1193 Résultats
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livres
livres
Titre:
Looking back
Looking back
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When Charles Harrison died in 2009, the British art world lost a pivotal figure. From curating the groundbreaking 1969 exhibit, “When Attitudes Become Form” at London’s Institute of Contemporary Art; to co-writing the hyper-influential, three-volume work Art in Theory; to teaching art history to thousands in much-admired “plain English”: Harrison’s influence on the(...)
$44.95
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When Charles Harrison died in 2009, the British art world lost a pivotal figure. From curating the groundbreaking 1969 exhibit, “When Attitudes Become Form” at London’s Institute of Contemporary Art; to co-writing the hyper-influential, three-volume work Art in Theory; to teaching art history to thousands in much-admired “plain English”: Harrison’s influence on the(...)
Titre:
Looking back
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$44.95
(disponible en magasin)
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When Charles Harrison died in 2009, the British art world lost a pivotal figure. From curating the groundbreaking 1969 exhibit, “When Attitudes Become Form” at London’s Institute of Contemporary Art; to co-writing the hyper-influential, three-volume work Art in Theory; to teaching art history to thousands in much-admired “plain English”: Harrison’s influence on the British art scene cannot be overestimated. This collection of autobiographical interviews – a fitting tribute to Harrison – opens a window into the thinking of the tireless critic and riveting professor who railed against second-rate art with his trademark motto, “Better fewer, but better.” Harrison re-caps decades of experience, retrospectively looking at trends, art historical events, institutions and artists, synthesizing it all with the brilliance he was known for. The volume also includes Harrison’s own visual documentation of the art world: a selection of his own images of exhibitions he visited, art works he championed and artists’ and critics’ studios and homes. Former students recall these impeccable photos as one of the delights of his lectures. “Harrison had the gift of making people see things they had not seen before, and even more, to think about what it was they were seeing, and to reflect on the consequences,” wrote The Times of London. This publication offers an opportunity to experience one of the art world giants of our time. Interviews with Jo Melvin, Teresa Gleadow, Pablo Lafuente, Juliette Rizzi, Sophie Richard, Elena Crippa, Christopher Huer and Matthew Jesse Jackson
Looking back
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$44.95
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Résumé:
When Charles Harrison died in 2009, the British art world lost a pivotal figure. From curating the groundbreaking 1969 exhibit, “When Attitudes Become Form” at London’s Institute of Contemporary Art; to co-writing the hyper-influential, three-volume work Art in Theory; to teaching art history to thousands in much-admired “plain English”: Harrison’s influence on the British art scene cannot be overestimated. This collection of autobiographical interviews – a fitting tribute to Harrison – opens a window into the thinking of the tireless critic and riveting professor who railed against second-rate art with his trademark motto, “Better fewer, but better.” Harrison re-caps decades of experience, retrospectively looking at trends, art historical events, institutions and artists, synthesizing it all with the brilliance he was known for. The volume also includes Harrison’s own visual documentation of the art world: a selection of his own images of exhibitions he visited, art works he championed and artists’ and critics’ studios and homes. Former students recall these impeccable photos as one of the delights of his lectures. “Harrison had the gift of making people see things they had not seen before, and even more, to think about what it was they were seeing, and to reflect on the consequences,” wrote The Times of London. This publication offers an opportunity to experience one of the art world giants of our time. Interviews with Jo Melvin, Teresa Gleadow, Pablo Lafuente, Juliette Rizzi, Sophie Richard, Elena Crippa, Christopher Huer and Matthew Jesse Jackson
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livres
livres
Publication:
février 2011
février 2011
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes,(...)
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In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes,(...)
Publication:
juillet 2011
juillet 2011
Titre:
Digital art and meaning: reading kinetic poetry, text machines, mapping art, and interactive installations
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In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes, demonstrating how such critical work can be done. Digital Art and Meaning offers close readings of varied examples from genres of digital art such as kinetic concrete poetry, computer-generated text, interactive installation, mapping art, and information sculpture. For instance, Simanowski deciphers the complex meaning of words that not only form an image on a screen but also react to the viewer’s behavior; images that are progressively destroyed by the human gaze; text machines generating nonsense sentences out of a Kafka story; and a light show above Mexico City’s historic square, created by Internet users all over the world. Simanowski combines these illuminating explanations with a theoretical discussion that employs art philosophy and history to achieve a deeper understanding of each particular example of digital art and, ultimately, of the genre as a whole.
