1193 Résultats
Classification:
livres
livres
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$39.50
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Résumé:
Equated with notions of public interaction, the term "participation" is often used very loosely, especially within the contexts of new media and innovation research. Among a recent generation of artists and designers working in new media, there is an increasing need to work across disciplines and domains in ways that enable end users to contribute content, form and(...)
$39.50
(disponible en magasin)
Résumé:
Equated with notions of public interaction, the term "participation" is often used very loosely, especially within the contexts of new media and innovation research. Among a recent generation of artists and designers working in new media, there is an increasing need to work across disciplines and domains in ways that enable end users to contribute content, form and(...)
Titre:
Participation is risky: approaches to joint creative processes
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$39.50
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Résumé:
Equated with notions of public interaction, the term "participation" is often used very loosely, especially within the contexts of new media and innovation research. Among a recent generation of artists and designers working in new media, there is an increasing need to work across disciplines and domains in ways that enable end users to contribute content, form and structure. These artists are currently developing new parameters in creative collaboration and participation in order to meet the specific working methods and processes required by new media. Participation Is Risky illustrates how interesting participative practices and results are typically characterized by the "risky" confrontation between the differences of disciplines and perspectives. While their work will have no fixed form, this study proposes that artists who engage in participative practices must take the risk of abandoning their traditional roles and evolve through participatory collaboration.
Participation is risky: approaches to joint creative processes
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Prix:
$39.50
(disponible en magasin)
Résumé:
Equated with notions of public interaction, the term "participation" is often used very loosely, especially within the contexts of new media and innovation research. Among a recent generation of artists and designers working in new media, there is an increasing need to work across disciplines and domains in ways that enable end users to contribute content, form and structure. These artists are currently developing new parameters in creative collaboration and participation in order to meet the specific working methods and processes required by new media. Participation Is Risky illustrates how interesting participative practices and results are typically characterized by the "risky" confrontation between the differences of disciplines and perspectives. While their work will have no fixed form, this study proposes that artists who engage in participative practices must take the risk of abandoning their traditional roles and evolve through participatory collaboration.
Classification:
livres
livres
Publication:
avril 2014
avril 2014
Classification:
livres
livres
Titre:
Jeff Derksen: after euphoria
Jeff Derksen: after euphoria
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$29.95
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Résumé:
After Euphoria collects Jeff Derksen’s writings on art, architecture and globalism. Focusing on artistic practice and cultural critique, these essays examine the questions, research and propositions of neoliberalism’s synthesis of economy and affect. Exploring the works of Rem Koolhaas, Brian Jungen, Sam Durant, Andrea Geyer, Jin-me Yoon, Ken Lum, Ron Terada, Stan(...)
$29.95
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Résumé:
After Euphoria collects Jeff Derksen’s writings on art, architecture and globalism. Focusing on artistic practice and cultural critique, these essays examine the questions, research and propositions of neoliberalism’s synthesis of economy and affect. Exploring the works of Rem Koolhaas, Brian Jungen, Sam Durant, Andrea Geyer, Jin-me Yoon, Ken Lum, Ron Terada, Stan(...)
Publication:
février 2014
février 2014
Titre:
Jeff Derksen: after euphoria
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$29.95
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Résumé:
After Euphoria collects Jeff Derksen’s writings on art, architecture and globalism. Focusing on artistic practice and cultural critique, these essays examine the questions, research and propositions of neoliberalism’s synthesis of economy and affect. Exploring the works of Rem Koolhaas, Brian Jungen, Sam Durant, Andrea Geyer, Jin-me Yoon, Ken Lum, Ron Terada, Stan Douglas, Sabine Bitter/Helmut Weber and Alfredo Jaar, Derksen reveals the effects of globalization and its influence on the production and experience of culture.
Jeff Derksen: after euphoria
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Résumé:
After Euphoria collects Jeff Derksen’s writings on art, architecture and globalism. Focusing on artistic practice and cultural critique, these essays examine the questions, research and propositions of neoliberalism’s synthesis of economy and affect. Exploring the works of Rem Koolhaas, Brian Jungen, Sam Durant, Andrea Geyer, Jin-me Yoon, Ken Lum, Ron Terada, Stan Douglas, Sabine Bitter/Helmut Weber and Alfredo Jaar, Derksen reveals the effects of globalization and its influence on the production and experience of culture.
