1188 Résultats
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livres
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Omnivorous in her research, Barbara Stafford has published work that embraces neuroscience and philosophy, biology and culture, pinpointing connections among each discipline’s parallel concerns. ''Ribbon of Darkness'' is a monument to the scope of her work and the range of her intellect. At times associative, but always incisive, the essays in this new volume take on a(...)
$42.95
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Omnivorous in her research, Barbara Stafford has published work that embraces neuroscience and philosophy, biology and culture, pinpointing connections among each discipline’s parallel concerns. ''Ribbon of Darkness'' is a monument to the scope of her work and the range of her intellect. At times associative, but always incisive, the essays in this new volume take on a(...)
Titre:
Ribbon of darkness: inferencing from the shadowy arts and sciences
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Omnivorous in her research, Barbara Stafford has published work that embraces neuroscience and philosophy, biology and culture, pinpointing connections among each discipline’s parallel concerns. ''Ribbon of Darkness'' is a monument to the scope of her work and the range of her intellect. At times associative, but always incisive, the essays in this new volume take on a distinctly contemporary purpose: to uncover the ethical force and moral aspects of overlapping scientific and creative inquiries. This shared territory, Stafford argues, offers important insights into—and clarifications of—current dilemmas about personhood, the supposedly menial nature of manual skill, the questionable borderlands of gene editing, the potentially refining value of dualism, and the limits of a materialist worldview.
Ribbon of darkness: inferencing from the shadowy arts and sciences
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Omnivorous in her research, Barbara Stafford has published work that embraces neuroscience and philosophy, biology and culture, pinpointing connections among each discipline’s parallel concerns. ''Ribbon of Darkness'' is a monument to the scope of her work and the range of her intellect. At times associative, but always incisive, the essays in this new volume take on a distinctly contemporary purpose: to uncover the ethical force and moral aspects of overlapping scientific and creative inquiries. This shared territory, Stafford argues, offers important insights into—and clarifications of—current dilemmas about personhood, the supposedly menial nature of manual skill, the questionable borderlands of gene editing, the potentially refining value of dualism, and the limits of a materialist worldview.
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livres
livres
Publication:
juin 2019
juin 2019
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$36.00
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Une enquête collective sur les multiples dimensions des espaces et centres d'art gérés par des artistes à travers le monde. Se dessine ainsi un parcours entre les États-Unis, la France, l'Argentine et le Maroc auquel on accorde ici un focus particulier. Alternant documents, communications et conversations, cette édition s'articule au fur et à mesure des territoires(...)
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Une enquête collective sur les multiples dimensions des espaces et centres d'art gérés par des artistes à travers le monde. Se dessine ainsi un parcours entre les États-Unis, la France, l'Argentine et le Maroc auquel on accorde ici un focus particulier. Alternant documents, communications et conversations, cette édition s'articule au fur et à mesure des territoires(...)
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Artist-run spaces, around and about
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Une enquête collective sur les multiples dimensions des espaces et centres d'art gérés par des artistes à travers le monde. Se dessine ainsi un parcours entre les États-Unis, la France, l'Argentine et le Maroc auquel on accorde ici un focus particulier. Alternant documents, communications et conversations, cette édition s'articule au fur et à mesure des territoires arpentés, dans un nomadisme libre et inédit. Mais aussi, elle donne à voir en quoi et comment toute une nouvelle génération de jeunes artistes sensibilisés à ces pratiques d'organisation et de diffusion collective (Le Marquis, Firstlaid, Chevaline Corporation, Chers Amis) a su s'inspirer de ce modèle pour en faire un système fondateur dans l'art d'aujourd'hui. La conception du design graphique de l'ouvrage, édité sous la direction de Rozenn Canevet, a fait l'objet d'un atelier en design graphique.