Digital art and meaning: reading kinetic poetry, text machines, mapping art, and interactive installations
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$28.00
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Résumé:
In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes, demonstrating how such critical work can be done. Digital Art and Meaning offers close readings of varied examples from genres of digital art such as kinetic concrete poetry, computer-generated text, interactive installation, mapping art, and information sculpture. For instance, Simanowski deciphers the complex meaning of words that not only form an image on a screen but also react to the viewer’s behavior; images that are progressively destroyed by the human gaze; text machines generating nonsense sentences out of a Kafka story; and a light show above Mexico City’s historic square, created by Internet users all over the world. Simanowski combines these illuminating explanations with a theoretical discussion that employs art philosophy and history to achieve a deeper understanding of each particular example of digital art and, ultimately, of the genre as a whole.
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livres
livres
Publication:
juillet 2011
juillet 2011
Classification:
livres
livres
Titre:
Relational aesthetics
Relational aesthetics
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Where does our current obsession for interactivity stem from? After the consumer society and the communication era, does art still contribute to the emergence of a rational society? Bourriaud attempts to renew our approach toward contemporary art by getting as close as possible to the artists works, and by revealing the principles that structure their thoughts: an(...)
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Where does our current obsession for interactivity stem from? After the consumer society and the communication era, does art still contribute to the emergence of a rational society? Bourriaud attempts to renew our approach toward contemporary art by getting as close as possible to the artists works, and by revealing the principles that structure their thoughts: an(...)
Titre:
Relational aesthetics
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$19.95
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Where does our current obsession for interactivity stem from? After the consumer society and the communication era, does art still contribute to the emergence of a rational society? Bourriaud attempts to renew our approach toward contemporary art by getting as close as possible to the artists works, and by revealing the principles that structure their thoughts: an aesthetic of the inter-human, of the encounter; of proximity, of resisting social formatting.
Relational aesthetics
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$19.95
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Résumé:
Where does our current obsession for interactivity stem from? After the consumer society and the communication era, does art still contribute to the emergence of a rational society? Bourriaud attempts to renew our approach toward contemporary art by getting as close as possible to the artists works, and by revealing the principles that structure their thoughts: an aesthetic of the inter-human, of the encounter; of proximity, of resisting social formatting.
Classification:
livres
livres
Publication:
janvier 1998
janvier 1998
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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In this book Michael Fried considers the work of four contemporary artists--video artist and photographer Anri Sala, sculptor Charles Ray, painter Joseph Marioni, and video artist and intervener in movies Douglas Gordon. He shows how their respective projects are best understood as engaging in a variety of ways with some of the core themes and issues associated with high(...)
$46.00
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Résumé:
In this book Michael Fried considers the work of four contemporary artists--video artist and photographer Anri Sala, sculptor Charles Ray, painter Joseph Marioni, and video artist and intervener in movies Douglas Gordon. He shows how their respective projects are best understood as engaging in a variety of ways with some of the core themes and issues associated with high(...)
Titre:
Four honest outlaws: Sala, Ray, Marioni, Gordon
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In this book Michael Fried considers the work of four contemporary artists--video artist and photographer Anri Sala, sculptor Charles Ray, painter Joseph Marioni, and video artist and intervener in movies Douglas Gordon. He shows how their respective projects are best understood as engaging in a variety of ways with some of the core themes and issues associated with high modernism, and indeed with its prehistory in French painting and art criticism from Diderot on. 'Four Honest Outlaws' thus continues the author's exploration of the critical and philosophical territory opened up by his earlier book, 'Why Photography Matters as Art as Never Before.' It presents a vision of the most important contemporary art as not only not repudiating modernism in the name of postmodernism in any of the latter's many forms and manifestations, but also actually as committed to dialectically renewing certain crucial qualities and values that modernism and premodernism brought to the fore, above all those of presentness and anti-theatricality.
Four honest outlaws: Sala, Ray, Marioni, Gordon
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In this book Michael Fried considers the work of four contemporary artists--video artist and photographer Anri Sala, sculptor Charles Ray, painter Joseph Marioni, and video artist and intervener in movies Douglas Gordon. He shows how their respective projects are best understood as engaging in a variety of ways with some of the core themes and issues associated with high modernism, and indeed with its prehistory in French painting and art criticism from Diderot on. 'Four Honest Outlaws' thus continues the author's exploration of the critical and philosophical territory opened up by his earlier book, 'Why Photography Matters as Art as Never Before.' It presents a vision of the most important contemporary art as not only not repudiating modernism in the name of postmodernism in any of the latter's many forms and manifestations, but also actually as committed to dialectically renewing certain crucial qualities and values that modernism and premodernism brought to the fore, above all those of presentness and anti-theatricality.
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livres
livres
Publication:
avril 2011
avril 2011
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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Magazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for(...)
$39.95
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Magazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for(...)
Titre:
Artist's magazines : an alternative space for art
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Magazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In this publication, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.
