Agnes Martin: night sea
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Agnes Martin’s Night Sea (1963) is a large canvas of hand-drawn rectangular grids painted in luminous blue and gold. In this illustrated study, Suzanne Hudson presents the painting as the work of an artist, thinker, poet and writer, for whom self-presentation was a necessary part of making works public. With Night Sea, Hudson argues, Martin was moving from visible labour(...)
Agnes Martin: night sea
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Agnes Martin’s Night Sea (1963) is a large canvas of hand-drawn rectangular grids painted in luminous blue and gold. In this illustrated study, Suzanne Hudson presents the painting as the work of an artist, thinker, poet and writer, for whom self-presentation was a necessary part of making works public. With Night Sea, Hudson argues, Martin was moving from visible labour to lightness unburdened by evidence of process. She created a shimmering realisation of control and loss that stands alone within her suite of classic grid paintings as an exceptional achievement. This title is part of the One Work book series, which focuses on the artworks that have significantly shaped the way we understand art and its history.
Théorie de l’art
Donald Judd: writings
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''Donald Judd: Writings,'' copublished by Judd Foundation and David Zwirner Books, is the most comprehensive collection of the artist's writings assembled to date. This timely publication includes Judd’s best-known essays organized chronologically with little-known texts previously published in limited editions. This new collection also includes unpublished college essays(...)
Donald Judd: writings
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''Donald Judd: Writings,'' copublished by Judd Foundation and David Zwirner Books, is the most comprehensive collection of the artist's writings assembled to date. This timely publication includes Judd’s best-known essays organized chronologically with little-known texts previously published in limited editions. This new collection also includes unpublished college essays and hundreds of never-before-seen handwritten notes, a critical but unknown part of Judd’s writing practice.
Théorie de l’art
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Juillet 2011. Ai Weiwei vient d'être libéré de prison. Barnaby Martin se rend à Pékin où l'artiste est assigné à résidence. Les entretiens qu'il mène secrètement avec Ai Weiwei dans son atelier nous éclairent sur les coulisses du Parti communiste chinois et permettent de dresser un portrait rare fondé sur le témoignage inédit du plus célèbre artiste et dissident chinois.
Ai Weiwei : histoire d'une arrestation
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Juillet 2011. Ai Weiwei vient d'être libéré de prison. Barnaby Martin se rend à Pékin où l'artiste est assigné à résidence. Les entretiens qu'il mène secrètement avec Ai Weiwei dans son atelier nous éclairent sur les coulisses du Parti communiste chinois et permettent de dresser un portrait rare fondé sur le témoignage inédit du plus célèbre artiste et dissident chinois.
Théorie de l’art
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Ni tout à fait le même, ni tout à fait un autre : le lecteur retrouvera dans l'épaisseur de ce volume le Starobinski qu'il aime et qu'il recherche – «l'œil vivant», le lecteur impeccable, sachant allier la délicatesse du toucher et la maîtrise de l'explication, mais il découvrira aussi un Starobinski arpentant pour lui des terres peut-être nouvelles – non pas celles du(...)
La beauté du monde : la litéérarure et les arts
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Ni tout à fait le même, ni tout à fait un autre : le lecteur retrouvera dans l'épaisseur de ce volume le Starobinski qu'il aime et qu'il recherche – «l'œil vivant», le lecteur impeccable, sachant allier la délicatesse du toucher et la maîtrise de l'explication, mais il découvrira aussi un Starobinski arpentant pour lui des terres peut-être nouvelles – non pas celles du siècle des Lumières, ni celles de l'histoire des idées médicales, mais celles de la poésie, de la peinture et de la musique. Ces trois muses se donnent la main et forment une ronde que le critique n'a jamais quittée. Au total. c'est une centaine d'études composées sur plus de soixante ans qui se trouvent rassemblées sous le titre «La beauté du monde». Car la littérature et les arts répondent à la beauté du monde et le critique, premier lecteur, spectateur et auditeur, célèbre la réponse de ceux-là pour chanter celle-ci. Le lecteur comprendra mieux sans doute ce qui continue d'animer celui qui a fait de la…
Théorie de l’art
100 secrets of the art world
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What do major artists consider their best-kept secret? What is regarded as confidential knowledge among the key players of the global art market? In ''100 Secrets of the Art World'', the most powerful international individuals share their insights. Edited by Thomas Girst and Magnus Resch (author of the bestselling Management of Art Galleries), this fun guide to(...)
100 secrets of the art world
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What do major artists consider their best-kept secret? What is regarded as confidential knowledge among the key players of the global art market? In ''100 Secrets of the Art World'', the most powerful international individuals share their insights. Edited by Thomas Girst and Magnus Resch (author of the bestselling Management of Art Galleries), this fun guide to contemporary art contains exclusive anecdotes, advice and personal stories from artists, museum directors, gallerists, auction house insiders, collectors and many more.
Théorie de l’art
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One of twentieth-century America’s most influential patrons of the arts, Peggy Guggenheim (1898–1979) brought to wide public attention the work of such modern masters as Jackson Pollock and Man Ray. In her time, there was no stronger advocate for the groundbreaking and the avant-garde. Her midtown gallery was the acknowledged center of the postwar New York art scene, and(...)
