1188 Résultats
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livres
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How do the arts contribute to the formation of democratic processes? How does culture constitute public space and a civil domain? ''The art of civil action'' argues that cultural initiatives play an underappreciated but crucial role in unlocking dormant democratic potential in our societies. Arts and culture can be a cornerstone of the civil domain, and an anchor as(...)
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How do the arts contribute to the formation of democratic processes? How does culture constitute public space and a civil domain? ''The art of civil action'' argues that cultural initiatives play an underappreciated but crucial role in unlocking dormant democratic potential in our societies. Arts and culture can be a cornerstone of the civil domain, and an anchor as(...)
Titre:
The art of civil action: political space and cultural dissent
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How do the arts contribute to the formation of democratic processes? How does culture constitute public space and a civil domain? ''The art of civil action'' argues that cultural initiatives play an underappreciated but crucial role in unlocking dormant democratic potential in our societies. Arts and culture can be a cornerstone of the civil domain, and an anchor as communities reconcile their local and global identities and roles. ''The art of civil action'' considers how to establish a sustainable, transnational civil space, and what role culture and the arts can play in this process, through a colourful mix of case studies on citizen-led cultural initiatives from Europe and around the world. Social scientists, cultural theorists, activists and artists contribute conceptual perspectives on how the arts and culture can help build a locally rooted civil society in a globally connected context.
The art of civil action: political space and cultural dissent
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$34.50
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Résumé:
How do the arts contribute to the formation of democratic processes? How does culture constitute public space and a civil domain? ''The art of civil action'' argues that cultural initiatives play an underappreciated but crucial role in unlocking dormant democratic potential in our societies. Arts and culture can be a cornerstone of the civil domain, and an anchor as communities reconcile their local and global identities and roles. ''The art of civil action'' considers how to establish a sustainable, transnational civil space, and what role culture and the arts can play in this process, through a colourful mix of case studies on citizen-led cultural initiatives from Europe and around the world. Social scientists, cultural theorists, activists and artists contribute conceptual perspectives on how the arts and culture can help build a locally rooted civil society in a globally connected context.
Classification:
livres
livres
Publication:
mai 2018
mai 2018
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$17.95
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'The Salon of 1846' expands upon the tenets of romanticism as Baudelaire methodically takes his reader through paintings by Delacroix and Ingres, illuminating his belief that the pursuit of the ideal must be paramount in artistic expression. Here we also see Baudelaire caught in a fundamental struggle with the urban commodity of capitalism developing in Paris at that(...)
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'The Salon of 1846' expands upon the tenets of romanticism as Baudelaire methodically takes his reader through paintings by Delacroix and Ingres, illuminating his belief that the pursuit of the ideal must be paramount in artistic expression. Here we also see Baudelaire caught in a fundamental struggle with the urban commodity of capitalism developing in Paris at that(...)
Titre:
Salon of 1846, Charles Baudelaire
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'The Salon of 1846' expands upon the tenets of romanticism as Baudelaire methodically takes his reader through paintings by Delacroix and Ingres, illuminating his belief that the pursuit of the ideal must be paramount in artistic expression. Here we also see Baudelaire caught in a fundamental struggle with the urban commodity of capitalism developing in Paris at that time. Baudelaire’s text proves to be a useful lens for understanding art criticism in mid-nineteenth-century France, as well as the changing opinions regarding the essential nature of romanticism and the artist as creative genius.
Salon of 1846, Charles Baudelaire
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'The Salon of 1846' expands upon the tenets of romanticism as Baudelaire methodically takes his reader through paintings by Delacroix and Ingres, illuminating his belief that the pursuit of the ideal must be paramount in artistic expression. Here we also see Baudelaire caught in a fundamental struggle with the urban commodity of capitalism developing in Paris at that time. Baudelaire’s text proves to be a useful lens for understanding art criticism in mid-nineteenth-century France, as well as the changing opinions regarding the essential nature of romanticism and the artist as creative genius.
Classification:
livres
livres
Publication:
mai 2021
mai 2021
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Piranesi unbound
Piranesi unbound
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A draftsman, printmaker, architect, and archaeologist, Giovanni Battista Piranesi (1720–78) is best known today as the virtuoso etcher of the immersive and captivating ''Views of Rome'' and the darkly inventive ''Imaginary Prisons.'' Yet Carolyn Yerkes and Heather Hyde Minor argue that his single greatest art form- one that combined his obsessions most powerfully and that(...)
