1906 Résultats
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A city’s infrastructure—its tangle of streets, tunnels, routes and lines—can be much more than a mere functional necessity or an ad hoc constellation. Designed and constructed carefully and purposefully, "infratecture" can add significant sociological, cultural, ecological and economic value to a city. In this volume, Rotterdam-based traffic engineer, academic and(...)
$57.50
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A city’s infrastructure—its tangle of streets, tunnels, routes and lines—can be much more than a mere functional necessity or an ad hoc constellation. Designed and constructed carefully and purposefully, "infratecture" can add significant sociological, cultural, ecological and economic value to a city. In this volume, Rotterdam-based traffic engineer, academic and(...)
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février 2016
février 2016
Titre:
Infratecture: Infrastructure by Design
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A city’s infrastructure—its tangle of streets, tunnels, routes and lines—can be much more than a mere functional necessity or an ad hoc constellation. Designed and constructed carefully and purposefully, "infratecture" can add significant sociological, cultural, ecological and economic value to a city. In this volume, Rotterdam-based traffic engineer, academic and architect Marc Verheijen discusses the infrastructure of cities from 15 different perspectives and features 30 examples of international best practices in infrastructure design. A practically oriented book about designing and building everything from roads and viaducts to environmental habitats and noise barriers, Infratecture is also an argument for these integrated design solutions, all the more urgent at a moment of accelerated global urbanization. Infratecture argues that, with the right mind set, genuine cooperation and sophisticated design, infrastructure can form a significant, and positive, part of the everyday environment.
Infratecture: Infrastructure by Design
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A city’s infrastructure—its tangle of streets, tunnels, routes and lines—can be much more than a mere functional necessity or an ad hoc constellation. Designed and constructed carefully and purposefully, "infratecture" can add significant sociological, cultural, ecological and economic value to a city. In this volume, Rotterdam-based traffic engineer, academic and architect Marc Verheijen discusses the infrastructure of cities from 15 different perspectives and features 30 examples of international best practices in infrastructure design. A practically oriented book about designing and building everything from roads and viaducts to environmental habitats and noise barriers, Infratecture is also an argument for these integrated design solutions, all the more urgent at a moment of accelerated global urbanization. Infratecture argues that, with the right mind set, genuine cooperation and sophisticated design, infrastructure can form a significant, and positive, part of the everyday environment.
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livres
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Publication:
février 2016
février 2016
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Making Room is an anthology of texts on art, media and aesthetic practice in the context of squatting, occupation and urban-space activism. It includes pieces by activist researchers working between the academy and the movements they write about, as well as journalistic first-person narratives by squatters, original photography and interviews with artists, theorists and(...)
$39.95
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Making Room is an anthology of texts on art, media and aesthetic practice in the context of squatting, occupation and urban-space activism. It includes pieces by activist researchers working between the academy and the movements they write about, as well as journalistic first-person narratives by squatters, original photography and interviews with artists, theorists and(...)
Titre:
Making Room: Cultural Production in Occupied Spaces
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Making Room is an anthology of texts on art, media and aesthetic practice in the context of squatting, occupation and urban-space activism. It includes pieces by activist researchers working between the academy and the movements they write about, as well as journalistic first-person narratives by squatters, original photography and interviews with artists, theorists and activists involved in struggles over urban space and creative production in the city. Topics include brief histories of squatting in the UK, Germany and the Netherlands; the creation of Temporary Autonomous Zones; Puerto Rican occupations in New York; the influence of the Situationists on French squatting; and activism and camping at Documentas 10, 11 and 13. Throughout, cultural production appears in various forms ranging from conventional art practices to the organizing of communities and networks, to the production of media and setting up of information systems.
Making Room: Cultural Production in Occupied Spaces
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Making Room is an anthology of texts on art, media and aesthetic practice in the context of squatting, occupation and urban-space activism. It includes pieces by activist researchers working between the academy and the movements they write about, as well as journalistic first-person narratives by squatters, original photography and interviews with artists, theorists and activists involved in struggles over urban space and creative production in the city. Topics include brief histories of squatting in the UK, Germany and the Netherlands; the creation of Temporary Autonomous Zones; Puerto Rican occupations in New York; the influence of the Situationists on French squatting; and activism and camping at Documentas 10, 11 and 13. Throughout, cultural production appears in various forms ranging from conventional art practices to the organizing of communities and networks, to the production of media and setting up of information systems.
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livres
livres
Publication:
février 2016
février 2016
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
Titre:
The participatory city
The participatory city
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''The Participatory City'' is the first international and interdisciplinary collection of texts encompassing the whole spectrum of the debate within a wide geographical framework. Offering international perspectives on the question of urban participation, the contributors to this volume examine participatory dimensions of social housing, land-use policies, migrant rights,(...)
