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The Distant Early Warning Line, also known as the DEW Line, was a system of radar stations in the northern Arctic region of Canada, with additional stations along the north coast and Aleutian Islands of Alaska and the Faroe Islands, Greenland, and Iceland. It intended to detect incoming bombers of the Soviet Union during the Cold War and provide early warning of any sea(...)
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The Distant Early Warning Line, also known as the DEW Line, was a system of radar stations in the northern Arctic region of Canada, with additional stations along the north coast and Aleutian Islands of Alaska and the Faroe Islands, Greenland, and Iceland. It intended to detect incoming bombers of the Soviet Union during the Cold War and provide early warning of any sea(...)
Titre:
Early warning systems: Art, the DEW line, and an arctic on the front lines
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The Distant Early Warning Line, also known as the DEW Line, was a system of radar stations in the northern Arctic region of Canada, with additional stations along the north coast and Aleutian Islands of Alaska and the Faroe Islands, Greenland, and Iceland. It intended to detect incoming bombers of the Soviet Union during the Cold War and provide early warning of any sea and land invasion. Today, the Arctic is seen as a place primed for data storage and vaults––doomsday structures with a utilitarian vernacular of architecture, protecting the "knowledge" of places further south rather than recognizing the local presence and expertise of place and Indigenous lifeways and Indigenous science. This book looks at the role of artists as early warning systems and explores the ways we connect and disconnect place and people through technology and the ideas of boundaries.
Early warning systems: Art, the DEW line, and an arctic on the front lines
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The Distant Early Warning Line, also known as the DEW Line, was a system of radar stations in the northern Arctic region of Canada, with additional stations along the north coast and Aleutian Islands of Alaska and the Faroe Islands, Greenland, and Iceland. It intended to detect incoming bombers of the Soviet Union during the Cold War and provide early warning of any sea and land invasion. Today, the Arctic is seen as a place primed for data storage and vaults––doomsday structures with a utilitarian vernacular of architecture, protecting the "knowledge" of places further south rather than recognizing the local presence and expertise of place and Indigenous lifeways and Indigenous science. This book looks at the role of artists as early warning systems and explores the ways we connect and disconnect place and people through technology and the ideas of boundaries.
Classification:
livres
livres
Publication:
avril 2025
avril 2025
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Women in revolt!
Women in revolt!
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''The Women in Revolt!'' exhibition book is a crucial exploration of the wealth and diversity of work by women artists working in the 1970s and 1980s during a period of seismic social and political change. Across a wide variety of mediums including painting, drawing, sculpture, performance, film and photography, this extensive exhibition catalogue reflects on how(...)
$63.00
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''The Women in Revolt!'' exhibition book is a crucial exploration of the wealth and diversity of work by women artists working in the 1970s and 1980s during a period of seismic social and political change. Across a wide variety of mediums including painting, drawing, sculpture, performance, film and photography, this extensive exhibition catalogue reflects on how(...)
Titre:
Women in revolt!
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''The Women in Revolt!'' exhibition book is a crucial exploration of the wealth and diversity of work by women artists working in the 1970s and 1980s during a period of seismic social and political change. Across a wide variety of mediums including painting, drawing, sculpture, performance, film and photography, this extensive exhibition catalogue reflects on how women's needs were marginalised within mainstream culture and reveals how artists used radical ideas and methods to confront issues that will resonate with contemporary audiences — from access to healthcare and class struggles to ecological disaster, racism and misogyny. Featuring essays on feminist film distribution, the visibility of Black and South Asian women artists, Section 28 and the AIDS pandemic, Greenham Common and the peace movement, and the intersection of punk, feminism and art, ''Women in Revolt!'' celebrates the full diversity of what was a highly creative, politically engaged and determined community of women that paved the way for future generations and, ultimately, changed the face of British culture.
Women in revolt!