$82.95
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Résumé:
A draftsman, printmaker, architect, and archaeologist, Giovanni Battista Piranesi (1720–78) is best known today as the virtuoso etcher of the immersive and captivating ''Views of Rome'' and the darkly inventive ''Imaginary Prisons.'' Yet Carolyn Yerkes and Heather Hyde Minor argue that his single greatest art form- one that combined his obsessions most powerfully and that(...)
Titre:
Piranesi unbound
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A draftsman, printmaker, architect, and archaeologist, Giovanni Battista Piranesi (1720–78) is best known today as the virtuoso etcher of the immersive and captivating ''Views of Rome'' and the darkly inventive ''Imaginary Prisons.'' Yet Carolyn Yerkes and Heather Hyde Minor argue that his single greatest art form- one that combined his obsessions most powerfully and that he pursued throughout his career- was the book. ''Piranesi unbound'' provides a fundamental reinterpretation of Piranesi by recognizing him, first and foremost, as a writer, illustrator, printer, and publisher of books. Featuring nearly two hundred of Piranesi’s engravings and drawings, including some that have never been published before, this visually stunning book returns Piranesi’s artworks to the context for which he originally produced them: a dozen volumes that combine text and image, archaeology and imagination, erudition and humor. Drawing on new research, ''Piranesi unbound'' uncovers the social networks in which Piranesi published, including the readers who bought, read, and debated his books. It reveals his habit of raiding the wastepaper pile for cast-off sheets upon which to draw and fuse printed images and texts. It shows how, even after his books were bound, they were subject to change by Piranesi and others as pages were torn out and added.
Piranesi unbound
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$82.95
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A draftsman, printmaker, architect, and archaeologist, Giovanni Battista Piranesi (1720–78) is best known today as the virtuoso etcher of the immersive and captivating ''Views of Rome'' and the darkly inventive ''Imaginary Prisons.'' Yet Carolyn Yerkes and Heather Hyde Minor argue that his single greatest art form- one that combined his obsessions most powerfully and that he pursued throughout his career- was the book. ''Piranesi unbound'' provides a fundamental reinterpretation of Piranesi by recognizing him, first and foremost, as a writer, illustrator, printer, and publisher of books. Featuring nearly two hundred of Piranesi’s engravings and drawings, including some that have never been published before, this visually stunning book returns Piranesi’s artworks to the context for which he originally produced them: a dozen volumes that combine text and image, archaeology and imagination, erudition and humor. Drawing on new research, ''Piranesi unbound'' uncovers the social networks in which Piranesi published, including the readers who bought, read, and debated his books. It reveals his habit of raiding the wastepaper pile for cast-off sheets upon which to draw and fuse printed images and texts. It shows how, even after his books were bound, they were subject to change by Piranesi and others as pages were torn out and added.
Classification:
livres
livres
Publication:
septembre 2020
septembre 2020
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
EP Vol.3: Post-craft
EP Vol.3: Post-craft
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The notion of the handmade has shifted from the margins to center stage. Craft’s value is increasingly recognized across creative, economic, social, cultural, and political contexts. Because of its widespread appropriation, and the dissolution of disciplinary boundaries, the meaning of handicrafts is changing. While craft’s claims of authenticity and anti-consumerism are(...)
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The notion of the handmade has shifted from the margins to center stage. Craft’s value is increasingly recognized across creative, economic, social, cultural, and political contexts. Because of its widespread appropriation, and the dissolution of disciplinary boundaries, the meaning of handicrafts is changing. While craft’s claims of authenticity and anti-consumerism are(...)
Titre:
EP Vol.3: Post-craft
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The notion of the handmade has shifted from the margins to center stage. Craft’s value is increasingly recognized across creative, economic, social, cultural, and political contexts. Because of its widespread appropriation, and the dissolution of disciplinary boundaries, the meaning of handicrafts is changing. While craft’s claims of authenticity and anti-consumerism are in question, its role is poised for optimization within the contemporary climate. Amid new economies of making, craft is moving from modern craft to post-craft. Through essays, conversations, and projects by designers, artists, and scholars, the third volume in the EP series examines not only the practice of post-craft but also its mediation and interpretation.
EP Vol.3: Post-craft
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The notion of the handmade has shifted from the margins to center stage. Craft’s value is increasingly recognized across creative, economic, social, cultural, and political contexts. Because of its widespread appropriation, and the dissolution of disciplinary boundaries, the meaning of handicrafts is changing. While craft’s claims of authenticity and anti-consumerism are in question, its role is poised for optimization within the contemporary climate. Amid new economies of making, craft is moving from modern craft to post-craft. Through essays, conversations, and projects by designers, artists, and scholars, the third volume in the EP series examines not only the practice of post-craft but also its mediation and interpretation.
