1188 Résultats
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In this volume, thirteen authors address both the philosophical and practical issues now facing those in the visual arts field by investigating the ever-pressing issue of research. Their essays explore the remarkable nature of art historians’ personal, political, aesthetic, creative, and emotive curiosity and the process of doing research in the archive, library,(...)
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In this volume, thirteen authors address both the philosophical and practical issues now facing those in the visual arts field by investigating the ever-pressing issue of research. Their essays explore the remarkable nature of art historians’ personal, political, aesthetic, creative, and emotive curiosity and the process of doing research in the archive, library,(...)
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
novembre 2008, Williamson, New Haven, London
novembre 2008, Williamson, New Haven, London
Titre:
What is research in the visual arts ? : obsession, archive, encounter
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In this volume, thirteen authors address both the philosophical and practical issues now facing those in the visual arts field by investigating the ever-pressing issue of research. Their essays explore the remarkable nature of art historians’ personal, political, aesthetic, creative, and emotive curiosity and the process of doing research in the archive, library, studio, gallery, museum, and beyond. As such, the book considers the pleasures and dangers of researchers’ obsessions and encounters with the incoherence, chaos, and wonder that lie at the heart of searching for the not-yet-known. The volume is based on the 2007 Clark Conference of the same name.
What is research in the visual arts ? : obsession, archive, encounter
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In this volume, thirteen authors address both the philosophical and practical issues now facing those in the visual arts field by investigating the ever-pressing issue of research. Their essays explore the remarkable nature of art historians’ personal, political, aesthetic, creative, and emotive curiosity and the process of doing research in the archive, library, studio, gallery, museum, and beyond. As such, the book considers the pleasures and dangers of researchers’ obsessions and encounters with the incoherence, chaos, and wonder that lie at the heart of searching for the not-yet-known. The volume is based on the 2007 Clark Conference of the same name.
Classification:
livres
livres
Publication:
novembre 2008, Williamson, New Haven, London
novembre 2008, Williamson, New Haven, London
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Framed by the author's account of her travels in Iceland, these essays posit inbetweenness as the most vital position from which to perceive culture as a whole, and a fluidity in national identity as the best model for writing and thinking about art and culture. The essays include fresh takes on Thoreau's Cape Cod walk, working class speech, James Schuyler and Björk,(...)
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Framed by the author's account of her travels in Iceland, these essays posit inbetweenness as the most vital position from which to perceive culture as a whole, and a fluidity in national identity as the best model for writing and thinking about art and culture. The essays include fresh takes on Thoreau's Cape Cod walk, working class speech, James Schuyler and Björk,(...)
Titre:
The importance of being Iceland: travel essays in art
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Framed by the author's account of her travels in Iceland, these essays posit inbetweenness as the most vital position from which to perceive culture as a whole, and a fluidity in national identity as the best model for writing and thinking about art and culture. The essays include fresh takes on Thoreau's Cape Cod walk, working class speech, James Schuyler and Björk, queer Russia and Robert Smithson; how-tos on writing an avant-garde poem and driving a battered Japanese car that resembles a menopausal body; and opinions on such widely ranging subjects as filmmaker Sadie Benning, actor Daniel Day-Lewis, Ted Berrigan's Sonnets, and flossing.
The importance of being Iceland: travel essays in art
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Framed by the author's account of her travels in Iceland, these essays posit inbetweenness as the most vital position from which to perceive culture as a whole, and a fluidity in national identity as the best model for writing and thinking about art and culture. The essays include fresh takes on Thoreau's Cape Cod walk, working class speech, James Schuyler and Björk, queer Russia and Robert Smithson; how-tos on writing an avant-garde poem and driving a battered Japanese car that resembles a menopausal body; and opinions on such widely ranging subjects as filmmaker Sadie Benning, actor Daniel Day-Lewis, Ted Berrigan's Sonnets, and flossing.