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''The Women in Revolt!'' exhibition book is a crucial exploration of the wealth and diversity of work by women artists working in the 1970s and 1980s during a period of seismic social and political change. Across a wide variety of mediums including painting, drawing, sculpture, performance, film and photography, this extensive exhibition catalogue reflects on how women's needs were marginalised within mainstream culture and reveals how artists used radical ideas and methods to confront issues that will resonate with contemporary audiences — from access to healthcare and class struggles to ecological disaster, racism and misogyny. Featuring essays on feminist film distribution, the visibility of Black and South Asian women artists, Section 28 and the AIDS pandemic, Greenham Common and the peace movement, and the intersection of punk, feminism and art, ''Women in Revolt!'' celebrates the full diversity of what was a highly creative, politically engaged and determined community of women that paved the way for future generations and, ultimately, changed the face of British culture.
Classification:
livres
livres
Publication:
septembre 2024
septembre 2024
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$52.00
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Résumé:
In 1966, Billy Klüver and Fred Waldhauer, engineers at Bell Labs in Murray Hill, New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.’s debut event, 9 Evenings: Theatre & Engineering, integrated art, theater, and groundbreaking technology in a series of performances(...)
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In 1966, Billy Klüver and Fred Waldhauer, engineers at Bell Labs in Murray Hill, New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.’s debut event, 9 Evenings: Theatre & Engineering, integrated art, theater, and groundbreaking technology in a series of performances(...)
Titre:
Sensing the future: Experiments in Art and Technology (E.A.T)
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In 1966, Billy Klüver and Fred Waldhauer, engineers at Bell Labs in Murray Hill, New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.’s debut event, 9 Evenings: Theatre & Engineering, integrated art, theater, and groundbreaking technology in a series of performances at the 69th Regiment Armory in Manhattan. Its second major event, the Pepsi Pavilion at Expo ’70 in Osaka, Japan, presented a multisensory environment for the first world exposition held in Asia. At these events, and in the hundreds of collaborations E.A.T. facilitated in between, the participants—including John Cage, Lucinda Childs, Deborah Hay, Steve Paxton, Yvonne Rainer, and David Tudor—imagined innovative ways for art and science to intersect and enrich society. "Sensing the future" tells the story of these collaborations between artists and engineers and how they led to new installations and technology-based artworks.
Sensing the future: Experiments in Art and Technology (E.A.T)
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In 1966, Billy Klüver and Fred Waldhauer, engineers at Bell Labs in Murray Hill, New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.’s debut event, 9 Evenings: Theatre & Engineering, integrated art, theater, and groundbreaking technology in a series of performances at the 69th Regiment Armory in Manhattan. Its second major event, the Pepsi Pavilion at Expo ’70 in Osaka, Japan, presented a multisensory environment for the first world exposition held in Asia. At these events, and in the hundreds of collaborations E.A.T. facilitated in between, the participants—including John Cage, Lucinda Childs, Deborah Hay, Steve Paxton, Yvonne Rainer, and David Tudor—imagined innovative ways for art and science to intersect and enrich society. "Sensing the future" tells the story of these collaborations between artists and engineers and how they led to new installations and technology-based artworks.
Classification:
livres
livres
Publication:
octobre 2024
octobre 2024
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$25.95
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The Parthenon Marbles (formerly known as the Elgin Marbles), designed and executed by Pheidias to adorn the Parthenon, are perhaps the greatest of all classical sculptures. In 1801, Lord Elgin, then ambassador to the Turkish government, had chunks of the frieze sawn off and shipped to England, where they were subsequently seized by Parliament and sold to the British(...)
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The Parthenon Marbles (formerly known as the Elgin Marbles), designed and executed by Pheidias to adorn the Parthenon, are perhaps the greatest of all classical sculptures. In 1801, Lord Elgin, then ambassador to the Turkish government, had chunks of the frieze sawn off and shipped to England, where they were subsequently seized by Parliament and sold to the British(...)