Peggy Guggenheim: the shock of the modern
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One of twentieth-century America’s most influential patrons of the arts, Peggy Guggenheim (1898–1979) brought to wide public attention the work of such modern masters as Jackson Pollock and Man Ray. In her time, there was no stronger advocate for the groundbreaking and the avant-garde. Her midtown gallery was the acknowledged center of the postwar New York art scene, and her museum on the Grand Canal in Venice remains one of the world’s great collections of modern art. Yet as renowned as she was for the art and artists she so tirelessly championed, Guggenheim was equally famous for her unconventional personal life, and for her ironic, playful desire to shock. Francine Prose offers a singular reading of Guggenheim’s life. The lively and insightful narrative follows Guggenheim through virtually every aspect of her extraordinary life, from her unique collecting habits and paradigm-changing discoveries, to her celebrity friendships, failed marriages, and scandalous affairs, and Prose delivers a colorful portrait of a defiantly uncompromising woman who maintained a powerful upper hand in a male-dominated world. Prose also explores the ways in which Guggenheim’s image was filtered through the lens of insidious antisemitism.
Théorie de l’art
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As leading radical writer on art John Berger celebrates his ninetieth year, he brings a lifetime's engagement with the ideas, artists, and thinkers that have shaped his thinking: Walter Benjamin, Rosa Luxemburg and Bertolt Brecht among them. In Landscapes Berger allows us to see the evolution of his own way of seeing. He explores the relationship between creativity and(...)
Landscapes: John Berger on art
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As leading radical writer on art John Berger celebrates his ninetieth year, he brings a lifetime's engagement with the ideas, artists, and thinkers that have shaped his thinking: Walter Benjamin, Rosa Luxemburg and Bertolt Brecht among them. In Landscapes Berger allows us to see the evolution of his own way of seeing. He explores the relationship between creativity and politics and the revolutionary potential of art through a series of different forms.
Théorie de l’art
livres
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The Tree of Meaning is a collection of thirteen lectures given by internationally-renowned poet, linguist and typographer Robert Bringhurst. Together these lectures present a superbly grounded approach to the study of language, focusing on storytelling, mythology, comparative literature, humanity and the breadth of oral culture. Bringhurst’s commitment to what he calls(...)
The tree of meaning: thirteen talks
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The Tree of Meaning is a collection of thirteen lectures given by internationally-renowned poet, linguist and typographer Robert Bringhurst. Together these lectures present a superbly grounded approach to the study of language, focusing on storytelling, mythology, comparative literature, humanity and the breadth of oral culture. Bringhurst’s commitment to what he calls ‘ecological linguistics’ emerges in his studies of Native American art and storytelling, his understanding of poetry, and his championing of a more truly universal conception of what constitutes literature. The collection features a sustained focus on Haida culture (including the work of storytellers Skaay and Ghandl, and artist Bill Reid), on the process of translation, and on the relationship between beings and language. Spanning ten years of lecturing, The Tree of Meaning is remarkable not only for the cohesion of its author’s own ideas but for the synthesis of such wide-ranging perspectives and examples of cultures both human and non-human. These thirteen lectures draw together a highly personalized and active study of Native American art and literature, world languages, philosophy and natural history. To each subject Bringhurst brings an ecologically conscious, humanitarian approach and an enthusiastic interest in the world around him.
livres
novembre 2008
Théorie de l’art
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Le caractère exceptionnel de cette exposition repose sur le prêt de 150 œuvres en provenance de Russie, jusqu’à présent figées dans les collections des galeries nationales (le Musée d'Etat russe à St-Petersbourg, le musée Pouchkine et la Galerie Nationale Tretiakov à Moscou, etc) qui viendront s’ajouter à ceux de différents grands musées européens, dont le Centre Georges(...)
De Chagall à Malévitch: la révolution des avant-gardes
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Le caractère exceptionnel de cette exposition repose sur le prêt de 150 œuvres en provenance de Russie, jusqu’à présent figées dans les collections des galeries nationales (le Musée d'Etat russe à St-Petersbourg, le musée Pouchkine et la Galerie Nationale Tretiakov à Moscou, etc) qui viendront s’ajouter à ceux de différents grands musées européens, dont le Centre Georges Pompidou à Paris.L’exposition réunira plus de 150 œuvres majeures. Le catalogue réunit également des essais de spécialistes sur les avant-gardes, ainsi que des notices et bibliographies sur les artistes et les différents mouvements de cette époque. Coédition Grimaldi Forum de Monaco/Editions Hazan.
Théorie de l’art
When site lost the plot
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The critical concept of site-specificity once seemed to harbour the potential for disruption. But site-specific work has become increasingly assimilated into the capitalist logic of regeneration and value creation. The materialist critique of the art object has been shortcircuited by the franchised idiosyncrasies of international nomad flâneurs. And on a planet whose(...)
When site lost the plot
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The critical concept of site-specificity once seemed to harbour the potential for disruption. But site-specific work has become increasingly assimilated into the capitalist logic of regeneration and value creation. The materialist critique of the art object has been shortcircuited by the franchised idiosyncrasies of international nomad flâneurs. And on a planet whose entire surface is mapped and apped, the concept of ‘site’ itself becomes ever more problematic. How can we do justice to the particularity of local sites while unearthing their material conditions? What do a contemporary ‘geo-philosophy’ and the historical legacy of site-specific art have to offer each other? Can we develop methods for the controlled unpacking of the local into the global, avoiding trivial reconciliations between local sites and their global conditions? "When site lost the plot" charts some of the ways in which site continues to be a concern for contemporary practice; and introduces the concept of ‘plot’ as an alternative approach. Alongside artists discussing their practice and their approach to site and plot, contributors from various disciplines introduce concepts from cartography, mathematics, film, fiction, design, and philosophy.
Théorie de l’art