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There are few art-world figures as influential—and as little known—as Dick Higgins (1938–98), cofounder of Fluxus, "polyartist," poet, scholar, theorist, composer, performer and, not least, the publisher of the legendary Something Else Press. In 1965 he restored the term "intermedia" to the English language, giving it new dimension to recognize the dissolution of(...)
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There are few art-world figures as influential—and as little known—as Dick Higgins (1938–98), cofounder of Fluxus, "polyartist," poet, scholar, theorist, composer, performer and, not least, the publisher of the legendary Something Else Press. In 1965 he restored the term "intermedia" to the English language, giving it new dimension to recognize the dissolution of(...)
Titre:
Intermedia, Fluxus and the Something Else Press: selected writings by Dick Higgins
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There are few art-world figures as influential—and as little known—as Dick Higgins (1938–98), cofounder of Fluxus, "polyartist," poet, scholar, theorist, composer, performer and, not least, the publisher of the legendary Something Else Press. In 1965 he restored the term "intermedia" to the English language, giving it new dimension to recognize the dissolution of boundaries between traditional modes of art-making and the open field for new forms that cannot be compartmentalized. His own contributions to intermedia are many—as a participant and instigator of happenings, as writer and composer straddling traditional and vanguard forms, among others—but it was Something Else Press (1963–74) that redefined how "the book" could inhabit that energized, in-between space.
Intermedia, Fluxus and the Something Else Press: selected writings by Dick Higgins
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There are few art-world figures as influential—and as little known—as Dick Higgins (1938–98), cofounder of Fluxus, "polyartist," poet, scholar, theorist, composer, performer and, not least, the publisher of the legendary Something Else Press. In 1965 he restored the term "intermedia" to the English language, giving it new dimension to recognize the dissolution of boundaries between traditional modes of art-making and the open field for new forms that cannot be compartmentalized. His own contributions to intermedia are many—as a participant and instigator of happenings, as writer and composer straddling traditional and vanguard forms, among others—but it was Something Else Press (1963–74) that redefined how "the book" could inhabit that energized, in-between space.
Classification:
livres
livres
Publication:
novembre 2018
novembre 2018
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
On contemporary art
On contemporary art
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Translated into English for the first time, ''On Contemporary Art,'' a speech by the renowned novelist César Aira, was delivered at a 2010 colloquium in Madrid dedicated to bridging the gap between writing and the visual arts. On Aira's path, everything comes under question - from reproducibility of artworks to the value of the written word itself. In the end, Aira leaves(...)
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Translated into English for the first time, ''On Contemporary Art,'' a speech by the renowned novelist César Aira, was delivered at a 2010 colloquium in Madrid dedicated to bridging the gap between writing and the visual arts. On Aira's path, everything comes under question - from reproducibility of artworks to the value of the written word itself. In the end, Aira leaves(...)
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On contemporary art
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Translated into English for the first time, ''On Contemporary Art,'' a speech by the renowned novelist César Aira, was delivered at a 2010 colloquium in Madrid dedicated to bridging the gap between writing and the visual arts. On Aira's path, everything comes under question - from reproducibility of artworks to the value of the written word itself. In the end, Aira leaves us stranded on the bridge between writing and art that he set out to construct in the first place. Like the great writers Walter Benjamin and Hermann Broch before him, Aira operates in the space between fiction and essay writing, art and analysis. Pursuing questions about reproducibility, art making, and limits of language, Aira's unique voice adds new insights to the essential conversations that continue to inform our understanding of art.
On contemporary art
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Translated into English for the first time, ''On Contemporary Art,'' a speech by the renowned novelist César Aira, was delivered at a 2010 colloquium in Madrid dedicated to bridging the gap between writing and the visual arts. On Aira's path, everything comes under question - from reproducibility of artworks to the value of the written word itself. In the end, Aira leaves us stranded on the bridge between writing and art that he set out to construct in the first place. Like the great writers Walter Benjamin and Hermann Broch before him, Aira operates in the space between fiction and essay writing, art and analysis. Pursuing questions about reproducibility, art making, and limits of language, Aira's unique voice adds new insights to the essential conversations that continue to inform our understanding of art.
