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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art(...)
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art(...)
Titre:
Parachute : the anthology, vol. III
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art world to other artistic territories during the 1980s and 1990s (Russia and South America, for instance), from the "lessons" of postmodernism to the proliferation of installation art. The essays discuss works by artists such as Lothar Baumgarten, Mona Hatoum, Guillermo Kuitca, Louise Lawler, Reinhard Mucha, Jackson Pollock, Robert Ryman, Michael Snow and Sots Art artists, and include two particularly seminal artist's essays: Dan Graham on Gordon Matta-Clark, and Jeff Wall on Édouard Manet.
Parachute : the anthology, vol. III
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art world to other artistic territories during the 1980s and 1990s (Russia and South America, for instance), from the "lessons" of postmodernism to the proliferation of installation art. The essays discuss works by artists such as Lothar Baumgarten, Mona Hatoum, Guillermo Kuitca, Louise Lawler, Reinhard Mucha, Jackson Pollock, Robert Ryman, Michael Snow and Sots Art artists, and include two particularly seminal artist's essays: Dan Graham on Gordon Matta-Clark, and Jeff Wall on Édouard Manet.
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livres
livres
Publication:
février 2015
février 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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Can art express questions about justice? Could art, perhaps, even create justice? In Aesthetic Justice, sociologist Pascal Gielen and curator Niels Van Tomme invite a variety of artists and critical thinkers—including Zoe Beloff, Arne De Boever, Mark Fisher, Matt Fraser, Tessa Overbeek, Kerry James Marshall, Viktor Misiano, Carlos Motta, Nat Muller, Julie Atlas Muz,(...)
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Can art express questions about justice? Could art, perhaps, even create justice? In Aesthetic Justice, sociologist Pascal Gielen and curator Niels Van Tomme invite a variety of artists and critical thinkers—including Zoe Beloff, Arne De Boever, Mark Fisher, Matt Fraser, Tessa Overbeek, Kerry James Marshall, Viktor Misiano, Carlos Motta, Nat Muller, Julie Atlas Muz,(...)
Titre:
Aesthetic justice: artistic and moral perspectives
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Can art express questions about justice? Could art, perhaps, even create justice? In Aesthetic Justice, sociologist Pascal Gielen and curator Niels Van Tomme invite a variety of artists and critical thinkers—including Zoe Beloff, Arne De Boever, Mark Fisher, Matt Fraser, Tessa Overbeek, Kerry James Marshall, Viktor Misiano, Carlos Motta, Nat Muller, Julie Atlas Muz, Gerald Raunig, Dieter Roelstraete, Hito Steyerl, Julia Svetlichnaja, Hakan Topal, Samuel Vriezen and Christian Wolff—to reflect on new futures for the notion and practice of justice. The book offers thought-provoking views on the ways in which art may confront and potentially redirect social and political futures. Incorporating analyses of contemporary artworks that challenge the social, political or economic status quo, as well as interviews with artists and theoretical reflections, Aesthetic Justice considers the liberating potential of aesthetic frameworks and suggests alternatives for a more just future.
Aesthetic justice: artistic and moral perspectives
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Can art express questions about justice? Could art, perhaps, even create justice? In Aesthetic Justice, sociologist Pascal Gielen and curator Niels Van Tomme invite a variety of artists and critical thinkers—including Zoe Beloff, Arne De Boever, Mark Fisher, Matt Fraser, Tessa Overbeek, Kerry James Marshall, Viktor Misiano, Carlos Motta, Nat Muller, Julie Atlas Muz, Gerald Raunig, Dieter Roelstraete, Hito Steyerl, Julia Svetlichnaja, Hakan Topal, Samuel Vriezen and Christian Wolff—to reflect on new futures for the notion and practice of justice. The book offers thought-provoking views on the ways in which art may confront and potentially redirect social and political futures. Incorporating analyses of contemporary artworks that challenge the social, political or economic status quo, as well as interviews with artists and theoretical reflections, Aesthetic Justice considers the liberating potential of aesthetic frameworks and suggests alternatives for a more just future.
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livres
livres
Publication:
mars 2015
mars 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$55.00
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Without the work of French artist, poet, publisher, activist and translator Jean-Jacques Lebel (born 1936), the emergence of happenings in 1960s Europe would be hard to imagine. From the very outset of the decade, Lebel was instigating happenings-often politically themed- in Venice, Milan, London, Paris and New York, as the leading exponent for this new form of(...)
