Citizens of the cosmos
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"Citizens of the cosmos" examines the artist Anton Vidokle’s films and the Cosmist philosophy underpinning them. It features essays and conversations with Vidokle by seminal contemporary theorists, curators, and artists: Franco "Bifo" Berardi, Keti Chukhrov, Liam Gillick, Boris Groys, Daniel Muzyczuk, Miguel Amado and Georgia Perkins, Elizabeth Povinelli, and Raqs Media(...)
Citizens of the cosmos
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"Citizens of the cosmos" examines the artist Anton Vidokle’s films and the Cosmist philosophy underpinning them. It features essays and conversations with Vidokle by seminal contemporary theorists, curators, and artists: Franco "Bifo" Berardi, Keti Chukhrov, Liam Gillick, Boris Groys, Daniel Muzyczuk, Miguel Amado and Georgia Perkins, Elizabeth Povinelli, and Raqs Media Collective. This is the first book to survey Vidokle’s Cosmism-related filmic output, begun in 2014, and includes full scripts from the films. The book’s contributors speculate on Vidokle’s Cosmist conceptions of technological immortality, resurrection of all ancestors, radical museology, and space travel, grappling with how these ideas embroil or crystallize contemporary theories, artistic and technological imaginaries: atmospheric manipulation, cryonics, biopolitics, extraplanetary prospecting, geo-engineering, genetics.
Théorie de l’art
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"The complex answer: On art as a non-binary intelligence" presents a series of entangled essays on the question on how art—and contemporary art practices in particular—embodies an intelligence capable of serving the erasure of the culture/nature distinction. The book is conceived in four parts and each not only introduces a slightly different writing on the subject(...)
The complex answer: On art as a non-binary intelligence
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"The complex answer: On art as a non-binary intelligence" presents a series of entangled essays on the question on how art—and contemporary art practices in particular—embodies an intelligence capable of serving the erasure of the culture/nature distinction. The book is conceived in four parts and each not only introduces a slightly different writing on the subject matter, but also refers to concrete questions that affect the practice of art, the exercise of exhibiting, the duty of reflecting, and the institutional forms that define our present but may radically change in a near future. The book imagines art and contemporary art as an organ. An organ that produces an experience of inexpressible realities that are fundamental to understanding life and its processes. Stem cells exist, first, without a purpose and it is for the whole organism to decide if they will become part of an auditive nerve or the brain or the cornea of an eye. This adding to an organ is how Chus Martínez understands the intelligence of art. Poets and artists have claimed to understand the language of birds and flowers. We speak now of multi-species communication without a trace of metaphoric language. The experience of nature has evolved inside artistic practice. One could claim that the very fact that we talk about artificial intelligence is a merit of the arts. To transfer traits of organic life to inorganic entities such as information systems is a bold move that took centuries to prepare. Art has been essential in getting our senses and our arguments ready to accept this reality. The same with animal language, the synchronized reactions of a rainforest, and the transformative way fish have been discovered as able to recognize their own image in a mirror. These are just jests on the part of the sciences, developments of technical knowledges.
Théorie de l’art
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Although often considered to be a fault or a glitch in the system, the event of hallucination is central to the models of image production generated by artificial intelligence (AI). Through mining the latent space of computer vision, Trevor Paglen’s series "Adversarially evolved hallucinations" (2017–ongoing) reveals this phantasmal and hallucinatory domain. In the(...)
Adversarially evolved hallucinations
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Although often considered to be a fault or a glitch in the system, the event of hallucination is central to the models of image production generated by artificial intelligence (AI). Through mining the latent space of computer vision, Trevor Paglen’s series "Adversarially evolved hallucinations" (2017–ongoing) reveals this phantasmal and hallucinatory domain. In the conversation included in this volume, he discusses how we can think from within these opaque structures and, in turn, questions the frequently inflated claims made on behalf of automated image-production systems. In an accompanying essay, Anthony Downey explores the uncanny realm of algorithmically induced images and proposes that AI, through its generative modeling of the world, invariably estranges us from the present and the future.
Théorie de l’art
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In 2021, Etel Adnan and Simone Fattal recorded an intimate conversation about the Mediterranean at their Parisian home: "There are many Mediterraneans: the geographical, the historical, the philosophical... the personal, the one we swim, and we have swum in. It‘s an experience to swim, it is something you can‘t explain to somebody who never swam. This feeling of being(...)
Thus waves come in pairs: Thinking with the Mediterraneans
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In 2021, Etel Adnan and Simone Fattal recorded an intimate conversation about the Mediterranean at their Parisian home: "There are many Mediterraneans: the geographical, the historical, the philosophical... the personal, the one we swim, and we have swum in. It‘s an experience to swim, it is something you can‘t explain to somebody who never swam. This feeling of being held up by this water." The third cycle of TBA21–Academy’s curatorial fellowship program "The Current", spanning from 2021–2023 focused on the Mediterraneans in a program entitled "Thus waves come in pairs" after a line from Adnan’s poem "Sea and Fog." It pointed to the necessity of thinking of, and thinking with, the Mediterraneans as plural—plural as their interconnected cultures, and bodies of sweet and salty water, and possibilities of narrating their current transformations.
