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Diagrams of Power collects contemporary artworks and projects that use data, diagrams, maps and visualizations as ways of challenging dominant narratives and supporting the resilience of marginalized communities. The artists and designers featured critique conventionalized and established truths that obscure important histories or perpetuate oppressive regimes; they also(...)
Diagrams of power: visualizing, mapping, and performing resistance
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Diagrams of Power collects contemporary artworks and projects that use data, diagrams, maps and visualizations as ways of challenging dominant narratives and supporting the resilience of marginalized communities. The artists and designers featured critique conventionalized and established truths that obscure important histories or perpetuate oppressive regimes; they also contribute to positive social change by engaging communities and providing alternative strategies for storytelling, communication and organizing. Historical and contemporary uses of data and visualization in colonization, surveillance and management are problematized through critical interventions that use performance, embodiment and counternarratives. The publication is the product of an exhibition organized by Onsite Gallery at OCAD University, Toronto, in 2018.
Théorie de l’art
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'Making and Being' draws upon the lived experience of Susan Jahoda and Caroline Woolard, visual arts educators who have developed a framework for teaching art with the collective BFAMFAPhD that emphasizes contemplation, collaboration, and political economy. The authors share ideas and pedagogical strategies that they have adapted to spaces of learning which range widely,(...)
Making and being: embodiment, collaboration, & circulation in the visual arts
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'Making and Being' draws upon the lived experience of Susan Jahoda and Caroline Woolard, visual arts educators who have developed a framework for teaching art with the collective BFAMFAPhD that emphasizes contemplation, collaboration, and political economy. The authors share ideas and pedagogical strategies that they have adapted to spaces of learning which range widely, from self-organized workshops for professional artists to Foundations BFA and MFA thesis classes. This hands-on guide includes activities, worksheets, and assignments and is a critical resource for artists and art educators today.
Théorie de l’art
Womens work
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In 1975, Alison Knowles, founding member of Fluxus, and experimental composer Annea Lockwood co-edited and self-published 'Womens Work', a magazine of text-based and instructional scores written by women primarily for music and dance performance. The magazine appeared in two issues between 1975 and 1978. This facsimile edition, comprising a book and poster housed in a(...)
Womens work
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In 1975, Alison Knowles, founding member of Fluxus, and experimental composer Annea Lockwood co-edited and self-published 'Womens Work', a magazine of text-based and instructional scores written by women primarily for music and dance performance. The magazine appeared in two issues between 1975 and 1978. This facsimile edition, comprising a book and poster housed in a printed folder, gathers the work from both issues.
Théorie de l’art
Time, forward!
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''Time, Forward!'' questions the notion and function of time and how it relates to the way we create and interact with art in the 21st century. Featuring newly commissioned works by an international group of artists, this book illuminates a broad range of responses to an exponentially accelerating world. This volume features a speculation on the future of the senses by(...)
Time, forward!
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''Time, Forward!'' questions the notion and function of time and how it relates to the way we create and interact with art in the 21st century. Featuring newly commissioned works by an international group of artists, this book illuminates a broad range of responses to an exponentially accelerating world. This volume features a speculation on the future of the senses by Haroon Mirza, an unorthodox history of modernity by Walid Raad, and stills from a science fiction film by Rosa Barba. Essays from scholars, critics, poets, and filmmakers probe issues as diverse as the role of sleep in a 24/7 capitalist society and artistic privacy and appropriation in cyberspace. Some of these artists ask us to press the pause button, others take us back in time, and still others push us forward into the realm of science fiction--only to reveal these fictions to be a form of everyday present reality.
Théorie de l’art
The future of the image
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In ''The Future of the Image,'' Jacques Rancière develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. He argues that there is a stark political choice in art: it can either reinforce a radical democracy or create a new reactionary mysticism. For Rancière there is never a pure art: the(...)
The future of the image
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In ''The Future of the Image,'' Jacques Rancière develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. He argues that there is a stark political choice in art: it can either reinforce a radical democracy or create a new reactionary mysticism. For Rancière there is never a pure art: the aesthetic revolution must always embrace egalitarian ideals.
Théorie de l’art
Translation
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The movement of global populations, and subsequently the task of translation, underlies contemporary culture. Economic and environmental migration, forced political exiles, and the plight of refugees are now superimposed upon the intricacies of ancient and modern diasporas, generations of colonization, and the transportation of slaves. This timely anthology considers(...)