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Without the work of French artist, poet, publisher, activist and translator Jean-Jacques Lebel (born 1936), the emergence of happenings in 1960s Europe would be hard to imagine. From the very outset of the decade, Lebel was instigating happenings-often politically themed- in Venice, Milan, London, Paris and New York, as the leading exponent for this new form of(...)
Titre:
Jean-Jacques Lebel: barricades
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Without the work of French artist, poet, publisher, activist and translator Jean-Jacques Lebel (born 1936), the emergence of happenings in 1960s Europe would be hard to imagine. From the very outset of the decade, Lebel was instigating happenings-often politically themed- in Venice, Milan, London, Paris and New York, as the leading exponent for this new form of performance and a close associate of the Living Theater. In 1979 he founded the Polyphonix Festival, devoted to sound poetry and performance art. This hefty volume provides the most comprehensive overview of the life and oeuvre of this diversely talented figure.
Jean-Jacques Lebel: barricades
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Without the work of French artist, poet, publisher, activist and translator Jean-Jacques Lebel (born 1936), the emergence of happenings in 1960s Europe would be hard to imagine. From the very outset of the decade, Lebel was instigating happenings-often politically themed- in Venice, Milan, London, Paris and New York, as the leading exponent for this new form of performance and a close associate of the Living Theater. In 1979 he founded the Polyphonix Festival, devoted to sound poetry and performance art. This hefty volume provides the most comprehensive overview of the life and oeuvre of this diversely talented figure.
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livres
livres
Publication:
février 2015
février 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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From 2012 to 2014 a series of contemporary art exhibitions, events, and participatory forums organized by Galerija Nova, Tensta konsthall, and Grazer Kunstverein comprised the project “Beginning as Well as We Can (How Do We Talk about Fascism?).” Focusing on the startling increase of nationalism across Europe—made palpable in manifestations of fascist tendencies and the(...)
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From 2012 to 2014 a series of contemporary art exhibitions, events, and participatory forums organized by Galerija Nova, Tensta konsthall, and Grazer Kunstverein comprised the project “Beginning as Well as We Can (How Do We Talk about Fascism?).” Focusing on the startling increase of nationalism across Europe—made palpable in manifestations of fascist tendencies and the(...)
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Théorie de l’art
Théorie de l’art
Publication:
mars 2015
mars 2015
Titre:
Art and f word reflections on the browning of Europe
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From 2012 to 2014 a series of contemporary art exhibitions, events, and participatory forums organized by Galerija Nova, Tensta konsthall, and Grazer Kunstverein comprised the project “Beginning as Well as We Can (How Do We Talk about Fascism?).” Focusing on the startling increase of nationalism across Europe—made palpable in manifestations of fascist tendencies and the cult of heritage—the project points to the possibility and power of art to imagine futures that are not irrevocably determined by the present, but are invested with struggles fought here and now. Art and the F Word: Reflections on the Browning of Europe, edited by curator Maria Lind and the collective What, How & for Whom/WHW, continues the debate with contributions by cultural critics, curators, and artists, which articulate resistant and constructive possibilities of social and artistic production—investigating the language of politics and philosophy and also popular vocabularies, social contexts, media, science, and aesthetics.
Art and f word reflections on the browning of Europe
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From 2012 to 2014 a series of contemporary art exhibitions, events, and participatory forums organized by Galerija Nova, Tensta konsthall, and Grazer Kunstverein comprised the project “Beginning as Well as We Can (How Do We Talk about Fascism?).” Focusing on the startling increase of nationalism across Europe—made palpable in manifestations of fascist tendencies and the cult of heritage—the project points to the possibility and power of art to imagine futures that are not irrevocably determined by the present, but are invested with struggles fought here and now. Art and the F Word: Reflections on the Browning of Europe, edited by curator Maria Lind and the collective What, How & for Whom/WHW, continues the debate with contributions by cultural critics, curators, and artists, which articulate resistant and constructive possibilities of social and artistic production—investigating the language of politics and philosophy and also popular vocabularies, social contexts, media, science, and aesthetics.
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livres
livres
Publication:
mars 2015
mars 2015
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Théorie de l’art
Théorie de l’art
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livres
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Women Artists brings together twenty-nine essential essays from throughout Nochlin’s career, making this the definitive anthology of her writing about women in art. Included are her major thematic texts “Women Artists After the French Revolution” and “Starting from Scratch: The Beginnings of Feminist Art History,” as well as the landmark essay and its rejoinder “‘Why Have(...)