Classification:
livres
livres
Publication:
novembre 2022
novembre 2022
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$34.95
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Based in New York City, Amy Sillman (born 1955) is an artist whose work consistently combines the visceral with the intellectual. 'Faux pas' aims at revealing the coherence and originality of Sillman’s reflection, as she addresses the possibilities of art today, favoring excess over good taste, wrestling over dandyism, forms over symbols, with as much critical sense as humor.
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Résumé:
Based in New York City, Amy Sillman (born 1955) is an artist whose work consistently combines the visceral with the intellectual. 'Faux pas' aims at revealing the coherence and originality of Sillman’s reflection, as she addresses the possibilities of art today, favoring excess over good taste, wrestling over dandyism, forms over symbols, with as much critical sense as humor.
Titre:
Amy Sillman : faux pas, selected writings and drawings
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Based in New York City, Amy Sillman (born 1955) is an artist whose work consistently combines the visceral with the intellectual. 'Faux pas' aims at revealing the coherence and originality of Sillman’s reflection, as she addresses the possibilities of art today, favoring excess over good taste, wrestling over dandyism, forms over symbols, with as much critical sense as humor.
Amy Sillman : faux pas, selected writings and drawings
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Résumé:
Based in New York City, Amy Sillman (born 1955) is an artist whose work consistently combines the visceral with the intellectual. 'Faux pas' aims at revealing the coherence and originality of Sillman’s reflection, as she addresses the possibilities of art today, favoring excess over good taste, wrestling over dandyism, forms over symbols, with as much critical sense as humor.
Classification:
livres
livres
Publication:
octobre 2020
octobre 2020
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$40.00
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Résumé:
Un essai sur les stratégies de réédition (de reenactment, d'appropriation ou de réinterprétation) de livres d'artistes devenus inaccessibles. Le livre d'artiste, qui a par le passé permis aux artistes d'échapper à l'ingérence des institutions et des galeries dans la production et la diffusion des œuvres d'art, est aujourd'hui dans une situation paradoxale. D'un côté(...)
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Un essai sur les stratégies de réédition (de reenactment, d'appropriation ou de réinterprétation) de livres d'artistes devenus inaccessibles. Le livre d'artiste, qui a par le passé permis aux artistes d'échapper à l'ingérence des institutions et des galeries dans la production et la diffusion des œuvres d'art, est aujourd'hui dans une situation paradoxale. D'un côté(...)
Titre:
Copy, tweak, paste : modes d’appropriation dans le reenactment de livres d’artistes
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Un essai sur les stratégies de réédition (de reenactment, d'appropriation ou de réinterprétation) de livres d'artistes devenus inaccessibles. Le livre d'artiste, qui a par le passé permis aux artistes d'échapper à l'ingérence des institutions et des galeries dans la production et la diffusion des œuvres d'art, est aujourd'hui dans une situation paradoxale. D'un côté subsistent de très rares premiers tirages ou, plus largement, l'édition originale de livres précurseurs, et de l'autre circulent des éditions en fac-similé venues remédier à la rareté des originaux en offrant un reenactment ou une réinterprétation de livres célèbres. Cet essai souligne l'intérêt que portent certain·e·s artistes et éditeur·rice·s aux pratiques d'appropriation, et vise à rendre compte des méthodes et des discours propres à la production de fac-similés de livres d'artistes.
Copy, tweak, paste : modes d’appropriation dans le reenactment de livres d’artistes
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Un essai sur les stratégies de réédition (de reenactment, d'appropriation ou de réinterprétation) de livres d'artistes devenus inaccessibles. Le livre d'artiste, qui a par le passé permis aux artistes d'échapper à l'ingérence des institutions et des galeries dans la production et la diffusion des œuvres d'art, est aujourd'hui dans une situation paradoxale. D'un côté subsistent de très rares premiers tirages ou, plus largement, l'édition originale de livres précurseurs, et de l'autre circulent des éditions en fac-similé venues remédier à la rareté des originaux en offrant un reenactment ou une réinterprétation de livres célèbres. Cet essai souligne l'intérêt que portent certain·e·s artistes et éditeur·rice·s aux pratiques d'appropriation, et vise à rendre compte des méthodes et des discours propres à la production de fac-similés de livres d'artistes.
