1189 Résultats
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livres
livres
Titre:
Commerce by artists
Commerce by artists
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Commerce by Artists documents a range of artists projects produced from the 1950s to the present by Canadian and international artists who have sought to engage, rather than merely represent, the complex contemporary art world of which they are a part. This encyclopedic journey into that pivotal and transitional time encompasses canonical works such as Yves Klein’s(...)
$74.95
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Résumé:
Commerce by Artists documents a range of artists projects produced from the 1950s to the present by Canadian and international artists who have sought to engage, rather than merely represent, the complex contemporary art world of which they are a part. This encyclopedic journey into that pivotal and transitional time encompasses canonical works such as Yves Klein’s(...)
Publication:
mai 2013
mai 2013
Titre:
Commerce by artists
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$74.95
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Commerce by Artists documents a range of artists projects produced from the 1950s to the present by Canadian and international artists who have sought to engage, rather than merely represent, the complex contemporary art world of which they are a part. This encyclopedic journey into that pivotal and transitional time encompasses canonical works such as Yves Klein’s “Zones of Immaterial Pictorial Sensibility” (1958), Seth Siegelaub’s “Artist’s Contract “(1971), and Lee Lozano’s “Strike Piece”(1969)—as well as rarely documented works like Keith Obadike’s “Blackness for Sale” (2001) and Kelly Mark’s “In & Out” (1997-ongoing until 2032).
Commerce by artists
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Commerce by Artists documents a range of artists projects produced from the 1950s to the present by Canadian and international artists who have sought to engage, rather than merely represent, the complex contemporary art world of which they are a part. This encyclopedic journey into that pivotal and transitional time encompasses canonical works such as Yves Klein’s “Zones of Immaterial Pictorial Sensibility” (1958), Seth Siegelaub’s “Artist’s Contract “(1971), and Lee Lozano’s “Strike Piece”(1969)—as well as rarely documented works like Keith Obadike’s “Blackness for Sale” (2001) and Kelly Mark’s “In & Out” (1997-ongoing until 2032).
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livres
livres
Publication:
mai 2013
mai 2013
Classification:
livres
livres
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What does the process of publishing really mean for knowledge exchange? This publication engages the form of the book as the site for poly-vocal and experimental research on art, language, and the economies within and between institutions. A conceptual project offering all the physical trappings of a true academic text: an unusual binding, jacket, title page, preface,(...)
$29.95
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What does the process of publishing really mean for knowledge exchange? This publication engages the form of the book as the site for poly-vocal and experimental research on art, language, and the economies within and between institutions. A conceptual project offering all the physical trappings of a true academic text: an unusual binding, jacket, title page, preface,(...)
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We would like to learn, and we would like to learn: this book is a classroom
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What does the process of publishing really mean for knowledge exchange? This publication engages the form of the book as the site for poly-vocal and experimental research on art, language, and the economies within and between institutions. A conceptual project offering all the physical trappings of a true academic text: an unusual binding, jacket, title page, preface, postface, table of contents, captions, cross headings, annotations, editorial notes, appendix plus various additional accessories while presenting new ideas around the structure.
We would like to learn, and we would like to learn: this book is a classroom
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$29.95
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Résumé:
What does the process of publishing really mean for knowledge exchange? This publication engages the form of the book as the site for poly-vocal and experimental research on art, language, and the economies within and between institutions. A conceptual project offering all the physical trappings of a true academic text: an unusual binding, jacket, title page, preface, postface, table of contents, captions, cross headings, annotations, editorial notes, appendix plus various additional accessories while presenting new ideas around the structure.
Classification:
livres
livres
Publication:
mai 2013
mai 2013
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Hubert Damisch
Hubert Damisch
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Celui qui a marqué par son enseignement plusieurs générations d'historiens de l'art, auteur d'ouvrages qui ont profondément modifié la pensé sur l'art, tels que Théorie du nuage, Ruptures - Cultures, ou encore Fenêtre jaune cadmium, n'est - il pas un inclassable ?
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Celui qui a marqué par son enseignement plusieurs générations d'historiens de l'art, auteur d'ouvrages qui ont profondément modifié la pensé sur l'art, tels que Théorie du nuage, Ruptures - Cultures, ou encore Fenêtre jaune cadmium, n'est - il pas un inclassable ?
Titre:
Hubert Damisch
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Celui qui a marqué par son enseignement plusieurs générations d'historiens de l'art, auteur d'ouvrages qui ont profondément modifié la pensé sur l'art, tels que Théorie du nuage, Ruptures - Cultures, ou encore Fenêtre jaune cadmium, n'est - il pas un inclassable ?
