1139 Résultats
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Hito Steyerl is one of the most celebrated artists of our time. Her work, both as an artist and a writer, has consistently challenged the political boundaries between art and technology. In this new collection of groundbreaking essays, she explores how AI, the use of large language models and the algorithmic creation of imagery transform our understanding of the world.(...)
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Hito Steyerl is one of the most celebrated artists of our time. Her work, both as an artist and a writer, has consistently challenged the political boundaries between art and technology. In this new collection of groundbreaking essays, she explores how AI, the use of large language models and the algorithmic creation of imagery transform our understanding of the world.(...)
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Medium hot: Images in the age of heat
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Hito Steyerl is one of the most celebrated artists of our time. Her work, both as an artist and a writer, has consistently challenged the political boundaries between art and technology. In this new collection of groundbreaking essays, she explores how AI, the use of large language models and the algorithmic creation of imagery transform our understanding of the world. She argues that such practices cannot be divorced from the economic and political conditions of the times. "Medium hot" is a collection of scintillating meditations on the limits of art and technology: the essential handbook for the present conjuncture. The pieces here probe the manufacture and distribution of images in the age of AI and climate change. She asks whether art can be made not only by machines but for machines. She argues against the production of images that heat up the planet, disfranchise workers and fuel the arms trade, and questions whether such creations can even be called art.
Medium hot: Images in the age of heat
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Hito Steyerl is one of the most celebrated artists of our time. Her work, both as an artist and a writer, has consistently challenged the political boundaries between art and technology. In this new collection of groundbreaking essays, she explores how AI, the use of large language models and the algorithmic creation of imagery transform our understanding of the world. She argues that such practices cannot be divorced from the economic and political conditions of the times. "Medium hot" is a collection of scintillating meditations on the limits of art and technology: the essential handbook for the present conjuncture. The pieces here probe the manufacture and distribution of images in the age of AI and climate change. She asks whether art can be made not only by machines but for machines. She argues against the production of images that heat up the planet, disfranchise workers and fuel the arms trade, and questions whether such creations can even be called art.
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livres
livres
Publication:
juin 2025
juin 2025
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$61.95
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Armed by Design reflects on the intersection of graphic design and political solidarity work in revolutionary Cuba through the lens of the production of OSPAAAL, the Organization of Solidarity of the Peoples of Africa, Asia, and Latin America. OSPAAAL developed out of the 1966 Tricontinental Conference in Havana, a meeting of delegates representing national liberation(...)
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Armed by Design reflects on the intersection of graphic design and political solidarity work in revolutionary Cuba through the lens of the production of OSPAAAL, the Organization of Solidarity of the Peoples of Africa, Asia, and Latin America. OSPAAAL developed out of the 1966 Tricontinental Conference in Havana, a meeting of delegates representing national liberation(...)
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Armed by design: osters and Publications of Cuba's OSPAAAL
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Armed by Design reflects on the intersection of graphic design and political solidarity work in revolutionary Cuba through the lens of the production of OSPAAAL, the Organization of Solidarity of the Peoples of Africa, Asia, and Latin America. OSPAAAL developed out of the 1966 Tricontinental Conference in Havana, a meeting of delegates representing national liberation movements and leftist political parties almost exclusively from the Global South. Based in Havana, OSPAAAL produced nearly five hundred posters, magazines, and books beginning in the late 1960s, with most of their work ceasing by the late 1980s. Until 2019, OSPAAAL was a political organization focused on fighting US imperialism and supporting liberation movements aroundthe world through poster production, regularly produced publications, and a series of books featuring the writings of the intellectual leadership of these movements. ''Armed By Design'' brings together artists and thinkers from around the world whose work has been impacted by the legacy of OSPAAAL. These contributions reflect on impacts of OSPAAAL's work on regional movements, including in the Arab world and Korea, design iconography, the evolution of tricontinentalism, our present-day.