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''The Participatory City'' is the first international and interdisciplinary collection of texts encompassing the whole spectrum of the debate within a wide geographical framework. Offering international perspectives on the question of urban participation, the contributors to this volume examine participatory dimensions of social housing, land-use policies, migrant rights,(...)
Titre:
The participatory city
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''The Participatory City'' is the first international and interdisciplinary collection of texts encompassing the whole spectrum of the debate within a wide geographical framework. Offering international perspectives on the question of urban participation, the contributors to this volume examine participatory dimensions of social housing, land-use policies, migrant rights, environmental problems and health issues through the exploration of case studies from Chicago, Detroit, London, Mexico City and Bangalore.
The participatory city
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''The Participatory City'' is the first international and interdisciplinary collection of texts encompassing the whole spectrum of the debate within a wide geographical framework. Offering international perspectives on the question of urban participation, the contributors to this volume examine participatory dimensions of social housing, land-use policies, migrant rights, environmental problems and health issues through the exploration of case studies from Chicago, Detroit, London, Mexico City and Bangalore.
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livres
livres
Publication:
mars 2016
mars 2016
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
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Un urbaniste et un journaliste extérieurs au projet reviennent sur le développement de "EuropaCity", pôle urbain proche de Paris qui devrait regrouper commerces et lieux culturels. À l'aide des points de vue de différents protagonistes, ils décrivent en détail le projet et font le récit de sa mise en place.
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Un urbaniste et un journaliste extérieurs au projet reviennent sur le développement de "EuropaCity", pôle urbain proche de Paris qui devrait regrouper commerces et lieux culturels. À l'aide des points de vue de différents protagonistes, ils décrivent en détail le projet et font le récit de sa mise en place.
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Publication:
mars 2016
mars 2016
Titre:
EuropaCity : l'aventure d'un projet
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$42.95
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Un urbaniste et un journaliste extérieurs au projet reviennent sur le développement de "EuropaCity", pôle urbain proche de Paris qui devrait regrouper commerces et lieux culturels. À l'aide des points de vue de différents protagonistes, ils décrivent en détail le projet et font le récit de sa mise en place.
EuropaCity : l'aventure d'un projet
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Un urbaniste et un journaliste extérieurs au projet reviennent sur le développement de "EuropaCity", pôle urbain proche de Paris qui devrait regrouper commerces et lieux culturels. À l'aide des points de vue de différents protagonistes, ils décrivent en détail le projet et font le récit de sa mise en place.
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livres
livres
Publication:
mars 2016
mars 2016
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
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$68.00
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The typical town springs up around a natural resource—a river, an ocean, an exceptionally deep harbor—or in proximity to a larger, already thriving town. Not so with “new towns,” which are created by decree rather than out of necessity and are often intended to break from the tendencies of past development. New towns aren’t a new thing—ancient Phoenicians named their(...)
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The typical town springs up around a natural resource—a river, an ocean, an exceptionally deep harbor—or in proximity to a larger, already thriving town. Not so with “new towns,” which are created by decree rather than out of necessity and are often intended to break from the tendencies of past development. New towns aren’t a new thing—ancient Phoenicians named their(...)
Titre:
Practicing Utopia: an intellectual history of the New Town movement
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The typical town springs up around a natural resource—a river, an ocean, an exceptionally deep harbor—or in proximity to a larger, already thriving town. Not so with “new towns,” which are created by decree rather than out of necessity and are often intended to break from the tendencies of past development. New towns aren’t a new thing—ancient Phoenicians named their colonies Qart Hadasht, or New City—but these utopian developments saw a resurgence in the twentieth century. 'In Practicing Utopia,' Rosemary Wakeman gives us a sweeping view of the new town movement as a global phenomenon. From Tapiola in Finland to Islamabad in Pakistan, Cergy-Pontoise in France to Irvine in California, Wakeman unspools a masterly account of the golden age of new towns, exploring their utopian qualities and investigating what these towns can tell us about contemporary modernization and urban planning. She presents the new town movement as something truly global, defying a Cold War East-West dichotomy or the north-south polarization of rich and poor countries. Wherever these new towns were located, whatever their size, whether famous or forgotten, they shared a utopian lineage and conception that, in each case, reveals how residents and planners imagined their ideal urban future.
