Mes convictions
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Dès ses débuts, Jean Nouvel élabore une vision de son art dans la cité et compose des textes qui sont autant de contributions à une pensée humaniste. Soucieux depuis cinquante ans des enjeux de l’architecture, il pose sans relâche la question philosophique et politique : l’art de l’architecture peut-il permettre à chacun de vivre mieux et à tous de vivre ensemble ?(...)
Mes convictions
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Dès ses débuts, Jean Nouvel élabore une vision de son art dans la cité et compose des textes qui sont autant de contributions à une pensée humaniste. Soucieux depuis cinquante ans des enjeux de l’architecture, il pose sans relâche la question philosophique et politique : l’art de l’architecture peut-il permettre à chacun de vivre mieux et à tous de vivre ensemble ? Associant réflexions théoriques, prises de parole, textes poétiques, visions pour des projets,« Mes convictions » constitue la révélation d’une pratique littéraire continue, demeurée largement secrète et désormais rendue publique.
Théorie de l’architecture
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Architects, historians, and theorists have been obsessed with fascist architecture since postmodernism. But who are the antifascist architects? What does antifascist architecture look like? This book is the first attempt at creating a working definition. Significant scholarship has already been presented about anti-colonial architecture, militant modernism, liberation(...)
Théorie de l’architecture
avril 2026
Antifascist architecture: A genealogy of antifascist architects, buidings, history, theory
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Architects, historians, and theorists have been obsessed with fascist architecture since postmodernism. But who are the antifascist architects? What does antifascist architecture look like? This book is the first attempt at creating a working definition. Significant scholarship has already been presented about anti-colonial architecture, militant modernism, liberation architecture, and so forth, yet antifascist architecture is an avenue that remains to be explored. "Antifascist architecture" collects a kaleidoscope of diverse architects who heroically aligned themselves with antifascist struggles around the world. It is written for students and practitioners of architecture, but also activists and scholars in the social sciences who are interested in antifascist history, theory, and practice.
Théorie de l’architecture
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Catastrophes, bombed-out cities, large-scale political transformations: “Image complexes” of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the(...)
Before & After: The architecture of disaster
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Catastrophes, bombed-out cities, large-scale political transformations: “Image complexes” of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people’s fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.
Théorie de l’architecture
Baldness and modernism
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The original bald and unconvincing narrative that triggered this book is that put about by Alison and Peter Smithson in their 1981 Heroic Period of Modern Architecture, limiting modernism to 1915–1929. This fiction is re-contextualized with studies of iconic Bauhaus bald heads – Schlemmer, Itten, etc., such Literal Baldness is the subject of Part 1. Part 2 of Phenomenal(...)
Baldness and modernism
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The original bald and unconvincing narrative that triggered this book is that put about by Alison and Peter Smithson in their 1981 Heroic Period of Modern Architecture, limiting modernism to 1915–1929. This fiction is re-contextualized with studies of iconic Bauhaus bald heads – Schlemmer, Itten, etc., such Literal Baldness is the subject of Part 1. Part 2 of Phenomenal Baldness unwinds the Bauhaus narrative put about by Walter Gropius, one that has held water for 100 years. Spin doctor Gropius manipulated his Bauhaus successes into a cornerstone of post WW2 modernism. Cracks in this story are now emerging along with the fact that Gropius was in hindsight, not a very good architect. Attacks on the Bauhaus like those by Rudolph Schwartz or Tom Wolf as well as a comprehensive list of Gropius hand-holders, and those edited out of his narrative are here explored. To conclude Gropius is compared to his contemporary Bruno Taut, a far more interesting and talented architect. This book like Peter Wilson’s previous "Bedtime Stories for Architects" or "Some Reasons for Traveling to Italy" is written in his unique anecdotal style, savoring Shandyisms and the quirks of history.
Théorie de l’architecture
Archigram: The magazine
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Inspired by comic-book culture, Pop art, psychedelia, the space race, sci-fi, Constructivism and Buckminster Fuller, the hugely influential British collective Archigram was the epitome of 1960s avant-garde architecture. Their self-published, lo-fi but materially ingenious magazine Archigram, begun in 1961, announced their ideas for such visionary concepts as "Walking(...)
Archigram: The magazine
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Inspired by comic-book culture, Pop art, psychedelia, the space race, sci-fi, Constructivism and Buckminster Fuller, the hugely influential British collective Archigram was the epitome of 1960s avant-garde architecture. Their self-published, lo-fi but materially ingenious magazine Archigram, begun in 1961, announced their ideas for such visionary concepts as "Walking City," "Plug-In City" and "Instant City." It also served to connect the international avant-garde of the 1960s. Archigram forged links with the Metabolists in Japan, Frei Otto, Utopie and Haus-Rucker-Co in Europe, and Buckminster Fuller in the US. They were also championed by critics such as Charles Jencks and Reyner Banham, who brought Archigram's famous fourth pop-up issue to the US in 1966. Today "Archigram" is one of the rarest major small-press publications of the 1960s, with individual issues selling for a minimum of $600.