Artist-run spaces, around and about
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Une enquête collective sur les multiples dimensions des espaces et centres d'art gérés par des artistes à travers le monde. Se dessine ainsi un parcours entre les États-Unis, la France, l'Argentine et le Maroc auquel on accorde ici un focus particulier. Alternant documents, communications et conversations, cette édition s'articule au fur et à mesure des territoires arpentés, dans un nomadisme libre et inédit. Mais aussi, elle donne à voir en quoi et comment toute une nouvelle génération de jeunes artistes sensibilisés à ces pratiques d'organisation et de diffusion collective (Le Marquis, Firstlaid, Chevaline Corporation, Chers Amis) a su s'inspirer de ce modèle pour en faire un système fondateur dans l'art d'aujourd'hui. La conception du design graphique de l'ouvrage, édité sous la direction de Rozenn Canevet, a fait l'objet d'un atelier en design graphique.
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livres
livres
Publication:
février 2019
février 2019
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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An international group of artists and scholars reflects on the nature and significance of education in contemporary society, introducing new perspectives on learning and creativity . Based on an exhibition with the same name, 'Back to the Sandbox' records an ongoing multifaceted project that comprises exhibitions, conferences, workshops, surveys, and online roundtables,(...)
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An international group of artists and scholars reflects on the nature and significance of education in contemporary society, introducing new perspectives on learning and creativity . Based on an exhibition with the same name, 'Back to the Sandbox' records an ongoing multifaceted project that comprises exhibitions, conferences, workshops, surveys, and online roundtables,(...)
Titre:
Back to the sandbox: art and radical pedagogy
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An international group of artists and scholars reflects on the nature and significance of education in contemporary society, introducing new perspectives on learning and creativity . Based on an exhibition with the same name, 'Back to the Sandbox' records an ongoing multifaceted project that comprises exhibitions, conferences, workshops, surveys, and online roundtables, connecting local communities with international networks.
Back to the sandbox: art and radical pedagogy
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An international group of artists and scholars reflects on the nature and significance of education in contemporary society, introducing new perspectives on learning and creativity . Based on an exhibition with the same name, 'Back to the Sandbox' records an ongoing multifaceted project that comprises exhibitions, conferences, workshops, surveys, and online roundtables, connecting local communities with international networks.
Classification:
livres
livres
Publication:
janvier 2019
janvier 2019
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
The critic as artist
The critic as artist
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In “The Critic as Artist”, Oscar Wilde harnesses his famous wit to demolish the supposed boundary between art and criticism. Subtitled “Upon the Importance of Doing Nothing and Discussing Everything”, the essay takes the form of a leisurely dialogue between two characters: Ernest, who insists upon Wilde’s own belief in art’s freedom from societal mandates and values, and(...)
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In “The Critic as Artist”, Oscar Wilde harnesses his famous wit to demolish the supposed boundary between art and criticism. Subtitled “Upon the Importance of Doing Nothing and Discussing Everything”, the essay takes the form of a leisurely dialogue between two characters: Ernest, who insists upon Wilde’s own belief in art’s freedom from societal mandates and values, and(...)
Titre:
The critic as artist
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$20.00
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In “The Critic as Artist”, Oscar Wilde harnesses his famous wit to demolish the supposed boundary between art and criticism. Subtitled “Upon the Importance of Doing Nothing and Discussing Everything”, the essay takes the form of a leisurely dialogue between two characters: Ernest, who insists upon Wilde’s own belief in art’s freedom from societal mandates and values, and a quizzical Gilbert. With his playwright’s ear for dialogue, Wilde champions idleness and contemplation as prerequisites to artistic cultivation. Beyond the well-known dictum of art for art’s sake, Wilde’s originality lays an argument for the equality of criticism and art. For him, criticism is not subject to the work of art, but can in fact precede it: the artist cannot create without engaging his or her critical faculties first. And, as Wilde writes, “To the critic the work of art is simply a suggestion for a new work of his own.” The field of art and criticism should be open to the free play of the mind, but Wilde plays seriously, even prophetically.
The critic as artist
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Résumé:
In “The Critic as Artist”, Oscar Wilde harnesses his famous wit to demolish the supposed boundary between art and criticism. Subtitled “Upon the Importance of Doing Nothing and Discussing Everything”, the essay takes the form of a leisurely dialogue between two characters: Ernest, who insists upon Wilde’s own belief in art’s freedom from societal mandates and values, and a quizzical Gilbert. With his playwright’s ear for dialogue, Wilde champions idleness and contemplation as prerequisites to artistic cultivation. Beyond the well-known dictum of art for art’s sake, Wilde’s originality lays an argument for the equality of criticism and art. For him, criticism is not subject to the work of art, but can in fact precede it: the artist cannot create without engaging his or her critical faculties first. And, as Wilde writes, “To the critic the work of art is simply a suggestion for a new work of his own.” The field of art and criticism should be open to the free play of the mind, but Wilde plays seriously, even prophetically.