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Women Artists brings together twenty-nine essential essays from throughout Nochlin’s career, making this the definitive anthology of her writing about women in art. Included are her major thematic texts “Women Artists After the French Revolution” and “Starting from Scratch: The Beginnings of Feminist Art History,” as well as the landmark essay and its rejoinder “‘Why Have(...)
Titre:
Women artists: the Linda Nochlin reader
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Women Artists brings together twenty-nine essential essays from throughout Nochlin’s career, making this the definitive anthology of her writing about women in art. Included are her major thematic texts “Women Artists After the French Revolution” and “Starting from Scratch: The Beginnings of Feminist Art History,” as well as the landmark essay and its rejoinder “‘Why Have There Been No Great Women Artists?’ Thirty Years After.” These appear alongside monographic entries focusing on a selection of major women artists including Mary Cassatt, Louise Bourgeois, Cecily Brown, Kiki Smith, Miwa Yanagi, and Sophie Calle.
Women artists: the Linda Nochlin reader
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Women Artists brings together twenty-nine essential essays from throughout Nochlin’s career, making this the definitive anthology of her writing about women in art. Included are her major thematic texts “Women Artists After the French Revolution” and “Starting from Scratch: The Beginnings of Feminist Art History,” as well as the landmark essay and its rejoinder “‘Why Have There Been No Great Women Artists?’ Thirty Years After.” These appear alongside monographic entries focusing on a selection of major women artists including Mary Cassatt, Louise Bourgeois, Cecily Brown, Kiki Smith, Miwa Yanagi, and Sophie Calle.
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livres
livres
Publication:
juin 2015
juin 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Now Grayson Perry is a fully paid-up member of the art establishment, he wants to show that any of us can appreciate art (after all, there is a reason he’s called this book Playing to the Gallery and not Sucking Up to the Academic Elite). This funny, personal journey through the art world answers the basic questions that might occur to us in an art gallery but that we’re(...)
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Now Grayson Perry is a fully paid-up member of the art establishment, he wants to show that any of us can appreciate art (after all, there is a reason he’s called this book Playing to the Gallery and not Sucking Up to the Academic Elite). This funny, personal journey through the art world answers the basic questions that might occur to us in an art gallery but that we’re(...)
Titre:
Playing to the gallery: helping contemporary art in its struggle to be understood
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Now Grayson Perry is a fully paid-up member of the art establishment, he wants to show that any of us can appreciate art (after all, there is a reason he’s called this book Playing to the Gallery and not Sucking Up to the Academic Elite). This funny, personal journey through the art world answers the basic questions that might occur to us in an art gallery but that we’re too embarrassed to ask. Questions such as: What is “good” or “bad” art—and does it even matter? Is art still capable of shocking us or have we seen it all before? And what happens if you place apiece of art in a rubbish dump?
Playing to the gallery: helping contemporary art in its struggle to be understood
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Now Grayson Perry is a fully paid-up member of the art establishment, he wants to show that any of us can appreciate art (after all, there is a reason he’s called this book Playing to the Gallery and not Sucking Up to the Academic Elite). This funny, personal journey through the art world answers the basic questions that might occur to us in an art gallery but that we’re too embarrassed to ask. Questions such as: What is “good” or “bad” art—and does it even matter? Is art still capable of shocking us or have we seen it all before? And what happens if you place apiece of art in a rubbish dump?
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livres
livres
Publication:
mai 2015
mai 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$62.00
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Oskar Hansen’s (1922–2005) theoretical concept of “open form” was developed in the context of international debates around late-modern architecture in the 1950s. Open form assumed that no artistic expression is complete until it has been appropriated by its users or beholders. In the following decades, the concept became a key principle of performance and film art, and(...)
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Oskar Hansen’s (1922–2005) theoretical concept of “open form” was developed in the context of international debates around late-modern architecture in the 1950s. Open form assumed that no artistic expression is complete until it has been appropriated by its users or beholders. In the following decades, the concept became a key principle of performance and film art, and(...)
Titre:
Open form: Space, interaction, and the tradition of Oskar Hansen
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Oskar Hansen’s (1922–2005) theoretical concept of “open form” was developed in the context of international debates around late-modern architecture in the 1950s. Open form assumed that no artistic expression is complete until it has been appropriated by its users or beholders. In the following decades, the concept became a key principle of performance and film art, and led to the development of process-oriented and interdisciplinary artistic techniques. Hansen’s concept revolutionized the traditional means of artistic communication. This publication examines the impact of Hansen’s ideas within contemporary visual culture and the redefined role of the viewer since the 1960s.