Titre:
The Parthenon Marbles: The case for reunification
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The Parthenon Marbles (formerly known as the Elgin Marbles), designed and executed by Pheidias to adorn the Parthenon, are perhaps the greatest of all classical sculptures. In 1801, Lord Elgin, then ambassador to the Turkish government, had chunks of the frieze sawn off and shipped to England, where they were subsequently seized by Parliament and sold to the British Museum to help pay off his debts. This scandal, exacerbated by the inept handling of the sculptures by their self-appointed guardians, remains unresolved to this day. In his fierce, eloquent account of a shameful piece of British imperial history, Christopher Hitchens makes the moral, artistic, legal and political case for re-unifying the Parthenon frieze in Athens.The opening of the New Acropolis Museum emphatically trumps the British Museum’s long-standing (if always questionable) objection that there is nowhere in Athens to house the Parthenon Marbles. "The Parthenon Marbles" will surely end all arguments about where these great treasures belong, and help bring a two-centuries-old disgrace to a just conclusion.
The Parthenon Marbles: The case for reunification
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Résumé:
The Parthenon Marbles (formerly known as the Elgin Marbles), designed and executed by Pheidias to adorn the Parthenon, are perhaps the greatest of all classical sculptures. In 1801, Lord Elgin, then ambassador to the Turkish government, had chunks of the frieze sawn off and shipped to England, where they were subsequently seized by Parliament and sold to the British Museum to help pay off his debts. This scandal, exacerbated by the inept handling of the sculptures by their self-appointed guardians, remains unresolved to this day. In his fierce, eloquent account of a shameful piece of British imperial history, Christopher Hitchens makes the moral, artistic, legal and political case for re-unifying the Parthenon frieze in Athens.The opening of the New Acropolis Museum emphatically trumps the British Museum’s long-standing (if always questionable) objection that there is nowhere in Athens to house the Parthenon Marbles. "The Parthenon Marbles" will surely end all arguments about where these great treasures belong, and help bring a two-centuries-old disgrace to a just conclusion.
Classification:
livres
livres
Publication:
février 2025
février 2025
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$33.95
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Résumé:
For Bataille, "the absence of myth" had itself become the myth of the modern age. In a world that had "lost the secret of its cohesion," Bataille saw surrealism as both a symptom and the beginning of an attempt to address this loss. His writings on this theme are the result of profound reflection in the wake of World War Two. "The absence of myth" is the most incisive(...)
$33.95
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Résumé:
For Bataille, "the absence of myth" had itself become the myth of the modern age. In a world that had "lost the secret of its cohesion," Bataille saw surrealism as both a symptom and the beginning of an attempt to address this loss. His writings on this theme are the result of profound reflection in the wake of World War Two. "The absence of myth" is the most incisive(...)
Titre:
The absence of myth: Wtritings on surrealism
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For Bataille, "the absence of myth" had itself become the myth of the modern age. In a world that had "lost the secret of its cohesion," Bataille saw surrealism as both a symptom and the beginning of an attempt to address this loss. His writings on this theme are the result of profound reflection in the wake of World War Two. "The absence of myth" is the most incisive study yet made of surrealism, insisting on its importance as a cultural and social phenomenon with far-reaching consequences. Clarifying Bataille’s links with the surrealist movement, and throwing revealing light on his complex and greatly misunderstood relationship with Andre Breton, "The absence of myth" shows Bataille to be a much more radical figure than his postmodernist devotees would have us believe: a man who continually tried to extend Marxist social theory; a pessimistic thinker, but one as far removed from nihilism as can be.
The absence of myth: Wtritings on surrealism
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For Bataille, "the absence of myth" had itself become the myth of the modern age. In a world that had "lost the secret of its cohesion," Bataille saw surrealism as both a symptom and the beginning of an attempt to address this loss. His writings on this theme are the result of profound reflection in the wake of World War Two. "The absence of myth" is the most incisive study yet made of surrealism, insisting on its importance as a cultural and social phenomenon with far-reaching consequences. Clarifying Bataille’s links with the surrealist movement, and throwing revealing light on his complex and greatly misunderstood relationship with Andre Breton, "The absence of myth" shows Bataille to be a much more radical figure than his postmodernist devotees would have us believe: a man who continually tried to extend Marxist social theory; a pessimistic thinker, but one as far removed from nihilism as can be.