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livres
livres
Publication:
octobre 2008
octobre 2008
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$22.95
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Debord's letters — published here for the first time in English — provide a fascinating insider's view of just how this seemingly disorganized group drifting around a newly consumerized Paris became one of the most defining cultural movements of the twentieth century.
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Debord's letters — published here for the first time in English — provide a fascinating insider's view of just how this seemingly disorganized group drifting around a newly consumerized Paris became one of the most defining cultural movements of the twentieth century.
Titre:
Correspondence : the foundation of the situationist international (June 1957-August 1960)
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Debord's letters — published here for the first time in English — provide a fascinating insider's view of just how this seemingly disorganized group drifting around a newly consumerized Paris became one of the most defining cultural movements of the twentieth century.
Correspondence : the foundation of the situationist international (June 1957-August 1960)
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Debord's letters — published here for the first time in English — provide a fascinating insider's view of just how this seemingly disorganized group drifting around a newly consumerized Paris became one of the most defining cultural movements of the twentieth century.
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livres
livres
Publication:
novembre 2008, Los Angeles
novembre 2008, Los Angeles
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livres
livres
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Twentieth-century art made use of the archive in a variety of ways—from what Spieker calls Marcel Duchamp's "anemic archive" of readymades and El Lissitzky's Demonstration Rooms to the compilations of photographs made by such postwar artists as Susan Hiller and Gerhard Richter. In The Big Archive, Sven Spieker investigates the archive—as both bureaucratic institution and(...)
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Twentieth-century art made use of the archive in a variety of ways—from what Spieker calls Marcel Duchamp's "anemic archive" of readymades and El Lissitzky's Demonstration Rooms to the compilations of photographs made by such postwar artists as Susan Hiller and Gerhard Richter. In The Big Archive, Sven Spieker investigates the archive—as both bureaucratic institution and(...)
Titre:
The big archive, art from bureaucracy
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Twentieth-century art made use of the archive in a variety of ways—from what Spieker calls Marcel Duchamp's "anemic archive" of readymades and El Lissitzky's Demonstration Rooms to the compilations of photographs made by such postwar artists as Susan Hiller and Gerhard Richter. In The Big Archive, Sven Spieker investigates the archive—as both bureaucratic institution and index of evolving attitudes toward contingent time in science and art—and finds it to be a crucible of twentieth-century modernism.
The big archive, art from bureaucracy
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Twentieth-century art made use of the archive in a variety of ways—from what Spieker calls Marcel Duchamp's "anemic archive" of readymades and El Lissitzky's Demonstration Rooms to the compilations of photographs made by such postwar artists as Susan Hiller and Gerhard Richter. In The Big Archive, Sven Spieker investigates the archive—as both bureaucratic institution and index of evolving attitudes toward contingent time in science and art—and finds it to be a crucible of twentieth-century modernism.
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livres
livres
Publication:
octobre 2008, Cambridge
octobre 2008, Cambridge
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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A former anthropologist, the author has, since the late 1970s, forged an interface between critical writing and a visual art practice in which feminist and postcolonial cultural politics are fused with idiosyncratic explorations of science, magic and the continuing lure of psychoanalysis. This comprehensive volume compiles previously published essays, interviews, papers,(...)
$28.50
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A former anthropologist, the author has, since the late 1970s, forged an interface between critical writing and a visual art practice in which feminist and postcolonial cultural politics are fused with idiosyncratic explorations of science, magic and the continuing lure of psychoanalysis. This comprehensive volume compiles previously published essays, interviews, papers,(...)
Titre:
The provisional texture of reality
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A former anthropologist, the author has, since the late 1970s, forged an interface between critical writing and a visual art practice in which feminist and postcolonial cultural politics are fused with idiosyncratic explorations of science, magic and the continuing lure of psychoanalysis. This comprehensive volume compiles previously published essays, interviews, papers, lectures and other ephemera which document Hiller's incisive interventions into contemporary debates on the shifting roles of art and theory.
