1134 Résultats
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1. Du rêve à l'écran: Le modèle et son double - La dissemblance - L'accès et l'obstacle - Etre en représentation - Projection mentale - L'indispensable code - Le cadre ou la réalité cernée. 2. Des grottes aux temples: Abstraction et figurines - Le verbe, l'espace, le geste - Sous l'écriture, l'image - Le code et l'analogie - Image réelle, monde virtuel - Ecce homo. 3. Des(...)
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1. Du rêve à l'écran: Le modèle et son double - La dissemblance - L'accès et l'obstacle - Etre en représentation - Projection mentale - L'indispensable code - Le cadre ou la réalité cernée. 2. Des grottes aux temples: Abstraction et figurines - Le verbe, l'espace, le geste - Sous l'écriture, l'image - Le code et l'analogie - Image réelle, monde virtuel - Ecce homo. 3. Des(...)
Titre:
Une brève histoire de l'image (nouvelle édition)
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1. Du rêve à l'écran: Le modèle et son double - La dissemblance - L'accès et l'obstacle - Etre en représentation - Projection mentale - L'indispensable code - Le cadre ou la réalité cernée. 2. Des grottes aux temples: Abstraction et figurines - Le verbe, l'espace, le geste - Sous l'écriture, l'image - Le code et l'analogie - Image réelle, monde virtuel - Ecce homo. 3. Des idoles aux icônes: Iconoclastes contre iconodules - L'Eglise comme représentation - Les images ne tombent pas du ciel - Des dieux, des hommes et des images - L'exception scientifique. 4. Des reliques aux tableaux: Glissements progressifs vers le réalisme - Le premier tableau - Du culte à la culture - Du trésor au musée - La monnaie, image de la valeur - La question de l'orignal. 5. De l'empreinte à la page: Au risque du livre - La réduction au code - Tout le non-dit du monde - L'univers modélisé - Dessins et desseins - L'instrument de la science. 6. Le miracle de la reproduction: L'ascension d'un art mineur - Le marché de la reproduction - La démocratie des goûts et des couleurs - La théorie du reflet - Propagande, instruction, information - Le temps de la presse et des actualités. 7. Photographie : l'adhérence au réel ?: En attendant la photo - La daguerréomanie - Les derniers feux de la gravure - Le miracle de la trame - Trente épreuves et pas plus. 8. Du théâtre d'ombres au magnétoscope: La rhétorique du mouvement - Bâtard du livre et de l'image : la BD - Eau et télé à tous les étages.
Une brève histoire de l'image (nouvelle édition)
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1. Du rêve à l'écran: Le modèle et son double - La dissemblance - L'accès et l'obstacle - Etre en représentation - Projection mentale - L'indispensable code - Le cadre ou la réalité cernée. 2. Des grottes aux temples: Abstraction et figurines - Le verbe, l'espace, le geste - Sous l'écriture, l'image - Le code et l'analogie - Image réelle, monde virtuel - Ecce homo. 3. Des idoles aux icônes: Iconoclastes contre iconodules - L'Eglise comme représentation - Les images ne tombent pas du ciel - Des dieux, des hommes et des images - L'exception scientifique. 4. Des reliques aux tableaux: Glissements progressifs vers le réalisme - Le premier tableau - Du culte à la culture - Du trésor au musée - La monnaie, image de la valeur - La question de l'orignal. 5. De l'empreinte à la page: Au risque du livre - La réduction au code - Tout le non-dit du monde - L'univers modélisé - Dessins et desseins - L'instrument de la science. 6. Le miracle de la reproduction: L'ascension d'un art mineur - Le marché de la reproduction - La démocratie des goûts et des couleurs - La théorie du reflet - Propagande, instruction, information - Le temps de la presse et des actualités. 7. Photographie : l'adhérence au réel ?: En attendant la photo - La daguerréomanie - Les derniers feux de la gravure - Le miracle de la trame - Trente épreuves et pas plus. 8. Du théâtre d'ombres au magnétoscope: La rhétorique du mouvement - Bâtard du livre et de l'image : la BD - Eau et télé à tous les étages.