Classification:
livres
livres
Publication:
octobre 2020
octobre 2020
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$56.00
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Originally published in 1983, ''Writings 1973-1983 on Works 1969-1979,'' by Los Angeles artist Michael Asher (1943-2012) presents select documentation of 33 works through writings, photographs, architectural floor plans, exhibition announcements and other ephemera. For most of his career, Asher did not create traditional art objects; instead, he altered the existing(...)
$56.00
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Résumé:
Originally published in 1983, ''Writings 1973-1983 on Works 1969-1979,'' by Los Angeles artist Michael Asher (1943-2012) presents select documentation of 33 works through writings, photographs, architectural floor plans, exhibition announcements and other ephemera. For most of his career, Asher did not create traditional art objects; instead, he altered the existing(...)
Titre:
Michael Asher: writings 1973–1983 on works 1969–1979
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Originally published in 1983, ''Writings 1973-1983 on Works 1969-1979,'' by Los Angeles artist Michael Asher (1943-2012) presents select documentation of 33 works through writings, photographs, architectural floor plans, exhibition announcements and other ephemera. For most of his career, Asher did not create traditional art objects; instead, he altered the existing institutional apparatus through which art is presented, creating work that intervened in the architectural, social or economic systems that undergird how art is produced and experienced. For example, in 1974, he removed the partition wall dividing the office and gallery space of the Claire S. Copley Gallery in Los Angeles, revealing the day-to-day activities of the gallery to the public. In another work from 1979, Asher had a bronze replica of a late 18th-century sculpture of George Washington moved from the exterior of the Art Institute of Chicago to a museum gallery that housed 18th-century art, reintroducing the statue to its original period context and shifting its function from public monument to indoor sculpture. Due to its site- and time-specific nature, Asher’s work generally ceased to exist after an exhibition, which makes this highly sought-after book an invaluable resource. As the artist states in the introduction: ''This book as a finished product will have a material permanence that contradicts the actual impermanence of the art-work, yet paradoxically functions as a testimony to that impermanence of my production.''
Michael Asher: writings 1973–1983 on works 1969–1979
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$56.00
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Résumé:
Originally published in 1983, ''Writings 1973-1983 on Works 1969-1979,'' by Los Angeles artist Michael Asher (1943-2012) presents select documentation of 33 works through writings, photographs, architectural floor plans, exhibition announcements and other ephemera. For most of his career, Asher did not create traditional art objects; instead, he altered the existing institutional apparatus through which art is presented, creating work that intervened in the architectural, social or economic systems that undergird how art is produced and experienced. For example, in 1974, he removed the partition wall dividing the office and gallery space of the Claire S. Copley Gallery in Los Angeles, revealing the day-to-day activities of the gallery to the public. In another work from 1979, Asher had a bronze replica of a late 18th-century sculpture of George Washington moved from the exterior of the Art Institute of Chicago to a museum gallery that housed 18th-century art, reintroducing the statue to its original period context and shifting its function from public monument to indoor sculpture. Due to its site- and time-specific nature, Asher’s work generally ceased to exist after an exhibition, which makes this highly sought-after book an invaluable resource. As the artist states in the introduction: ''This book as a finished product will have a material permanence that contradicts the actual impermanence of the art-work, yet paradoxically functions as a testimony to that impermanence of my production.''
Classification:
livres
livres
Publication:
novembre 2020
novembre 2020
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$47.00
(disponible sur commande)
Résumé:
In the 2010s, the term ''autotheory'' began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of(...)
$47.00
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Résumé:
In the 2010s, the term ''autotheory'' began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of(...)
Titre:
Autotheory as feminist practice in art, writing and criticism
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In the 2010s, the term ''autotheory'' began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.
Autotheory as feminist practice in art, writing and criticism
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$47.00
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Résumé:
In the 2010s, the term ''autotheory'' began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.
Classification:
livres
livres
Publication:
février 2021
février 2021
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$33.95
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''Come Closer: The Biennale Reader,'' published on the occasion of the inaugural Prague biennale, considers the present via counter-hegemonic readings of the past. The book explores various perspectives of class, race, and gender differences in post-socialist states, past and present. In societies today that can seem fragmented, alienated, and sealed-off, a feeling of(...)
$33.95
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Résumé:
''Come Closer: The Biennale Reader,'' published on the occasion of the inaugural Prague biennale, considers the present via counter-hegemonic readings of the past. The book explores various perspectives of class, race, and gender differences in post-socialist states, past and present. In societies today that can seem fragmented, alienated, and sealed-off, a feeling of(...)