Practicing Utopia: an intellectual history of the New Town movement
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The typical town springs up around a natural resource—a river, an ocean, an exceptionally deep harbor—or in proximity to a larger, already thriving town. Not so with “new towns,” which are created by decree rather than out of necessity and are often intended to break from the tendencies of past development. New towns aren’t a new thing—ancient Phoenicians named their colonies Qart Hadasht, or New City—but these utopian developments saw a resurgence in the twentieth century. 'In Practicing Utopia,' Rosemary Wakeman gives us a sweeping view of the new town movement as a global phenomenon. From Tapiola in Finland to Islamabad in Pakistan, Cergy-Pontoise in France to Irvine in California, Wakeman unspools a masterly account of the golden age of new towns, exploring their utopian qualities and investigating what these towns can tell us about contemporary modernization and urban planning. She presents the new town movement as something truly global, defying a Cold War East-West dichotomy or the north-south polarization of rich and poor countries. Wherever these new towns were located, whatever their size, whether famous or forgotten, they shared a utopian lineage and conception that, in each case, reveals how residents and planners imagined their ideal urban future.
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livres
livres
Publication:
avril 2016
avril 2016
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
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American cities entered a new phase when, beginning in the 1950s, artists and developers looked upon a decaying industrial zone in Lower Manhattan and saw, not blight, but opportunity: cheap rents, lax regulation, and wide open spaces. Thus, SoHo was born. From 1960 to 1980, residents transformed the industrial neighborhood into an artist district, creating the conditions(...)
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American cities entered a new phase when, beginning in the 1950s, artists and developers looked upon a decaying industrial zone in Lower Manhattan and saw, not blight, but opportunity: cheap rents, lax regulation, and wide open spaces. Thus, SoHo was born. From 1960 to 1980, residents transformed the industrial neighborhood into an artist district, creating the conditions(...)
Titre:
The lofts of SoHo: gentrification, art and industry in New York 1950-1980
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American cities entered a new phase when, beginning in the 1950s, artists and developers looked upon a decaying industrial zone in Lower Manhattan and saw, not blight, but opportunity: cheap rents, lax regulation, and wide open spaces. Thus, SoHo was born. From 1960 to 1980, residents transformed the industrial neighborhood into an artist district, creating the conditions under which it evolved into an upper-income, gentrified area. Introducing the idea—still potent in city planning today—that art could be harnessed to drive municipal prosperity, SoHo was the forerunner of gentrified districts in cities nationwide, spawning the notion of the creative class. In The Lofts of SoHo, Aaron Shkuda studies the transition of the district from industrial space to artists’ enclave to affluent residential area, focusing on the legacy of urban renewal in and around SoHo and the growth of artist-led redevelopment. Shkuda explores conflicts between residents and property owners and analyzes the city’s embrace of the once-illegal loft conversion as an urban development strategy. As Shkuda explains, artists eventually lost control of SoHo’s development, but over several decades they nonetheless forced scholars, policymakers, and the general public to take them seriously as critical actors in the twentieth-century American city.
The lofts of SoHo: gentrification, art and industry in New York 1950-1980
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American cities entered a new phase when, beginning in the 1950s, artists and developers looked upon a decaying industrial zone in Lower Manhattan and saw, not blight, but opportunity: cheap rents, lax regulation, and wide open spaces. Thus, SoHo was born. From 1960 to 1980, residents transformed the industrial neighborhood into an artist district, creating the conditions under which it evolved into an upper-income, gentrified area. Introducing the idea—still potent in city planning today—that art could be harnessed to drive municipal prosperity, SoHo was the forerunner of gentrified districts in cities nationwide, spawning the notion of the creative class. In The Lofts of SoHo, Aaron Shkuda studies the transition of the district from industrial space to artists’ enclave to affluent residential area, focusing on the legacy of urban renewal in and around SoHo and the growth of artist-led redevelopment. Shkuda explores conflicts between residents and property owners and analyzes the city’s embrace of the once-illegal loft conversion as an urban development strategy. As Shkuda explains, artists eventually lost control of SoHo’s development, but over several decades they nonetheless forced scholars, policymakers, and the general public to take them seriously as critical actors in the twentieth-century American city.
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livres
livres
Publication:
avril 2016
avril 2016
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$36.50
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The story of New York’s west side no longer stars the Sharks and the Jets. Instead it’s a story of urban transformation, cultural shifts, and an expanding contemporary art scene. The Chelsea Gallery District has become New York’s most dominant neighborhood for contemporary art, and the streets of the west side are filled with gallery owners, art collectors, and tourists.(...)
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The story of New York’s west side no longer stars the Sharks and the Jets. Instead it’s a story of urban transformation, cultural shifts, and an expanding contemporary art scene. The Chelsea Gallery District has become New York’s most dominant neighborhood for contemporary art, and the streets of the west side are filled with gallery owners, art collectors, and tourists.(...)
