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The pieces collected in this book appeared originally in Partisan Review, The Nation, Commentary, Arts (formely Art Digest), Art News and The New Leader. Few reappear unaltered. (...) This book is not intended as a completely faithful record of my activity as a critic. Not only has much been altered, but much more has been left out than put in. I would not deny being one(...)
Art and Culture Critical essays
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The pieces collected in this book appeared originally in Partisan Review, The Nation, Commentary, Arts (formely Art Digest), Art News and The New Leader. Few reappear unaltered. (...) This book is not intended as a completely faithful record of my activity as a critic. Not only has much been altered, but much more has been left out than put in. I would not deny being one of those critics who educate themselves in public, but I see no reason why all the haste and waste involved in my self-education should be preserved in a book. Clement Greenberg
Théorie de l’art
L'art contemporain
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La nouveauté et la radicalité de l'art contemporain ne cessent de surprendre, de fasciner, de troubler et d'interroger notre monde et ses représentations traditionnelles. A travers l'itinéraire de plus de cinquante artistes, de René Magritte à Jackson Pollock, d'ORLAN à Damien Hirst en passant par JonOne, Jean-Michel Basquiat et Joana Vasconcelos, des avant-gardes(...)
L'art contemporain
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La nouveauté et la radicalité de l'art contemporain ne cessent de surprendre, de fasciner, de troubler et d'interroger notre monde et ses représentations traditionnelles. A travers l'itinéraire de plus de cinquante artistes, de René Magritte à Jackson Pollock, d'ORLAN à Damien Hirst en passant par JonOne, Jean-Michel Basquiat et Joana Vasconcelos, des avant-gardes jusqu'aux premières années du XXIe siècle, ce livre élégant et magnifiquement illustré apporte un regard nouveau sur la création contemporaine et explore les mouvements qui la structurent l'expressionnisme abstrait, les nouvelles figurations, le minimalisme, le street art, l'art vidéo... Retrouvez pour chaque peintre et chaque sculpteur des explications sur une de leurs oeuvres les plus célèbres et les techniques employées pour la réaliser. Découvrez leurs audaces, leurs combats, les questions qu'ils se sont posées, les conceptions traditionnelles qu'ils ont défiées, pour faire de l'art une révolution permanente.
Théorie de l’art
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Publié pour la première fois en 1997, cet ouvrage est paru dans un contexte de polémique virulente sur la « valeur » de l’art contemporain en France. Sa réception a favorisé, pour le public, une prise de conscience générale que les idées pouvaient être discutées et analysées. « Le débat a eu un effet positif, ne serait-ce qu’en dédramatisant les choses, au moins on a pu(...)
La crise de l'art contemporain [nouvelle édition] : utopie, démocratie et comédie
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Publié pour la première fois en 1997, cet ouvrage est paru dans un contexte de polémique virulente sur la « valeur » de l’art contemporain en France. Sa réception a favorisé, pour le public, une prise de conscience générale que les idées pouvaient être discutées et analysées. « Le débat a eu un effet positif, ne serait-ce qu’en dédramatisant les choses, au moins on a pu commencer d’en parler » et comprendre que nous avons vécu « la fin de l’utopie de l’art et que nous sommes entrés dans un autre paradigme de production et de représentation ».
Théorie de l’art
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This is the story of how the xerographic copier, or "Xerox machine," became a creative medium for artists and activists during the last few decades of the twentieth century. Paper jams, mangled pages, and even fires made early versions of this clunky office machine a source of fear, rage, dread, and disappointment. But eventually, xerography democratized print culture by(...)
Adjusted Margin: Xerography, Art, and Activism in the Late Twentieth Century
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This is the story of how the xerographic copier, or "Xerox machine," became a creative medium for artists and activists during the last few decades of the twentieth century. Paper jams, mangled pages, and even fires made early versions of this clunky office machine a source of fear, rage, dread, and disappointment. But eventually, xerography democratized print culture by making it convenient and affordable for renegade publishers, zinesters, artists, punks, anarchists, queers, feminists, street activists, and others to publish their work and to get their messages out on the street. The xerographic copier adjusted the lived and imagined margins of society, Eichhorn argues, by supporting artistic and political expression and mobilizing subcultural movements.
Théorie de l’art
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Transformative Avant-Garde and Other Writings is a comprehensive collection of writings by the artist Krzysztof Wodiczko spanning from the 1970s to the present day. Known for his large-scale, politically charged video and slide projections onto prominent architectural structures, this publication explores the development of Wodiczko's political, theoretical and social(...)
Transformative Avant-Garde and Other Writings
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Transformative Avant-Garde and Other Writings is a comprehensive collection of writings by the artist Krzysztof Wodiczko spanning from the 1970s to the present day. Known for his large-scale, politically charged video and slide projections onto prominent architectural structures, this publication explores the development of Wodiczko's political, theoretical and social motivations in relation to his practice. These writings encompass the artist's ongoing critique of public space and his argument for the integral role that art plays in challenging the institutionalised and national narratives inscribed in the architecture of urban environments, and therefore in the democratic process. Working with marginalised city residents since the 1980s as active, critical democratic agents, Wodizcko explores the political and psychological potential of "fearless" or parrhesiastic speaking in the reanimation of our public spaces and monuments.Krzysztof Wodiczko is Professor in Residence at Harvard University and was awarded the Hiroshima Prize in 1998 for his contribution as an artist to world peace.