Théorie de l’art
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Une étude historique approfondie du projet artistique et politique de l'Internationale situationniste (IS).
Le Monde en situation : La révolte sensible de l'Internationale situationniste
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Une étude historique approfondie du projet artistique et politique de l'Internationale situationniste (IS).
Théorie de l’art
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Un manifeste collectif pour des écoles d'art féministes. Retranscrire un cycle de conférences, entretiens, workshops et groupes de discussion féministes intersectionnels dans une école d'art s'avère crucial pour partager des outils d'émancipation et bousculer les critères implicites qui structurent nos regards et nos pratiques (identification aux normes visuelles(...)
Pour des écoles d'art féministes !
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Un manifeste collectif pour des écoles d'art féministes. Retranscrire un cycle de conférences, entretiens, workshops et groupes de discussion féministes intersectionnels dans une école d'art s'avère crucial pour partager des outils d'émancipation et bousculer les critères implicites qui structurent nos regards et nos pratiques (identification aux normes visuelles occidentales, représentations romantico-capitalistes de l'artiste-auteur·rice…). Cet ouvrage a pour premier objet de partager les contenus accueillis et produits à l'École Supérieure d'Art de Clermont Métropole entre 2017 et 2022. Il est aussi l'occasion de travailler avec un groupe d'étudiant·es, d'artistes et de chercheureuses, pour penser la manière d'élaborer collectivement des invitations mais aussi l'élaboration de l'ouvrage ; il est un outil pour un travail pédagogique collectif et idéalement horizontal au cœur d'une institution hiérarchisée et hiérarchisante.
Théorie de l’art
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Invités par Rachel Valinsky, sept artistes portent leurs regards sur l'œuvre de Guy de Cointet. Guy de Cointet est une figure majeure du mouvement de l'art conceptuel et de la performance. Français, installé aux Etats-Unis en 1966, il est resté un membre actif de la scène artistique californienne jusqu'à sa mort en 1983. Son œuvre pluridisciplinaire, a fait l'objet d'une(...)
Guy de Cointet : Transatlantique
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Invités par Rachel Valinsky, sept artistes portent leurs regards sur l'œuvre de Guy de Cointet. Guy de Cointet est une figure majeure du mouvement de l'art conceptuel et de la performance. Français, installé aux Etats-Unis en 1966, il est resté un membre actif de la scène artistique californienne jusqu'à sa mort en 1983. Son œuvre pluridisciplinaire, a fait l'objet d'une attention renouvelée, au cours des vingt dernières années. Rachel Valinsky invite sept artistes, basés de part et d'autre de l'Atlantique, à mettre en lumière, plus vivement que jamais, l'impact de cette œuvre.
Théorie de l’art
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When the New Yorker art critic Peter Schjeldahl published his widely read autobiographical essay "The art of dying" in December 2019, he reported that he had lung cancer and his oncologist had given him six months to live, but his experimental treatment was showing some improvement. "These extra months," he wrote, "are a luxury that I hope to have put to good use.” And he(...)
The art of dying: Writings 2019-2022
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When the New Yorker art critic Peter Schjeldahl published his widely read autobiographical essay "The art of dying" in December 2019, he reported that he had lung cancer and his oncologist had given him six months to live, but his experimental treatment was showing some improvement. "These extra months," he wrote, "are a luxury that I hope to have put to good use.” And he did. "The art of dying: Writings, 2019-2022" begins with that essay and collects all 46 pieces that he wrote for the magazine before his death in October 2022. These last works express Schjeldahl’s hard-won reflections on art and life, against the backdrop of an intensely anxious period in America, spanning the pandemic, the George Floyd protests, the 2020 presidential election, and the war in Ukraine. Schjeldahl, who was the leading art writer of his generation, wrote with generosity and openness about the art world during these tempestuous three years.
Théorie de l’art
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Depuis plusieurs années, des artistes tentent de s’extraire d’une représentation convenue du monde rural pour comprendre la réalité sociale, économique et environnementale de l’agriculture aujourd’hui. Ce catalogue accompagne l’exposition « Artistes & Paysans. Battre la campagne », Les Abattoirs, Musée – FRAC Occitanie Toulouse.
Théorie de l’art
avril 2024
Artistes et paysans : battre la campagne
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Depuis plusieurs années, des artistes tentent de s’extraire d’une représentation convenue du monde rural pour comprendre la réalité sociale, économique et environnementale de l’agriculture aujourd’hui. Ce catalogue accompagne l’exposition « Artistes & Paysans. Battre la campagne », Les Abattoirs, Musée – FRAC Occitanie Toulouse.
Théorie de l’art
Charismatic spirals
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"Charismatic spirals" is for an America circa 2024, where poetry-- the art of developing new means of speaking-- has never been of such artistic, technological, and political consequence.
Charismatic spirals
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"Charismatic spirals" is for an America circa 2024, where poetry-- the art of developing new means of speaking-- has never been of such artistic, technological, and political consequence.
Théorie de l’art