Armed by design: osters and Publications of Cuba's OSPAAAL
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Armed by Design reflects on the intersection of graphic design and political solidarity work in revolutionary Cuba through the lens of the production of OSPAAAL, the Organization of Solidarity of the Peoples of Africa, Asia, and Latin America. OSPAAAL developed out of the 1966 Tricontinental Conference in Havana, a meeting of delegates representing national liberation movements and leftist political parties almost exclusively from the Global South. Based in Havana, OSPAAAL produced nearly five hundred posters, magazines, and books beginning in the late 1960s, with most of their work ceasing by the late 1980s. Until 2019, OSPAAAL was a political organization focused on fighting US imperialism and supporting liberation movements aroundthe world through poster production, regularly produced publications, and a series of books featuring the writings of the intellectual leadership of these movements. ''Armed By Design'' brings together artists and thinkers from around the world whose work has been impacted by the legacy of OSPAAAL. These contributions reflect on impacts of OSPAAAL's work on regional movements, including in the Arab world and Korea, design iconography, the evolution of tricontinentalism, our present-day.
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livres
livres
Publication:
février 2025
février 2025
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
Art in a state of siege
Art in a state of siege
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What do artworks look like in extreme cases of collective experience? What signals do artists send when enemies are at the city walls and the rule of law breaks down, or when a tyrant suspends the law to attack from inside? "Art in a state of siege" tells the story of three compelling images created in dangerous moments and the people who experienced them—from Philip II(...)
$52.00
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What do artworks look like in extreme cases of collective experience? What signals do artists send when enemies are at the city walls and the rule of law breaks down, or when a tyrant suspends the law to attack from inside? "Art in a state of siege" tells the story of three compelling images created in dangerous moments and the people who experienced them—from Philip II(...)
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Art in a state of siege
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What do artworks look like in extreme cases of collective experience? What signals do artists send when enemies are at the city walls and the rule of law breaks down, or when a tyrant suspends the law to attack from inside? "Art in a state of siege" tells the story of three compelling images created in dangerous moments and the people who experienced them—from Philip II of Spain to Carl Schmitt—whose panicked gaze turned artworks into omens.
Art in a state of siege
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What do artworks look like in extreme cases of collective experience? What signals do artists send when enemies are at the city walls and the rule of law breaks down, or when a tyrant suspends the law to attack from inside? "Art in a state of siege" tells the story of three compelling images created in dangerous moments and the people who experienced them—from Philip II of Spain to Carl Schmitt—whose panicked gaze turned artworks into omens.
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livres
livres
Publication:
février 2025
février 2025
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$68.95
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In "Queer moderns", Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and ’30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903–1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of(...)
$68.95
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In "Queer moderns", Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and ’30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903–1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of(...)
Titre:
Queer moderns: Max Ewing's jazz age New York
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In "Queer moderns", Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and ’30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903–1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of modern art, music, dance, and literature and enter a world of interracial friendship, "queer space," and experimentation that shone brightly before being swept away by the Depression. It is a remarkable story that reveals that the history of modernism is more queer and more Black than previously recognized. In the 1920s, Ewing became part of an international coterie of artists led by Carl Van Vechten and Muriel Draper. In Europe, he was entertained by Gertrude Stein, met Stravinsky, and took a road trip with Romaine Brooks and Natalie Barney. In 1928, in a closet in his apartment, Ewing created the "Gallery of extraordinary portraits", an installation of photos of his favorite celebrities—Black and white, clothed and nude. For his "Carnival of Venice", he took portraits of more than a hundred friends—including Paul Robeson, Berenice Abbott, Isamu Noguchi, Agnes de Mille, and E. E. Cummings—posed in front of a backdrop of Saint Mark’s Square.