Classification:
livres
livres
Publication:
novembre 2018
novembre 2018
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Duchamp's last day
Duchamp's last day
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Published on the 50th anniversary of Marcel Duchamp's death, "Duchamp's Last Day" offers a radical reading of the artist's final hours. Just moments after Duchamp died, his closest friend, Man Ray, took a photograph of him. His face is wan; his eyes are closed; he appears calm. Taking this image as a point of departure, Donald Shambroom examines its context the dinner(...)
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Published on the 50th anniversary of Marcel Duchamp's death, "Duchamp's Last Day" offers a radical reading of the artist's final hours. Just moments after Duchamp died, his closest friend, Man Ray, took a photograph of him. His face is wan; his eyes are closed; he appears calm. Taking this image as a point of departure, Donald Shambroom examines its context the dinner(...)
Titre:
Duchamp's last day
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Published on the 50th anniversary of Marcel Duchamp's death, "Duchamp's Last Day" offers a radical reading of the artist's final hours. Just moments after Duchamp died, his closest friend, Man Ray, took a photograph of him. His face is wan; his eyes are closed; he appears calm. Taking this image as a point of departure, Donald Shambroom examines its context the dinner with Man Ray and another friend, Robert Lebel, the night Duchamp died, the conversations about his own death at that dinner and elsewhere and the larger question of whether Duchamp's death can be read as an extension of his work.
Duchamp's last day
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Published on the 50th anniversary of Marcel Duchamp's death, "Duchamp's Last Day" offers a radical reading of the artist's final hours. Just moments after Duchamp died, his closest friend, Man Ray, took a photograph of him. His face is wan; his eyes are closed; he appears calm. Taking this image as a point of departure, Donald Shambroom examines its context the dinner with Man Ray and another friend, Robert Lebel, the night Duchamp died, the conversations about his own death at that dinner and elsewhere and the larger question of whether Duchamp's death can be read as an extension of his work.
Classification:
livres
livres
Publication:
novembre 2018
novembre 2018
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Contre culture
Contre culture
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Avec ce concentré de contre-culture issu de ses chroniques sur Radio Nova, Jean Rouzaud nous embarque pour un tour du monde dans l'underground d'hier et d'aujourd'hui. Plus de deux-cents entrées classées par ordre alphabétique, à la manière d'une mini-encyclopédie, grâce auxquelles on découvre de tout, sur tout. L'auteur nous y présente des personnalités, des courants,(...)
$27.95
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Avec ce concentré de contre-culture issu de ses chroniques sur Radio Nova, Jean Rouzaud nous embarque pour un tour du monde dans l'underground d'hier et d'aujourd'hui. Plus de deux-cents entrées classées par ordre alphabétique, à la manière d'une mini-encyclopédie, grâce auxquelles on découvre de tout, sur tout. L'auteur nous y présente des personnalités, des courants,(...)
Titre:
Contre culture
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$27.95
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Avec ce concentré de contre-culture issu de ses chroniques sur Radio Nova, Jean Rouzaud nous embarque pour un tour du monde dans l'underground d'hier et d'aujourd'hui. Plus de deux-cents entrées classées par ordre alphabétique, à la manière d'une mini-encyclopédie, grâce auxquelles on découvre de tout, sur tout. L'auteur nous y présente des personnalités, des courants, des oeuvres, des idées et des anecdotes à la marge qui ont piqué sa curiosité, influencé l'Histoire, ou furent tout simplement rares.
Contre culture
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Avec ce concentré de contre-culture issu de ses chroniques sur Radio Nova, Jean Rouzaud nous embarque pour un tour du monde dans l'underground d'hier et d'aujourd'hui. Plus de deux-cents entrées classées par ordre alphabétique, à la manière d'une mini-encyclopédie, grâce auxquelles on découvre de tout, sur tout. L'auteur nous y présente des personnalités, des courants, des oeuvres, des idées et des anecdotes à la marge qui ont piqué sa curiosité, influencé l'Histoire, ou furent tout simplement rares.
