Résumé:
Much postmodern rhetoric, suggests Karsten Harries, can be understood as a symptom of our civilization's discontent, born of regret that we are no longer able to experience our world as a cosmos that assigns us our place. But dissatisfaction with the modern world may also spring from a conviction that modernism has failed to confront the challenge of an inevitably open(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
octobre 2002, Cambridge, Mass.
octobre 2002, Cambridge, Mass.
Titre:
Infinity and perspective
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$36.95
(disponible sur commande)
Résumé:
Much postmodern rhetoric, suggests Karsten Harries, can be understood as a symptom of our civilization's discontent, born of regret that we are no longer able to experience our world as a cosmos that assigns us our place. But dissatisfaction with the modern world may also spring from a conviction that modernism has failed to confront the challenge of an inevitably open future. Such conviction has frequently led to a critique of modernity's founding heroes. Challenging that critique, Harries insists that modernity is supported by nothing other than human freedom. But more important to Harries is to show how modernist self-assertion is shadowed by nihilism and what it might mean to step out of that shadow. Looking at a small number of medieval and Renaissance texts, as well as some paintings, he uncovers the threshold that separates the modern from the premodern world. At the same time, he illuminates that other, more questionable threshold, between the modern and the postmodern. Two spirits preside over the book: Alberti, the Renaissance author on art and architecture, whose passionate interest in perspective and point of view offers a key to modernity; and Nicolaus Cusanus, the fifteenth-century cardinal, whose work shows that such interest cannot be divorced from speculations on the infinity of God. The title Infinity and Perspective connects the two to each other and to the shape of modernity.
Infinity and perspective
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$36.95
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Résumé:
Much postmodern rhetoric, suggests Karsten Harries, can be understood as a symptom of our civilization's discontent, born of regret that we are no longer able to experience our world as a cosmos that assigns us our place. But dissatisfaction with the modern world may also spring from a conviction that modernism has failed to confront the challenge of an inevitably open future. Such conviction has frequently led to a critique of modernity's founding heroes. Challenging that critique, Harries insists that modernity is supported by nothing other than human freedom. But more important to Harries is to show how modernist self-assertion is shadowed by nihilism and what it might mean to step out of that shadow. Looking at a small number of medieval and Renaissance texts, as well as some paintings, he uncovers the threshold that separates the modern from the premodern world. At the same time, he illuminates that other, more questionable threshold, between the modern and the postmodern. Two spirits preside over the book: Alberti, the Renaissance author on art and architecture, whose passionate interest in perspective and point of view offers a key to modernity; and Nicolaus Cusanus, the fifteenth-century cardinal, whose work shows that such interest cannot be divorced from speculations on the infinity of God. The title Infinity and Perspective connects the two to each other and to the shape of modernity.
Classification:
livres
livres
Publication:
octobre 2002, Cambridge, Mass.
octobre 2002, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$47.95
(disponible en magasin)
Résumé:
"Vitruvius’s De architectura" is the only major work on architecture to survive from classical antiquity, and until the eighteenth century it was the text to which all other architectural treatises referred. While European classicists have focused on the factual truth of the text itself, English-speaking architects and architectural theorists have viewed it as a timeless(...)
$47.95
(disponible en magasin)
Résumé:
"Vitruvius’s De architectura" is the only major work on architecture to survive from classical antiquity, and until the eighteenth century it was the text to which all other architectural treatises referred. While European classicists have focused on the factual truth of the text itself, English-speaking architects and architectural theorists have viewed it as a timeless(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
octobre 2002, Cambridge, Mass.
octobre 2002, Cambridge, Mass.
Titre:
Vitruvius: Writing the body of architecture
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$47.95
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Résumé:
"Vitruvius’s De architectura" is the only major work on architecture to survive from classical antiquity, and until the eighteenth century it was the text to which all other architectural treatises referred. While European classicists have focused on the factual truth of the text itself, English-speaking architects and architectural theorists have viewed it as a timeless source of valuable metaphors. Departing from both perspectives, Indra Kagis McEwen examines the work’s meaning and significance in its own time. Vitruvius dedicated De architectura to his patron Augustus Caesar, the first Roman emperor, whose rise to power inspired its composition near the end of the first century B.C. McEwen argues that the imperial project of world dominion shaped Vitruvius’s purpose in writing what he calls "the whole body of architecture." Specifically, Vitruvius’s aim was to present his discipline as the means for making the emperor’s body congruent with the imagined body of the world he would rule.
Vitruvius: Writing the body of architecture
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(disponible en magasin)
Résumé:
"Vitruvius’s De architectura" is the only major work on architecture to survive from classical antiquity, and until the eighteenth century it was the text to which all other architectural treatises referred. While European classicists have focused on the factual truth of the text itself, English-speaking architects and architectural theorists have viewed it as a timeless source of valuable metaphors. Departing from both perspectives, Indra Kagis McEwen examines the work’s meaning and significance in its own time. Vitruvius dedicated De architectura to his patron Augustus Caesar, the first Roman emperor, whose rise to power inspired its composition near the end of the first century B.C. McEwen argues that the imperial project of world dominion shaped Vitruvius’s purpose in writing what he calls "the whole body of architecture." Specifically, Vitruvius’s aim was to present his discipline as the means for making the emperor’s body congruent with the imagined body of the world he would rule.
Classification:
livres
livres
Publication:
octobre 2002, Cambridge, Mass.
octobre 2002, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