The provisional texture of reality
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A former anthropologist, the author has, since the late 1970s, forged an interface between critical writing and a visual art practice in which feminist and postcolonial cultural politics are fused with idiosyncratic explorations of science, magic and the continuing lure of psychoanalysis. This comprehensive volume compiles previously published essays, interviews, papers, lectures and other ephemera which document Hiller's incisive interventions into contemporary debates on the shifting roles of art and theory.
Classification:
livres
livres
Publication:
septembre 2008
septembre 2008
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Art Resources Transfer, Inc. is a nonprofit organization dedicated to establishing a more egalitarian access to the arts through publishing and the free distribution of contemporary art books to public library and schools in underserved communities nationwide. Between Artists is a series of conversation based books that document different positions and strategies of(...)
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Art Resources Transfer, Inc. is a nonprofit organization dedicated to establishing a more egalitarian access to the arts through publishing and the free distribution of contemporary art books to public library and schools in underserved communities nationwide. Between Artists is a series of conversation based books that document different positions and strategies of(...)
Titre:
Between artists: Maria Eichhorn, John Miller
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Art Resources Transfer, Inc. is a nonprofit organization dedicated to establishing a more egalitarian access to the arts through publishing and the free distribution of contemporary art books to public library and schools in underserved communities nationwide. Between Artists is a series of conversation based books that document different positions and strategies of contemporary, critical visual practice. These conversations provide an opportunity for artists to speak clearly about their practice and give readers a better understanding of the power and relevance of the artists' voice in the discussion of larger social issues.
Between artists: Maria Eichhorn, John Miller
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Art Resources Transfer, Inc. is a nonprofit organization dedicated to establishing a more egalitarian access to the arts through publishing and the free distribution of contemporary art books to public library and schools in underserved communities nationwide. Between Artists is a series of conversation based books that document different positions and strategies of contemporary, critical visual practice. These conversations provide an opportunity for artists to speak clearly about their practice and give readers a better understanding of the power and relevance of the artists' voice in the discussion of larger social issues.
Classification:
livres
livres
Publication:
juin 2008
juin 2008
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$33.95
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Since the mid-1990s, contemporary art has been booming like never before. There is more of everything - more artists, more collectors, more galleries, more art fairs, more museums, more biennials... with one exception: criteria with which the art of the moment can be understood, juged, praised and if needed damned. Jörg Heiser, co-editor of frieze magazine, provides a(...)
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Since the mid-1990s, contemporary art has been booming like never before. There is more of everything - more artists, more collectors, more galleries, more art fairs, more museums, more biennials... with one exception: criteria with which the art of the moment can be understood, juged, praised and if needed damned. Jörg Heiser, co-editor of frieze magazine, provides a(...)
Titre:
All of a sudden: things that matter in contemporary art
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Since the mid-1990s, contemporary art has been booming like never before. There is more of everything - more artists, more collectors, more galleries, more art fairs, more museums, more biennials... with one exception: criteria with which the art of the moment can be understood, juged, praised and if needed damned. Jörg Heiser, co-editor of frieze magazine, provides a sharp summary of contemporary art since Marcel Duchamp. Using many artworks as example, the author identifies some central ideas and artistic methods that seem important for understanding what fuels art's progress into the future.
All of a sudden: things that matter in contemporary art
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Since the mid-1990s, contemporary art has been booming like never before. There is more of everything - more artists, more collectors, more galleries, more art fairs, more museums, more biennials... with one exception: criteria with which the art of the moment can be understood, juged, praised and if needed damned. Jörg Heiser, co-editor of frieze magazine, provides a sharp summary of contemporary art since Marcel Duchamp. Using many artworks as example, the author identifies some central ideas and artistic methods that seem important for understanding what fuels art's progress into the future.
