1130 Résultats
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livres
livres
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Résumé:
Magazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for(...)
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Résumé:
Magazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for(...)
Titre:
Artist's magazines : an alternative space for art
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Résumé:
Magazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In this publication, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.
Artist's magazines : an alternative space for art
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$39.95
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Résumé:
Magazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In this publication, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.
Classification:
livres
livres
Publication:
mars 2011
mars 2011
Classification:
livres
livres
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$30.00
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Résumé:
Trash, garbage, rubbish, dross, detritus - in this enjoyably radical exploration of junk, Gillian Whiteley re-thinks art's historical and present appropriation of junk within our eco-conscious and globalized culture. She does this through an illustrated exploration of particular materials, key moments and locations and the telling of a panoply of trash narratives. Found(...)
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Résumé:
Trash, garbage, rubbish, dross, detritus - in this enjoyably radical exploration of junk, Gillian Whiteley re-thinks art's historical and present appropriation of junk within our eco-conscious and globalized culture. She does this through an illustrated exploration of particular materials, key moments and locations and the telling of a panoply of trash narratives. Found(...)
Titre:
Junk : art and the politics of trash
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Trash, garbage, rubbish, dross, detritus - in this enjoyably radical exploration of junk, Gillian Whiteley re-thinks art's historical and present appropriation of junk within our eco-conscious and globalized culture. She does this through an illustrated exploration of particular materials, key moments and locations and the telling of a panoply of trash narratives. Found and ephemeral materials are primarily associated with assemblage - object-based practices which emerged in the mid-1950s and culminated in the seminal exhibition "The Art of Assemblage" in New York in 1961. With its deployment of the discarded and the filthy, Whiteley argues, assemblage has been viewed as a disruptive, transgressive artform that engaged with narratives of social and political dissent, often in the face of modernist condemnation as worthless kitsch. In the Sixties, parallel techniques flourished in Western Europe, the US and Australia but the idiom of assemblage and the re-use of found materials and objects - with artist as bricoleur - is just as prevalent now. This is a timely book that uncovers the etymology of waste and the cultures of disposability within these economies of wealth.
Junk : art and the politics of trash
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$30.00
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Résumé:
Trash, garbage, rubbish, dross, detritus - in this enjoyably radical exploration of junk, Gillian Whiteley re-thinks art's historical and present appropriation of junk within our eco-conscious and globalized culture. She does this through an illustrated exploration of particular materials, key moments and locations and the telling of a panoply of trash narratives. Found and ephemeral materials are primarily associated with assemblage - object-based practices which emerged in the mid-1950s and culminated in the seminal exhibition "The Art of Assemblage" in New York in 1961. With its deployment of the discarded and the filthy, Whiteley argues, assemblage has been viewed as a disruptive, transgressive artform that engaged with narratives of social and political dissent, often in the face of modernist condemnation as worthless kitsch. In the Sixties, parallel techniques flourished in Western Europe, the US and Australia but the idiom of assemblage and the re-use of found materials and objects - with artist as bricoleur - is just as prevalent now. This is a timely book that uncovers the etymology of waste and the cultures of disposability within these economies of wealth.
Classification:
livres
livres
Publication:
janvier 2011
janvier 2011
Classification:
livres
livres
Titre:
Art and the city
Art and the city
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Résumé:
To Henri Lefebvre, the space and 'lived everydayness' of the inter-dependent, multi-faceted city produces manifold possibilities of identifiction and realisation through often imperceptible interactions and practices. Art and the City takes this observation as its cue to examine the role of art against a backdrop of globally rising urban populations, taking into(...)
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To Henri Lefebvre, the space and 'lived everydayness' of the inter-dependent, multi-faceted city produces manifold possibilities of identifiction and realisation through often imperceptible interactions and practices. Art and the City takes this observation as its cue to examine the role of art against a backdrop of globally rising urban populations, taking into(...)
Titre:
Art and the city
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Résumé:
To Henri Lefebvre, the space and 'lived everydayness' of the inter-dependent, multi-faceted city produces manifold possibilities of identifiction and realisation through often imperceptible interactions and practices. Art and the City takes this observation as its cue to examine the role of art against a backdrop of globally rising urban populations, taking into account the more recent performative and relational 'turns' of art that have sought in their city settings to identify a participating spectator - an implicated citizen.
Art and the city
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Résumé:
To Henri Lefebvre, the space and 'lived everydayness' of the inter-dependent, multi-faceted city produces manifold possibilities of identifiction and realisation through often imperceptible interactions and practices. Art and the City takes this observation as its cue to examine the role of art against a backdrop of globally rising urban populations, taking into account the more recent performative and relational 'turns' of art that have sought in their city settings to identify a participating spectator - an implicated citizen.