Classification:
livres
livres
Publication:
mai 2018
mai 2018
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Set amid the most turbulent social and political period of modern times, “Ninth Street Women” is a chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting--not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for(...)
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Set amid the most turbulent social and political period of modern times, “Ninth Street Women” is a chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting--not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for(...)
Titre:
Ninth street women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell and Helen Frankenthaler
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Set amid the most turbulent social and political period of modern times, “Ninth Street Women” is a chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting--not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come.
Ninth street women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell and Helen Frankenthaler
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Set amid the most turbulent social and political period of modern times, “Ninth Street Women” is a chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting--not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come.
Classification:
livres
livres
Publication:
septembre 2017
septembre 2017
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$22.00
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Paper Monument's new anthology surveys thirty curators, educators, and art administrators on the contemporary role, responsibilities, and possibilities of the art institution.
$22.00
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Résumé:
Paper Monument's new anthology surveys thirty curators, educators, and art administrators on the contemporary role, responsibilities, and possibilities of the art institution.
Titre:
As radical, as mother, as salad, as shelter: what should art institutions do now?
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$22.00
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Paper Monument's new anthology surveys thirty curators, educators, and art administrators on the contemporary role, responsibilities, and possibilities of the art institution.
As radical, as mother, as salad, as shelter: what should art institutions do now?
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$22.00
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Résumé:
Paper Monument's new anthology surveys thirty curators, educators, and art administrators on the contemporary role, responsibilities, and possibilities of the art institution.
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livres
livres
Publication:
octobre 2018
octobre 2018
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
The miraculous
The miraculous
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$20.00
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Résumé:
This book presents the artistic avant-gardes of the last five decades as a tapestry of incidents as fascinating and unlikely as any collection of myths or legends. Thinking more of Kafka's ''Parables'' than Vasari's ''Lives of the Artists,'' Rubinstein composes a series of micro-narratives celebrating the mystery and ingeniousness of these human activities which, for lack(...)
$20.00
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Résumé:
This book presents the artistic avant-gardes of the last five decades as a tapestry of incidents as fascinating and unlikely as any collection of myths or legends. Thinking more of Kafka's ''Parables'' than Vasari's ''Lives of the Artists,'' Rubinstein composes a series of micro-narratives celebrating the mystery and ingeniousness of these human activities which, for lack(...)
Titre:
The miraculous
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$20.00
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This book presents the artistic avant-gardes of the last five decades as a tapestry of incidents as fascinating and unlikely as any collection of myths or legends. Thinking more of Kafka's ''Parables'' than Vasari's ''Lives of the Artists,'' Rubinstein composes a series of micro-narratives celebrating the mystery and ingeniousness of these human activities which, for lack of a better term, we call ''contemporary art.'' Each of the fifty episodes in ''The Miraculous'' is a detailed telling of the circumstances surrounding a single work of art; only the name of the artist is withheld until the end of the book.
The miraculous
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This book presents the artistic avant-gardes of the last five decades as a tapestry of incidents as fascinating and unlikely as any collection of myths or legends. Thinking more of Kafka's ''Parables'' than Vasari's ''Lives of the Artists,'' Rubinstein composes a series of micro-narratives celebrating the mystery and ingeniousness of these human activities which, for lack of a better term, we call ''contemporary art.'' Each of the fifty episodes in ''The Miraculous'' is a detailed telling of the circumstances surrounding a single work of art; only the name of the artist is withheld until the end of the book.
Classification:
livres
livres
Publication:
septembre 2014
septembre 2014
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
On fire
On fire
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Artists' studios have been burning down for centuries. In Paper Monument’s newest publication, ''On Fire'', author Jonathan Griffin asked ten contemporary artists how they recovered after their studios went up in flames. Talking to them, he gained surprising insights into their working methods, their relationship to their chosen profession, and their reasons for making art.