Titre:
New York's new edge: Contemporary art, the High LIne, and urban megaprojects
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The story of New York’s west side no longer stars the Sharks and the Jets. Instead it’s a story of urban transformation, cultural shifts, and an expanding contemporary art scene. The Chelsea Gallery District has become New York’s most dominant neighborhood for contemporary art, and the streets of the west side are filled with gallery owners, art collectors, and tourists. Developments like the High Line, historical preservation projects like the Gansevoort Market, the Chelsea galleries, and plans for megaprojects like the Hudson Yards Development have redefined what is now being called the “Far West Side” of Manhattan. David Halle and Elisabeth Tiso offer a deep analysis of the transforming district in New York’s New Edge, and the result is a new understanding of how we perceive and interpret culture and the city in New York’s gallery district. From individual interviews with gallery owners to the behind-the-scenes politics of preservation initiatives and megaprojects, the book provides an in-depth account of the developments, obstacles, successes, and failures of the area and the factors that have contributed to them.
New York's new edge: Contemporary art, the High LIne, and urban megaprojects
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The story of New York’s west side no longer stars the Sharks and the Jets. Instead it’s a story of urban transformation, cultural shifts, and an expanding contemporary art scene. The Chelsea Gallery District has become New York’s most dominant neighborhood for contemporary art, and the streets of the west side are filled with gallery owners, art collectors, and tourists. Developments like the High Line, historical preservation projects like the Gansevoort Market, the Chelsea galleries, and plans for megaprojects like the Hudson Yards Development have redefined what is now being called the “Far West Side” of Manhattan. David Halle and Elisabeth Tiso offer a deep analysis of the transforming district in New York’s New Edge, and the result is a new understanding of how we perceive and interpret culture and the city in New York’s gallery district. From individual interviews with gallery owners to the behind-the-scenes politics of preservation initiatives and megaprojects, the book provides an in-depth account of the developments, obstacles, successes, and failures of the area and the factors that have contributed to them.
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livres
livres
Publication:
mai 2016
mai 2016
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
Titre:
Liquid city, 2nd edition
Liquid city, 2nd edition
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'Liquid City' documents the collaboration between Iain Sinclair and photographer Marc Atkins and their eccentric, manic, often moving explorations of London’s hidden streets, cemeteries, canals, parks, pubs and personalities. Consisting of striking, atmospheric photographs by Atkins, including many new additions, and with a new introduction by Sinclair, the book focuses(...)
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'Liquid City' documents the collaboration between Iain Sinclair and photographer Marc Atkins and their eccentric, manic, often moving explorations of London’s hidden streets, cemeteries, canals, parks, pubs and personalities. Consisting of striking, atmospheric photographs by Atkins, including many new additions, and with a new introduction by Sinclair, the book focuses(...)
Titre:
Liquid city, 2nd edition
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'Liquid City' documents the collaboration between Iain Sinclair and photographer Marc Atkins and their eccentric, manic, often moving explorations of London’s hidden streets, cemeteries, canals, parks, pubs and personalities. Consisting of striking, atmospheric photographs by Atkins, including many new additions, and with a new introduction by Sinclair, the book focuses on London’s eastern and southeastern quadrants. An array of famous and lesser-known writers, booksellers and film-makers slip in and out of Sinclair’s annotations, as do memories and remnants of the East End’s criminal mobs, as well as physical landmarks as diverse as the Thames Barrier and Karl Marx’s grave in Highgate Cemetery.
Liquid city, 2nd edition
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'Liquid City' documents the collaboration between Iain Sinclair and photographer Marc Atkins and their eccentric, manic, often moving explorations of London’s hidden streets, cemeteries, canals, parks, pubs and personalities. Consisting of striking, atmospheric photographs by Atkins, including many new additions, and with a new introduction by Sinclair, the book focuses on London’s eastern and southeastern quadrants. An array of famous and lesser-known writers, booksellers and film-makers slip in and out of Sinclair’s annotations, as do memories and remnants of the East End’s criminal mobs, as well as physical landmarks as diverse as the Thames Barrier and Karl Marx’s grave in Highgate Cemetery.
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livres
livres
Publication:
juin 2016
juin 2016
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
Titre:
Invent the future with elements of the past: 12 Zurich artists on a stroll with Lucius Burckhardt
Invent the future with elements of the past: 12 Zurich artists on a stroll with Lucius Burckhardt
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'Invent the Future with Elements of the Past' looks at a fascinating recent artistic interpretation of Burckhardt’s theories: the contribution of twelve contemporary artists to the Swiss Pavilion at the fourteenth International Architecture Exhibition of the Venice Biennale. Developed in Zurich and curated by Hans Ulrich Obrist, the project was realized through a series(...)
