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What parallels are there between a human pranayama practitioner and a migratory bird in heavily datafied environments? And what can they tell us about the need to reorient our thinking towards the planetary? In ''Contemporaneity in Embodied Data Practices'', two artistic field studies provide the starting point for a dialogical reflection on the entanglement of diverse(...)
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What parallels are there between a human pranayama practitioner and a migratory bird in heavily datafied environments? And what can they tell us about the need to reorient our thinking towards the planetary? In ''Contemporaneity in Embodied Data Practices'', two artistic field studies provide the starting point for a dialogical reflection on the entanglement of diverse(...)
Titre:
Contemporaneity in embodied data practices. The contemporary condition
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What parallels are there between a human pranayama practitioner and a migratory bird in heavily datafied environments? And what can they tell us about the need to reorient our thinking towards the planetary? In ''Contemporaneity in Embodied Data Practices'', two artistic field studies provide the starting point for a dialogical reflection on the entanglement of diverse temporalities in body-related, datafied, and experiential practices. Shifting through lived, historical, evolutionary, and technological rhythms, Cornelia Sollfrank and Felix Stalder unfold their respective more-than-human frames of reference, and arrive at specific forms of agency in the contemporary moment.
Contemporaneity in embodied data practices. The contemporary condition
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What parallels are there between a human pranayama practitioner and a migratory bird in heavily datafied environments? And what can they tell us about the need to reorient our thinking towards the planetary? In ''Contemporaneity in Embodied Data Practices'', two artistic field studies provide the starting point for a dialogical reflection on the entanglement of diverse temporalities in body-related, datafied, and experiential practices. Shifting through lived, historical, evolutionary, and technological rhythms, Cornelia Sollfrank and Felix Stalder unfold their respective more-than-human frames of reference, and arrive at specific forms of agency in the contemporary moment.
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livres
livres
Publication:
avril 2025
avril 2025
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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Over the last three decades, religious practices and belongings have gained increased visibility across the globe, turning secularity and its relationship with religion into subjects of intense interdisciplinary and international debate. Previously marginalized in gender studies, the secular and the religious now attract growing interest in academic and activist feminism,(...)
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Over the last three decades, religious practices and belongings have gained increased visibility across the globe, turning secularity and its relationship with religion into subjects of intense interdisciplinary and international debate. Previously marginalized in gender studies, the secular and the religious now attract growing interest in academic and activist feminism,(...)
Titre:
Gender and postsecularity in knowledge production and visual culture
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Over the last three decades, religious practices and belongings have gained increased visibility across the globe, turning secularity and its relationship with religion into subjects of intense interdisciplinary and international debate. Previously marginalized in gender studies, the secular and the religious now attract growing interest in academic and activist feminism, prompting a critical reflection on secularity's emancipatory potential. This publication aims to foster this interest by providing a platform for interdisciplinary and transregional discussions on the complex dynamics of secularity, religiosity, and gender, as well as new approaches to explore these relationships. The contributions examine the entanglements and boundaries of religions and secularities in everyday life, art, culture, and knowledge production. By presenting relevant case studies, this book underscores an understanding of religion as both a category of knowledge and a marker of identity.
Gender and postsecularity in knowledge production and visual culture
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Over the last three decades, religious practices and belongings have gained increased visibility across the globe, turning secularity and its relationship with religion into subjects of intense interdisciplinary and international debate. Previously marginalized in gender studies, the secular and the religious now attract growing interest in academic and activist feminism, prompting a critical reflection on secularity's emancipatory potential. This publication aims to foster this interest by providing a platform for interdisciplinary and transregional discussions on the complex dynamics of secularity, religiosity, and gender, as well as new approaches to explore these relationships. The contributions examine the entanglements and boundaries of religions and secularities in everyday life, art, culture, and knowledge production. By presenting relevant case studies, this book underscores an understanding of religion as both a category of knowledge and a marker of identity.
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livres
livres
Publication:
janvier 2025
janvier 2025
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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''Standpoint Autotheory'' encompasses a multitude of manifestations of radically self-reflexive research attitudes. It traces research based artistic practices through twelve contributions that propose a performative integration of the personal within the production of theory and explore the entanglements of subjectivity with criticality aimed at social transformation by(...)