Classification:
livres
livres
Publication:
novembre 2024
novembre 2024
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
For an ecology of images
For an ecology of images
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When Susan Sontag first proposed the idea of an "ecology of images," she meant it as an exhortation to be vigilant against the vast surplus of pictures threatening our ability to truly see. Today, beyond the deep anxieties over a diminishing attention economy, concern focuses on the environmental cost of storing and circulating the digital images that confront us with(...)
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When Susan Sontag first proposed the idea of an "ecology of images," she meant it as an exhortation to be vigilant against the vast surplus of pictures threatening our ability to truly see. Today, beyond the deep anxieties over a diminishing attention economy, concern focuses on the environmental cost of storing and circulating the digital images that confront us with(...)
Titre:
For an ecology of images
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$25.95
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Résumé:
When Susan Sontag first proposed the idea of an "ecology of images," she meant it as an exhortation to be vigilant against the vast surplus of pictures threatening our ability to truly see. Today, beyond the deep anxieties over a diminishing attention economy, concern focuses on the environmental cost of storing and circulating the digital images that confront us with unprecedented speed. Against the disposable rapidity demanded by digital media, Peter Szendy emphasizes the labor and time required for images to develop and come into view. This inquisitive essay takes us from mimicry in the animal kingdom to the history of the shadow, Pliny’s story about the birth of painting to Nabokov’s butterflies, the first use of slo-mo in film to the first aerial photograph.
For an ecology of images
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$25.95
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Résumé:
When Susan Sontag first proposed the idea of an "ecology of images," she meant it as an exhortation to be vigilant against the vast surplus of pictures threatening our ability to truly see. Today, beyond the deep anxieties over a diminishing attention economy, concern focuses on the environmental cost of storing and circulating the digital images that confront us with unprecedented speed. Against the disposable rapidity demanded by digital media, Peter Szendy emphasizes the labor and time required for images to develop and come into view. This inquisitive essay takes us from mimicry in the animal kingdom to the history of the shadow, Pliny’s story about the birth of painting to Nabokov’s butterflies, the first use of slo-mo in film to the first aerial photograph.
Classification:
livres
livres
Publication:
janvier 2025
janvier 2025
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Forms of Errantry
Forms of Errantry
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$23.00
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Résumé:
How can the form of experimental documentary address the legacies of colonization as they are lived today? Between India and Haiti, Scholar Lakshmi Padmanabhan and filmmaker Miryam Charles follow the routes opened up by this question to explore histories of survival and the aesthetics of errantry. Contributors offer poetic responses explored in the fissures between image(...)
$23.00
(disponible en magasin)
Résumé:
How can the form of experimental documentary address the legacies of colonization as they are lived today? Between India and Haiti, Scholar Lakshmi Padmanabhan and filmmaker Miryam Charles follow the routes opened up by this question to explore histories of survival and the aesthetics of errantry. Contributors offer poetic responses explored in the fissures between image(...)
Titre:
Forms of Errantry
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$23.00
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Résumé:
How can the form of experimental documentary address the legacies of colonization as they are lived today? Between India and Haiti, Scholar Lakshmi Padmanabhan and filmmaker Miryam Charles follow the routes opened up by this question to explore histories of survival and the aesthetics of errantry. Contributors offer poetic responses explored in the fissures between image and sound, personal narrative and political history, and in the juxtapositions between the dream of an anticolonial future, and the nightmare of our globalized present.
Forms of Errantry
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$23.00
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Résumé:
How can the form of experimental documentary address the legacies of colonization as they are lived today? Between India and Haiti, Scholar Lakshmi Padmanabhan and filmmaker Miryam Charles follow the routes opened up by this question to explore histories of survival and the aesthetics of errantry. Contributors offer poetic responses explored in the fissures between image and sound, personal narrative and political history, and in the juxtapositions between the dream of an anticolonial future, and the nightmare of our globalized present.
