2221 Résultats
Classification:
livres
livres
Titre:
Architecture goes wild
Architecture goes wild
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In his writings, architect Kas Oosterhuis bridges the gap between theory and practice. His observations are based on the principle of concrete science fiction. He is convinced that every construct - hardware or software - that can be formulated as a consistent set of rules is realizable within the social constraints of our present-day culture. In his essay(...)
$29.95
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In his writings, architect Kas Oosterhuis bridges the gap between theory and practice. His observations are based on the principle of concrete science fiction. He is convinced that every construct - hardware or software - that can be formulated as a consistent set of rules is realizable within the social constraints of our present-day culture. In his essay(...)
Titre:
Architecture goes wild
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$29.95
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Résumé:
In his writings, architect Kas Oosterhuis bridges the gap between theory and practice. His observations are based on the principle of concrete science fiction. He is convinced that every construct - hardware or software - that can be formulated as a consistent set of rules is realizable within the social constraints of our present-day culture. In his essay 'Space_Time_Volume' Kas Oosterhuis places himself in the local and temporary delamination point between the micro- and macroworlds. He speculates on a seamless continuity of these worlds where the instrumental human position is only one of many possible positions. Our perception of the universe is based on observations made by instruments. Language is seen as such an instrument. In 'Wild Bodies' Oosterhuis asserts that all true architecture inevitably will be programmed to perform in real time. This point of view is based on the observation that traditional fixed and static architecture is a highly unlikely state among all possible ones. An architectural construct is regarded as a body with real-time behaviour that is always in motion. Computer programs speak the new instrumental language in which potential new worlds are described. 'Automotive Styling' declares the human driver of the automobile to be the voluntary prisoner of the physical car-road communications network. In 'Vectorial Bodies' the human driver is nothing less than fuzzy software programming the car to lead it to his destinations. There is no place for romantic ideas such as freedom of movement, but there is the overwhelming desire of carbon-based life forms to exchange data with industrial and digital life forms.
Architecture goes wild
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In his writings, architect Kas Oosterhuis bridges the gap between theory and practice. His observations are based on the principle of concrete science fiction. He is convinced that every construct - hardware or software - that can be formulated as a consistent set of rules is realizable within the social constraints of our present-day culture. In his essay 'Space_Time_Volume' Kas Oosterhuis places himself in the local and temporary delamination point between the micro- and macroworlds. He speculates on a seamless continuity of these worlds where the instrumental human position is only one of many possible positions. Our perception of the universe is based on observations made by instruments. Language is seen as such an instrument. In 'Wild Bodies' Oosterhuis asserts that all true architecture inevitably will be programmed to perform in real time. This point of view is based on the observation that traditional fixed and static architecture is a highly unlikely state among all possible ones. An architectural construct is regarded as a body with real-time behaviour that is always in motion. Computer programs speak the new instrumental language in which potential new worlds are described. 'Automotive Styling' declares the human driver of the automobile to be the voluntary prisoner of the physical car-road communications network. In 'Vectorial Bodies' the human driver is nothing less than fuzzy software programming the car to lead it to his destinations. There is no place for romantic ideas such as freedom of movement, but there is the overwhelming desire of carbon-based life forms to exchange data with industrial and digital life forms.
Classification:
livres
livres
Publication:
mars 2001, Rotterdam
mars 2001, Rotterdam
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$24.95
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"The lonely crowd" is considered by many to be the most influential book of the twentieth century. Its now-classic analysis of the “new middle class” in terms of inner-directed and other-directed social character opened exciting new dimensions in our understanding of the psychological, political, and economic problems that confront the individual in contemporary American(...)
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"The lonely crowd" is considered by many to be the most influential book of the twentieth century. Its now-classic analysis of the “new middle class” in terms of inner-directed and other-directed social character opened exciting new dimensions in our understanding of the psychological, political, and economic problems that confront the individual in contemporary American(...)