Hubert Damisch
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$15.95
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Celui qui a marqué par son enseignement plusieurs générations d'historiens de l'art, auteur d'ouvrages qui ont profondément modifié la pensé sur l'art, tels que Théorie du nuage, Ruptures - Cultures, ou encore Fenêtre jaune cadmium, n'est - il pas un inclassable ?
Classification:
livres
livres
Publication:
juin 2013
juin 2013
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Roof life
Roof life
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$35.00
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Résumé:
Art historian Svetlana Alpers assembles in these pages descriptions of things that mattered in a life that began in Cambridge, Massachusetts, continued in Berkeley, California, and is now lived in New York City.
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Résumé:
Art historian Svetlana Alpers assembles in these pages descriptions of things that mattered in a life that began in Cambridge, Massachusetts, continued in Berkeley, California, and is now lived in New York City.
Titre:
Roof life
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$35.00
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Résumé:
Art historian Svetlana Alpers assembles in these pages descriptions of things that mattered in a life that began in Cambridge, Massachusetts, continued in Berkeley, California, and is now lived in New York City.
Roof life
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$35.00
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Résumé:
Art historian Svetlana Alpers assembles in these pages descriptions of things that mattered in a life that began in Cambridge, Massachusetts, continued in Berkeley, California, and is now lived in New York City.
Classification:
livres
livres
Publication:
août 2013
août 2013
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$32.95
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Résumé:
This collection of case studies and essays, the latest in the Clark Studies in the Visual Arts series, brings together voices from various disciplinary and theoretical backgrounds, each proposing ways to remap, decenter, and reorient what is often assumed to be a unified field. Rather than devise a one-size-fits-all strategy for what has long been a divided and disjointed(...)
$32.95
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Résumé:
This collection of case studies and essays, the latest in the Clark Studies in the Visual Arts series, brings together voices from various disciplinary and theoretical backgrounds, each proposing ways to remap, decenter, and reorient what is often assumed to be a unified field. Rather than devise a one-size-fits-all strategy for what has long been a divided and disjointed(...)
Titre:
Art history in the wake of the global turn
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This collection of case studies and essays, the latest in the Clark Studies in the Visual Arts series, brings together voices from various disciplinary and theoretical backgrounds, each proposing ways to remap, decenter, and reorient what is often assumed to be a unified field. Rather than devise a one-size-fits-all strategy for what has long been a divided and disjointed terrain, these authors and artists reframe the inherent challenges of the global—most notably geographic, political, aesthetic, and linguistic differences—as productive starting points for study.
Art history in the wake of the global turn
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Résumé:
This collection of case studies and essays, the latest in the Clark Studies in the Visual Arts series, brings together voices from various disciplinary and theoretical backgrounds, each proposing ways to remap, decenter, and reorient what is often assumed to be a unified field. Rather than devise a one-size-fits-all strategy for what has long been a divided and disjointed terrain, these authors and artists reframe the inherent challenges of the global—most notably geographic, political, aesthetic, and linguistic differences—as productive starting points for study.
Classification:
livres
livres
Publication:
novembre 2013
novembre 2013
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$46.95
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Moving effortlessly from analyses of Aristotle and James Joyce to the philosophical difficulties of telling dogs from cats, Umberto Eco demonstrates time and again his inimitable ability to bridge ancient, medieval, and modern modes of thought. From the Tree to the Labyrinth is a brilliant illustration of Eco's longstanding argument that problems of interpretation can be(...)
$46.95
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Résumé:
Moving effortlessly from analyses of Aristotle and James Joyce to the philosophical difficulties of telling dogs from cats, Umberto Eco demonstrates time and again his inimitable ability to bridge ancient, medieval, and modern modes of thought. From the Tree to the Labyrinth is a brilliant illustration of Eco's longstanding argument that problems of interpretation can be(...)
Titre:
From the tree to the labyrinth
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Moving effortlessly from analyses of Aristotle and James Joyce to the philosophical difficulties of telling dogs from cats, Umberto Eco demonstrates time and again his inimitable ability to bridge ancient, medieval, and modern modes of thought. From the Tree to the Labyrinth is a brilliant illustration of Eco's longstanding argument that problems of interpretation can be solved only in historical context.
From the tree to the labyrinth
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$46.95
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Résumé:
Moving effortlessly from analyses of Aristotle and James Joyce to the philosophical difficulties of telling dogs from cats, Umberto Eco demonstrates time and again his inimitable ability to bridge ancient, medieval, and modern modes of thought. From the Tree to the Labyrinth is a brilliant illustration of Eco's longstanding argument that problems of interpretation can be solved only in historical context.