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livres
livres
Publication:
février 2014
février 2014
Classification:
livres
livres
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$39.95
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Résumé:
Today artists design furnishings and lighting, even offering interior design consulting, while designers create functionless objects in limited editions. Where is the dividing "line between the two? The essays in`Art and/or Design? attempt to clarify the distinction.
$39.95
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Résumé:
Today artists design furnishings and lighting, even offering interior design consulting, while designers create functionless objects in limited editions. Where is the dividing "line between the two? The essays in`Art and/or Design? attempt to clarify the distinction.
Titre:
Art and/or design? Crossing borders
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$39.95
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Résumé:
Today artists design furnishings and lighting, even offering interior design consulting, while designers create functionless objects in limited editions. Where is the dividing "line between the two? The essays in`Art and/or Design? attempt to clarify the distinction.
Art and/or design? Crossing borders
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$39.95
(disponible sur commande)
Résumé:
Today artists design furnishings and lighting, even offering interior design consulting, while designers create functionless objects in limited editions. Where is the dividing "line between the two? The essays in`Art and/or Design? attempt to clarify the distinction.
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livres
livres
Publication:
avril 2014
avril 2014
Classification:
livres
livres
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$39.95
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Résumé:
Annett Zinsmeister has developed an interdisciplinary teaching practice based on her work as an artist and educator. Her studies investigating creative processes and perceptions of space and objects are of equal relevance to artists, designers and architects. This illustrated volume looks at the outcome of her experimental exercises that operate between the fine and(...)
$39.95
(disponible sur commande)
Résumé:
Annett Zinsmeister has developed an interdisciplinary teaching practice based on her work as an artist and educator. Her studies investigating creative processes and perceptions of space and objects are of equal relevance to artists, designers and architects. This illustrated volume looks at the outcome of her experimental exercises that operate between the fine and(...)
Titre:
Art / Design? Transdisciplinary studies
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$39.95
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Résumé:
Annett Zinsmeister has developed an interdisciplinary teaching practice based on her work as an artist and educator. Her studies investigating creative processes and perceptions of space and objects are of equal relevance to artists, designers and architects. This illustrated volume looks at the outcome of her experimental exercises that operate between the fine and applied arts, reactualizing the boundaries between the discplines.
Art / Design? Transdisciplinary studies
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Prix:
$39.95
(disponible sur commande)
Résumé:
Annett Zinsmeister has developed an interdisciplinary teaching practice based on her work as an artist and educator. Her studies investigating creative processes and perceptions of space and objects are of equal relevance to artists, designers and architects. This illustrated volume looks at the outcome of her experimental exercises that operate between the fine and applied arts, reactualizing the boundaries between the discplines.
Classification:
livres
livres
Publication:
avril 2014
avril 2014
Classification:
livres
livres
Prix:
$65.95
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Résumé:
This publication examines the impact on the British illustrated publishing industry of émigrés from Germany and Austria in the first half of the twentieth century, looking in particular at the art publishing houses of Phaidon Press and Thames & Hudson.
$65.95
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This publication examines the impact on the British illustrated publishing industry of émigrés from Germany and Austria in the first half of the twentieth century, looking in particular at the art publishing houses of Phaidon Press and Thames & Hudson.
Titre:
Émigrés: the transformation of art publishing in Britain
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$65.95
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This publication examines the impact on the British illustrated publishing industry of émigrés from Germany and Austria in the first half of the twentieth century, looking in particular at the art publishing houses of Phaidon Press and Thames & Hudson.
Émigrés: the transformation of art publishing in Britain
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$65.95
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Résumé:
This publication examines the impact on the British illustrated publishing industry of émigrés from Germany and Austria in the first half of the twentieth century, looking in particular at the art publishing houses of Phaidon Press and Thames & Hudson.
