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In this, the first anthology of Russian contemporary art writing to be published outside Russia, many of the country’s most prominent contemporary artists, writers, philosophers, curators and historians come together to examine the region’s various movements of contemporary art, culture, and theory, from communism, cosmism and conceptualism to past and future futures.(...)
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In this, the first anthology of Russian contemporary art writing to be published outside Russia, many of the country’s most prominent contemporary artists, writers, philosophers, curators and historians come together to examine the region’s various movements of contemporary art, culture, and theory, from communism, cosmism and conceptualism to past and future futures.(...)
Titre:
Cosmic shift: Russian contemporary art writing
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In this, the first anthology of Russian contemporary art writing to be published outside Russia, many of the country’s most prominent contemporary artists, writers, philosophers, curators and historians come together to examine the region’s various movements of contemporary art, culture, and theory, from communism, cosmism and conceptualism to past and future futures. With contributions from Barte de Baere, Boris Groys, Ilya and Emilia Kabakov, Anton Vidokle, Bogdan Mamonov, Pavel Pepperstein, Dmitri Prigov and Masha Sumnina amongst many others, this definitive collection reveals a compelling portrait of a vast and complex nation built on a contradicting dialectic between the material and the ideal and a culture battling its own histories and ideologies.
Cosmic shift: Russian contemporary art writing
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In this, the first anthology of Russian contemporary art writing to be published outside Russia, many of the country’s most prominent contemporary artists, writers, philosophers, curators and historians come together to examine the region’s various movements of contemporary art, culture, and theory, from communism, cosmism and conceptualism to past and future futures. With contributions from Barte de Baere, Boris Groys, Ilya and Emilia Kabakov, Anton Vidokle, Bogdan Mamonov, Pavel Pepperstein, Dmitri Prigov and Masha Sumnina amongst many others, this definitive collection reveals a compelling portrait of a vast and complex nation built on a contradicting dialectic between the material and the ideal and a culture battling its own histories and ideologies.
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livres
livres
Publication:
octobre 2017
octobre 2017
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Ce livre regroupe une série d'écrits consacrés aux relations entre les arts. Il y est question de Wagner et du Gesamtkunstwerk, des relations entre l'architecture et la musique, la sculpture et la musique, de la représentation picturale de l'auditeur, tous thèmes qui contribuent à éclairer la manière dont les arts se réfléchissent les uns les autres dans la tradition(...)
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Ce livre regroupe une série d'écrits consacrés aux relations entre les arts. Il y est question de Wagner et du Gesamtkunstwerk, des relations entre l'architecture et la musique, la sculpture et la musique, de la représentation picturale de l'auditeur, tous thèmes qui contribuent à éclairer la manière dont les arts se réfléchissent les uns les autres dans la tradition(...)
Titre:
De la fraternité des arts : nouveaux contrepoints
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Ce livre regroupe une série d'écrits consacrés aux relations entre les arts. Il y est question de Wagner et du Gesamtkunstwerk, des relations entre l'architecture et la musique, la sculpture et la musique, de la représentation picturale de l'auditeur, tous thèmes qui contribuent à éclairer la manière dont les arts se réfléchissent les uns les autres dans la tradition culturelle et philosophique européenne, de la Grèce antique aux avant-gardes.
De la fraternité des arts : nouveaux contrepoints
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Ce livre regroupe une série d'écrits consacrés aux relations entre les arts. Il y est question de Wagner et du Gesamtkunstwerk, des relations entre l'architecture et la musique, la sculpture et la musique, de la représentation picturale de l'auditeur, tous thèmes qui contribuent à éclairer la manière dont les arts se réfléchissent les uns les autres dans la tradition culturelle et philosophique européenne, de la Grèce antique aux avant-gardes.
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livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York’s Artists Space entitled The Nigger Drawings. In 1969, the Metropolitan Museum of Art’s exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases,(...)
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In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York’s Artists Space entitled The Nigger Drawings. In 1969, the Metropolitan Museum of Art’s exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases,(...)
Titre:
Whitewalling: art, race, & protest in 3 acts
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In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York’s Artists Space entitled The Nigger Drawings. In 1969, the Metropolitan Museum of Art’s exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. "Whitewalling: Art, Race & Protest in 3 Acts" reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world - no less than the country at large - has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship.