Classification:
livres
livres
Publication:
février 2014
février 2014
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Your everyday art world
Your everyday art world
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Over the past twenty years, the network has come to dominate the art world, affecting not just interaction among art professionals but the very makeup of the art object itself. The hierarchical and restrictive structure of the museum has been replaced by temporary projects scattered across the globe, staffed by free agents hired on short-term contracts, viewed by(...)
$29.95
(disponible sur commande)
Résumé:
Over the past twenty years, the network has come to dominate the art world, affecting not just interaction among art professionals but the very makeup of the art object itself. The hierarchical and restrictive structure of the museum has been replaced by temporary projects scattered across the globe, staffed by free agents hired on short-term contracts, viewed by(...)
Titre:
Your everyday art world
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Prix:
$29.95
(disponible sur commande)
Résumé:
Over the past twenty years, the network has come to dominate the art world, affecting not just interaction among art professionals but the very makeup of the art object itself. The hierarchical and restrictive structure of the museum has been replaced by temporary projects scattered across the globe, staffed by free agents hired on short-term contracts, viewed by spectators defined by their predisposition to participate and make connections. In this book, Lane Relyea tries to make sense of these changes, describing a general organizational shift in the art world that affects not only material infrastructures but also conceptual categories and the construction of meaning.
Your everyday art world
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Prix:
$29.95
(disponible sur commande)
Résumé:
Over the past twenty years, the network has come to dominate the art world, affecting not just interaction among art professionals but the very makeup of the art object itself. The hierarchical and restrictive structure of the museum has been replaced by temporary projects scattered across the globe, staffed by free agents hired on short-term contracts, viewed by spectators defined by their predisposition to participate and make connections. In this book, Lane Relyea tries to make sense of these changes, describing a general organizational shift in the art world that affects not only material infrastructures but also conceptual categories and the construction of meaning.
Classification:
livres
livres
Publication:
octobre 2013
octobre 2013
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$44.95
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Brazilian avant-garde artists of the postwar era worked from a fundamental but productive out-of-jointness. They were modernist but distant from modernism. Europeans and North Americans may feel a similar displacement when viewing Brazilian avant-garde art; the unexpected familiarity of the works serves to make them unfamiliar. In Constructing an Avant-Garde, Sérgio(...)
$44.95
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Résumé:
Brazilian avant-garde artists of the postwar era worked from a fundamental but productive out-of-jointness. They were modernist but distant from modernism. Europeans and North Americans may feel a similar displacement when viewing Brazilian avant-garde art; the unexpected familiarity of the works serves to make them unfamiliar. In Constructing an Avant-Garde, Sérgio(...)
Titre:
Constructing an avant-garde: art in Brazil 1949-1979
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Brazilian avant-garde artists of the postwar era worked from a fundamental but productive out-of-jointness. They were modernist but distant from modernism. Europeans and North Americans may feel a similar displacement when viewing Brazilian avant-garde art; the unexpected familiarity of the works serves to make them unfamiliar. In Constructing an Avant-Garde, Sérgio Martins seizes on this uncanny obliqueness and uses it as the basis for a reconfigured account of the history of Brazil's avant-garde. His discussion covers not only widely renowned artists and groups, but also important artists and critics who are less well known outside Brazil.
Constructing an avant-garde: art in Brazil 1949-1979
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Brazilian avant-garde artists of the postwar era worked from a fundamental but productive out-of-jointness. They were modernist but distant from modernism. Europeans and North Americans may feel a similar displacement when viewing Brazilian avant-garde art; the unexpected familiarity of the works serves to make them unfamiliar. In Constructing an Avant-Garde, Sérgio Martins seizes on this uncanny obliqueness and uses it as the basis for a reconfigured account of the history of Brazil's avant-garde. His discussion covers not only widely renowned artists and groups, but also important artists and critics who are less well known outside Brazil.
Classification:
livres
livres
Publication:
octobre 2013
octobre 2013
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$29.95
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Transnational markets hold sway over all aspects of contemporary culture, and that has transformed the environment of recent art, blurring the previously discrete realms of price and value, capital and creativity. Artists have responded not only critically but imaginatively to the many issues this raises, including the treatment of artworks as analogous to capital goods,(...)