Titre:
The lonely crowd: a study of the changing American character
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"The lonely crowd" is considered by many to be the most influential book of the twentieth century. Its now-classic analysis of the “new middle class” in terms of inner-directed and other-directed social character opened exciting new dimensions in our understanding of the psychological, political, and economic problems that confront the individual in contemporary American society. The 1969 abridged and revised edition of the book is now reissued with a new foreword by Todd Gitlin that explains why the book is still relevant to our own era.
The lonely crowd: a study of the changing American character
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"The lonely crowd" is considered by many to be the most influential book of the twentieth century. Its now-classic analysis of the “new middle class” in terms of inner-directed and other-directed social character opened exciting new dimensions in our understanding of the psychological, political, and economic problems that confront the individual in contemporary American society. The 1969 abridged and revised edition of the book is now reissued with a new foreword by Todd Gitlin that explains why the book is still relevant to our own era.
Classification:
livres
livres
Publication:
février 2001
février 2001
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$52.50
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Résumé:
In "The Building in the Text", Roy Eriksen shows that Renaissance writers conceived of their texts in accordance with architectural principles. His approach opens the way to wide-ranging discussions of the structure and meaning of a variety of literary texts and also provides new insights into the famed architectural ekphrases of Alberti and Vasari. Analyzing such(...)
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In "The Building in the Text", Roy Eriksen shows that Renaissance writers conceived of their texts in accordance with architectural principles. His approach opens the way to wide-ranging discussions of the structure and meaning of a variety of literary texts and also provides new insights into the famed architectural ekphrases of Alberti and Vasari. Analyzing such(...)
Titre:
The building in the text : Alberti to Shakespeare and Milton
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In "The Building in the Text", Roy Eriksen shows that Renaissance writers conceived of their texts in accordance with architectural principles. His approach opens the way to wide-ranging discussions of the structure and meaning of a variety of literary texts and also provides new insights into the famed architectural ekphrases of Alberti and Vasari. Analyzing such words as "plot," "topos," "fabrica," and "stanza," Eriksen discloses the fundamental spatial symmetries and complexities in the writings of Ariosto, Shakespeare, and Milton, among other major figures. Ultimately, his book uncovers and clarifies a tradition of literary architecture that is rooted in antiquity and based on correspondences regarded as ordering principles of the cosmos.
The building in the text : Alberti to Shakespeare and Milton
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In "The Building in the Text", Roy Eriksen shows that Renaissance writers conceived of their texts in accordance with architectural principles. His approach opens the way to wide-ranging discussions of the structure and meaning of a variety of literary texts and also provides new insights into the famed architectural ekphrases of Alberti and Vasari. Analyzing such words as "plot," "topos," "fabrica," and "stanza," Eriksen discloses the fundamental spatial symmetries and complexities in the writings of Ariosto, Shakespeare, and Milton, among other major figures. Ultimately, his book uncovers and clarifies a tradition of literary architecture that is rooted in antiquity and based on correspondences regarded as ordering principles of the cosmos.
Classification:
livres
livres
Publication:
janvier 1900, University Park
janvier 1900, University Park
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$67.95
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Résumé:
The dream of the twentieth century was the construction of mass utopia. As the century closes, this dream is being left behind; the belief that industrial modernization can bring about the good society by overcoming material scarcity for all has been challenged by the disintegration(...)
$67.95
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The dream of the twentieth century was the construction of mass utopia. As the century closes, this dream is being left behind; the belief that industrial modernization can bring about the good society by overcoming material scarcity for all has been challenged by the disintegration(...)
