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livres
livres
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Traversing a varied and enchanting landscape with forays into the fields of geography, art, architecture, design, cartography and film, Giuliana Bruno's ''Atlas of Emotion'', winner of the 2004 Kraszna-Krausz award for ''the world's best book on the moving image,'' is a highly original endeavor to map a cultural history of spatio-visual arts. In an evocative montage of(...)
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Traversing a varied and enchanting landscape with forays into the fields of geography, art, architecture, design, cartography and film, Giuliana Bruno's ''Atlas of Emotion'', winner of the 2004 Kraszna-Krausz award for ''the world's best book on the moving image,'' is a highly original endeavor to map a cultural history of spatio-visual arts. In an evocative montage of(...)
Titre:
Atlas of emotion: journeys in art, architecture, and film
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$61.00
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Traversing a varied and enchanting landscape with forays into the fields of geography, art, architecture, design, cartography and film, Giuliana Bruno's ''Atlas of Emotion'', winner of the 2004 Kraszna-Krausz award for ''the world's best book on the moving image,'' is a highly original endeavor to map a cultural history of spatio-visual arts. In an evocative montage of words and pictures she emphasizes that ''sight" and "site" but also ''motion" and "emotion'' are irrevocably connected. In so doing, she touches on the art of Gerhard Richter and Annette Messagem: the film-making of Peter Greenaway and Michaelangelo Antonioni; the origins of the movie palace and its precursors, and on her own journeys to her native Naples. Visually luscious and daring in conception, Bruno opens new vistas and understandings at every turn.
Atlas of emotion: journeys in art, architecture, and film
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Traversing a varied and enchanting landscape with forays into the fields of geography, art, architecture, design, cartography and film, Giuliana Bruno's ''Atlas of Emotion'', winner of the 2004 Kraszna-Krausz award for ''the world's best book on the moving image,'' is a highly original endeavor to map a cultural history of spatio-visual arts. In an evocative montage of words and pictures she emphasizes that ''sight" and "site" but also ''motion" and "emotion'' are irrevocably connected. In so doing, she touches on the art of Gerhard Richter and Annette Messagem: the film-making of Peter Greenaway and Michaelangelo Antonioni; the origins of the movie palace and its precursors, and on her own journeys to her native Naples. Visually luscious and daring in conception, Bruno opens new vistas and understandings at every turn.
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livres
livres
Publication:
juillet 2018
juillet 2018
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livres
livres
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In this latest work, art historian T. J. Clark sets out to investigate the different ways painting has depicted the dream of God's kingdom come: heaven descended to earth. He goes back to the late Middle Ages and Renaissance- to Giotto in Padua, Bruegel facing the horrors of religious war, Poussin painting the Sacraments, and Veronese unfolding the human comedy, in(...)
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In this latest work, art historian T. J. Clark sets out to investigate the different ways painting has depicted the dream of God's kingdom come: heaven descended to earth. He goes back to the late Middle Ages and Renaissance- to Giotto in Padua, Bruegel facing the horrors of religious war, Poussin painting the Sacraments, and Veronese unfolding the human comedy, in(...)
Titre:
Heaven on earth: painting and the life to come
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In this latest work, art historian T. J. Clark sets out to investigate the different ways painting has depicted the dream of God's kingdom come: heaven descended to earth. He goes back to the late Middle Ages and Renaissance- to Giotto in Padua, Bruegel facing the horrors of religious war, Poussin painting the Sacraments, and Veronese unfolding the human comedy, in particular his inscrutable Allegory of Love. Was it ultimately to painting's advantage that in an age of orthodoxy and enforced censorship (threats of hellfire, burnings at the stake) artists found ways reflect on the powers and limitations of religion without putting their thoughts into words? In conclusion Clark brings us into the Nuclear Age with Picasso's Fall of Icarus, made for UNESCO in 1958, which already seems to signal, or even prescribe, an age when all futures are dead.