Translation
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The movement of global populations, and subsequently the task of translation, underlies contemporary culture. Economic and environmental migration, forced political exiles, and the plight of refugees are now superimposed upon the intricacies of ancient and modern diasporas, generations of colonization, and the transportation of slaves. This timely anthology considers translation's ongoing role in cultural navigation, empathy, and understanding disparate experiences. It explores the approaches of artists, poets, and theorists in negotiating increasingly protean identities—from the intrinsic intimacy of language, to translation's embedded structures of knowledge production and interaction, to its limitations of expression, and, ultimately, its importance in a world of multiple perspectives.
Théorie de l’art
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'L’Artiste-chercheur' retrace l’émergence d’une figure de l’artiste dont l’activité bascule soudainement dans le champ universitaire. Pour comprendre cette mutation, Sandra Delacourt suit la trace de Donald Judd, artiste minimaliste, qui dans la deuxième partie du xxe siècle fut désigné ambassadeur d’un « art éduqué ». À travers lui, l’auteure nous invite à suivre(...)
L'Artiste-chercheur, un rêve américain au prisme de Donald Judd
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'L’Artiste-chercheur' retrace l’émergence d’une figure de l’artiste dont l’activité bascule soudainement dans le champ universitaire. Pour comprendre cette mutation, Sandra Delacourt suit la trace de Donald Judd, artiste minimaliste, qui dans la deuxième partie du xxe siècle fut désigné ambassadeur d’un « art éduqué ». À travers lui, l’auteure nous invite à suivre l’évolution, non linéaire, d’un nouvel imaginaire pour l’art et pour la recherche, et expose la manière dont différentes générations d’artistes s’en sont emparées ou l’ont rejeté. Alors que depuis quelques années la recherche créative fait l’objet d’un nouvel engouement, cet ouvrage propose d’explorer les désirs antagonistes qui ont conduit l’art et le savoir à pointer un horizon commun.
Théorie de l’art
La Ressemblance informe
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Ce livre est un traité d'esthétique paradoxale. Une esthétique que Georges Didi-Huberman développe à partir de l'analyse minutieuse - textes et images mêlés et confrontés - de 'Documents', la revue d'art que Georges Bataille, avec ses compagnons Michel Leiris, Carl Einstein, Marcel Griaule, et quelques autres, a dirigée en 1929 et 1930.
La Ressemblance informe
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Ce livre est un traité d'esthétique paradoxale. Une esthétique que Georges Didi-Huberman développe à partir de l'analyse minutieuse - textes et images mêlés et confrontés - de 'Documents', la revue d'art que Georges Bataille, avec ses compagnons Michel Leiris, Carl Einstein, Marcel Griaule, et quelques autres, a dirigée en 1929 et 1930.
Théorie de l’art
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In recent years, the rise of research-creation--a scholarly activity that considers art practices as research methods in their own right--has emerged from the organic convergences of the arts and interdisciplinary humanities, and it has been fostered by universities wishing to enhance their public profiles. In this publication, Natalie Loveless draws on diverse(...)
How to make art at the end of the world: a manifesto for research-creation
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In recent years, the rise of research-creation--a scholarly activity that considers art practices as research methods in their own right--has emerged from the organic convergences of the arts and interdisciplinary humanities, and it has been fostered by universities wishing to enhance their public profiles. In this publication, Natalie Loveless draws on diverse perspectives--from feminist science studies to psychoanalytic theory, as well as her own experience advising undergraduate and graduate students--to argue for research-creation as both a means to produce innovative scholarship and a way to transform pedagogy and research within the contemporary neoliberal university. Championing experimental, artistically driven methods of teaching, researching, and publication, research-creation works to render daily life in the academy more pedagogically, politically, and affectively sustainable, as well as more responsive to issues of social and ecological justice.
Théorie de l’art
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For the fourth volume of this ongoing series entitled ''Los Angeles Studio Conversations'' art historian Stephanie Buhmann conducted interviews with fifteen artists, whose ages range from early 41 to 96. While the featured genres, processes and aesthetic approaches vary decisively, all participants have one thing in common: they work and usually live in Los Angeles. The(...)
Los Angeles studio conversations: sixteen women talk about art
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For the fourth volume of this ongoing series entitled ''Los Angeles Studio Conversations'' art historian Stephanie Buhmann conducted interviews with fifteen artists, whose ages range from early 41 to 96. While the featured genres, processes and aesthetic approaches vary decisively, all participants have one thing in common: they work and usually live in Los Angeles. The book introduces the following artists: Lita Alberquerque, Sarah Cain, Andrea Fraser, Liza Lou, Shana Lutker, Kristen Morgin, Catherine Opie, Silke Otto-Knapp, Alison Saar, Analia Saban, Fran Siegel, Lisa Soto, Despina Stokou, Diana Thater, and more.
Théorie de l’art