$29.95
(disponible sur commande)
Résumé:
Transnational markets hold sway over all aspects of contemporary culture, and that has transformed the environment of recent art, blurring the previously discrete realms of price and value, capital and creativity. Artists have responded not only critically but imaginatively to the many issues this raises, including the treatment of artworks as analogous to capital goods,(...)
Titre:
The Market : documents of contemporary art
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$29.95
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Transnational markets hold sway over all aspects of contemporary culture, and that has transformed the environment of recent art, blurring the previously discrete realms of price and value, capital and creativity. Artists have responded not only critically but imaginatively to the many issues this raises, including the treatment of artworks as analogous to capital goods, the assertion that art's value is best measured by the market, and the notion that art and money share an internal logic. Some artists have investigated the market's pressures on creative democracy, its ubiquity, vulgarity, and fetishizing force, while others have embraced the creative possibilities the market offers. And for a decade curators and theorists have speculated on the implications of this new symbiosis between art and money, cultural and economic value. Drawing on a wide range of interdisciplinary sources, in dialogue with artists' writings, this anthology traces the historic origins of these debates in different versions of modernism and surveys the relationships among art, value, and price; the evolution and influence of patronage; the actors and institutions of the art market; and the diversity of artistic practices that either criticize or embrace the conditions of the contemporary market.
The Market : documents of contemporary art
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$29.95
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Résumé:
Transnational markets hold sway over all aspects of contemporary culture, and that has transformed the environment of recent art, blurring the previously discrete realms of price and value, capital and creativity. Artists have responded not only critically but imaginatively to the many issues this raises, including the treatment of artworks as analogous to capital goods, the assertion that art's value is best measured by the market, and the notion that art and money share an internal logic. Some artists have investigated the market's pressures on creative democracy, its ubiquity, vulgarity, and fetishizing force, while others have embraced the creative possibilities the market offers. And for a decade curators and theorists have speculated on the implications of this new symbiosis between art and money, cultural and economic value. Drawing on a wide range of interdisciplinary sources, in dialogue with artists' writings, this anthology traces the historic origins of these debates in different versions of modernism and surveys the relationships among art, value, and price; the evolution and influence of patronage; the actors and institutions of the art market; and the diversity of artistic practices that either criticize or embrace the conditions of the contemporary market.
Classification:
livres
livres
Publication:
septembre 2013
septembre 2013
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$28.95
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Résumé:
If clock time -- a linear measurement that can be unified, followed and owned -- is largely the invention of capitalist modernity and binds us to its strictures, how can we extricate ourselves and discover alternative possibilities of experiencing time? Recent art has explored such diverse registers of temporality as wasting and waiting, regression and repetition,(...)
$28.95
(disponible sur commande)
Résumé:
If clock time -- a linear measurement that can be unified, followed and owned -- is largely the invention of capitalist modernity and binds us to its strictures, how can we extricate ourselves and discover alternative possibilities of experiencing time? Recent art has explored such diverse registers of temporality as wasting and waiting, regression and repetition,(...)
Titre:
Time : documents of contemporary art
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$28.95
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If clock time -- a linear measurement that can be unified, followed and owned -- is largely the invention of capitalist modernity and binds us to its strictures, how can we extricate ourselves and discover alternative possibilities of experiencing time? Recent art has explored such diverse registers of temporality as wasting and waiting, regression and repetition, déjà vu and seriality, unrealized possibility and idleness, non-consummation and counter-productivity, the belated and the premature, the disjointed and the out-of-sync -- all of which go against sequentialist time and index slips in chronological experience. While such theorists as Giorgio Agamben and Georges Didi-Huberman have proposed "anachronistic" or "heterochronic" readings of history, artists have opened up the field of time to the extent that the very notion of the contemporary is brought into question.
Time : documents of contemporary art
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$28.95
(disponible sur commande)
Résumé:
If clock time -- a linear measurement that can be unified, followed and owned -- is largely the invention of capitalist modernity and binds us to its strictures, how can we extricate ourselves and discover alternative possibilities of experiencing time? Recent art has explored such diverse registers of temporality as wasting and waiting, regression and repetition, déjà vu and seriality, unrealized possibility and idleness, non-consummation and counter-productivity, the belated and the premature, the disjointed and the out-of-sync -- all of which go against sequentialist time and index slips in chronological experience. While such theorists as Giorgio Agamben and Georges Didi-Huberman have proposed "anachronistic" or "heterochronic" readings of history, artists have opened up the field of time to the extent that the very notion of the contemporary is brought into question.
Classification:
livres
livres
Publication:
septembre 2013
septembre 2013
Sujet:
Théorie de l’art
Théorie de l’art