Théorie de l’architecture
Rewriting Alberti
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Much has been written about Renaissance architect Leon Battista Alberti’s mantra of part-to-whole as one of the continuing conditions of architecture. While this underlying thesis has often been repeated in the annals of architectural history and theory, architects have rarely questioned the idea. In ''Rewriting Alberti'', architect Peter Eisenman suggests, however, that(...)
Théorie de l’architecture
octobre 2025
Rewriting Alberti
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Much has been written about Renaissance architect Leon Battista Alberti’s mantra of part-to-whole as one of the continuing conditions of architecture. While this underlying thesis has often been repeated in the annals of architectural history and theory, architects have rarely questioned the idea. In ''Rewriting Alberti'', architect Peter Eisenman suggests, however, that Alberti provoked a radical discourse beyond the part-to-whole dialogue featured in his Ten Books of Architecture. Eisenman’s in-depth analysis of Alberti’s five built works reveals a disjunction between the architect’s buildings and theoretical writings, suggesting a new relationship of form to meaning based on the fragmentation of homogeneous space. ''Rewriting Alberti'' includes contributions by Pier Vittorio Aureli, Mario Carpo, and Daniel Sherer. Carpo, an architectural historian and critic, theorizes that Alberti’s work initiated an idea of the discipline as a notational system akin to contemporary computational logics. By way of comparison, Sherer, an architectural historian, reconsiders critic Manfredo Tafuri’s readings of Alberti, and architect and theorist Aureli draws on Alberti to propose another idea of the architectural “project.”
Théorie de l’architecture
Sick Architecture
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Illnesses, wellness, and architecture are inseparable. Medical professionals and architects have always been in a kind of dance, often influencing one another, though the dance is not always synchronized. Drawing from a wide range of historical and contemporary case studies from ancient Greece to twentieth-century India to present-day New York City, Sick Architecture(...)
Sick Architecture
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Illnesses, wellness, and architecture are inseparable. Medical professionals and architects have always been in a kind of dance, often influencing one another, though the dance is not always synchronized. Drawing from a wide range of historical and contemporary case studies from ancient Greece to twentieth-century India to present-day New York City, Sick Architecture highlights a topic that has shaped our lives from the very beginnings of architecture to the outbreak of the Covid-19 pandemic and beyond. "Sick Architecture" goes beyond the sicknesses recognized by the medical profession to ask: What aspects of society may be ill, in need of care, or subject to pathologization? Similarly the book goes beyond physical buildings and cities to interrogate architecture’s policy protocols and spatial logics.
Théorie de l’architecture
The architect and the animal
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In ''The Architect and the Animal'', 26 different architects look at how 26 different animals, from A to Z, have found their way into modern architectural discourse. The animal was typically approached in this discourse not through its various cultural or symbolic identities but as a body examined under a formalistic scientific lens. In this volume, the authors explore a(...)
The architect and the animal
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In ''The Architect and the Animal'', 26 different architects look at how 26 different animals, from A to Z, have found their way into modern architectural discourse. The animal was typically approached in this discourse not through its various cultural or symbolic identities but as a body examined under a formalistic scientific lens. In this volume, the authors explore a less operative—and more meaningful—understanding of animal references and representations in twentieth-century architecture.
Théorie de l’architecture
The art of building
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‘'Simplicity of life is not a misery, but the very foundation of refinement?: a sanded floor and whitewashed walls, and the green trees?; or a grimy palace amid the smoke with a regiment of housemaids always working ; which, think you, is the most refined?’' William Morris (1834–1896) was a poet, designer and political activist. He campaigned against the human and(...)
The art of building
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‘'Simplicity of life is not a misery, but the very foundation of refinement?: a sanded floor and whitewashed walls, and the green trees?; or a grimy palace amid the smoke with a regiment of housemaids always working ; which, think you, is the most refined?’' William Morris (1834–1896) was a poet, designer and political activist. He campaigned against the human and environmental costs of industrial mass production and viewed the arts as central to creating a better society. In these essays, Morris develops his philosophy of simplicity, equality and care for nature in relation to architecture, displaying the integrated vision of culture which has led to Morris being viewed as a forerunner to both the Bauhaus and today’s environmental movements.
Théorie de l’architecture
Architecture and modern life
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''Architecture and Modern Life'' is a collection of essays by influential architect and educator W. R. Lethaby (1857–1931). In these writings, Lethaby foreshadows Le Corbusier and marks a fascinating transitional point between 19th- and 20th-century architectural thought. With radical foresight, he argues for an “efficiency style” in architecture, for towns that cultivate(...)
Architecture and modern life
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''Architecture and Modern Life'' is a collection of essays by influential architect and educator W. R. Lethaby (1857–1931). In these writings, Lethaby foreshadows Le Corbusier and marks a fascinating transitional point between 19th- and 20th-century architectural thought. With radical foresight, he argues for an “efficiency style” in architecture, for towns that cultivate vitality, and against the science of “profit grinding and grabbing.” Often eerily prescient, phrases such as “there is a culture war going forward” and “There is much talk of Housing at the present time, but it is a case of much talk and little house” could be taken from today’s newspapers. The profound importance of these texts lies in Lethaby’s vision of art and design grounded not in style-novelty or aesthetic theory (“the mystification of architecture”) but in “some reality like health, serviceableness, or even perfect cheapness.”
Théorie de l’architecture