$20.00
(disponible en magasin)
Résumé:
Artists' studios have been burning down for centuries. In Paper Monument’s newest publication, ''On Fire'', author Jonathan Griffin asked ten contemporary artists how they recovered after their studios went up in flames. Talking to them, he gained surprising insights into their working methods, their relationship to their chosen profession, and their reasons for making art.
Titre:
On fire
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$20.00
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Artists' studios have been burning down for centuries. In Paper Monument’s newest publication, ''On Fire'', author Jonathan Griffin asked ten contemporary artists how they recovered after their studios went up in flames. Talking to them, he gained surprising insights into their working methods, their relationship to their chosen profession, and their reasons for making art.
On fire
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$20.00
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Résumé:
Artists' studios have been burning down for centuries. In Paper Monument’s newest publication, ''On Fire'', author Jonathan Griffin asked ten contemporary artists how they recovered after their studios went up in flames. Talking to them, he gained surprising insights into their working methods, their relationship to their chosen profession, and their reasons for making art.
Classification:
livres
livres
Publication:
février 2016
février 2016
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Mary Pratt: still light
Mary Pratt: still light
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$21.95
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After studying Fine Art at Mount Allison University, Mary Pratt (b. 1935) settled in Newfoundland with her husband and strove to pursue her passion for painting amidst the demands of raising a family. Over her career, Pratt developed a painting technique that embodied qualities of light, depth of field, and focus evocative of the photographic image, creating a body of(...)
$21.95
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After studying Fine Art at Mount Allison University, Mary Pratt (b. 1935) settled in Newfoundland with her husband and strove to pursue her passion for painting amidst the demands of raising a family. Over her career, Pratt developed a painting technique that embodied qualities of light, depth of field, and focus evocative of the photographic image, creating a body of(...)
Titre:
Mary Pratt: still light
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$21.95
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Résumé:
After studying Fine Art at Mount Allison University, Mary Pratt (b. 1935) settled in Newfoundland with her husband and strove to pursue her passion for painting amidst the demands of raising a family. Over her career, Pratt developed a painting technique that embodied qualities of light, depth of field, and focus evocative of the photographic image, creating a body of work that renders the common everyday items of our lives somehow luminous. Pratt is a Companion of the Order of Canada and was awarded the Molson Prize in 1997.
Mary Pratt: still light
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$21.95
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Résumé:
After studying Fine Art at Mount Allison University, Mary Pratt (b. 1935) settled in Newfoundland with her husband and strove to pursue her passion for painting amidst the demands of raising a family. Over her career, Pratt developed a painting technique that embodied qualities of light, depth of field, and focus evocative of the photographic image, creating a body of work that renders the common everyday items of our lives somehow luminous. Pratt is a Companion of the Order of Canada and was awarded the Molson Prize in 1997.
Classification:
livres
livres
Publication:
avril 2018
avril 2018
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Art and production
Art and production
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$38.95
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Résumé:
Boris Arvatov's ''Art and Production'' is a classic of the early Soviet avant-garde. Now nearing a century since its first publication, it is a crucial intervention for those seeking to understand the social dynamic of art and revolution during the period.
$38.95
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Résumé:
Boris Arvatov's ''Art and Production'' is a classic of the early Soviet avant-garde. Now nearing a century since its first publication, it is a crucial intervention for those seeking to understand the social dynamic of art and revolution during the period.
Titre:
Art and production
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$38.95
(disponible en magasin)
Résumé:
Boris Arvatov's ''Art and Production'' is a classic of the early Soviet avant-garde. Now nearing a century since its first publication, it is a crucial intervention for those seeking to understand the social dynamic of art and revolution during the period.
Art and production
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$38.95
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Résumé:
Boris Arvatov's ''Art and Production'' is a classic of the early Soviet avant-garde. Now nearing a century since its first publication, it is a crucial intervention for those seeking to understand the social dynamic of art and revolution during the period.
Classification:
livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Théorie de l’art
Théorie de l’art