Open form: Space, interaction, and the tradition of Oskar Hansen
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Oskar Hansen’s (1922–2005) theoretical concept of “open form” was developed in the context of international debates around late-modern architecture in the 1950s. Open form assumed that no artistic expression is complete until it has been appropriated by its users or beholders. In the following decades, the concept became a key principle of performance and film art, and led to the development of process-oriented and interdisciplinary artistic techniques. Hansen’s concept revolutionized the traditional means of artistic communication. This publication examines the impact of Hansen’s ideas within contemporary visual culture and the redefined role of the viewer since the 1960s.
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livres
livres
Publication:
mars 2015
mars 2015
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$42.95
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Coffret incluant un livre et le film de Caroline Cros et Antoine de Roux « Animal Normal. Conversations avec Yona Friedman 2007-2014 » sur DVD, consacré au célèbre appartement de Yona Friedman situé boulevard Garibaldi à Paris, véritable « merzbau » du XXIe siècle, probablement l'œuvre plastique majeure de l'architecte et philosophe d'origine hongroise.
$42.95
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Coffret incluant un livre et le film de Caroline Cros et Antoine de Roux « Animal Normal. Conversations avec Yona Friedman 2007-2014 » sur DVD, consacré au célèbre appartement de Yona Friedman situé boulevard Garibaldi à Paris, véritable « merzbau » du XXIe siècle, probablement l'œuvre plastique majeure de l'architecte et philosophe d'origine hongroise.
Titre:
Blvd Garibaldi - Variations sur Yona Friedman
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Coffret incluant un livre et le film de Caroline Cros et Antoine de Roux « Animal Normal. Conversations avec Yona Friedman 2007-2014 » sur DVD, consacré au célèbre appartement de Yona Friedman situé boulevard Garibaldi à Paris, véritable « merzbau » du XXIe siècle, probablement l'œuvre plastique majeure de l'architecte et philosophe d'origine hongroise.
Blvd Garibaldi - Variations sur Yona Friedman
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Coffret incluant un livre et le film de Caroline Cros et Antoine de Roux « Animal Normal. Conversations avec Yona Friedman 2007-2014 » sur DVD, consacré au célèbre appartement de Yona Friedman situé boulevard Garibaldi à Paris, véritable « merzbau » du XXIe siècle, probablement l'œuvre plastique majeure de l'architecte et philosophe d'origine hongroise.
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livres
livres
Publication:
février 2015
février 2015
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$67.95
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In science and technology, the images used to depict ideas, data, and reactions can be as striking and explosive as the concepts and processes they embody—both works of art and generative forces in their own right. Drawing on a close dialogue between the histories of art, science, and technology, The Technical Image explores these images not as mere illustrations or(...)
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In science and technology, the images used to depict ideas, data, and reactions can be as striking and explosive as the concepts and processes they embody—both works of art and generative forces in their own right. Drawing on a close dialogue between the histories of art, science, and technology, The Technical Image explores these images not as mere illustrations or(...)
Titre:
The technical image: a history of styles in scientific imagery
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In science and technology, the images used to depict ideas, data, and reactions can be as striking and explosive as the concepts and processes they embody—both works of art and generative forces in their own right. Drawing on a close dialogue between the histories of art, science, and technology, The Technical Image explores these images not as mere illustrations or examples, but as productive agents and distinctive, multilayered elements of the process of generating knowledge.
The technical image: a history of styles in scientific imagery
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In science and technology, the images used to depict ideas, data, and reactions can be as striking and explosive as the concepts and processes they embody—both works of art and generative forces in their own right. Drawing on a close dialogue between the histories of art, science, and technology, The Technical Image explores these images not as mere illustrations or examples, but as productive agents and distinctive, multilayered elements of the process of generating knowledge.
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livres
livres
Publication:
mars 2015
mars 2015
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$44.95
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With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist’s sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional—a work without clear stylistic kinship to the works that came(...)
$44.95
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With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist’s sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional—a work without clear stylistic kinship to the works that came(...)
Titre:
The cube and the face: around a sculpture by Alberto Giacometti
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With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist’s sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional—a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist’s surrealist and realist phases and contains many elements of Giacometti’s aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait—or what Didi-Huberman terms “abstract anthropomorphism.”
The cube and the face: around a sculpture by Alberto Giacometti
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With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist’s sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional—a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist’s surrealist and realist phases and contains many elements of Giacometti’s aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait—or what Didi-Huberman terms “abstract anthropomorphism.”
Classification:
livres
livres
Publication:
juin 2015
juin 2015
Sujet:
Théorie de l’art
Théorie de l’art