Classification:
livres
livres
Publication:
janvier 2019
janvier 2019
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$45.00
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"The Legacy of Transgressive Objects" traces the afterlife and historicization of the concept of transgression in the art, architecture, technology, music and psychedelic practices of 1968 and its legacy, by looking at the objects, materials and images that originally shaped these ideas. These decades saw the fertile cross-pollination of rebellious political and artistic(...)
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"The Legacy of Transgressive Objects" traces the afterlife and historicization of the concept of transgression in the art, architecture, technology, music and psychedelic practices of 1968 and its legacy, by looking at the objects, materials and images that originally shaped these ideas. These decades saw the fertile cross-pollination of rebellious political and artistic(...)
Titre:
The legacy of transgressive objects
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"The Legacy of Transgressive Objects" traces the afterlife and historicization of the concept of transgression in the art, architecture, technology, music and psychedelic practices of 1968 and its legacy, by looking at the objects, materials and images that originally shaped these ideas. These decades saw the fertile cross-pollination of rebellious political and artistic energies: radical architecture suggested a whole new organization of society, artistic practices enthusiastically dissolved boundaries between art and life, and music festivals staged gleeful opportunities for transgression. The material heritage of this historical moment is ambivalent—though often ephemeral and deteriorating, the objects associated with these ideas still function as repositories of time and as evocative physical objects. Against this background, this book traces the historical index of these objects that promised to change the world and now open up to the future horizons of the recent past.
The legacy of transgressive objects
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"The Legacy of Transgressive Objects" traces the afterlife and historicization of the concept of transgression in the art, architecture, technology, music and psychedelic practices of 1968 and its legacy, by looking at the objects, materials and images that originally shaped these ideas. These decades saw the fertile cross-pollination of rebellious political and artistic energies: radical architecture suggested a whole new organization of society, artistic practices enthusiastically dissolved boundaries between art and life, and music festivals staged gleeful opportunities for transgression. The material heritage of this historical moment is ambivalent—though often ephemeral and deteriorating, the objects associated with these ideas still function as repositories of time and as evocative physical objects. Against this background, this book traces the historical index of these objects that promised to change the world and now open up to the future horizons of the recent past.
Classification:
livres
livres
Publication:
mai 2019
mai 2019
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$39.95
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In 'The Future of the New' artists, theorists, and professionals working the art field reflect on the role of the arts in a world that is speeding up and changing through joint forces of globalization, digitization, commodification, and financialization. Can artistic innovation still function as a source of critique? How do artists, theorists, and art organizations deal(...)
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In 'The Future of the New' artists, theorists, and professionals working the art field reflect on the role of the arts in a world that is speeding up and changing through joint forces of globalization, digitization, commodification, and financialization. Can artistic innovation still function as a source of critique? How do artists, theorists, and art organizations deal(...)
Titre:
The future of the new: artistic innovation in times of social acceleration
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In 'The Future of the New' artists, theorists, and professionals working the art field reflect on the role of the arts in a world that is speeding up and changing through joint forces of globalization, digitization, commodification, and financialization. Can artistic innovation still function as a source of critique? How do artists, theorists, and art organizations deal with the changing role of and discourse on innovation? Should we look for alternative ways to innovate, or should we change our discourse and look for other (new!) ways to talk about the new?
The future of the new: artistic innovation in times of social acceleration
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In 'The Future of the New' artists, theorists, and professionals working the art field reflect on the role of the arts in a world that is speeding up and changing through joint forces of globalization, digitization, commodification, and financialization. Can artistic innovation still function as a source of critique? How do artists, theorists, and art organizations deal with the changing role of and discourse on innovation? Should we look for alternative ways to innovate, or should we change our discourse and look for other (new!) ways to talk about the new?