Classification:
livres
livres
Publication:
septembre 2024
septembre 2024
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Walking as research practice
Walking as research practice
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$59.95
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Résumé:
What might be considered the research output of a walking practice? An important caveat to this would be to ask where and when the research occurs in relation to the walk, the walking, and the walkers. Does the walk activate our senses, or do our senses demand that we walk? Since walking involves encounters with various objects and subjects, how might it help us emphasise(...)
$59.95
(disponible en magasin)
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What might be considered the research output of a walking practice? An important caveat to this would be to ask where and when the research occurs in relation to the walk, the walking, and the walkers. Does the walk activate our senses, or do our senses demand that we walk? Since walking involves encounters with various objects and subjects, how might it help us emphasise(...)
Titre:
Walking as research practice
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$59.95
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What might be considered the research output of a walking practice? An important caveat to this would be to ask where and when the research occurs in relation to the walk, the walking, and the walkers. Does the walk activate our senses, or do our senses demand that we walk? Since walking involves encounters with various objects and subjects, how might it help us emphasise our connection to the more-than-human world? In addition, walking reveals different entry points to a city. Could walking provide a path toward more socially just urban spaces and commons? With an introduction by design critic and educator Alice Twemlow and urbanist and researcher Tânia A. Cardoso. Published in collaboration with Soapbox Journal.
Walking as research practice
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$59.95
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Résumé:
What might be considered the research output of a walking practice? An important caveat to this would be to ask where and when the research occurs in relation to the walk, the walking, and the walkers. Does the walk activate our senses, or do our senses demand that we walk? Since walking involves encounters with various objects and subjects, how might it help us emphasise our connection to the more-than-human world? In addition, walking reveals different entry points to a city. Could walking provide a path toward more socially just urban spaces and commons? With an introduction by design critic and educator Alice Twemlow and urbanist and researcher Tânia A. Cardoso. Published in collaboration with Soapbox Journal.
Classification:
livres
livres
Publication:
septembre 2024
septembre 2024
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Is art history?
Is art history?
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$58.00
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Résumé:
A definitive volume of writings by one of the most renowned art historians of the past century, "Is Art History?" brings together Svetlana Alpers’ contributions to the art historical discipline. Her writing spans over six decades: beginning with seminal essays written in examination of the constraints of the art historical discipline, including a foundational essay on(...)
$58.00
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Résumé:
A definitive volume of writings by one of the most renowned art historians of the past century, "Is Art History?" brings together Svetlana Alpers’ contributions to the art historical discipline. Her writing spans over six decades: beginning with seminal essays written in examination of the constraints of the art historical discipline, including a foundational essay on(...)
Titre:
Is art history?
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$58.00
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A definitive volume of writings by one of the most renowned art historians of the past century, "Is Art History?" brings together Svetlana Alpers’ contributions to the art historical discipline. Her writing spans over six decades: beginning with seminal essays written in examination of the constraints of the art historical discipline, including a foundational essay on Vasari (1960), "Is Art History?" (1970), "Style Is What You Make It" (1979) and "Art History and Its Exclusions" (1982); two never before published lectures and other unpublished public presentations; notable critical essays on art and recent texts on contemporary artists including Alex Katz, Catherine Murphy and Shirley Jaffe. "Is Art History?" also includes new prefatory notes written by the author for this occasion, an unexpected introduction by her former student, the esteemed scholar-critic Richard Meyer, and an interview with the German author and critic Ulf Erdmann Ziegler. This extensive view of Alpers’ prolific and varied career appeals both to new readers in need of an introduction and to audiences familiar with her essential writing on the great European tradition of painting.
Is art history?