Titre:
Dreamworld and catastrophe : the passing of mass utopia in East and West
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The dream of the twentieth century was the construction of mass utopia. As the century closes, this dream is being left behind; the belief that industrial modernization can bring about the good society by overcoming material scarcity for all has been challenged by the disintegration of European socialism, capitalist restructuring, and ecological constraints. The larger social vision has given way to private dreams of material happiness and to political cynicism. Developing the notion of dreamworld as both a poetic description of a collective mental state and an analytical concept, Susan Buck-Morss attempts to come to terms with mass dreamworlds at the moment of their passing. She shows how dreamworlds became dangerous when their energy was used by the structures of power as an instrument of force against the masses. Stressing the similarities between the East and West and using the end of the Cold War as her point of departure, she examines both extremes of mass utopia, dreamworld and catastrophe. The book is in four parts. "Dreamworlds of Democracy" asks whether collective sovereignty can ever be democratic. "Dreamworlds of History" calls for a rethinking of revolution by political and artistic avant-gardes. "Dreamworlds of Mass Culture" explores the affinities between mass culture's socialist and capitalist forms. An "Afterward" places the book in the historical context of the author's collaboration with a group of Moscow philosophers and artists over the past two tumultuous decades. The book is an experiment in visual culture, using images as philosophy, presenting, literally, a way of seeing the past. Its pictorial narratives rescue historical data that with the end of the Cold War are threatened with oblivion and challenge common conceptions of what this century was all about.
Dreamworld and catastrophe : the passing of mass utopia in East and West
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$67.95
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Résumé:
The dream of the twentieth century was the construction of mass utopia. As the century closes, this dream is being left behind; the belief that industrial modernization can bring about the good society by overcoming material scarcity for all has been challenged by the disintegration of European socialism, capitalist restructuring, and ecological constraints. The larger social vision has given way to private dreams of material happiness and to political cynicism. Developing the notion of dreamworld as both a poetic description of a collective mental state and an analytical concept, Susan Buck-Morss attempts to come to terms with mass dreamworlds at the moment of their passing. She shows how dreamworlds became dangerous when their energy was used by the structures of power as an instrument of force against the masses. Stressing the similarities between the East and West and using the end of the Cold War as her point of departure, she examines both extremes of mass utopia, dreamworld and catastrophe. The book is in four parts. "Dreamworlds of Democracy" asks whether collective sovereignty can ever be democratic. "Dreamworlds of History" calls for a rethinking of revolution by political and artistic avant-gardes. "Dreamworlds of Mass Culture" explores the affinities between mass culture's socialist and capitalist forms. An "Afterward" places the book in the historical context of the author's collaboration with a group of Moscow philosophers and artists over the past two tumultuous decades. The book is an experiment in visual culture, using images as philosophy, presenting, literally, a way of seeing the past. Its pictorial narratives rescue historical data that with the end of the Cold War are threatened with oblivion and challenge common conceptions of what this century was all about.
Classification:
livres
livres
Publication:
janvier 1900, Cambridge
janvier 1900, Cambridge
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$47.00
(disponible sur commande)
Résumé:
Cet ouvrage propose la traduction française de la conférence Silence and Light que Louis I. Kahn tient à Zurich le 12 février 1969 à l'EPF, lors de l'inauguration de l'exposition de ses travaux. Empreinte d'une grande spiritualité, cette conférence d'un architecte qui a contribué à mettre en crise le Mouvement moderne traite du sens de la création architecturale, avec ses(...)
$47.00
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Résumé:
Cet ouvrage propose la traduction française de la conférence Silence and Light que Louis I. Kahn tient à Zurich le 12 février 1969 à l'EPF, lors de l'inauguration de l'exposition de ses travaux. Empreinte d'une grande spiritualité, cette conférence d'un architecte qui a contribué à mettre en crise le Mouvement moderne traite du sens de la création architecturale, avec ses(...)
Titre:
Louis I. Kahn : silence and light -- actualité d'une pensée
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Résumé:
Cet ouvrage propose la traduction française de la conférence Silence and Light que Louis I. Kahn tient à Zurich le 12 février 1969 à l'EPF, lors de l'inauguration de l'exposition de ses travaux. Empreinte d'une grande spiritualité, cette conférence d'un architecte qui a contribué à mettre en crise le Mouvement moderne traite du sens de la création architecturale, avec ses implications sur la démarche de l'architecte, le regard qu'il porte sur son action et sa finalité et, par extension, sur le monde.