Heaven on earth: painting and the life to come
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In this latest work, art historian T. J. Clark sets out to investigate the different ways painting has depicted the dream of God's kingdom come: heaven descended to earth. He goes back to the late Middle Ages and Renaissance- to Giotto in Padua, Bruegel facing the horrors of religious war, Poussin painting the Sacraments, and Veronese unfolding the human comedy, in particular his inscrutable Allegory of Love. Was it ultimately to painting's advantage that in an age of orthodoxy and enforced censorship (threats of hellfire, burnings at the stake) artists found ways reflect on the powers and limitations of religion without putting their thoughts into words? In conclusion Clark brings us into the Nuclear Age with Picasso's Fall of Icarus, made for UNESCO in 1958, which already seems to signal, or even prescribe, an age when all futures are dead.
Classification:
livres
livres
Publication:
novembre 2018
novembre 2018
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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In this anthology of her most compelling essays, Marina Warner explores the layers of allusion, symbols and stories underlying art from the 16th to the 21st centuries. She makes the case for a uniquely writerly way of thinking with and about art and artists, setting out to share the dynamism, fluidity and passions of the objects of her enquiry.
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In this anthology of her most compelling essays, Marina Warner explores the layers of allusion, symbols and stories underlying art from the 16th to the 21st centuries. She makes the case for a uniquely writerly way of thinking with and about art and artists, setting out to share the dynamism, fluidity and passions of the objects of her enquiry.
Titre:
Forms of enchantment: writings on art and artists
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In this anthology of her most compelling essays, Marina Warner explores the layers of allusion, symbols and stories underlying art from the 16th to the 21st centuries. She makes the case for a uniquely writerly way of thinking with and about art and artists, setting out to share the dynamism, fluidity and passions of the objects of her enquiry.
Forms of enchantment: writings on art and artists
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In this anthology of her most compelling essays, Marina Warner explores the layers of allusion, symbols and stories underlying art from the 16th to the 21st centuries. She makes the case for a uniquely writerly way of thinking with and about art and artists, setting out to share the dynamism, fluidity and passions of the objects of her enquiry.
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livres
livres
Publication:
octobre 2018
octobre 2018
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
I write artist statements
I write artist statements
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$22.50
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This little paperback consists of humorously inventive fictionalized artist statements. The recent explosion of interest in academic art programs around the world has led to a dramatic increase in overwritten, hyperbolic artist statements. ''I Write Artist Statements'' skewers popular art school clichés while describing impossible projects that simply could not exist off(...)
$22.50
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This little paperback consists of humorously inventive fictionalized artist statements. The recent explosion of interest in academic art programs around the world has led to a dramatic increase in overwritten, hyperbolic artist statements. ''I Write Artist Statements'' skewers popular art school clichés while describing impossible projects that simply could not exist off(...)
Titre:
I write artist statements
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$22.50
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This little paperback consists of humorously inventive fictionalized artist statements. The recent explosion of interest in academic art programs around the world has led to a dramatic increase in overwritten, hyperbolic artist statements. ''I Write Artist Statements'' skewers popular art school clichés while describing impossible projects that simply could not exist off of the printed page.
I write artist statements
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$22.50
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Résumé:
This little paperback consists of humorously inventive fictionalized artist statements. The recent explosion of interest in academic art programs around the world has led to a dramatic increase in overwritten, hyperbolic artist statements. ''I Write Artist Statements'' skewers popular art school clichés while describing impossible projects that simply could not exist off of the printed page.
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livres
livres
Publication:
juillet 2018
juillet 2018
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$39.95
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
Titre:
Slow art: the experience of looking, sacred images to James Turrell
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Slow art: the experience of looking, sacred images to James Turrell
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Résumé:
Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Classification:
livres
livres
Publication:
mars 2019
mars 2019
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$59.95
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Velazquez. Poussin. Carvaggio. Bernini. Despite their disparate backgrounds, these greats of European Baroque art converged at one remarkable place in time: Rome, 1630. In response to the Protestant Reformation, the Catholic Church turned to these masters of Baroque art to craft works celebrating the glories of the heavens manifested on earth. And so, with glittering(...)