Artist's magazines : an alternative space for art
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$39.95
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Résumé:
Magazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In this publication, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.
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livres
livres
Publication:
mars 2011
mars 2011
Classification:
livres
livres
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$30.00
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Trash, garbage, rubbish, dross, detritus - in this enjoyably radical exploration of junk, Gillian Whiteley re-thinks art's historical and present appropriation of junk within our eco-conscious and globalized culture. She does this through an illustrated exploration of particular materials, key moments and locations and the telling of a panoply of trash narratives. Found(...)
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Trash, garbage, rubbish, dross, detritus - in this enjoyably radical exploration of junk, Gillian Whiteley re-thinks art's historical and present appropriation of junk within our eco-conscious and globalized culture. She does this through an illustrated exploration of particular materials, key moments and locations and the telling of a panoply of trash narratives. Found(...)
Titre:
Junk : art and the politics of trash
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$30.00
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Trash, garbage, rubbish, dross, detritus - in this enjoyably radical exploration of junk, Gillian Whiteley re-thinks art's historical and present appropriation of junk within our eco-conscious and globalized culture. She does this through an illustrated exploration of particular materials, key moments and locations and the telling of a panoply of trash narratives. Found and ephemeral materials are primarily associated with assemblage - object-based practices which emerged in the mid-1950s and culminated in the seminal exhibition "The Art of Assemblage" in New York in 1961. With its deployment of the discarded and the filthy, Whiteley argues, assemblage has been viewed as a disruptive, transgressive artform that engaged with narratives of social and political dissent, often in the face of modernist condemnation as worthless kitsch. In the Sixties, parallel techniques flourished in Western Europe, the US and Australia but the idiom of assemblage and the re-use of found materials and objects - with artist as bricoleur - is just as prevalent now. This is a timely book that uncovers the etymology of waste and the cultures of disposability within these economies of wealth.
Junk : art and the politics of trash
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$30.00
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Résumé:
Trash, garbage, rubbish, dross, detritus - in this enjoyably radical exploration of junk, Gillian Whiteley re-thinks art's historical and present appropriation of junk within our eco-conscious and globalized culture. She does this through an illustrated exploration of particular materials, key moments and locations and the telling of a panoply of trash narratives. Found and ephemeral materials are primarily associated with assemblage - object-based practices which emerged in the mid-1950s and culminated in the seminal exhibition "The Art of Assemblage" in New York in 1961. With its deployment of the discarded and the filthy, Whiteley argues, assemblage has been viewed as a disruptive, transgressive artform that engaged with narratives of social and political dissent, often in the face of modernist condemnation as worthless kitsch. In the Sixties, parallel techniques flourished in Western Europe, the US and Australia but the idiom of assemblage and the re-use of found materials and objects - with artist as bricoleur - is just as prevalent now. This is a timely book that uncovers the etymology of waste and the cultures of disposability within these economies of wealth.
Classification:
livres
livres
Publication:
janvier 2011
janvier 2011
Classification:
livres
livres
Titre:
Art and the city
Art and the city
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To Henri Lefebvre, the space and 'lived everydayness' of the inter-dependent, multi-faceted city produces manifold possibilities of identifiction and realisation through often imperceptible interactions and practices. Art and the City takes this observation as its cue to examine the role of art against a backdrop of globally rising urban populations, taking into(...)
$34.50
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Résumé:
To Henri Lefebvre, the space and 'lived everydayness' of the inter-dependent, multi-faceted city produces manifold possibilities of identifiction and realisation through often imperceptible interactions and practices. Art and the City takes this observation as its cue to examine the role of art against a backdrop of globally rising urban populations, taking into(...)
Titre:
Art and the city
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$34.50
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To Henri Lefebvre, the space and 'lived everydayness' of the inter-dependent, multi-faceted city produces manifold possibilities of identifiction and realisation through often imperceptible interactions and practices. Art and the City takes this observation as its cue to examine the role of art against a backdrop of globally rising urban populations, taking into account the more recent performative and relational 'turns' of art that have sought in their city settings to identify a participating spectator - an implicated citizen.
Art and the city
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To Henri Lefebvre, the space and 'lived everydayness' of the inter-dependent, multi-faceted city produces manifold possibilities of identifiction and realisation through often imperceptible interactions and practices. Art and the City takes this observation as its cue to examine the role of art against a backdrop of globally rising urban populations, taking into account the more recent performative and relational 'turns' of art that have sought in their city settings to identify a participating spectator - an implicated citizen.