Louis I. Kahn : silence and light -- actualité d'une pensée
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$47.00
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Résumé:
Cet ouvrage propose la traduction française de la conférence Silence and Light que Louis I. Kahn tient à Zurich le 12 février 1969 à l'EPF, lors de l'inauguration de l'exposition de ses travaux. Empreinte d'une grande spiritualité, cette conférence d'un architecte qui a contribué à mettre en crise le Mouvement moderne traite du sens de la création architecturale, avec ses implications sur la démarche de l'architecte, le regard qu'il porte sur son action et sa finalité et, par extension, sur le monde.
Classification:
livres
livres
Publication:
septembre 2000, Lausanne
septembre 2000, Lausanne
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$67.50
(disponible sur commande)
Résumé:
Architect Charles Moore (1925-1993) was not only celebrated for his designs; he was also an admired writer and teacher. Though he wrote clearly and passionately about places, he was perhaps unique in avoiding the tone and stance of the personal manifesto. Through his buildings, books, and travels, Moore consistently sought insights into the questions that always underlie(...)
$67.50
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Résumé:
Architect Charles Moore (1925-1993) was not only celebrated for his designs; he was also an admired writer and teacher. Though he wrote clearly and passionately about places, he was perhaps unique in avoiding the tone and stance of the personal manifesto. Through his buildings, books, and travels, Moore consistently sought insights into the questions that always underlie(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
novembre 2000, Cambridge, Mass.
novembre 2000, Cambridge, Mass.
Titre:
You have to pay for the private life : selected essays by Charles W. Moore
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Résumé:
Architect Charles Moore (1925-1993) was not only celebrated for his designs; he was also an admired writer and teacher. Though he wrote clearly and passionately about places, he was perhaps unique in avoiding the tone and stance of the personal manifesto. Through his buildings, books, and travels, Moore consistently sought insights into the questions that always underlie architecture and design: What does it mean to make a place, and how do we inhabit those places? How do we continue to build upon but respect the landscape? How do we reconcile democracy and private land ownership? What is original? What is taste? What is the relationship between past and present? How do we involve inhabitants in making places? Finally, what is public life? As the world becomes smaller, and the uniqueness of places and landscapes gives way to sameness, Moore's celebration of the vernacular and of the surprising are more relevant than ever. The pieces in this book span the years 1952 to 1993 and engage a myriad of topics and movements, such as contextualism, community participation, collaboration, environmentally sensitive design, and historic preservation. The essays in this book reflect as well Moore's scholarship, humanism, urbanity, and great wit.
You have to pay for the private life : selected essays by Charles W. Moore
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$67.50
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Résumé:
Architect Charles Moore (1925-1993) was not only celebrated for his designs; he was also an admired writer and teacher. Though he wrote clearly and passionately about places, he was perhaps unique in avoiding the tone and stance of the personal manifesto. Through his buildings, books, and travels, Moore consistently sought insights into the questions that always underlie architecture and design: What does it mean to make a place, and how do we inhabit those places? How do we continue to build upon but respect the landscape? How do we reconcile democracy and private land ownership? What is original? What is taste? What is the relationship between past and present? How do we involve inhabitants in making places? Finally, what is public life? As the world becomes smaller, and the uniqueness of places and landscapes gives way to sameness, Moore's celebration of the vernacular and of the surprising are more relevant than ever. The pieces in this book span the years 1952 to 1993 and engage a myriad of topics and movements, such as contextualism, community participation, collaboration, environmentally sensitive design, and historic preservation. The essays in this book reflect as well Moore's scholarship, humanism, urbanity, and great wit.
Classification:
livres
livres
Publication:
novembre 2000, Cambridge, Mass.
novembre 2000, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Nature and architecture
Nature and architecture
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$125.00
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This book explores the natural origin of architectural archetypes; the column, the house, the wall, the door, the temple, the tower, etc. Evolving from research carried out in the sixties, this volume not only examines the differences and similarities between natural and architectural forms, but it also draws comparisons between natural forms and the(...)