Whitewalling: art, race, & protest in 3 acts
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In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York’s Artists Space entitled The Nigger Drawings. In 1969, the Metropolitan Museum of Art’s exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. "Whitewalling: Art, Race & Protest in 3 Acts" reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world - no less than the country at large - has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship.
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livres
livres
Publication:
mai 2018
mai 2018
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$95.95
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Clement Greenberg (1909-1994) est une figure essentielle de la critique d’art au XXe siècle. Dire que son premier article, « Avant-garde et kitsch », paraît dans une revue new-yorkaise de gauche à l’automne 1939, alors que le jeune homme rentre d’un voyage dans une Europe sous très haute tension, c’est planter le décor où sa réflexion esthétique s’est façonnée et va(...)
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Clement Greenberg (1909-1994) est une figure essentielle de la critique d’art au XXe siècle. Dire que son premier article, « Avant-garde et kitsch », paraît dans une revue new-yorkaise de gauche à l’automne 1939, alors que le jeune homme rentre d’un voyage dans une Europe sous très haute tension, c’est planter le décor où sa réflexion esthétique s’est façonnée et va(...)
Titre:
Art et culture : écrits choisis des années 1940
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Clement Greenberg (1909-1994) est une figure essentielle de la critique d’art au XXe siècle. Dire que son premier article, « Avant-garde et kitsch », paraît dans une revue new-yorkaise de gauche à l’automne 1939, alors que le jeune homme rentre d’un voyage dans une Europe sous très haute tension, c’est planter le décor où sa réflexion esthétique s’est façonnée et va bientôt s’affirmer : l’art du vieux continent d’un côté, de l’autre les courants qui se feront jour aux États-Unis après la guerre. Dialogue ou confrontation, le critique ne cessera d’en scruter les tenants et les aboutissants, le jeu complexe des influences, des dépassements, des continuités, des ruptures.
Art et culture : écrits choisis des années 1940
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Clement Greenberg (1909-1994) est une figure essentielle de la critique d’art au XXe siècle. Dire que son premier article, « Avant-garde et kitsch », paraît dans une revue new-yorkaise de gauche à l’automne 1939, alors que le jeune homme rentre d’un voyage dans une Europe sous très haute tension, c’est planter le décor où sa réflexion esthétique s’est façonnée et va bientôt s’affirmer : l’art du vieux continent d’un côté, de l’autre les courants qui se feront jour aux États-Unis après la guerre. Dialogue ou confrontation, le critique ne cessera d’en scruter les tenants et les aboutissants, le jeu complexe des influences, des dépassements, des continuités, des ruptures.
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livres
livres
Publication:
janvier 2018
janvier 2018
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
Happenings and events
Happenings and events
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Édition critique, annotée et augmentée du numéro de la Tulane Drama Review consacré au happening, traduit pour la première fois en français. Paru en 1965, ce volume de référence comprend notamment les contributions prestigieuses de John Cage, Dick Higgins, Allan Kaprow, George Maciunas, Robert Morris, Claes Oldenburg, Yvonne Rainer, La Monte Young…
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Édition critique, annotée et augmentée du numéro de la Tulane Drama Review consacré au happening, traduit pour la première fois en français. Paru en 1965, ce volume de référence comprend notamment les contributions prestigieuses de John Cage, Dick Higgins, Allan Kaprow, George Maciunas, Robert Morris, Claes Oldenburg, Yvonne Rainer, La Monte Young…
Titre:
Happenings and events
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Édition critique, annotée et augmentée du numéro de la Tulane Drama Review consacré au happening, traduit pour la première fois en français. Paru en 1965, ce volume de référence comprend notamment les contributions prestigieuses de John Cage, Dick Higgins, Allan Kaprow, George Maciunas, Robert Morris, Claes Oldenburg, Yvonne Rainer, La Monte Young…
Happenings and events
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Édition critique, annotée et augmentée du numéro de la Tulane Drama Review consacré au happening, traduit pour la première fois en français. Paru en 1965, ce volume de référence comprend notamment les contributions prestigieuses de John Cage, Dick Higgins, Allan Kaprow, George Maciunas, Robert Morris, Claes Oldenburg, Yvonne Rainer, La Monte Young…
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livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$52.00
(disponible en magasin)
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Postwar artists and architects have used photography, film, and other media to imagine and record the world as a wonder of collaborative entanglement—to translate the world for the world. In this book, Janine Marchessault examines a series of utopian media events that opened up and expanded the cosmos, creating ecstatic collective experiences for spectators and participants.