Queer moderns: Max Ewing's jazz age New York
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In "Queer moderns", Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and ’30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903–1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of modern art, music, dance, and literature and enter a world of interracial friendship, "queer space," and experimentation that shone brightly before being swept away by the Depression. It is a remarkable story that reveals that the history of modernism is more queer and more Black than previously recognized. In the 1920s, Ewing became part of an international coterie of artists led by Carl Van Vechten and Muriel Draper. In Europe, he was entertained by Gertrude Stein, met Stravinsky, and took a road trip with Romaine Brooks and Natalie Barney. In 1928, in a closet in his apartment, Ewing created the "Gallery of extraordinary portraits", an installation of photos of his favorite celebrities—Black and white, clothed and nude. For his "Carnival of Venice", he took portraits of more than a hundred friends—including Paul Robeson, Berenice Abbott, Isamu Noguchi, Agnes de Mille, and E. E. Cummings—posed in front of a backdrop of Saint Mark’s Square.
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livres
livres
Publication:
mai 2025
mai 2025
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$65.95
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For most of modern history, to be an artist and a mother was to embody a contradiction in terms. This "awful dichotomy," as painter Alice Neel put it, pitted artmaking against caretaking and argued that the best art was made at the expense of family and futurity. But in San Francisco in the 1950s and 1960s, a group of artists gathered around Ruth Asawa (1926–2013) began(...)
$65.95
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For most of modern history, to be an artist and a mother was to embody a contradiction in terms. This "awful dichotomy," as painter Alice Neel put it, pitted artmaking against caretaking and argued that the best art was made at the expense of family and futurity. But in San Francisco in the 1950s and 1960s, a group of artists gathered around Ruth Asawa (1926–2013) began(...)
Titre:
Ruth Asawa and the artist-mother at midcentury
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For most of modern history, to be an artist and a mother was to embody a contradiction in terms. This "awful dichotomy," as painter Alice Neel put it, pitted artmaking against caretaking and argued that the best art was made at the expense of family and futurity. But in San Francisco in the 1950s and 1960s, a group of artists gathered around Ruth Asawa (1926–2013) began to reject this dominant narrative. In Ruth Asawa and the Artist-Mother at Midcentury, Jordan Troeller analyzes this remarkable moment. Insisting that their labor as mothers fueled their labor as artists, these women redefined key aesthetic concerns of their era, including autonomy, medium specificity, and originality.
Ruth Asawa and the artist-mother at midcentury
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For most of modern history, to be an artist and a mother was to embody a contradiction in terms. This "awful dichotomy," as painter Alice Neel put it, pitted artmaking against caretaking and argued that the best art was made at the expense of family and futurity. But in San Francisco in the 1950s and 1960s, a group of artists gathered around Ruth Asawa (1926–2013) began to reject this dominant narrative. In Ruth Asawa and the Artist-Mother at Midcentury, Jordan Troeller analyzes this remarkable moment. Insisting that their labor as mothers fueled their labor as artists, these women redefined key aesthetic concerns of their era, including autonomy, medium specificity, and originality.
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livres
livres
Publication:
mai 2025
mai 2025
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$48.00
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"Serious art anticipates the future as much as it reflects the present," Hal Foster remarked in a 2015 interview. "By the same token serious art history is driven by the present as much as it is informed by the past." In "Fail better", Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to(...)
$48.00
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"Serious art anticipates the future as much as it reflects the present," Hal Foster remarked in a 2015 interview. "By the same token serious art history is driven by the present as much as it is informed by the past." In "Fail better", Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to(...)
Titre:
Fail better: Reckonings with artists and critics
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"Serious art anticipates the future as much as it reflects the present," Hal Foster remarked in a 2015 interview. "By the same token serious art history is driven by the present as much as it is informed by the past." In "Fail better", Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years. In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Fail better: Reckonings with artists and critics
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$48.00
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Résumé:
"Serious art anticipates the future as much as it reflects the present," Hal Foster remarked in a 2015 interview. "By the same token serious art history is driven by the present as much as it is informed by the past." In "Fail better", Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years. In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
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livres
livres
Publication:
février 2025
février 2025
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$60.00
(disponible en magasin)
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''Picturing Aura'' is the first book of its kind: an extended historical, anthropological, and philosophical study of modern efforts to visualize the hidden radiant force encompassing the living body known as our aura. This rich, interdisciplinary study by Jeremy Stolow chronicles the rise and global spread of modern instruments and techniques of picturing aura, from the(...)