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'Invent the Future with Elements of the Past' looks at a fascinating recent artistic interpretation of Burckhardt’s theories: the contribution of twelve contemporary artists to the Swiss Pavilion at the fourteenth International Architecture Exhibition of the Venice Biennale. Developed in Zurich and curated by Hans Ulrich Obrist, the project was realized through a series(...)
Titre:
Invent the future with elements of the past: 12 Zurich artists on a stroll with Lucius Burckhardt
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'Invent the Future with Elements of the Past' looks at a fascinating recent artistic interpretation of Burckhardt’s theories: the contribution of twelve contemporary artists to the Swiss Pavilion at the fourteenth International Architecture Exhibition of the Venice Biennale. Developed in Zurich and curated by Hans Ulrich Obrist, the project was realized through a series of strolls throughout the city that offered new narratives about the urban space. The resulting objects and events are reproduced here with more than one hundred illustrations, including many in color; interviews with the participating artists, and contributions by Judith Albert, Muriel Baumgartner with Tom Stäubli, Stefan Burger, Christina Hemauer with Roman Keller, San Keller, Adrian Notz, Hans Ulrich Obrist, Paul Polaris, Christian Ratti, Roland Roos, Tom Stäubli, Navid Tschopp, and !Mediengruppe Bitnik.
Invent the future with elements of the past: 12 Zurich artists on a stroll with Lucius Burckhardt
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'Invent the Future with Elements of the Past' looks at a fascinating recent artistic interpretation of Burckhardt’s theories: the contribution of twelve contemporary artists to the Swiss Pavilion at the fourteenth International Architecture Exhibition of the Venice Biennale. Developed in Zurich and curated by Hans Ulrich Obrist, the project was realized through a series of strolls throughout the city that offered new narratives about the urban space. The resulting objects and events are reproduced here with more than one hundred illustrations, including many in color; interviews with the participating artists, and contributions by Judith Albert, Muriel Baumgartner with Tom Stäubli, Stefan Burger, Christina Hemauer with Roman Keller, San Keller, Adrian Notz, Hans Ulrich Obrist, Paul Polaris, Christian Ratti, Roland Roos, Tom Stäubli, Navid Tschopp, and !Mediengruppe Bitnik.
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livres
livres
Publication:
mars 2016
mars 2016
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$68.95
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DEMO:POLIS draws on architecture, sociology, and urban studies to offer a dynamic interdisciplinary exploration of the contemporary meaning of public space. Featuring exemplary projects—such as the High Line and Brooklyn Bridge Park in New York, Alexanderplatz and Tempelhofer Feld in Berlin, Trafalgar Square in London, the Le Ventana de Mar park in Puerto Rico, and(...)
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DEMO:POLIS draws on architecture, sociology, and urban studies to offer a dynamic interdisciplinary exploration of the contemporary meaning of public space. Featuring exemplary projects—such as the High Line and Brooklyn Bridge Park in New York, Alexanderplatz and Tempelhofer Feld in Berlin, Trafalgar Square in London, the Le Ventana de Mar park in Puerto Rico, and(...)
Titre:
Demo:Polis. The right to public space
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DEMO:POLIS draws on architecture, sociology, and urban studies to offer a dynamic interdisciplinary exploration of the contemporary meaning of public space. Featuring exemplary projects—such as the High Line and Brooklyn Bridge Park in New York, Alexanderplatz and Tempelhofer Feld in Berlin, Trafalgar Square in London, the Le Ventana de Mar park in Puerto Rico, and Madrid’s Campo de Cebada—as well as a range of recent, at times controversial, artistic and urban design interventions that reflect criticisms of the status quo, the book delves into various approaches to the design—and redesign—of public space.
Demo:Polis. The right to public space
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DEMO:POLIS draws on architecture, sociology, and urban studies to offer a dynamic interdisciplinary exploration of the contemporary meaning of public space. Featuring exemplary projects—such as the High Line and Brooklyn Bridge Park in New York, Alexanderplatz and Tempelhofer Feld in Berlin, Trafalgar Square in London, the Le Ventana de Mar park in Puerto Rico, and Madrid’s Campo de Cebada—as well as a range of recent, at times controversial, artistic and urban design interventions that reflect criticisms of the status quo, the book delves into various approaches to the design—and redesign—of public space.
Classification:
livres
livres
Publication:
mai 2016
mai 2016
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