Classification:
livres
livres
Publication:
janvier 2019
janvier 2019
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$34.95
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Designed by Irma Boom, this second volume in the Summit publication series gathers insights from the 2018 Verbier Art Summit in Switzerland, on the topic of art in the digital age, delivered by a wide range of curators, authors, artists and critics. The contributions—by Karen Archey, Ed Atkins, Lars Bang Larsen, Douglas Coupland, Olafur Eliasson, Pamela Rosenkranz, John(...)
$34.95
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Résumé:
Designed by Irma Boom, this second volume in the Summit publication series gathers insights from the 2018 Verbier Art Summit in Switzerland, on the topic of art in the digital age, delivered by a wide range of curators, authors, artists and critics. The contributions—by Karen Archey, Ed Atkins, Lars Bang Larsen, Douglas Coupland, Olafur Eliasson, Pamela Rosenkranz, John(...)
Titre:
More than real: art in the digital age
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Designed by Irma Boom, this second volume in the Summit publication series gathers insights from the 2018 Verbier Art Summit in Switzerland, on the topic of art in the digital age, delivered by a wide range of curators, authors, artists and critics. The contributions—by Karen Archey, Ed Atkins, Lars Bang Larsen, Douglas Coupland, Olafur Eliasson, Pamela Rosenkranz, John Slyce, Dado Valentic, Paul F.M.J. Verschure, Jochen Volz and Anicka Yi—address such questions as the preservation of time-based media in museums; the concept of "biofiction"; "loss and the digital"; the body and technology; Amazon; the intersection of science and art; and virtual reality.
More than real: art in the digital age
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$34.95
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Résumé:
Designed by Irma Boom, this second volume in the Summit publication series gathers insights from the 2018 Verbier Art Summit in Switzerland, on the topic of art in the digital age, delivered by a wide range of curators, authors, artists and critics. The contributions—by Karen Archey, Ed Atkins, Lars Bang Larsen, Douglas Coupland, Olafur Eliasson, Pamela Rosenkranz, John Slyce, Dado Valentic, Paul F.M.J. Verschure, Jochen Volz and Anicka Yi—address such questions as the preservation of time-based media in museums; the concept of "biofiction"; "loss and the digital"; the body and technology; Amazon; the intersection of science and art; and virtual reality.
Classification:
livres
livres
Publication:
novembre 2018
novembre 2018
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
L’esthétique du déplaisir
L’esthétique du déplaisir
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$22.00
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Au croisement des arts, l'œuvre de Carmelo Bene – acteur, auteur et metteur en scène, pour le théâtre, le cinéma et la télévision, mais aussi romancier et poète – remet systématiquement en question le langage artistique avec lequel il s'exprime. Ni captations de spectacles théâtraux, ni adaptations cinématographiques, ses réalisations pour le petit écran explorent les(...)
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Au croisement des arts, l'œuvre de Carmelo Bene – acteur, auteur et metteur en scène, pour le théâtre, le cinéma et la télévision, mais aussi romancier et poète – remet systématiquement en question le langage artistique avec lequel il s'exprime. Ni captations de spectacles théâtraux, ni adaptations cinématographiques, ses réalisations pour le petit écran explorent les(...)
Titre:
L’esthétique du déplaisir
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Au croisement des arts, l'œuvre de Carmelo Bene – acteur, auteur et metteur en scène, pour le théâtre, le cinéma et la télévision, mais aussi romancier et poète – remet systématiquement en question le langage artistique avec lequel il s'exprime. Ni captations de spectacles théâtraux, ni adaptations cinématographiques, ses réalisations pour le petit écran explorent les possibilités techniques et esthétiques offertes par le médium télévisé. Ce volume réunit deux entretiens, respectivement avec les critiques Italo Moscati et Maurizio Grande, publiés au moment de la diffusion du Hamlet télévisé de Carmelo Bene (1978). L'artiste y expose sa méthode de travail et ses idées sur la télévision, ce « médium innocent aux possibilités puissantes, inexplorées ». Relues à l'ère d'Internet, ses réflexions invitent à penser les liens entre spectacle vivant et petit(s) écran(s), mais aussi entre nouveautés technologiques et recherche esthétique, entre avant-gardisme artistique et diffusion de masse.