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''Standpoint Autotheory'' encompasses a multitude of manifestations of radically self-reflexive research attitudes. It traces research based artistic practices through twelve contributions that propose a performative integration of the personal within the production of theory and explore the entanglements of subjectivity with criticality aimed at social transformation by(...)
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
septembre 2025
septembre 2025
Titre:
Standpoint autotheory: Writing embodied experiences and relational artistic practice
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''Standpoint Autotheory'' encompasses a multitude of manifestations of radically self-reflexive research attitudes. It traces research based artistic practices through twelve contributions that propose a performative integration of the personal within the production of theory and explore the entanglements of subjectivity with criticality aimed at social transformation by questioning dominant epistemologies. The positions assembled in the book are permeated by different modes of thinking and practice such as autoethnography, practices of the self, auto-historia teoría, standpoint theories, strong objectivity and situated knowledge, self-authority, narrativity and storytelling, radical positioning, performative philosophy, autofiction, thinking-feeling, and other methods that, through the interrogation of embodied experiences, illuminate the connections between the personal and the political, as well as the individual and the communal.
Standpoint autotheory: Writing embodied experiences and relational artistic practice
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Résumé:
''Standpoint Autotheory'' encompasses a multitude of manifestations of radically self-reflexive research attitudes. It traces research based artistic practices through twelve contributions that propose a performative integration of the personal within the production of theory and explore the entanglements of subjectivity with criticality aimed at social transformation by questioning dominant epistemologies. The positions assembled in the book are permeated by different modes of thinking and practice such as autoethnography, practices of the self, auto-historia teoría, standpoint theories, strong objectivity and situated knowledge, self-authority, narrativity and storytelling, radical positioning, performative philosophy, autofiction, thinking-feeling, and other methods that, through the interrogation of embodied experiences, illuminate the connections between the personal and the political, as well as the individual and the communal.
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livres
livres
Publication:
septembre 2025
septembre 2025
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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$55.95
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This book brings together material from a wide range of disciplines in the arts and social sciences to argue for cultural intervention as a means to radical change, while recognising that most such efforts in the past have not delivered the dreams of their perpetrators.
$55.95
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This book brings together material from a wide range of disciplines in the arts and social sciences to argue for cultural intervention as a means to radical change, while recognising that most such efforts in the past have not delivered the dreams of their perpetrators.
Titre:
Urban avant-gardes : art, architecture and change
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This book brings together material from a wide range of disciplines in the arts and social sciences to argue for cultural intervention as a means to radical change, while recognising that most such efforts in the past have not delivered the dreams of their perpetrators.
Urban avant-gardes : art, architecture and change
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This book brings together material from a wide range of disciplines in the arts and social sciences to argue for cultural intervention as a means to radical change, while recognising that most such efforts in the past have not delivered the dreams of their perpetrators.
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livres
livres
Publication:
mai 2004, London
mai 2004, London
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Futurist Manifestos
Futurist Manifestos
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On February 20th, 1909, a belligerent manifesto announcing the birth of the Futurist movement appeared on the front page of the Paris newspaper "Le Figaro" and had immediate repercussions throughout Europe. The author, a young Italian poet named F.T. Marinetti, demanded that writers and artists reject the classic art of the past and celebrate the dynamic technology of(...)
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On February 20th, 1909, a belligerent manifesto announcing the birth of the Futurist movement appeared on the front page of the Paris newspaper "Le Figaro" and had immediate repercussions throughout Europe. The author, a young Italian poet named F.T. Marinetti, demanded that writers and artists reject the classic art of the past and celebrate the dynamic technology of(...)
Titre:
Futurist Manifestos
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On February 20th, 1909, a belligerent manifesto announcing the birth of the Futurist movement appeared on the front page of the Paris newspaper "Le Figaro" and had immediate repercussions throughout Europe. The author, a young Italian poet named F.T. Marinetti, demanded that writers and artists reject the classic art of the past and celebrate the dynamic technology of modern city life. Joined by a group of like-minded artists, over the following years Marinetti pioneered an art that would represent movement, in a reaction against the stasis of the classics, and even of its contemporaries such as Cubism. Available in English for the first time in over 20 years, the "Futurist Manifestos" are fiery, explosive, and witty, and crucial to any full appreciation of modern art.