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$58.00
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Résumé:
A definitive volume of writings by one of the most renowned art historians of the past century, "Is Art History?" brings together Svetlana Alpers’ contributions to the art historical discipline. Her writing spans over six decades: beginning with seminal essays written in examination of the constraints of the art historical discipline, including a foundational essay on Vasari (1960), "Is Art History?" (1970), "Style Is What You Make It" (1979) and "Art History and Its Exclusions" (1982); two never before published lectures and other unpublished public presentations; notable critical essays on art and recent texts on contemporary artists including Alex Katz, Catherine Murphy and Shirley Jaffe. "Is Art History?" also includes new prefatory notes written by the author for this occasion, an unexpected introduction by her former student, the esteemed scholar-critic Richard Meyer, and an interview with the German author and critic Ulf Erdmann Ziegler. This extensive view of Alpers’ prolific and varied career appeals both to new readers in need of an introduction and to audiences familiar with her essential writing on the great European tradition of painting.
Classification:
livres
livres
Publication:
septembre 2024
septembre 2024
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
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$46.95
(disponible sur commande)
Résumé:
Explorer les relations subtiles entre l’art concret et la nature, tel est le dessein de cet ouvrage placé sous le signe d’une sculpture de Jean Arp dont le titre, Homme vu par une fleur, invite à renverser toutes nos certitudes. Des chemins de traverse sont empruntés pour observer la manière dont la nature s’immisce dans les problèmes mathématiques de Max Bill, s’octroie(...)
$46.95
(disponible sur commande)
Résumé:
Explorer les relations subtiles entre l’art concret et la nature, tel est le dessein de cet ouvrage placé sous le signe d’une sculpture de Jean Arp dont le titre, Homme vu par une fleur, invite à renverser toutes nos certitudes. Des chemins de traverse sont empruntés pour observer la manière dont la nature s’immisce dans les problèmes mathématiques de Max Bill, s’octroie(...)
Titre:
Art concret + Nature = Homme vu par une fleur
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$46.95
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Résumé:
Explorer les relations subtiles entre l’art concret et la nature, tel est le dessein de cet ouvrage placé sous le signe d’une sculpture de Jean Arp dont le titre, Homme vu par une fleur, invite à renverser toutes nos certitudes. Des chemins de traverse sont empruntés pour observer la manière dont la nature s’immisce dans les problèmes mathématiques de Max Bill, s’octroie une place non négligeable dans la création de la pionnière du Computer Art Vera Molnár, préside à la pensée écologique de Gottfried Honegger, constitue un modèle essentiel pour les artistes de ZERO tels que herman de vries ou Heinz Mack, offre un espace infini qu’explore la poète spatialiste Ilse Garnier. Pour concrétiser cette rencontre entre l’art et la nature, des jardins d’artistes, d’architectes, de designers, de paysagistes tels que Sophie Taeuber-Arp, Gabriel Guévrékian, Herbert Bayer, Roberto Burle Marx ou Gilles Clément ouvrent le champ des possibles.
Art concret + Nature = Homme vu par une fleur
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Prix:
$46.95
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Résumé:
Explorer les relations subtiles entre l’art concret et la nature, tel est le dessein de cet ouvrage placé sous le signe d’une sculpture de Jean Arp dont le titre, Homme vu par une fleur, invite à renverser toutes nos certitudes. Des chemins de traverse sont empruntés pour observer la manière dont la nature s’immisce dans les problèmes mathématiques de Max Bill, s’octroie une place non négligeable dans la création de la pionnière du Computer Art Vera Molnár, préside à la pensée écologique de Gottfried Honegger, constitue un modèle essentiel pour les artistes de ZERO tels que herman de vries ou Heinz Mack, offre un espace infini qu’explore la poète spatialiste Ilse Garnier. Pour concrétiser cette rencontre entre l’art et la nature, des jardins d’artistes, d’architectes, de designers, de paysagistes tels que Sophie Taeuber-Arp, Gabriel Guévrékian, Herbert Bayer, Roberto Burle Marx ou Gilles Clément ouvrent le champ des possibles.
Classification:
livres
livres
Publication:
septembre 2024
septembre 2024
Sujet:
Théorie de l’art
Théorie de l’art