Classification:
livres
livres
Publication:
décembre 2010
décembre 2010
Classification:
livres
livres
Titre:
Where art belongs
Where art belongs
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Résumé:
Chronicling the sometimes doomed but persistently heroic efforts of small groups of artists to reclaim public space and time, this publication describes the trend towards collectivity manifested in the visual art world during the past decade, and the small forms of resistance to digital disembodiment and the hegemony of the entertainment/media/culture industry. For all(...)
$18.95
(disponible sur commande)
Résumé:
Chronicling the sometimes doomed but persistently heroic efforts of small groups of artists to reclaim public space and time, this publication describes the trend towards collectivity manifested in the visual art world during the past decade, and the small forms of resistance to digital disembodiment and the hegemony of the entertainment/media/culture industry. For all(...)
Titre:
Where art belongs
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$18.95
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Résumé:
Chronicling the sometimes doomed but persistently heroic efforts of small groups of artists to reclaim public space and time, this publication describes the trend towards collectivity manifested in the visual art world during the past decade, and the small forms of resistance to digital disembodiment and the hegemony of the entertainment/media/culture industry. For all its faults, Kraus argues, the art world remains the last frontier for the desire to live differently.
Where art belongs
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$18.95
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Résumé:
Chronicling the sometimes doomed but persistently heroic efforts of small groups of artists to reclaim public space and time, this publication describes the trend towards collectivity manifested in the visual art world during the past decade, and the small forms of resistance to digital disembodiment and the hegemony of the entertainment/media/culture industry. For all its faults, Kraus argues, the art world remains the last frontier for the desire to live differently.
Classification:
livres
livres
Publication:
février 2011
février 2011
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Des territoires
Des territoires
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Cette somme rassemble un choix de textes partis et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. Elle propose un récit foisonnant, vivant, lacunaire, érudit. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie,(...)
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Résumé:
Cette somme rassemble un choix de textes partis et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. Elle propose un récit foisonnant, vivant, lacunaire, érudit. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie,(...)
Titre:
Des territoires
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Cette somme rassemble un choix de textes partis et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. Elle propose un récit foisonnant, vivant, lacunaire, érudit. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer, entre oeuvre et activité. Jean-François Chevrier écarte les périodisations convenues (modernisme, postmodernisme) et les labels. Il fait apparaître des mécanismes de création, des réseaux de figures et des territoires qui participent de l'histoire autant que de la poésie. II retrace des situations spécifiques dans lesquelles une pensée et un geste ont fait surgir une forme, ici et maintenant, au-delà d'une conception étroite de l'actuel.
Des territoires
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Prix:
$39.95
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Résumé:
Cette somme rassemble un choix de textes partis et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. Elle propose un récit foisonnant, vivant, lacunaire, érudit. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer, entre oeuvre et activité. Jean-François Chevrier écarte les périodisations convenues (modernisme, postmodernisme) et les labels. Il fait apparaître des mécanismes de création, des réseaux de figures et des territoires qui participent de l'histoire autant que de la poésie. II retrace des situations spécifiques dans lesquelles une pensée et un geste ont fait surgir une forme, ici et maintenant, au-delà d'une conception étroite de l'actuel.
Classification:
livres
livres
Publication:
mars 2011
mars 2011
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Les relations du corps
Les relations du corps
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Cette somme rassemble un choix de textes partis et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. Elle propose un récit foisonnant, vivant, lacunaire, érudit. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie,(...)
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Résumé:
Cette somme rassemble un choix de textes partis et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. Elle propose un récit foisonnant, vivant, lacunaire, érudit. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie,(...)
Titre:
Les relations du corps
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$39.95
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Résumé:
Cette somme rassemble un choix de textes partis et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. Elle propose un récit foisonnant, vivant, lacunaire, érudit. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer, entre oeuvre et activité. Jean-François Chevrier écarte les périodisations convenues (modernisme, postmodernisme) et les labels. Il fait apparaître des mécanismes de création, des réseaux de figures et des territoires qui participent de l'histoire autant que de la poésie.
Les relations du corps
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Prix:
$39.95
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Résumé:
Cette somme rassemble un choix de textes partis et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. Elle propose un récit foisonnant, vivant, lacunaire, érudit. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer, entre oeuvre et activité. Jean-François Chevrier écarte les périodisations convenues (modernisme, postmodernisme) et les labels. Il fait apparaître des mécanismes de création, des réseaux de figures et des territoires qui participent de l'histoire autant que de la poésie.