$125.00
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Résumé:
This book explores the natural origin of architectural archetypes; the column, the house, the wall, the door, the temple, the tower, etc. Evolving from research carried out in the sixties, this volume not only examines the differences and similarities between natural and architectural forms, but it also draws comparisons between natural forms and the(...)
Titre:
Nature and architecture
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$125.00
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This book explores the natural origin of architectural archetypes; the column, the house, the wall, the door, the temple, the tower, etc. Evolving from research carried out in the sixties, this volume not only examines the differences and similarities between natural and architectural forms, but it also draws comparisons between natural forms and the precepts and ideas that characterized architecture of different cultures.
Nature and architecture
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$125.00
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This book explores the natural origin of architectural archetypes; the column, the house, the wall, the door, the temple, the tower, etc. Evolving from research carried out in the sixties, this volume not only examines the differences and similarities between natural and architectural forms, but it also draws comparisons between natural forms and the precepts and ideas that characterized architecture of different cultures.
Classification:
livres
livres
Publication:
octobre 2000, Milan
octobre 2000, Milan
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$39.95
(disponible sur commande)
Résumé:
The issue of race in architecture is a com-plicated and often divisive one. Traditional methods of architectural history and theory tend to attribute a city's civic and cultural identity to the dominant culture. Ignored are more marginal cultures without a tradition of public building, often preventing a complete understanding of the city and the forces that shape(...)
$39.95
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The issue of race in architecture is a com-plicated and often divisive one. Traditional methods of architectural history and theory tend to attribute a city's civic and cultural identity to the dominant culture. Ignored are more marginal cultures without a tradition of public building, often preventing a complete understanding of the city and the forces that shape(...)
Titre:
Sites of memory : perspectives on architecture and race
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$39.95
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The issue of race in architecture is a com-plicated and often divisive one. Traditional methods of architectural history and theory tend to attribute a city's civic and cultural identity to the dominant culture. Ignored are more marginal cultures without a tradition of public building, often preventing a complete understanding of the city and the forces that shape it. These essays explore the historic and contemporary effects of race upon the development of the built environment, and examine the myths and realities of America's racial landscapes. Its multidisciplinary approach identifies and interprets the black cultural landscape, examining its visual, spatial, and ideological dimensions. Contributors to this collection include Nathaniel Belcher, Felicia Davis, Sheryl Tucker deVasquez, K. Ian Grandison, Bradford Grant, Walter Hood, Lesley Lokko, Mabel O. Wilson, and Amy Weisser.
Sites of memory : perspectives on architecture and race
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$39.95
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The issue of race in architecture is a com-plicated and often divisive one. Traditional methods of architectural history and theory tend to attribute a city's civic and cultural identity to the dominant culture. Ignored are more marginal cultures without a tradition of public building, often preventing a complete understanding of the city and the forces that shape it. These essays explore the historic and contemporary effects of race upon the development of the built environment, and examine the myths and realities of America's racial landscapes. Its multidisciplinary approach identifies and interprets the black cultural landscape, examining its visual, spatial, and ideological dimensions. Contributors to this collection include Nathaniel Belcher, Felicia Davis, Sheryl Tucker deVasquez, K. Ian Grandison, Bradford Grant, Walter Hood, Lesley Lokko, Mabel O. Wilson, and Amy Weisser.
Classification:
livres
livres
Publication:
février 2001, New York
février 2001, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$36.95
(disponible sur commande)
Résumé:
A polemical look at how architectural knowledge is produced, disseminated, and received. The essays collected in this groundbreaking volume address the current state of architecture as an academic and professional discipline. Often critical of the current paradigm, these essays offer a provocative challenge to accepted assumptions about the production, dissemination,(...)