Classification:
livres
livres
Publication:
février 2014
février 2014
Classification:
livres
livres
Titre:
Refection on a past life
Refection on a past life
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$22.00
(disponible en magasin)
Résumé:
Originally written in 1976 for his Paris–New York exhibition, Reflection on a Past Life is painter William N. Copley’s (1919–1996) humorous and insightful account of his many bizarre encounters with key Surrealists, such as Man Ray, Max Ernst, Marcel Duchamp and René Magritte. After inheriting a fortune as a young man, Copley (often known as "CPLY"), used his family(...)
$22.00
(disponible en magasin)
Résumé:
Originally written in 1976 for his Paris–New York exhibition, Reflection on a Past Life is painter William N. Copley’s (1919–1996) humorous and insightful account of his many bizarre encounters with key Surrealists, such as Man Ray, Max Ernst, Marcel Duchamp and René Magritte. After inheriting a fortune as a young man, Copley (often known as "CPLY"), used his family(...)
Titre:
Refection on a past life
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Prix:
$22.00
(disponible en magasin)
Résumé:
Originally written in 1976 for his Paris–New York exhibition, Reflection on a Past Life is painter William N. Copley’s (1919–1996) humorous and insightful account of his many bizarre encounters with key Surrealists, such as Man Ray, Max Ernst, Marcel Duchamp and René Magritte. After inheriting a fortune as a young man, Copley (often known as "CPLY"), used his family wealth to open The Copley Galleries in Beverly Hills shortly after World War II, where he exhibited works by major Surrealist artists. Although the gallery proved to be a financial flop, closing after its first year, Copley secured a place in the annals of art history by bringing Surrealism to Hollywood, as well as with his own painting.
Refection on a past life
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Prix:
$22.00
(disponible en magasin)
Résumé:
Originally written in 1976 for his Paris–New York exhibition, Reflection on a Past Life is painter William N. Copley’s (1919–1996) humorous and insightful account of his many bizarre encounters with key Surrealists, such as Man Ray, Max Ernst, Marcel Duchamp and René Magritte. After inheriting a fortune as a young man, Copley (often known as "CPLY"), used his family wealth to open The Copley Galleries in Beverly Hills shortly after World War II, where he exhibited works by major Surrealist artists. Although the gallery proved to be a financial flop, closing after its first year, Copley secured a place in the annals of art history by bringing Surrealism to Hollywood, as well as with his own painting.
Classification:
livres
livres
Publication:
février 2014
février 2014
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
The object
The object
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$35.00
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Résumé:
Artists increasingly refer to "post-object-based" work while theorists engage with material artifacts in culture. A focus on "object-based" learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such(...)
$35.00
(disponible sur commande)
Résumé:
Artists increasingly refer to "post-object-based" work while theorists engage with material artifacts in culture. A focus on "object-based" learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such(...)
Titre:
The object
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$35.00
(disponible sur commande)
Résumé:
Artists increasingly refer to "post-object-based" work while theorists engage with material artifacts in culture. A focus on "object-based" learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such reappraisals of what constitutes the "objectness" of production, with art as its focus.
The object
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$35.00
(disponible sur commande)
Résumé:
Artists increasingly refer to "post-object-based" work while theorists engage with material artifacts in culture. A focus on "object-based" learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such reappraisals of what constitutes the "objectness" of production, with art as its focus.
Classification:
livres
livres
Publication:
mars 2014
mars 2014
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$32.95
(disponible sur commande)
Résumé:
The Culture of the Copy attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. This updated edition takes notice of recent(...)
$32.95
(disponible sur commande)
Résumé:
The Culture of the Copy attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. This updated edition takes notice of recent(...)
Titre:
The culture of the copy: striking likenesses, unreasonable facsimiles
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$32.95
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Résumé:
The Culture of the Copy attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. This updated edition takes notice of recent shifts in thought with regard to such issues as biological cloning, conjoined twins, copyright, digital reproduction, and multiple personality disorder. At once abbreviated and refined, it will be of interest to anyone concerned with problems of authenticity, identity, and originality.