Classification:
livres
livres
Publication:
mars 2011
mars 2011
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
The passionate triangle
The passionate triangle
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Résumé:
Triangles abounded in the intellectual culture of early modern Europe—the Christian Trinity was often mapped as a triangle, for instance, and perspective, a characteristic artistic technique, is based on a triangular theory of vision. Renaissance artists, for their part, often used shapes and lines to arrange figures into a triangle on the surface of a painting—a practice(...)
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Résumé:
Triangles abounded in the intellectual culture of early modern Europe—the Christian Trinity was often mapped as a triangle, for instance, and perspective, a characteristic artistic technique, is based on a triangular theory of vision. Renaissance artists, for their part, often used shapes and lines to arrange figures into a triangle on the surface of a painting—a practice(...)
Titre:
The passionate triangle
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Triangles abounded in the intellectual culture of early modern Europe—the Christian Trinity was often mapped as a triangle, for instance, and perspective, a characteristic artistic technique, is based on a triangular theory of vision. Renaissance artists, for their part, often used shapes and lines to arrange figures into a triangle on the surface of a painting—a practice modern scholars call triangular composition. But is there secret meaning in the triangular arrangements artists used, or just a pleasing symmetry? What do triangles really tell us about the European Renaissance and its most beguiling works of art? In this book, Rebecca Zorach takes us on a lively hunt for the triangle’s embedded significance. From the leisure pursuits of Egyptian priests to Jacopo Tintoretto’s love triangles, Zorach explores how the visual and mathematical properties of triangles allowed them to express new ideas and to inspire surprisingly intense passions. Examining prints and paintings as well as literary, scientific, and philosophical texts, 'The Passionate Triangle' opens up an array of new ideas, presenting unexpected stories of the irrational, passionate, melancholic, and often erotic potential of mathematical thinking before the Scientific Revolution.
The passionate triangle
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Résumé:
Triangles abounded in the intellectual culture of early modern Europe—the Christian Trinity was often mapped as a triangle, for instance, and perspective, a characteristic artistic technique, is based on a triangular theory of vision. Renaissance artists, for their part, often used shapes and lines to arrange figures into a triangle on the surface of a painting—a practice modern scholars call triangular composition. But is there secret meaning in the triangular arrangements artists used, or just a pleasing symmetry? What do triangles really tell us about the European Renaissance and its most beguiling works of art? In this book, Rebecca Zorach takes us on a lively hunt for the triangle’s embedded significance. From the leisure pursuits of Egyptian priests to Jacopo Tintoretto’s love triangles, Zorach explores how the visual and mathematical properties of triangles allowed them to express new ideas and to inspire surprisingly intense passions. Examining prints and paintings as well as literary, scientific, and philosophical texts, 'The Passionate Triangle' opens up an array of new ideas, presenting unexpected stories of the irrational, passionate, melancholic, and often erotic potential of mathematical thinking before the Scientific Revolution.
Classification:
livres
livres
Publication:
juin 2011
juin 2011
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$39.95
(disponible sur commande)
Résumé:
Artist and critic Victor Burgin’s visual and written works span four decades, and Parallel Texts presents a compilation of essays, interviews, and extracts that evidence the interconnectedness throughout his career of his vast artistic oeuvre exhibited around the world and his influential critical and theoretical writings on art. Includes Burgin’s take on the(...)
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Artist and critic Victor Burgin’s visual and written works span four decades, and Parallel Texts presents a compilation of essays, interviews, and extracts that evidence the interconnectedness throughout his career of his vast artistic oeuvre exhibited around the world and his influential critical and theoretical writings on art. Includes Burgin’s take on the(...)
Titre:
Parallel texts: Interviews and interventions about art
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Artist and critic Victor Burgin’s visual and written works span four decades, and Parallel Texts presents a compilation of essays, interviews, and extracts that evidence the interconnectedness throughout his career of his vast artistic oeuvre exhibited around the world and his influential critical and theoretical writings on art. Includes Burgin’s take on the emergence of conceptual art in the early 1970s, his explorations on the theoretical foundations for a post-conceptualist socialist art practice in such non-Western precedents as Maoism and Russian Formalism, and essays on the issues of gender politics and sexuality as they came to the fore in psychoanalytic criticism.