$60.00
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''Picturing Aura'' is the first book of its kind: an extended historical, anthropological, and philosophical study of modern efforts to visualize the hidden radiant force encompassing the living body known as our aura. This rich, interdisciplinary study by Jeremy Stolow chronicles the rise and global spread of modern instruments and techniques of picturing aura, from the(...)
Titre:
Picturing aura: A visual biography
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''Picturing Aura'' is the first book of its kind: an extended historical, anthropological, and philosophical study of modern efforts to visualize the hidden radiant force encompassing the living body known as our aura. This rich, interdisciplinary study by Jeremy Stolow chronicles the rise and global spread of modern instruments and techniques of picturing aura, from the late nineteenth century to the present day, exploring how its images are put to work in the diverse realms of psychical research, esotericism, art photography, popular culture, and the New Age alternative medical and spiritual marketplace.
Picturing aura: A visual biography
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''Picturing Aura'' is the first book of its kind: an extended historical, anthropological, and philosophical study of modern efforts to visualize the hidden radiant force encompassing the living body known as our aura. This rich, interdisciplinary study by Jeremy Stolow chronicles the rise and global spread of modern instruments and techniques of picturing aura, from the late nineteenth century to the present day, exploring how its images are put to work in the diverse realms of psychical research, esotericism, art photography, popular culture, and the New Age alternative medical and spiritual marketplace.
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livres
livres
Publication:
avril 2025
avril 2025
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$36.95
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The devastation left in the wake of modernity and globalization is revealing a fragile and unfamiliar planet, and humanity has awakened to a new real. If the old “realist” tools of objectivism have contributed to capitalist society’s divorce from the natural world, how are artists finding new ways to make us really see—and feel—the planet? Surveying a body of(...)
$36.95
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The devastation left in the wake of modernity and globalization is revealing a fragile and unfamiliar planet, and humanity has awakened to a new real. If the old “realist” tools of objectivism have contributed to capitalist society’s divorce from the natural world, how are artists finding new ways to make us really see—and feel—the planet? Surveying a body of(...)
Titre:
Planetary realism: Art against end times
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$36.95
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The devastation left in the wake of modernity and globalization is revealing a fragile and unfamiliar planet, and humanity has awakened to a new real. If the old “realist” tools of objectivism have contributed to capitalist society’s divorce from the natural world, how are artists finding new ways to make us really see—and feel—the planet? Surveying a body of planet-facing art, communal practices, and activism, Josephine Berry investigates art’s power to break with capitalist realism and decarbonize the imagination. With chapters on feeling as world-making, the rupture of petroleum landscapes, artists’ urban exodus, and migration as survival, ''Planetary Realism'' delves deeply into art’s necessary reimagining of life on Earth.
Planetary realism: Art against end times
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$36.95
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Résumé:
The devastation left in the wake of modernity and globalization is revealing a fragile and unfamiliar planet, and humanity has awakened to a new real. If the old “realist” tools of objectivism have contributed to capitalist society’s divorce from the natural world, how are artists finding new ways to make us really see—and feel—the planet? Surveying a body of planet-facing art, communal practices, and activism, Josephine Berry investigates art’s power to break with capitalist realism and decarbonize the imagination. With chapters on feeling as world-making, the rupture of petroleum landscapes, artists’ urban exodus, and migration as survival, ''Planetary Realism'' delves deeply into art’s necessary reimagining of life on Earth.
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livres
livres
Publication:
juin 2025
juin 2025
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$34.95
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Over the last three decades, religious practices and belongings have gained increased visibility across the globe, turning secularity and its relationship with religion into subjects of intense interdisciplinary and international debate. Previously marginalized in gender studies, the secular and the religious now attract growing interest in academic and activist feminism,(...)