$36.95
(disponible sur commande)
Résumé:
A polemical look at how architectural knowledge is produced, disseminated, and received. The essays collected in this groundbreaking volume address the current state of architecture as an academic and professional discipline. Often critical of the current paradigm, these essays offer a provocative challenge to accepted assumptions about the production, dissemination,(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
janvier 2001, Minneapolis
janvier 2001, Minneapolis
Titre:
The discipline of architecture
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A polemical look at how architectural knowledge is produced, disseminated, and received. The essays collected in this groundbreaking volume address the current state of architecture as an academic and professional discipline. Often critical of the current paradigm, these essays offer a provocative challenge to accepted assumptions about the production, dissemination, and reception of architectural knowledge. Contributors: Sherry Ahrentzen, Stanford Anderson, Carol Burns, W. Russell Ellis, Thomas Fisher, Linda N. Groat, Kay Bea Jones, David Leatherbarrow, A. G. Krishna Menon, Garth Rockcastle, Michael Stanton, Sharon Egretta Sutton, David J. T. Vanderburgh, and Donald Watson.
The discipline of architecture
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$36.95
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Résumé:
A polemical look at how architectural knowledge is produced, disseminated, and received. The essays collected in this groundbreaking volume address the current state of architecture as an academic and professional discipline. Often critical of the current paradigm, these essays offer a provocative challenge to accepted assumptions about the production, dissemination, and reception of architectural knowledge. Contributors: Sherry Ahrentzen, Stanford Anderson, Carol Burns, W. Russell Ellis, Thomas Fisher, Linda N. Groat, Kay Bea Jones, David Leatherbarrow, A. G. Krishna Menon, Garth Rockcastle, Michael Stanton, Sharon Egretta Sutton, David J. T. Vanderburgh, and Donald Watson.
Classification:
livres
livres
Publication:
janvier 2001, Minneapolis
janvier 2001, Minneapolis
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$63.00
(disponible sur commande)
Résumé:
Le Corbusier’s Modulor – a fundamental work in the history of architecture – now available in a beautiful facsimile edition. In the years 1942 to 1948, Le Corbusier (...)
$63.00
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Résumé:
Le Corbusier’s Modulor – a fundamental work in the history of architecture – now available in a beautiful facsimile edition. In the years 1942 to 1948, Le Corbusier (...)
Titre:
Le Corbusier : the Modulor, Modulor 2
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$63.00
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Le Corbusier’s Modulor – a fundamental work in the history of architecture – now available in a beautiful facsimile edition. In the years 1942 to 1948, Le Corbusier developed a system of measurements which became known as "Modulor". Based on the Golden Section and Fibonacci numbers and also using the physical dimensions of the average human, Modulor is a sequence of measurements which Le Corbusier used to achieve harmony in his architectural compositions. Le Modulor was published in 1950 and after meeting with success, Le Corbusier went on to publish Modulor 2 in 1955. In many of Le Corbusier’s most notable buildings, including the Chapel at Ronchamp and the Unité d’habitation, evidence of his Modulor system can be seen. These two volumes form an important and integral part of Le Corbusier’s theoretical writings.
Le Corbusier : the Modulor, Modulor 2
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$63.00
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Résumé:
Le Corbusier’s Modulor – a fundamental work in the history of architecture – now available in a beautiful facsimile edition. In the years 1942 to 1948, Le Corbusier developed a system of measurements which became known as "Modulor". Based on the Golden Section and Fibonacci numbers and also using the physical dimensions of the average human, Modulor is a sequence of measurements which Le Corbusier used to achieve harmony in his architectural compositions. Le Modulor was published in 1950 and after meeting with success, Le Corbusier went on to publish Modulor 2 in 1955. In many of Le Corbusier’s most notable buildings, including the Chapel at Ronchamp and the Unité d’habitation, evidence of his Modulor system can be seen. These two volumes form an important and integral part of Le Corbusier’s theoretical writings.
Classification:
livres
livres
Publication:
janvier 2000, Basel
janvier 2000, Basel
Sujet:
Théorie de l’architecture
Théorie de l’architecture