Futurist Manifestos
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On February 20th, 1909, a belligerent manifesto announcing the birth of the Futurist movement appeared on the front page of the Paris newspaper "Le Figaro" and had immediate repercussions throughout Europe. The author, a young Italian poet named F.T. Marinetti, demanded that writers and artists reject the classic art of the past and celebrate the dynamic technology of modern city life. Joined by a group of like-minded artists, over the following years Marinetti pioneered an art that would represent movement, in a reaction against the stasis of the classics, and even of its contemporaries such as Cubism. Available in English for the first time in over 20 years, the "Futurist Manifestos" are fiery, explosive, and witty, and crucial to any full appreciation of modern art.
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livres
livres
Publication:
janvier 2001
janvier 2001
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$54.00
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"One Place after Another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public(...)
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"One Place after Another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public(...)
Titre:
One place after another : site-specific art and locational identity
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"One Place after Another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, René¥ Green, Suzanne Lacy, Iñ©§¯ Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
One place after another : site-specific art and locational identity
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"One Place after Another" offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, René¥ Green, Suzanne Lacy, Iñ©§¯ Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
Classification:
livres
livres
Publication:
avril 2004, Cambridge, Mass.
avril 2004, Cambridge, Mass.
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Decoys and Disruptions is the first comprehensive collection of writings by American artist and critic Martha Rosler. Best known for her videos and photography, Rosler has also been an original and influential cultural critic and theorist for over twenty-five years. The writings collected here address such key topics as documentary photography, feminist art, video,(...)
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Decoys and Disruptions is the first comprehensive collection of writings by American artist and critic Martha Rosler. Best known for her videos and photography, Rosler has also been an original and influential cultural critic and theorist for over twenty-five years. The writings collected here address such key topics as documentary photography, feminist art, video,(...)
Titre:
Decoys and disruptions : selected writings 1975-2001
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Decoys and Disruptions is the first comprehensive collection of writings by American artist and critic Martha Rosler. Best known for her videos and photography, Rosler has also been an original and influential cultural critic and theorist for over twenty-five years. The writings collected here address such key topics as documentary photography, feminist art, video, government patronage of the arts, censorship, and the future of digitally based photographic media.
Decoys and disruptions : selected writings 1975-2001
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Decoys and Disruptions is the first comprehensive collection of writings by American artist and critic Martha Rosler. Best known for her videos and photography, Rosler has also been an original and influential cultural critic and theorist for over twenty-five years. The writings collected here address such key topics as documentary photography, feminist art, video, government patronage of the arts, censorship, and the future of digitally based photographic media.
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livres
livres
Publication:
juin 2004, Cambridge
juin 2004, Cambridge
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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Since 1992, Dia has presented the Robert Lehman lectures on contemporary art. The lectures series, an example of Dia's longstanding commitment to critical and intellectual discourse, was founded with a generous grant from the Robert Lehman Foundation Inc., and has showcased a distinguished array of scholars, critics, art and cultural historians, and artists.
$20.00
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Since 1992, Dia has presented the Robert Lehman lectures on contemporary art. The lectures series, an example of Dia's longstanding commitment to critical and intellectual discourse, was founded with a generous grant from the Robert Lehman Foundation Inc., and has showcased a distinguished array of scholars, critics, art and cultural historians, and artists.
Publication:
mars 2004, New York
mars 2004, New York
Titre:
Robert Lehman lectures on contemporary art #2
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Since 1992, Dia has presented the Robert Lehman lectures on contemporary art. The lectures series, an example of Dia's longstanding commitment to critical and intellectual discourse, was founded with a generous grant from the Robert Lehman Foundation Inc., and has showcased a distinguished array of scholars, critics, art and cultural historians, and artists.
Robert Lehman lectures on contemporary art #2
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Since 1992, Dia has presented the Robert Lehman lectures on contemporary art. The lectures series, an example of Dia's longstanding commitment to critical and intellectual discourse, was founded with a generous grant from the Robert Lehman Foundation Inc., and has showcased a distinguished array of scholars, critics, art and cultural historians, and artists.
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livres
livres
Publication:
mars 2004, New York
mars 2004, New York
Classification:
livres
livres
Prix:
$41.95
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Résumé:
The Lure of the Local weaves together cultural studies, history, geography and contemporary art, to provide an exploration of our multiple senses of place. The classic exploration of our multiple senses of place, by one of America's most influential art writers.
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Résumé:
The Lure of the Local weaves together cultural studies, history, geography and contemporary art, to provide an exploration of our multiple senses of place. The classic exploration of our multiple senses of place, by one of America's most influential art writers.