Titre:
Come closer: the Biennale reader
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$33.95
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Résumé:
''Come Closer: The Biennale Reader,'' published on the occasion of the inaugural Prague biennale, considers the present via counter-hegemonic readings of the past. The book explores various perspectives of class, race, and gender differences in post-socialist states, past and present. In societies today that can seem fragmented, alienated, and sealed-off, a feeling of "us" and "them" can potentially emerge. The reliance on a common language to bring people closer often does the opposite, leading to feelings of contempt, anxiety, and fear. By drawing attention to themes of intimacy, care, and empathy, the contributions in this book search for new types of communication that can bring people together. Like language, art can be used to mediate these differences, and to examine issues relating to how people coexist in society.
Come closer: the Biennale reader
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$33.95
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Résumé:
''Come Closer: The Biennale Reader,'' published on the occasion of the inaugural Prague biennale, considers the present via counter-hegemonic readings of the past. The book explores various perspectives of class, race, and gender differences in post-socialist states, past and present. In societies today that can seem fragmented, alienated, and sealed-off, a feeling of "us" and "them" can potentially emerge. The reliance on a common language to bring people closer often does the opposite, leading to feelings of contempt, anxiety, and fear. By drawing attention to themes of intimacy, care, and empathy, the contributions in this book search for new types of communication that can bring people together. Like language, art can be used to mediate these differences, and to examine issues relating to how people coexist in society.
Classification:
livres
livres
Publication:
février 2021
février 2021
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$42.00
(disponible sur commande)
Résumé:
This book contextualizes the Creativity Exercises–an amateur art course led by neo-avant-garde artists Miklós Erdély and Dóra Maurer in Budapest from 1975 to 1977– within the postwar intellectual networks that connected artists, architects, educators, sociologists, and other socially engaged professionals, fostering the exchange of ideas and concepts and making(...)
$42.00
(disponible sur commande)
Résumé:
This book contextualizes the Creativity Exercises–an amateur art course led by neo-avant-garde artists Miklós Erdély and Dóra Maurer in Budapest from 1975 to 1977– within the postwar intellectual networks that connected artists, architects, educators, sociologists, and other socially engaged professionals, fostering the exchange of ideas and concepts and making(...)
Titre:
Creativity exercises: emancipatory pedagogies in art and beyond
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$42.00
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Résumé:
This book contextualizes the Creativity Exercises–an amateur art course led by neo-avant-garde artists Miklós Erdély and Dóra Maurer in Budapest from 1975 to 1977– within the postwar intellectual networks that connected artists, architects, educators, sociologists, and other socially engaged professionals, fostering the exchange of ideas and concepts and making connections between different fields of knowledge. The first part of the publication consists of historical texts translated into English for the first time, including the exercise descriptions that functioned as the curriculum for the Creativity Exercises, studies written on the methods employed in the Creativity Exercises course, and parallel models for progressive pedagogies and art education. In the second part of the book, newly commissioned essays offer historical and transnational context for the ''case study'' of the Creativity Exercises course. The impact that such ''creativity exercises'' had on aesthetic, educational and institutional concepts, and the impulses for participation, co-creation, knowledge production and exchange that they continue to give–even beyond the realm of art– are the central themes of the book.
Creativity exercises: emancipatory pedagogies in art and beyond
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Prix:
$42.00
(disponible sur commande)
Résumé:
This book contextualizes the Creativity Exercises–an amateur art course led by neo-avant-garde artists Miklós Erdély and Dóra Maurer in Budapest from 1975 to 1977– within the postwar intellectual networks that connected artists, architects, educators, sociologists, and other socially engaged professionals, fostering the exchange of ideas and concepts and making connections between different fields of knowledge. The first part of the publication consists of historical texts translated into English for the first time, including the exercise descriptions that functioned as the curriculum for the Creativity Exercises, studies written on the methods employed in the Creativity Exercises course, and parallel models for progressive pedagogies and art education. In the second part of the book, newly commissioned essays offer historical and transnational context for the ''case study'' of the Creativity Exercises course. The impact that such ''creativity exercises'' had on aesthetic, educational and institutional concepts, and the impulses for participation, co-creation, knowledge production and exchange that they continue to give–even beyond the realm of art– are the central themes of the book.
Classification:
livres
livres
Publication:
février 2021
février 2021
Sujet:
Théorie de l’art
Théorie de l’art