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livres
livres
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avril 2017
avril 2017
Sujet:
Théorie de l’art
Théorie de l’art
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'Red Africa' is the culmination of a two-year research programme and exhibition project at Calvert 22, London, and Iwalewa House, Bayreuth. This traced the work of African artists and filmmakers who studied in the Soviet Union and Eastern Bloc under free education schemes originally offered under the Third International. Connections were particularly strong with countries(...)
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'Red Africa' is the culmination of a two-year research programme and exhibition project at Calvert 22, London, and Iwalewa House, Bayreuth. This traced the work of African artists and filmmakers who studied in the Soviet Union and Eastern Bloc under free education schemes originally offered under the Third International. Connections were particularly strong with countries(...)
Titre:
Red Africa: Affective communities and the cold war
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'Red Africa' is the culmination of a two-year research programme and exhibition project at Calvert 22, London, and Iwalewa House, Bayreuth. This traced the work of African artists and filmmakers who studied in the Soviet Union and Eastern Bloc under free education schemes originally offered under the Third International. Connections were particularly strong with countries such as Mozambique, Ghana, Ethiopia and Angola that were conducting libertarian struggles, or which, post-independence, were part of the Non-Aligned Movement, which held its first Summit conference in Belgrade in 1961.
Red Africa: Affective communities and the cold war
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'Red Africa' is the culmination of a two-year research programme and exhibition project at Calvert 22, London, and Iwalewa House, Bayreuth. This traced the work of African artists and filmmakers who studied in the Soviet Union and Eastern Bloc under free education schemes originally offered under the Third International. Connections were particularly strong with countries such as Mozambique, Ghana, Ethiopia and Angola that were conducting libertarian struggles, or which, post-independence, were part of the Non-Aligned Movement, which held its first Summit conference in Belgrade in 1961.
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livres
livres
Publication:
janvier 2017
janvier 2017
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Théorie de l’art
Théorie de l’art
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livres
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"What now? The politics of listening" reflects on the 2015 symposium of the same title, organised by Art in General in collaboration with the Vera List Centre for Art and Politics, which examined the idea of listening as a political act, a pedagogical process, and a protocol for engagement. The publication prompts inquiry into what degree are we able to listen to(...)
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"What now? The politics of listening" reflects on the 2015 symposium of the same title, organised by Art in General in collaboration with the Vera List Centre for Art and Politics, which examined the idea of listening as a political act, a pedagogical process, and a protocol for engagement. The publication prompts inquiry into what degree are we able to listen to(...)
Titre:
What now? The politics of listening
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"What now? The politics of listening" reflects on the 2015 symposium of the same title, organised by Art in General in collaboration with the Vera List Centre for Art and Politics, which examined the idea of listening as a political act, a pedagogical process, and a protocol for engagement. The publication prompts inquiry into what degree are we able to listen to different kinds of intelligences, and how can we incite receptivity? How do we address the fact that the right to listen is relative, and that the right not to listen, or to remain silent, is also a valid stance? Can we press on and position listening as a political act? And how do we further develop our ability to “listen for what is left out, and why”?
What now? The politics of listening
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"What now? The politics of listening" reflects on the 2015 symposium of the same title, organised by Art in General in collaboration with the Vera List Centre for Art and Politics, which examined the idea of listening as a political act, a pedagogical process, and a protocol for engagement. The publication prompts inquiry into what degree are we able to listen to different kinds of intelligences, and how can we incite receptivity? How do we address the fact that the right to listen is relative, and that the right not to listen, or to remain silent, is also a valid stance? Can we press on and position listening as a political act? And how do we further develop our ability to “listen for what is left out, and why”?
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livres
livres
Publication:
novembre 2015
novembre 2015
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Théorie de l’art
Théorie de l’art
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livres
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How did art escape the deadlock of the Situationists' anti-art refusal? Did the relational artists, with their repetitions of Situationist slogans and techniques, outline a sustainable, micro-political alternative to Guy Debord's dream of surpassing art and realizing philosophy? Looking back at some of the Situationists' confrontations with the museum, this book traces a(...)