Théorie de l’art
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In a sweeping panorama, Weatherland allows us to witness England’s cultural climates across the centuries. Before the Norman Conquest, Anglo-Saxons living in a wintry world wrote about the coldness of exile or the shelters they had to defend against enemies outside. The Middle Ages brought the warmth of spring; the new lyrics were sung in praise of blossoms and cuckoos.(...)
Weatherland: writers and artists under English skies
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In a sweeping panorama, Weatherland allows us to witness England’s cultural climates across the centuries. Before the Norman Conquest, Anglo-Saxons living in a wintry world wrote about the coldness of exile or the shelters they had to defend against enemies outside. The Middle Ages brought the warmth of spring; the new lyrics were sung in praise of blossoms and cuckoos. Descriptions of a rainy night are rare before 1700, but by the end of the eighteenth century the Romantics had adopted the squall as a fit subject for their most probing thoughts. The weather is vast and yet we experience it intimately, and Alexandra Harris builds her story from small evocative details. There is the drawing of a twelfth-century man in February, warming bare toes by the fire. There is the tiny glass left behind from the Frost Fair of 1684, and the Sunspan house in Angmering that embodies the bright ambitions of the 1930s. Harris catches the distinct voices of compelling individuals. “Bloody cold,” says Jonathan Swift in the “slobbery” January of 1713. Percy Shelley wants to become a cloud and John Ruskin wants to bottle one. Weatherland is a celebration of English air and a life story of those who have lived in it.
Théorie de l’art
Dialogues avec Giacometti
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«Il sait que détruire est le moyen, le seul moyen d'avancer.» - Yanaihara Isaku
Dialogues avec Giacometti
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«Il sait que détruire est le moyen, le seul moyen d'avancer.» - Yanaihara Isaku
Théorie de l’art
Le chercheur et ses doubles
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Au cours de ces quinze dernières années, la figure de l’«?artiste chercheur?» est apparue comme une catégorie hautement valorisée par le marché et les institutions artistiques occidentales. Or, alors que les accointances entre recherche artistique et académique acquièrent une aura importante, les considérations épistémologiques et politiques qu’elles impliquent occupent(...)
Le chercheur et ses doubles
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Au cours de ces quinze dernières années, la figure de l’«?artiste chercheur?» est apparue comme une catégorie hautement valorisée par le marché et les institutions artistiques occidentales. Or, alors que les accointances entre recherche artistique et académique acquièrent une aura importante, les considérations épistémologiques et politiques qu’elles impliquent occupent encore peu de place au sein des débats théoriques. Considérées de manière générique, ces incursions artistiques sur les terres traditionnelles de la recherche sont souvent indifférenciées (comme l’indique par exemple son amalgame récurent avec la figure de l’« artiste théoricien ») et questionnent le modèle politique et économique propre à la recherche académique.
Théorie de l’art
Reset Modernity!
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At the intersection of art, philosophy, and anthropology, ''Reset Modernity!'' has assembled almost sixty authors, most of whom have participated, in one way or another, in the ''Inquiry into Modes of Existence'' initiated by Bruno Latour. Together they try to see whether such a reset and such encounters have any practicality. Much like the two exhibitions ''Iconoclash''(...)
Reset Modernity!
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At the intersection of art, philosophy, and anthropology, ''Reset Modernity!'' has assembled almost sixty authors, most of whom have participated, in one way or another, in the ''Inquiry into Modes of Existence'' initiated by Bruno Latour. Together they try to see whether such a reset and such encounters have any practicality. Much like the two exhibitions ''Iconoclash'' and ''Making Things Public'', this book documents and completes what could be called a "thought exhibition:" ''Reset Modernity!'' was held at ZKM | Center for Art and Media Karlsruhe from April to August 2016.
Théorie de l’art
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Contemporary engagements with documentary are multifaceted and complex, reaching across disciplines to explore the intersections of politics and aesthetics, representation and reality, truth and illusion. Discarding the old notions of “fly on the wall” immediacy or quasi-scientific aspirations to objectivity, critics now understand documentary not as the neutral picturing(...)
février 2016
Documentary Across Disciplines
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Contemporary engagements with documentary are multifaceted and complex, reaching across disciplines to explore the intersections of politics and aesthetics, representation and reality, truth and illusion. Discarding the old notions of “fly on the wall” immediacy or quasi-scientific aspirations to objectivity, critics now understand documentary not as the neutral picturing of reality but as a way of coming to terms with reality through images and narrative. This book collects writings by artists, filmmakers, art historians, poets, literary critics, anthropologists, theorists, and others, to investigate one of the most vital areas of cultural practice: documentary. Their investigations take many forms—essays, personal memoirs, interviews, poetry. Contemporary art turned away from the medium and toward the world, using photography and the moving image to take up global perspectives. Documentary filmmakers, meanwhile, began to work in the gallery context. The contributors consider the hybridization of art and film, and the “documentary turn” of contemporary art. They discuss digital technology and the “crisis of faith” caused by manipulation and generation of images, and the fading of the progressive social mandate that has historically characterized documentary. They consider invisible data and visible evidence; problems of archiving; and surveillance and biometric control, forms of documentation that call for “informatic opacity” as a means of evasion.