Parallel texts: Interviews and interventions about art
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$39.95
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Résumé:
Artist and critic Victor Burgin’s visual and written works span four decades, and Parallel Texts presents a compilation of essays, interviews, and extracts that evidence the interconnectedness throughout his career of his vast artistic oeuvre exhibited around the world and his influential critical and theoretical writings on art. Includes Burgin’s take on the emergence of conceptual art in the early 1970s, his explorations on the theoretical foundations for a post-conceptualist socialist art practice in such non-Western precedents as Maoism and Russian Formalism, and essays on the issues of gender politics and sexuality as they came to the fore in psychoanalytic criticism.
Classification:
livres
livres
Publication:
avril 2011
avril 2011
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$34.95
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On the Beyond is a far-reaching conversation between the Los Angeles-based artists Mike Kelley and Jim Shaw and art historian John C. Welchman. Touching on religion, dreams, hallucination, UFOs and other forms of experiential or speculative transcendence, the trio also discusses the American landscape and the sublime, utopian and memorial architectures, and the defiantly(...)
$34.95
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Résumé:
On the Beyond is a far-reaching conversation between the Los Angeles-based artists Mike Kelley and Jim Shaw and art historian John C. Welchman. Touching on religion, dreams, hallucination, UFOs and other forms of experiential or speculative transcendence, the trio also discusses the American landscape and the sublime, utopian and memorial architectures, and the defiantly(...)
Titre:
On the beyond: A conversation between Mike Kelley, Jim Shaw, and John C. Welchman
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On the Beyond is a far-reaching conversation between the Los Angeles-based artists Mike Kelley and Jim Shaw and art historian John C. Welchman. Touching on religion, dreams, hallucination, UFOs and other forms of experiential or speculative transcendence, the trio also discusses the American landscape and the sublime, utopian and memorial architectures, and the defiantly complex capacity of art itself to go beyond.
On the beyond: A conversation between Mike Kelley, Jim Shaw, and John C. Welchman
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$34.95
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Résumé:
On the Beyond is a far-reaching conversation between the Los Angeles-based artists Mike Kelley and Jim Shaw and art historian John C. Welchman. Touching on religion, dreams, hallucination, UFOs and other forms of experiential or speculative transcendence, the trio also discusses the American landscape and the sublime, utopian and memorial architectures, and the defiantly complex capacity of art itself to go beyond.
Classification:
livres
livres
Publication:
mai 2011
mai 2011
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$39.95
(disponible sur commande)
Résumé:
Based on the research of the Banff New Media Institute from 1995 to 2005, these essays, transcripts and artists projects celebrate the belief that artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory(...)
$39.95
(disponible sur commande)
Résumé:
Based on the research of the Banff New Media Institute from 1995 to 2005, these essays, transcripts and artists projects celebrate the belief that artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory(...)
Titre:
Euphoria and dystophia: the Banff New Media Institute dialogues
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$39.95
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Résumé:
Based on the research of the Banff New Media Institute from 1995 to 2005, these essays, transcripts and artists projects celebrate the belief that artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory culture. Each thematic chapter features an introduction, an original essay and carefully edited transcriptions drawn from thousands of hours of audio material with artists and theorists such as Laurie Anderson, Herve Fische, Kim Sawchuck, Zainub Verjee, Bill Vorn and many others. Also included is the catalogue of the exhibition, The Art Formerly Known As New Media, and a DVD based on the electronic journal, HorizonZero. Featured artists include Geoff Lillemon, Matthew Sloly, Maria Lantin, Shu Lea Cheang, Sara Diamond, Michael Naimark, Greg Niemeyer, Catherine Richards and Martin Wattenberg, Maciej Wisniewski. With a Forward by Kellogg Booth and an Afterword by Susan Kennard
Euphoria and dystophia: the Banff New Media Institute dialogues
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$39.95
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Résumé:
Based on the research of the Banff New Media Institute from 1995 to 2005, these essays, transcripts and artists projects celebrate the belief that artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory culture. Each thematic chapter features an introduction, an original essay and carefully edited transcriptions drawn from thousands of hours of audio material with artists and theorists such as Laurie Anderson, Herve Fische, Kim Sawchuck, Zainub Verjee, Bill Vorn and many others. Also included is the catalogue of the exhibition, The Art Formerly Known As New Media, and a DVD based on the electronic journal, HorizonZero. Featured artists include Geoff Lillemon, Matthew Sloly, Maria Lantin, Shu Lea Cheang, Sara Diamond, Michael Naimark, Greg Niemeyer, Catherine Richards and Martin Wattenberg, Maciej Wisniewski. With a Forward by Kellogg Booth and an Afterword by Susan Kennard
Classification:
livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Théorie de l’art
Théorie de l’art