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livres
livres
Publication:
septembre 2008, Berlin, New York
septembre 2008, Berlin, New York
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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(disponible en magasin)
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interview with Zowie Broach and Brian Kirkby of Boudicca / Chanel, Stravinsky, and Musical Chic / Fabricating identities: survival and the imagination in Jamaican dancehall culture / Index of 'Fashion Theory Journal' by Hazel Clark
$28.95
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interview with Zowie Broach and Brian Kirkby of Boudicca / Chanel, Stravinsky, and Musical Chic / Fabricating identities: survival and the imagination in Jamaican dancehall culture / Index of 'Fashion Theory Journal' by Hazel Clark
Titre:
Fashion Theory: the journal of dress, body & culture
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$28.95
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interview with Zowie Broach and Brian Kirkby of Boudicca / Chanel, Stravinsky, and Musical Chic / Fabricating identities: survival and the imagination in Jamaican dancehall culture / Index of 'Fashion Theory Journal' by Hazel Clark
Fashion Theory: the journal of dress, body & culture
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interview with Zowie Broach and Brian Kirkby of Boudicca / Chanel, Stravinsky, and Musical Chic / Fabricating identities: survival and the imagination in Jamaican dancehall culture / Index of 'Fashion Theory Journal' by Hazel Clark
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livres
livres
Publication:
juin 2008, London
juin 2008, London
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$29.00
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This, the first of three volumes of Susan Sontag's journals and notebooks, begins with journal entries and early attempts at fiction from her years as a university and graduate student, and ends in 1964, when she was becoming a participant in and observer of the artistic and intellectual life of New York City.
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This, the first of three volumes of Susan Sontag's journals and notebooks, begins with journal entries and early attempts at fiction from her years as a university and graduate student, and ends in 1964, when she was becoming a participant in and observer of the artistic and intellectual life of New York City.
Titre:
Susan Sontag: reborn, journals & notebooks 1947 - 1963
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This, the first of three volumes of Susan Sontag's journals and notebooks, begins with journal entries and early attempts at fiction from her years as a university and graduate student, and ends in 1964, when she was becoming a participant in and observer of the artistic and intellectual life of New York City.
Susan Sontag: reborn, journals & notebooks 1947 - 1963
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This, the first of three volumes of Susan Sontag's journals and notebooks, begins with journal entries and early attempts at fiction from her years as a university and graduate student, and ends in 1964, when she was becoming a participant in and observer of the artistic and intellectual life of New York City.
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livres
livres
Publication:
septembre 2008, New York
septembre 2008, New York
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Against interpretation
Against interpretation
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$19.00
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Against interpretation is a selection from Susan Sontag's early writings about the arts and contemporary culture. The book quickly became a modern classic and has had enormous influence here and abroad. As well as the title essay, 'On Style', and the famous 'Notes on Camp', the book includes discussions of such figures as Sartre, Simone Weil, Georg lukacs, Lévi-Strass,(...)
$19.00
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Against interpretation is a selection from Susan Sontag's early writings about the arts and contemporary culture. The book quickly became a modern classic and has had enormous influence here and abroad. As well as the title essay, 'On Style', and the famous 'Notes on Camp', the book includes discussions of such figures as Sartre, Simone Weil, Georg lukacs, Lévi-Strass,(...)
Titre:
Against interpretation
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$19.00
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Against interpretation is a selection from Susan Sontag's early writings about the arts and contemporary culture. The book quickly became a modern classic and has had enormous influence here and abroad. As well as the title essay, 'On Style', and the famous 'Notes on Camp', the book includes discussions of such figures as Sartre, Simone Weil, Georg lukacs, Lévi-Strass, Artaud, Genet, Brecht, Beckett, Bresson and Godard.
Against interpretation
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Against interpretation is a selection from Susan Sontag's early writings about the arts and contemporary culture. The book quickly became a modern classic and has had enormous influence here and abroad. As well as the title essay, 'On Style', and the famous 'Notes on Camp', the book includes discussions of such figures as Sartre, Simone Weil, Georg lukacs, Lévi-Strass, Artaud, Genet, Brecht, Beckett, Bresson and Godard.
Classification:
livres
livres
Publication:
juin 1994, London
juin 1994, London
Sujet:
Théorie de l’art
Théorie de l’art