$34.95
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Over the last three decades, religious practices and belongings have gained increased visibility across the globe, turning secularity and its relationship with religion into subjects of intense interdisciplinary and international debate. Previously marginalized in gender studies, the secular and the religious now attract growing interest in academic and activist feminism,(...)
Titre:
Gender and postsecularity in knowledge production and visual culture
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Over the last three decades, religious practices and belongings have gained increased visibility across the globe, turning secularity and its relationship with religion into subjects of intense interdisciplinary and international debate. Previously marginalized in gender studies, the secular and the religious now attract growing interest in academic and activist feminism, prompting a critical reflection on secularity's emancipatory potential. This publication aims to foster this interest by providing a platform for interdisciplinary and transregional discussions on the complex dynamics of secularity, religiosity, and gender, as well as new approaches to explore these relationships. The contributions examine the entanglements and boundaries of religions and secularities in everyday life, art, culture, and knowledge production. By presenting relevant case studies, this book underscores an understanding of religion as both a category of knowledge and a marker of identity.
Gender and postsecularity in knowledge production and visual culture
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$34.95
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Over the last three decades, religious practices and belongings have gained increased visibility across the globe, turning secularity and its relationship with religion into subjects of intense interdisciplinary and international debate. Previously marginalized in gender studies, the secular and the religious now attract growing interest in academic and activist feminism, prompting a critical reflection on secularity's emancipatory potential. This publication aims to foster this interest by providing a platform for interdisciplinary and transregional discussions on the complex dynamics of secularity, religiosity, and gender, as well as new approaches to explore these relationships. The contributions examine the entanglements and boundaries of religions and secularities in everyday life, art, culture, and knowledge production. By presenting relevant case studies, this book underscores an understanding of religion as both a category of knowledge and a marker of identity.
Classification:
livres
livres
Publication:
janvier 2025
janvier 2025
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$50.00
(disponible en magasin)
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An incredibly large (literally phone book sized) and beautiful cornucopia of movement-building inspiration. You will want to spend a long time browsing the rainbow of practices in this book and reflecting on the numerous ways there are for us to help each other. ''An Encyclopedia of Radical Helping'' invites the reader to wander through a collection of interconnected(...)
$50.00
(disponible en magasin)
Résumé:
An incredibly large (literally phone book sized) and beautiful cornucopia of movement-building inspiration. You will want to spend a long time browsing the rainbow of practices in this book and reflecting on the numerous ways there are for us to help each other. ''An Encyclopedia of Radical Helping'' invites the reader to wander through a collection of interconnected(...)
Titre:
Encyclopedia of radical helping
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$50.00
(disponible en magasin)
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An incredibly large (literally phone book sized) and beautiful cornucopia of movement-building inspiration. You will want to spend a long time browsing the rainbow of practices in this book and reflecting on the numerous ways there are for us to help each other. ''An Encyclopedia of Radical Helping'' invites the reader to wander through a collection of interconnected entries on helping and healing by over 200 contributors from the worlds of social work and family therapy; art and design; body work; organizing; and more. Privileging co-construction over diagnosis, wisdom over evidence, collective healing over individual cure–yet always blurring categories and embracing contradictions–this world-making collection reveals a pluriverse of helping practices grounded in love and freedom.
Encyclopedia of radical helping
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$50.00
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An incredibly large (literally phone book sized) and beautiful cornucopia of movement-building inspiration. You will want to spend a long time browsing the rainbow of practices in this book and reflecting on the numerous ways there are for us to help each other. ''An Encyclopedia of Radical Helping'' invites the reader to wander through a collection of interconnected entries on helping and healing by over 200 contributors from the worlds of social work and family therapy; art and design; body work; organizing; and more. Privileging co-construction over diagnosis, wisdom over evidence, collective healing over individual cure–yet always blurring categories and embracing contradictions–this world-making collection reveals a pluriverse of helping practices grounded in love and freedom.
Classification:
livres
livres
Publication:
mai 2025
mai 2025
Sujet:
Théorie de l’art
Théorie de l’art