The culture of the copy: striking likenesses, unreasonable facsimiles
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$32.95
(disponible sur commande)
Résumé:
The Culture of the Copy attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. This updated edition takes notice of recent shifts in thought with regard to such issues as biological cloning, conjoined twins, copyright, digital reproduction, and multiple personality disorder. At once abbreviated and refined, it will be of interest to anyone concerned with problems of authenticity, identity, and originality.
Classification:
livres
livres
Publication:
mars 2014
mars 2014
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$39.95
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Résumé:
In Re-collection, Richard Rinehart and JonIppolito argue that the vulnerability of new media art illustrates a larger crisis for social memory. They describe a variable media approach to rescuing new media,distributed across producers and consumers who can choose appropriate strategies for each endangered work. New media art poses novel preservation and conservation(...)
$39.95
(disponible sur commande)
Résumé:
In Re-collection, Richard Rinehart and JonIppolito argue that the vulnerability of new media art illustrates a larger crisis for social memory. They describe a variable media approach to rescuing new media,distributed across producers and consumers who can choose appropriate strategies for each endangered work. New media art poses novel preservation and conservation(...)
Titre:
Re-collection: art, new media, and social memory
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$39.95
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Résumé:
In Re-collection, Richard Rinehart and JonIppolito argue that the vulnerability of new media art illustrates a larger crisis for social memory. They describe a variable media approach to rescuing new media,distributed across producers and consumers who can choose appropriate strategies for each endangered work. New media art poses novel preservation and conservation dilemmas. Given the ephemerality of their mediums, software art, installation art, and interactive games may be heading to obsolescence and oblivion.
Re-collection: art, new media, and social memory
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Prix:
$39.95
(disponible sur commande)
Résumé:
In Re-collection, Richard Rinehart and JonIppolito argue that the vulnerability of new media art illustrates a larger crisis for social memory. They describe a variable media approach to rescuing new media,distributed across producers and consumers who can choose appropriate strategies for each endangered work. New media art poses novel preservation and conservation dilemmas. Given the ephemerality of their mediums, software art, installation art, and interactive games may be heading to obsolescence and oblivion.
Classification:
livres
livres
Publication:
mai 2014
mai 2014
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$19.95
(disponible sur commande)
Résumé:
In Radical Prototypes, Rodenbeck recovers the critical force of happenings, addressing them both as theoretical objects and as artworks, investigating broader epistemological and formal concerns as well as their material and performative aspects. She links happenings to scores by John Cage (especially 4'33"), avant-garde theater, and photography, and offers new readings(...)
$19.95
(disponible sur commande)
Résumé:
In Radical Prototypes, Rodenbeck recovers the critical force of happenings, addressing them both as theoretical objects and as artworks, investigating broader epistemological and formal concerns as well as their material and performative aspects. She links happenings to scores by John Cage (especially 4'33"), avant-garde theater, and photography, and offers new readings(...)
Titre:
Radical prototypes: Allan Kaprow and the invention of happenings
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$19.95
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Résumé:
In Radical Prototypes, Rodenbeck recovers the critical force of happenings, addressing them both as theoretical objects and as artworks, investigating broader epistemological and formal concerns as well as their material and performative aspects. She links happenings to scores by John Cage (especially 4'33"), avant-garde theater, and photography, and offers new readings of projects ranging from Kaprow's 18 Happenings in 6 Parts (1959) to Gerhard Richter's Leben mit Pop (1963).
Radical prototypes: Allan Kaprow and the invention of happenings
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$19.95
(disponible sur commande)
Résumé:
In Radical Prototypes, Rodenbeck recovers the critical force of happenings, addressing them both as theoretical objects and as artworks, investigating broader epistemological and formal concerns as well as their material and performative aspects. She links happenings to scores by John Cage (especially 4'33"), avant-garde theater, and photography, and offers new readings of projects ranging from Kaprow's 18 Happenings in 6 Parts (1959) to Gerhard Richter's Leben mit Pop (1963).
Classification:
livres
livres
Publication:
avril 2014
avril 2014
Sujet:
Théorie de l’art
Théorie de l’art