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How did art escape the deadlock of the Situationists' anti-art refusal? Did the relational artists, with their repetitions of Situationist slogans and techniques, outline a sustainable, micro-political alternative to Guy Debord's dream of surpassing art and realizing philosophy? Looking back at some of the Situationists' confrontations with the museum, this book traces a(...)
Titre:
Life on Sirius: the Situationist International and the exhibition after art
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How did art escape the deadlock of the Situationists' anti-art refusal? Did the relational artists, with their repetitions of Situationist slogans and techniques, outline a sustainable, micro-political alternative to Guy Debord's dream of surpassing art and realizing philosophy? Looking back at some of the Situationists' confrontations with the museum, this book traces a path beyond the tragedy of negativity and the litany of recuperation. At the center is the concept of play; originally adopted as the principle of reconciled life, it returns as the lever of instrumentalization. But in the extraterrestial wasteland of the present, spaces of ludic coexistence and experimentation may remain possible, provided that pessimism can be adequately organized.
Life on Sirius: the Situationist International and the exhibition after art
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How did art escape the deadlock of the Situationists' anti-art refusal? Did the relational artists, with their repetitions of Situationist slogans and techniques, outline a sustainable, micro-political alternative to Guy Debord's dream of surpassing art and realizing philosophy? Looking back at some of the Situationists' confrontations with the museum, this book traces a path beyond the tragedy of negativity and the litany of recuperation. At the center is the concept of play; originally adopted as the principle of reconciled life, it returns as the lever of instrumentalization. But in the extraterrestial wasteland of the present, spaces of ludic coexistence and experimentation may remain possible, provided that pessimism can be adequately organized.
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livres
livres
Publication:
mars 2017
mars 2017
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Théorie de l’art
Théorie de l’art
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livres
livres
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This publication is the outcome of a research project pursued by a group of artists, architects, and social theorists, who, in the face of exhilarating politics of accumulation and dispossession, explore commoning as the subject as well as the means of their collective study.
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This publication is the outcome of a research project pursued by a group of artists, architects, and social theorists, who, in the face of exhilarating politics of accumulation and dispossession, explore commoning as the subject as well as the means of their collective study.
Titre:
Spaces of commoning: artistic research and the utopia of the everyday
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This publication is the outcome of a research project pursued by a group of artists, architects, and social theorists, who, in the face of exhilarating politics of accumulation and dispossession, explore commoning as the subject as well as the means of their collective study.
Spaces of commoning: artistic research and the utopia of the everyday
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This publication is the outcome of a research project pursued by a group of artists, architects, and social theorists, who, in the face of exhilarating politics of accumulation and dispossession, explore commoning as the subject as well as the means of their collective study.
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livres
livres
Publication:
mars 2017
mars 2017
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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'Grand Hotel Abyss' combines biography, philosophy, and storytelling to reveal how the Frankfurt thinkers gathered in hopes of understanding the politics of culture during the rise of fascism.
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'Grand Hotel Abyss' combines biography, philosophy, and storytelling to reveal how the Frankfurt thinkers gathered in hopes of understanding the politics of culture during the rise of fascism.
Titre:
Grand hotel abyss: the lives of the Frankfurt school
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'Grand Hotel Abyss' combines biography, philosophy, and storytelling to reveal how the Frankfurt thinkers gathered in hopes of understanding the politics of culture during the rise of fascism.
Grand hotel abyss: the lives of the Frankfurt school
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'Grand Hotel Abyss' combines biography, philosophy, and storytelling to reveal how the Frankfurt thinkers gathered in hopes of understanding the politics of culture during the rise of fascism.
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livres
livres
Publication:
septembre 2016
septembre 2016
Sujet:
Théorie de l’art
Théorie de l’art
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Quand on parle d'une personne, d'une pensée ou d'un discours « créatif », de quoi parle-t-on exactement ? D'une personne, d'une pensée ou d'un discours qui « sort des cadres établis », nous dit-on. Des cadres ? Ceux des stéréotypes et des idées reçues ? Faut-il alors, pour être plus créatif, penser en dehors de tout contexte ? Non, nous dit ici le spécialiste. En réalité,(...)