Titre:
The lure of the local: senses of place in a multicentered society
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$41.95
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The Lure of the Local weaves together cultural studies, history, geography and contemporary art, to provide an exploration of our multiple senses of place. The classic exploration of our multiple senses of place, by one of America's most influential art writers.
The lure of the local: senses of place in a multicentered society
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$41.95
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The Lure of the Local weaves together cultural studies, history, geography and contemporary art, to provide an exploration of our multiple senses of place. The classic exploration of our multiple senses of place, by one of America's most influential art writers.
Classification:
livres
livres
Publication:
janvier 1900
janvier 1900
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Aesthetic subjects
Aesthetic subjects
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Résumé:
Determined to recover the value of aesthetic experience for artistic, cultural, and social analysis, the contributors to this volume-prominent scholars in literature, philosophy, art history, architecture, history, and anthropology-begin from a shared recognition that ideological readings of the aesthetic have provided invaluable insights, in particular, that analyses of(...)
$37.50
(disponible sur commande)
Résumé:
Determined to recover the value of aesthetic experience for artistic, cultural, and social analysis, the contributors to this volume-prominent scholars in literature, philosophy, art history, architecture, history, and anthropology-begin from a shared recognition that ideological readings of the aesthetic have provided invaluable insights, in particular, that analyses of(...)
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
avril 2003, Minneapolis
avril 2003, Minneapolis
Titre:
Aesthetic subjects
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$37.50
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Résumé:
Determined to recover the value of aesthetic experience for artistic, cultural, and social analysis, the contributors to this volume-prominent scholars in literature, philosophy, art history, architecture, history, and anthropology-begin from a shared recognition that ideological readings of the aesthetic have provided invaluable insights, in particular, that analyses of aesthetics within historical and social contexts tell us a great deal about the experience of aesthetic encounters. From multiple and complementary perspectives, the contributors address topics as varied as Nabokov and Dickens, Caravaggio and Shelley Winters, gender and sexuality, advertising and AIDS. Taken together, their essays constitute a sustained and multifarious effort to resituate aesthetic pleasure in the mixed, impure conditions characteristic of every social practice and experience, however privileged or marginalized, and to ask what happens to the aesthetic if we consider it apart from-or at least in tension with-its historically dominant discursive formulations. Contributors : Leo Bersani, Susan Bordo, Bill Brown, Beatriz Colomina, Ulysse Dutoit, Lee Edelman, Maureen Harkin, Howard Horwitz, Audrey Jaffe, Martin Jay, Kay Bea Jones, Robert Kaufman, Alphonso Lingis, Joseph Litvak, Douglas Mao, Barbara Stafford, Kathleen Stewart, Kathryn Bond Stockton, Judith Stoddart, Michael Taussig.
Aesthetic subjects
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Prix:
$37.50
(disponible sur commande)
Résumé:
Determined to recover the value of aesthetic experience for artistic, cultural, and social analysis, the contributors to this volume-prominent scholars in literature, philosophy, art history, architecture, history, and anthropology-begin from a shared recognition that ideological readings of the aesthetic have provided invaluable insights, in particular, that analyses of aesthetics within historical and social contexts tell us a great deal about the experience of aesthetic encounters. From multiple and complementary perspectives, the contributors address topics as varied as Nabokov and Dickens, Caravaggio and Shelley Winters, gender and sexuality, advertising and AIDS. Taken together, their essays constitute a sustained and multifarious effort to resituate aesthetic pleasure in the mixed, impure conditions characteristic of every social practice and experience, however privileged or marginalized, and to ask what happens to the aesthetic if we consider it apart from-or at least in tension with-its historically dominant discursive formulations. Contributors : Leo Bersani, Susan Bordo, Bill Brown, Beatriz Colomina, Ulysse Dutoit, Lee Edelman, Maureen Harkin, Howard Horwitz, Audrey Jaffe, Martin Jay, Kay Bea Jones, Robert Kaufman, Alphonso Lingis, Joseph Litvak, Douglas Mao, Barbara Stafford, Kathleen Stewart, Kathryn Bond Stockton, Judith Stoddart, Michael Taussig.
Classification:
livres
livres
Publication:
avril 2003, Minneapolis
avril 2003, Minneapolis
Sujet:
Théorie de l’art
Théorie de l’art