$52.00
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Postwar artists and architects have used photography, film, and other media to imagine and record the world as a wonder of collaborative entanglement—to translate the world for the world. In this book, Janine Marchessault examines a series of utopian media events that opened up and expanded the cosmos, creating ecstatic collective experiences for spectators and participants.
Titre:
Ecstatic worlds: media, utopias, ecologies
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Postwar artists and architects have used photography, film, and other media to imagine and record the world as a wonder of collaborative entanglement—to translate the world for the world. In this book, Janine Marchessault examines a series of utopian media events that opened up and expanded the cosmos, creating ecstatic collective experiences for spectators and participants.
Ecstatic worlds: media, utopias, ecologies
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Postwar artists and architects have used photography, film, and other media to imagine and record the world as a wonder of collaborative entanglement—to translate the world for the world. In this book, Janine Marchessault examines a series of utopian media events that opened up and expanded the cosmos, creating ecstatic collective experiences for spectators and participants.
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livres
livres
Publication:
août 2017
août 2017
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$37.50
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A small town in the vast desert of West Texas, Marfa attracts visitors from around the world to its art foundations and galleries, film and music festivals, and design and architecture symposiums. While newcomers sometimes see it as "another Santa Fe," long-time residents often take a bemused, even disapproving attitude toward the changes that Marfa has undergone since(...)
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A small town in the vast desert of West Texas, Marfa attracts visitors from around the world to its art foundations and galleries, film and music festivals, and design and architecture symposiums. While newcomers sometimes see it as "another Santa Fe," long-time residents often take a bemused, even disapproving attitude toward the changes that Marfa has undergone since(...)
Titre:
Marfa: the transformation of a West Texas town
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A small town in the vast desert of West Texas, Marfa attracts visitors from around the world to its art foundations and galleries, film and music festivals, and design and architecture symposiums. While newcomers sometimes see it as "another Santa Fe," long-time residents often take a bemused, even disapproving attitude toward the changes that Marfa has undergone since artist Donald Judd came to town in the 1970s and began creating spaces for his own and other artists' work. They remember when ranching and the military formed the basis of the town's economy, even as they acknowledge that tourist dollars are now essential to Marfa's sustainability.
Marfa: the transformation of a West Texas town
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A small town in the vast desert of West Texas, Marfa attracts visitors from around the world to its art foundations and galleries, film and music festivals, and design and architecture symposiums. While newcomers sometimes see it as "another Santa Fe," long-time residents often take a bemused, even disapproving attitude toward the changes that Marfa has undergone since artist Donald Judd came to town in the 1970s and began creating spaces for his own and other artists' work. They remember when ranching and the military formed the basis of the town's economy, even as they acknowledge that tourist dollars are now essential to Marfa's sustainability.
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livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$182.95
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In "Landscape into eco art", Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader(...)
$182.95
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In "Landscape into eco art", Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader(...)
Titre:
Landscape into Eco Art: Articulations of nature since the '60s
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In "Landscape into eco art", Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader art-historical context. He considers a wide range of media—from painting, sculpture, and photography to artists’ films, video, sound work, animation, and installation—and analyzes the work of internationally prominent artists such as Olafur Eliasson, Nancy Holt, Mark Dion, and Robert Smithson. In doing so, Cheetham reveals eco art to be a dynamic extension of a long tradition of landscape depiction in the West that boldly enters into today’s debates on climate science, government policy, and our collective and individual responsibility to the planet
Landscape into Eco Art: Articulations of nature since the '60s
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In "Landscape into eco art", Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader art-historical context. He considers a wide range of media—from painting, sculpture, and photography to artists’ films, video, sound work, animation, and installation—and analyzes the work of internationally prominent artists such as Olafur Eliasson, Nancy Holt, Mark Dion, and Robert Smithson. In doing so, Cheetham reveals eco art to be a dynamic extension of a long tradition of landscape depiction in the West that boldly enters into today’s debates on climate science, government policy, and our collective and individual responsibility to the planet
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livres
livres
Publication:
février 2018
février 2018
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$39.95
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A sweeping look at the lives and work of two important English Romantic painters. Stanley Plumly explores immortality in art through the work of two impressive landscape artists: John Constable and J.M.W. Turner. Seeking the transcendent aesthetic awe of the sublime and reeling from personal tragedy, these painters portrayed the terrible beauty of the natural world from(...)