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Quand on parle d'une personne, d'une pensée ou d'un discours « créatif », de quoi parle-t-on exactement ? D'une personne, d'une pensée ou d'un discours qui « sort des cadres établis », nous dit-on. Des cadres ? Ceux des stéréotypes et des idées reçues ? Faut-il alors, pour être plus créatif, penser en dehors de tout contexte ? Non, nous dit ici le spécialiste. En réalité,(...)
Titre:
Pensée magique, pensée logique : petite philosophie de la créativité
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Quand on parle d'une personne, d'une pensée ou d'un discours « créatif », de quoi parle-t-on exactement ? D'une personne, d'une pensée ou d'un discours qui « sort des cadres établis », nous dit-on. Des cadres ? Ceux des stéréotypes et des idées reçues ? Faut-il alors, pour être plus créatif, penser en dehors de tout contexte ? Non, nous dit ici le spécialiste. En réalité, l'imagination, la créativité, a, comme la pensée rigoureuse à laquelle on l'oppose trop facilement, une logique ! Qu'il ne faut ignorer si l'on veut en faire preuve. Tout l'art consiste en fait à… concevoir de nouveaux cadres de pensée, capables de faire émerger cet instant magique de l'eurêka… Des syllogismes grecs aux brainstormings de la Silicon Valley, en passant par l'apport de la psychologie ou des travaux de Lewis Caroll et Allan Turing, Luc de Brabandère, mathématicien reconnu dans les sphères du management et de la gestion d'entreprise, nous invite ici à nous plonger dans l'histoire secrète de la « folle du logis ». Pour mieux la canaliser et en tirer parti !
Pensée magique, pensée logique : petite philosophie de la créativité
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Quand on parle d'une personne, d'une pensée ou d'un discours « créatif », de quoi parle-t-on exactement ? D'une personne, d'une pensée ou d'un discours qui « sort des cadres établis », nous dit-on. Des cadres ? Ceux des stéréotypes et des idées reçues ? Faut-il alors, pour être plus créatif, penser en dehors de tout contexte ? Non, nous dit ici le spécialiste. En réalité, l'imagination, la créativité, a, comme la pensée rigoureuse à laquelle on l'oppose trop facilement, une logique ! Qu'il ne faut ignorer si l'on veut en faire preuve. Tout l'art consiste en fait à… concevoir de nouveaux cadres de pensée, capables de faire émerger cet instant magique de l'eurêka… Des syllogismes grecs aux brainstormings de la Silicon Valley, en passant par l'apport de la psychologie ou des travaux de Lewis Caroll et Allan Turing, Luc de Brabandère, mathématicien reconnu dans les sphères du management et de la gestion d'entreprise, nous invite ici à nous plonger dans l'histoire secrète de la « folle du logis ». Pour mieux la canaliser et en tirer parti !
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livres
livres
Publication:
février 2017
février 2017
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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What do we mean when we say that something is contemporary? And what should the designator “contemporary art” refer to? An immediate response would be that contemporary art is an art of the present, that it somehow addresses and expresses the present. But what is this present? What constitutes the present present or the contemporary contemporary? This first book in the(...)
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What do we mean when we say that something is contemporary? And what should the designator “contemporary art” refer to? An immediate response would be that contemporary art is an art of the present, that it somehow addresses and expresses the present. But what is this present? What constitutes the present present or the contemporary contemporary? This first book in the(...)
Titre:
The contemporary condition : introductory thoughts on contemporaneity & contemporary art
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What do we mean when we say that something is contemporary? And what should the designator “contemporary art” refer to? An immediate response would be that contemporary art is an art of the present, that it somehow addresses and expresses the present. But what is this present? What constitutes the present present or the contemporary contemporary? This first book in the Contemporary Condition series introduces some of the key issues concerning contemporaneity as a defining condition of our historical present. It thus acts as an extended preface to the series as a whole, calling for a rethinking of the deep structures of temporalization that render our present the way it is.