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livres
livres
Publication:
décembre 2010
décembre 2010
Classification:
livres
livres
Titre:
Where art belongs
Where art belongs
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$18.95
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Chronicling the sometimes doomed but persistently heroic efforts of small groups of artists to reclaim public space and time, this publication describes the trend towards collectivity manifested in the visual art world during the past decade, and the small forms of resistance to digital disembodiment and the hegemony of the entertainment/media/culture industry. For all(...)
$18.95
(disponible sur commande)
Résumé:
Chronicling the sometimes doomed but persistently heroic efforts of small groups of artists to reclaim public space and time, this publication describes the trend towards collectivity manifested in the visual art world during the past decade, and the small forms of resistance to digital disembodiment and the hegemony of the entertainment/media/culture industry. For all(...)
Titre:
Where art belongs
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Prix:
$18.95
(disponible sur commande)
Résumé:
Chronicling the sometimes doomed but persistently heroic efforts of small groups of artists to reclaim public space and time, this publication describes the trend towards collectivity manifested in the visual art world during the past decade, and the small forms of resistance to digital disembodiment and the hegemony of the entertainment/media/culture industry. For all its faults, Kraus argues, the art world remains the last frontier for the desire to live differently.
Where art belongs
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$18.95
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Résumé:
Chronicling the sometimes doomed but persistently heroic efforts of small groups of artists to reclaim public space and time, this publication describes the trend towards collectivity manifested in the visual art world during the past decade, and the small forms of resistance to digital disembodiment and the hegemony of the entertainment/media/culture industry. For all its faults, Kraus argues, the art world remains the last frontier for the desire to live differently.
Classification:
livres
livres
Publication:
février 2011
février 2011
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Des territoires
Des territoires
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$39.95
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Cette somme rassemble un choix de textes partis et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. Elle propose un récit foisonnant, vivant, lacunaire, érudit. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie,(...)
$39.95
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Cette somme rassemble un choix de textes partis et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. Elle propose un récit foisonnant, vivant, lacunaire, érudit. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie,(...)
Titre:
Des territoires
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$39.95
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Cette somme rassemble un choix de textes partis et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. Elle propose un récit foisonnant, vivant, lacunaire, érudit. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer, entre oeuvre et activité. Jean-François Chevrier écarte les périodisations convenues (modernisme, postmodernisme) et les labels. Il fait apparaître des mécanismes de création, des réseaux de figures et des territoires qui participent de l'histoire autant que de la poésie. II retrace des situations spécifiques dans lesquelles une pensée et un geste ont fait surgir une forme, ici et maintenant, au-delà d'une conception étroite de l'actuel.
Des territoires
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Prix:
$39.95
(disponible sur commande)
Résumé:
Cette somme rassemble un choix de textes partis et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. Elle propose un récit foisonnant, vivant, lacunaire, érudit. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer, entre oeuvre et activité. Jean-François Chevrier écarte les périodisations convenues (modernisme, postmodernisme) et les labels. Il fait apparaître des mécanismes de création, des réseaux de figures et des territoires qui participent de l'histoire autant que de la poésie. II retrace des situations spécifiques dans lesquelles une pensée et un geste ont fait surgir une forme, ici et maintenant, au-delà d'une conception étroite de l'actuel.
Classification:
livres
livres
Publication:
mars 2011
mars 2011
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Les relations du corps
Les relations du corps
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$39.95
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Résumé:
Cette somme rassemble un choix de textes partis et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. Elle propose un récit foisonnant, vivant, lacunaire, érudit. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie,(...)
$39.95
(disponible sur commande)
Résumé:
Cette somme rassemble un choix de textes partis et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. Elle propose un récit foisonnant, vivant, lacunaire, érudit. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie,(...)
Titre:
Les relations du corps
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Prix:
$39.95
(disponible sur commande)
Résumé:
Cette somme rassemble un choix de textes partis et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. Elle propose un récit foisonnant, vivant, lacunaire, érudit. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer, entre oeuvre et activité. Jean-François Chevrier écarte les périodisations convenues (modernisme, postmodernisme) et les labels. Il fait apparaître des mécanismes de création, des réseaux de figures et des territoires qui participent de l'histoire autant que de la poésie.
Les relations du corps
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Prix:
$39.95
(disponible sur commande)
Résumé:
Cette somme rassemble un choix de textes partis et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. Elle propose un récit foisonnant, vivant, lacunaire, érudit. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer, entre oeuvre et activité. Jean-François Chevrier écarte les périodisations convenues (modernisme, postmodernisme) et les labels. Il fait apparaître des mécanismes de création, des réseaux de figures et des territoires qui participent de l'histoire autant que de la poésie.
Classification:
livres
livres
Publication:
mars 2011
mars 2011
Sujet:
Théorie de l’art
Théorie de l’art