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Velazquez. Poussin. Carvaggio. Bernini. Despite their disparate backgrounds, these greats of European Baroque art converged at one remarkable place in time: Rome, 1630. In response to the Protestant Reformation, the Catholic Church turned to these masters of Baroque art to craft works celebrating the glories of the heavens manifested on earth. And so, with glittering(...)
Titre:
Rome, 1630: The horizon of early Baroque, and other essays
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Velazquez. Poussin. Carvaggio. Bernini. Despite their disparate backgrounds, these greats of European Baroque art converged at one remarkable place in time: Rome, 1630. In response to the Protestant Reformation, the Catholic Church turned to these masters of Baroque art to craft works celebrating the glories of the heavens manifested on earth. And so, with glittering monuments like Bernini's imposing bronze columns in St. Peter's Basilica, Rome, 1630 came to be the crossroads of seventeenth-century art, religion, and power. In ''Rome, 1630,'' the renowned French poet and critic Yves Bonnefoy devotes his attention to this single year in the Baroque period in European art. The inclusion of five additional essays on seventeenth-century art situate Bonnefoy's analysis within a lively debate on Baroque art and art history. Translator Hoyt Rogers's afterword pays homage to the author himself, situating ''Rome, 1630'' in Bonnefoy's productive career as a premier French poet and critic.
Rome, 1630: The horizon of early Baroque, and other essays
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Résumé:
Velazquez. Poussin. Carvaggio. Bernini. Despite their disparate backgrounds, these greats of European Baroque art converged at one remarkable place in time: Rome, 1630. In response to the Protestant Reformation, the Catholic Church turned to these masters of Baroque art to craft works celebrating the glories of the heavens manifested on earth. And so, with glittering monuments like Bernini's imposing bronze columns in St. Peter's Basilica, Rome, 1630 came to be the crossroads of seventeenth-century art, religion, and power. In ''Rome, 1630,'' the renowned French poet and critic Yves Bonnefoy devotes his attention to this single year in the Baroque period in European art. The inclusion of five additional essays on seventeenth-century art situate Bonnefoy's analysis within a lively debate on Baroque art and art history. Translator Hoyt Rogers's afterword pays homage to the author himself, situating ''Rome, 1630'' in Bonnefoy's productive career as a premier French poet and critic.
Classification:
livres
livres
Publication:
novembre 2020
novembre 2020
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Pablo Picasso and Gertrude Stein. Few can be said to have had as broad an impact on European art in the twentieth century as these two cultural giants. Pablo Picasso, a pioneering visual artist, created a prolific and widely influential body of work. Gertrude Stein, an intellectual tastemaker, hosted the leading salon for artists and writers between the wars in her Paris(...)
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Pablo Picasso and Gertrude Stein. Few can be said to have had as broad an impact on European art in the twentieth century as these two cultural giants. Pablo Picasso, a pioneering visual artist, created a prolific and widely influential body of work. Gertrude Stein, an intellectual tastemaker, hosted the leading salon for artists and writers between the wars in her Paris(...)
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
septembre 2018
septembre 2018
Titre:
Pablo Picasso and Gertrude Stein: correspondence
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Pablo Picasso and Gertrude Stein. Few can be said to have had as broad an impact on European art in the twentieth century as these two cultural giants. Pablo Picasso, a pioneering visual artist, created a prolific and widely influential body of work. Gertrude Stein, an intellectual tastemaker, hosted the leading salon for artists and writers between the wars in her Paris apartment, welcoming Henri Matisse, Ernest Hemingway, and Ezra Pound to weekly events at her home to discuss art and literature. It comes as no surprise, then, that Picasso and Stein were fast friends and frequent confidantes. Through Picasso and Stein’s casual notes and reflective letters, this volume of correspondence between the two captures Paris both in the golden age of the early twentieth century and in one of its darkest hours, the Nazi occupation through mentions of dinner parties, lovers, work, and the crises of the two world wars.