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A sweeping look at the lives and work of two important English Romantic painters. Stanley Plumly explores immortality in art through the work of two impressive landscape artists: John Constable and J.M.W. Turner. Seeking the transcendent aesthetic awe of the sublime and reeling from personal tragedy, these painters portrayed the terrible beauty of the natural world from(...)
Titre:
Elegy landscapes: Constable, Turner and the intimate sublime
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A sweeping look at the lives and work of two important English Romantic painters. Stanley Plumly explores immortality in art through the work of two impressive landscape artists: John Constable and J.M.W. Turner. Seeking the transcendent aesthetic awe of the sublime and reeling from personal tragedy, these painters portrayed the terrible beauty of the natural world from an intimate, close-up perspective. Plumly studies the paintings against the pull of the artists' lives, probing how each finds the sublime in different, though connected, worlds. At once a meditation on the difficulties in achieving truly immortal works of art and an exploration of the relationship between artist and artwork, ''Elegy Landscapes'' takes a wide-angled look at the philosophy of the sublime.
Elegy landscapes: Constable, Turner and the intimate sublime
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A sweeping look at the lives and work of two important English Romantic painters. Stanley Plumly explores immortality in art through the work of two impressive landscape artists: John Constable and J.M.W. Turner. Seeking the transcendent aesthetic awe of the sublime and reeling from personal tragedy, these painters portrayed the terrible beauty of the natural world from an intimate, close-up perspective. Plumly studies the paintings against the pull of the artists' lives, probing how each finds the sublime in different, though connected, worlds. At once a meditation on the difficulties in achieving truly immortal works of art and an exploration of the relationship between artist and artwork, ''Elegy Landscapes'' takes a wide-angled look at the philosophy of the sublime.
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livres
livres
Publication:
septembre 2018
septembre 2018
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
Constable's skies
Constable's skies
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John Constable was one of the supreme painters of the weather, and his depictions of the sky are essential components of all his landscape paintings, from famous works such as The Hay Wain and Salisbury Cathedral from the Meadows to his numerous cloud studies painted on Hampstead Heath, culminating in paintings that are all sky; the landscape beneath is completely absent.(...)
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John Constable was one of the supreme painters of the weather, and his depictions of the sky are essential components of all his landscape paintings, from famous works such as The Hay Wain and Salisbury Cathedral from the Meadows to his numerous cloud studies painted on Hampstead Heath, culminating in paintings that are all sky; the landscape beneath is completely absent.(...)
Titre:
Constable's skies
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John Constable was one of the supreme painters of the weather, and his depictions of the sky are essential components of all his landscape paintings, from famous works such as The Hay Wain and Salisbury Cathedral from the Meadows to his numerous cloud studies painted on Hampstead Heath, culminating in paintings that are all sky; the landscape beneath is completely absent. Written by Mark Evans, a leading authority on the work of John Constable, ''Constable’s Skies'' captures the artist’s fascination with the sky and brings together his depictions of the English weather from throughout his career. The unprecedented fidelity of Constable’s painted skies is proven by reference to contemporary weather diaries. The book also includes a guide to where to find Constable’s work around the world.
Constable's skies
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John Constable was one of the supreme painters of the weather, and his depictions of the sky are essential components of all his landscape paintings, from famous works such as The Hay Wain and Salisbury Cathedral from the Meadows to his numerous cloud studies painted on Hampstead Heath, culminating in paintings that are all sky; the landscape beneath is completely absent. Written by Mark Evans, a leading authority on the work of John Constable, ''Constable’s Skies'' captures the artist’s fascination with the sky and brings together his depictions of the English weather from throughout his career. The unprecedented fidelity of Constable’s painted skies is proven by reference to contemporary weather diaries. The book also includes a guide to where to find Constable’s work around the world.
Classification:
livres
livres
Publication:
août 2018
août 2018
Sujet:
Théorie de l’art
Théorie de l’art