The contemporary condition : introductory thoughts on contemporaneity & contemporary art
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What do we mean when we say that something is contemporary? And what should the designator “contemporary art” refer to? An immediate response would be that contemporary art is an art of the present, that it somehow addresses and expresses the present. But what is this present? What constitutes the present present or the contemporary contemporary? This first book in the Contemporary Condition series introduces some of the key issues concerning contemporaneity as a defining condition of our historical present. It thus acts as an extended preface to the series as a whole, calling for a rethinking of the deep structures of temporalization that render our present the way it is.
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livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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What do we mean when we say that something is contemporary? And what should the designator “contemporary art” refer to? An immediate response would be that contemporary art is an art of the present, that it somehow addresses and expresses the present. But what is this present? What constitutes the present present or the contemporary contemporary? This first book in the(...)
$18.95
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Résumé:
What do we mean when we say that something is contemporary? And what should the designator “contemporary art” refer to? An immediate response would be that contemporary art is an art of the present, that it somehow addresses and expresses the present. But what is this present? What constitutes the present present or the contemporary contemporary? This first book in the(...)
Titre:
The contemporary condition : a slow, contemporary violence : damaged environments of technological culture
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What do we mean when we say that something is contemporary? And what should the designator “contemporary art” refer to? An immediate response would be that contemporary art is an art of the present, that it somehow addresses and expresses the present. But what is this present? What constitutes the present present or the contemporary contemporary? This first book in the Contemporary Condition series introduces some of the key issues concerning contemporaneity as a defining condition of our historical present. It thus acts as an extended preface to the series as a whole, calling for a rethinking of the deep structures of temporalization that render our present the way it is.
The contemporary condition : a slow, contemporary violence : damaged environments of technological culture
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What do we mean when we say that something is contemporary? And what should the designator “contemporary art” refer to? An immediate response would be that contemporary art is an art of the present, that it somehow addresses and expresses the present. But what is this present? What constitutes the present present or the contemporary contemporary? This first book in the Contemporary Condition series introduces some of the key issues concerning contemporaneity as a defining condition of our historical present. It thus acts as an extended preface to the series as a whole, calling for a rethinking of the deep structures of temporalization that render our present the way it is.
Classification:
livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$18.95
(disponible sur commande)
Résumé:
Can we speak of composition when we are in a state of unfathomable decomposition? Art being made today defies coherent categorization, and the world presents itself, day after day, as spinning into confused chaos, structural disintegration, and violent disorder. Revising his well-known histories of contemporary art, Terry Smith argues that we must respond to the(...)
$18.95
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Can we speak of composition when we are in a state of unfathomable decomposition? Art being made today defies coherent categorization, and the world presents itself, day after day, as spinning into confused chaos, structural disintegration, and violent disorder. Revising his well-known histories of contemporary art, Terry Smith argues that we must respond to the(...)
Titre:
The contemporary condition : the contemporary composition
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Can we speak of composition when we are in a state of unfathomable decomposition? Art being made today defies coherent categorization, and the world presents itself, day after day, as spinning into confused chaos, structural disintegration, and violent disorder. Revising his well-known histories of contemporary art, Terry Smith argues that we must respond to the compelling need for coeval composition at a time defined by the contemporaneity of divisive difference. This book traces how—despite many obstacles—visual artists across the globe are rising to this challenge.
The contemporary condition : the contemporary composition
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$18.95
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Can we speak of composition when we are in a state of unfathomable decomposition? Art being made today defies coherent categorization, and the world presents itself, day after day, as spinning into confused chaos, structural disintegration, and violent disorder. Revising his well-known histories of contemporary art, Terry Smith argues that we must respond to the compelling need for coeval composition at a time defined by the contemporaneity of divisive difference. This book traces how—despite many obstacles—visual artists across the globe are rising to this challenge.
Classification:
livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Théorie de l’art
Théorie de l’art