Pablo Picasso and Gertrude Stein: correspondence
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Pablo Picasso and Gertrude Stein. Few can be said to have had as broad an impact on European art in the twentieth century as these two cultural giants. Pablo Picasso, a pioneering visual artist, created a prolific and widely influential body of work. Gertrude Stein, an intellectual tastemaker, hosted the leading salon for artists and writers between the wars in her Paris apartment, welcoming Henri Matisse, Ernest Hemingway, and Ezra Pound to weekly events at her home to discuss art and literature. It comes as no surprise, then, that Picasso and Stein were fast friends and frequent confidantes. Through Picasso and Stein’s casual notes and reflective letters, this volume of correspondence between the two captures Paris both in the golden age of the early twentieth century and in one of its darkest hours, the Nazi occupation through mentions of dinner parties, lovers, work, and the crises of the two world wars.
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livres
livres
Publication:
septembre 2018
septembre 2018
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Duchamp: by hand, even
Duchamp: by hand, even
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In this essay, curator Helen Molesworth pinpoints the significance of the return of the handmade in the later years of Duchamp’s oeuvre, positioning this paradigmatic shift away from the readymade as the focal point of academic debate for the very first time.
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Résumé:
In this essay, curator Helen Molesworth pinpoints the significance of the return of the handmade in the later years of Duchamp’s oeuvre, positioning this paradigmatic shift away from the readymade as the focal point of academic debate for the very first time.
Titre:
Duchamp: by hand, even
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In this essay, curator Helen Molesworth pinpoints the significance of the return of the handmade in the later years of Duchamp’s oeuvre, positioning this paradigmatic shift away from the readymade as the focal point of academic debate for the very first time.
Duchamp: by hand, even
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Résumé:
In this essay, curator Helen Molesworth pinpoints the significance of the return of the handmade in the later years of Duchamp’s oeuvre, positioning this paradigmatic shift away from the readymade as the focal point of academic debate for the very first time.
Classification:
livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Louise, sauvez-moi !
Louise, sauvez-moi !
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New York 1988, Mâkhi Xenakis frappe à la porte de Louise Bourgeois qui y vit depuis 1938. Sait-elle déjà qu'elle vient. y cher- cher le salut : alors qu'elle reste paralysée par cette question : Comment devient-on une artiste quand votre père est l’un des grands musiciens du XXe siècle, et votre mère une écrivaine et une critique de renom ? Sans doute en fréquentant un(...)
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New York 1988, Mâkhi Xenakis frappe à la porte de Louise Bourgeois qui y vit depuis 1938. Sait-elle déjà qu'elle vient. y cher- cher le salut : alors qu'elle reste paralysée par cette question : Comment devient-on une artiste quand votre père est l’un des grands musiciens du XXe siècle, et votre mère une écrivaine et une critique de renom ? Sans doute en fréquentant un(...)
Titre:
Louise, sauvez-moi !
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New York 1988, Mâkhi Xenakis frappe à la porte de Louise Bourgeois qui y vit depuis 1938. Sait-elle déjà qu'elle vient. y cher- cher le salut : alors qu'elle reste paralysée par cette question : Comment devient-on une artiste quand votre père est l’un des grands musiciens du XXe siècle, et votre mère une écrivaine et une critique de renom ? Sans doute en fréquentant un génie qu’on a choisi. Commence alors une relation d'une vingtaine d'années, faite de rencontres mouvementées, abruptes souvent, fécondes toujours. Louise Bourgeois, telle la prêtresse Diotime, aidera la jeune artiste à se métamorphoser et à se dégager de son cocon.
Louise, sauvez-moi !