L’esthétique du déplaisir
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Au croisement des arts, l'œuvre de Carmelo Bene – acteur, auteur et metteur en scène, pour le théâtre, le cinéma et la télévision, mais aussi romancier et poète – remet systématiquement en question le langage artistique avec lequel il s'exprime. Ni captations de spectacles théâtraux, ni adaptations cinématographiques, ses réalisations pour le petit écran explorent les possibilités techniques et esthétiques offertes par le médium télévisé. Ce volume réunit deux entretiens, respectivement avec les critiques Italo Moscati et Maurizio Grande, publiés au moment de la diffusion du Hamlet télévisé de Carmelo Bene (1978). L'artiste y expose sa méthode de travail et ses idées sur la télévision, ce « médium innocent aux possibilités puissantes, inexplorées ». Relues à l'ère d'Internet, ses réflexions invitent à penser les liens entre spectacle vivant et petit(s) écran(s), mais aussi entre nouveautés technologiques et recherche esthétique, entre avant-gardisme artistique et diffusion de masse.
Classification:
livres
livres
Publication:
mars 2019
mars 2019
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$47.50
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Résumé:
Ecological crisis has driven contemporary artists to engage with waste in its most non-biodegradable forms: plastics, e-waste, toxic waste, garbage hermetically sealed in landfills. In this provocative and original book, Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological(...)
$47.50
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Ecological crisis has driven contemporary artists to engage with waste in its most non-biodegradable forms: plastics, e-waste, toxic waste, garbage hermetically sealed in landfills. In this provocative and original book, Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological(...)
Titre:
Plastic capitalism: contemporary art and the drive to waste
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Ecological crisis has driven contemporary artists to engage with waste in its most non-biodegradable forms: plastics, e-waste, toxic waste, garbage hermetically sealed in landfills. In this provocative and original book, Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological thinking. Often, when art is analyzed in relation to the political, scientific, or ecological climate, it is considered merely illustrative. Boetzkes argues that art is constitutive of an ecological consciousness, not simply an extension of it. The visual culture of waste is central to the study of the ecological condition.
Plastic capitalism: contemporary art and the drive to waste
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$47.50
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Ecological crisis has driven contemporary artists to engage with waste in its most non-biodegradable forms: plastics, e-waste, toxic waste, garbage hermetically sealed in landfills. In this provocative and original book, Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological thinking. Often, when art is analyzed in relation to the political, scientific, or ecological climate, it is considered merely illustrative. Boetzkes argues that art is constitutive of an ecological consciousness, not simply an extension of it. The visual culture of waste is central to the study of the ecological condition.
Classification:
livres
livres
Publication:
mars 2019
mars 2019
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Energies in the arts
Energies in the arts
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$70.50
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This book investigates energies — in the plural, the energies embedded and embodied in everything under the sun — as they are expressed in the arts. With contributions from scholars and critics from the visual arts, art history, anthropology, music, literature, and the history of science, it offers the a multidisciplinary investigation of the concepts and material(...)
$70.50
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This book investigates energies — in the plural, the energies embedded and embodied in everything under the sun — as they are expressed in the arts. With contributions from scholars and critics from the visual arts, art history, anthropology, music, literature, and the history of science, it offers the a multidisciplinary investigation of the concepts and material(...)
Titre:
Energies in the arts
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$70.50
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This book investigates energies — in the plural, the energies embedded and embodied in everything under the sun — as they are expressed in the arts. With contributions from scholars and critics from the visual arts, art history, anthropology, music, literature, and the history of science, it offers the a multidisciplinary investigation of the concepts and material realities of energy coursing through the arts.
Energies in the arts
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This book investigates energies — in the plural, the energies embedded and embodied in everything under the sun — as they are expressed in the arts. With contributions from scholars and critics from the visual arts, art history, anthropology, music, literature, and the history of science, it offers the a multidisciplinary investigation of the concepts and material realities of energy coursing through the arts.
Classification:
livres
livres
Publication:
mai 2019
mai 2019
Sujet:
Théorie de l’art
Théorie de l’art