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$62.95
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Résumé:
New York 1988, Mâkhi Xenakis frappe à la porte de Louise Bourgeois qui y vit depuis 1938. Sait-elle déjà qu'elle vient. y cher- cher le salut : alors qu'elle reste paralysée par cette question : Comment devient-on une artiste quand votre père est l’un des grands musiciens du XXe siècle, et votre mère une écrivaine et une critique de renom ? Sans doute en fréquentant un génie qu’on a choisi. Commence alors une relation d'une vingtaine d'années, faite de rencontres mouvementées, abruptes souvent, fécondes toujours. Louise Bourgeois, telle la prêtresse Diotime, aidera la jeune artiste à se métamorphoser et à se dégager de son cocon.
Classification:
livres
livres
Publication:
mai 2018
mai 2018
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Gertrude Stein et les arts
Gertrude Stein et les arts
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$36.95
(disponible en magasin)
Résumé:
De profondes affinités lient Gertrude Stein aux arts, qu'ils soient visuels, plastiques, vivants. La sensibilité esthétique de Gertrude Stein a fait d'elle non seulement l'amie et la mécène des plus grands artistes du XXe siècle, mais également l'auteur d'une écriture qui répondait, dialoguait continûment avec les arts de son temps et l'histoire de l'art. Même si c'était(...)
$36.95
(disponible en magasin)
Résumé:
De profondes affinités lient Gertrude Stein aux arts, qu'ils soient visuels, plastiques, vivants. La sensibilité esthétique de Gertrude Stein a fait d'elle non seulement l'amie et la mécène des plus grands artistes du XXe siècle, mais également l'auteur d'une écriture qui répondait, dialoguait continûment avec les arts de son temps et l'histoire de l'art. Même si c'était(...)
Titre:
Gertrude Stein et les arts
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$36.95
(disponible en magasin)
Résumé:
De profondes affinités lient Gertrude Stein aux arts, qu'ils soient visuels, plastiques, vivants. La sensibilité esthétique de Gertrude Stein a fait d'elle non seulement l'amie et la mécène des plus grands artistes du XXe siècle, mais également l'auteur d'une écriture qui répondait, dialoguait continûment avec les arts de son temps et l'histoire de l'art. Même si c'était la volonté de Stein de créer des liens entre écriture et arts, ce rapport ne serait qu'imparfaitement relaté si on s'en tenait à l'évidente sur-présence de la peinture et de la sculpture dans sa vie. Outre les études novatrices sur la relation de Stein à Duchamp et Picabia, outre les études sur la construction du mythe de Stein en peinture et la réception de ses écrits par les artistes, ce volume cherche à couvrir un terrain plus étendu, qui va de la photographie au cinéma. Ainsi, cet ensemble d'études cherche à réévaluer le rapport de Gertrude Stein aux arts et à complexifier les rapports entre écriture et arts visuels dans son œuvre.
Gertrude Stein et les arts
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$36.95
(disponible en magasin)
Résumé:
De profondes affinités lient Gertrude Stein aux arts, qu'ils soient visuels, plastiques, vivants. La sensibilité esthétique de Gertrude Stein a fait d'elle non seulement l'amie et la mécène des plus grands artistes du XXe siècle, mais également l'auteur d'une écriture qui répondait, dialoguait continûment avec les arts de son temps et l'histoire de l'art. Même si c'était la volonté de Stein de créer des liens entre écriture et arts, ce rapport ne serait qu'imparfaitement relaté si on s'en tenait à l'évidente sur-présence de la peinture et de la sculpture dans sa vie. Outre les études novatrices sur la relation de Stein à Duchamp et Picabia, outre les études sur la construction du mythe de Stein en peinture et la réception de ses écrits par les artistes, ce volume cherche à couvrir un terrain plus étendu, qui va de la photographie au cinéma. Ainsi, cet ensemble d'études cherche à réévaluer le rapport de Gertrude Stein aux arts et à complexifier les rapports entre écriture et arts visuels dans son œuvre.
Classification:
livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Théorie de l’art
Théorie de l’art
