430 Résultats
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livres
livres
Titre:
The ongoing moment
The ongoing moment
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Seeking to identify their signature styles, Dyer looks at the ways in which such canonical figures as Alfred Stieglitz, Paul Strand, Walker Evans, André Kertész, Edward Weston, Dorothea Lange, Diane Arbus, and William Eggleston, among others, have photographed the same things (barber shops, benches, hands, roads, and signs, for example). In doing so, he constructs a(...)
$35.95
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Seeking to identify their signature styles, Dyer looks at the ways in which such canonical figures as Alfred Stieglitz, Paul Strand, Walker Evans, André Kertész, Edward Weston, Dorothea Lange, Diane Arbus, and William Eggleston, among others, have photographed the same things (barber shops, benches, hands, roads, and signs, for example). In doing so, he constructs a(...)
Titre:
The ongoing moment
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$35.95
(disponible en magasin)
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Seeking to identify their signature styles, Dyer looks at the ways in which such canonical figures as Alfred Stieglitz, Paul Strand, Walker Evans, André Kertész, Edward Weston, Dorothea Lange, Diane Arbus, and William Eggleston, among others, have photographed the same things (barber shops, benches, hands, roads, and signs, for example). In doing so, he constructs a narrative in which these photographers—many of whom never met—constantly encounter one another.
The ongoing moment
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$35.95
(disponible en magasin)
Résumé:
Seeking to identify their signature styles, Dyer looks at the ways in which such canonical figures as Alfred Stieglitz, Paul Strand, Walker Evans, André Kertész, Edward Weston, Dorothea Lange, Diane Arbus, and William Eggleston, among others, have photographed the same things (barber shops, benches, hands, roads, and signs, for example). In doing so, he constructs a narrative in which these photographers—many of whom never met—constantly encounter one another.
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livres
livres
Publication:
octobre 2005, New York
octobre 2005, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$100.00
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A truly ambitious, twice yearly photographic magazine featuring a broad range of contributions, which is published with the ambition of promoting discussion and creation of photography, without cultural, geographical or thematic boundaries. This first issue features among 22 contributions: previously unpublished photographs from the archive of Isamu Noguchi; a portfolio(...)
$100.00
(disponible sur commande)
Résumé:
A truly ambitious, twice yearly photographic magazine featuring a broad range of contributions, which is published with the ambition of promoting discussion and creation of photography, without cultural, geographical or thematic boundaries. This first issue features among 22 contributions: previously unpublished photographs from the archive of Isamu Noguchi; a portfolio(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
janvier 2006, London
janvier 2006, London
Titre:
C international photo magazine, number one
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A truly ambitious, twice yearly photographic magazine featuring a broad range of contributions, which is published with the ambition of promoting discussion and creation of photography, without cultural, geographical or thematic boundaries. This first issue features among 22 contributions: previously unpublished photographs from the archive of Isamu Noguchi; a portfolio including works from Ellen Kooi, Wang Qingsong, Kahn + Selesnick, Yasuma Morimura and Marcos López; vintage photographs from Dmitri Baltermants; and fresh images from Wim Wenders.
C international photo magazine, number one
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A truly ambitious, twice yearly photographic magazine featuring a broad range of contributions, which is published with the ambition of promoting discussion and creation of photography, without cultural, geographical or thematic boundaries. This first issue features among 22 contributions: previously unpublished photographs from the archive of Isamu Noguchi; a portfolio including works from Ellen Kooi, Wang Qingsong, Kahn + Selesnick, Yasuma Morimura and Marcos López; vintage photographs from Dmitri Baltermants; and fresh images from Wim Wenders.
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livres
livres
Publication:
janvier 2006, London
janvier 2006, London
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$55.95
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Catalogue. Oeuvres de Christophe Bouguedieu, Yves Trémorin, Joachim Mogarra, Pierre-Étienne Morelle, Dans le champ des étoiles, Brassaï.
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Catalogue. Oeuvres de Christophe Bouguedieu, Yves Trémorin, Joachim Mogarra, Pierre-Étienne Morelle, Dans le champ des étoiles, Brassaï.
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
janvier 2006
janvier 2006
Titre:
Images au centre 05 : photographie, vidéo & patrimoine
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Catalogue. Oeuvres de Christophe Bouguedieu, Yves Trémorin, Joachim Mogarra, Pierre-Étienne Morelle, Dans le champ des étoiles, Brassaï.
Images au centre 05 : photographie, vidéo & patrimoine
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Catalogue. Oeuvres de Christophe Bouguedieu, Yves Trémorin, Joachim Mogarra, Pierre-Étienne Morelle, Dans le champ des étoiles, Brassaï.
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livres
livres
Publication:
janvier 2006
janvier 2006
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Searching for Sebald
Searching for Sebald
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W.G. Sebaldís books are sui generis hybrids of fiction, travelogue, autobiography and historical expose, in which a narrator (both Sebald and not Sebald) comments on the quick blossoming of natural wonders and the long deaths that come of human atrocities. All his narratives are punctuated with images--murky photographs, architectural plans, engravings, paintings,(...)
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W.G. Sebaldís books are sui generis hybrids of fiction, travelogue, autobiography and historical expose, in which a narrator (both Sebald and not Sebald) comments on the quick blossoming of natural wonders and the long deaths that come of human atrocities. All his narratives are punctuated with images--murky photographs, architectural plans, engravings, paintings,(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
mai 2006, Los Angeles
mai 2006, Los Angeles
Titre:
Searching for Sebald
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$46.00
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Résumé:
W.G. Sebaldís books are sui generis hybrids of fiction, travelogue, autobiography and historical expose, in which a narrator (both Sebald and not Sebald) comments on the quick blossoming of natural wonders and the long deaths that come of human atrocities. All his narratives are punctuated with images--murky photographs, architectural plans, engravings, paintings, newspaper clippings--inserted into the prose without captions and often without obvious connection to the words that surround them. This important volume includes a rare 1993 interview called ì'But the written word is not a true document': A Conversation with W.G. Sebald about Photography and Literature,î in which Sebald talks exclusively about his use of photographs. It contains some of Sebald's most illuminating and poetic remarks about the topic yet.
Searching for Sebald
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$46.00
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Résumé:
W.G. Sebaldís books are sui generis hybrids of fiction, travelogue, autobiography and historical expose, in which a narrator (both Sebald and not Sebald) comments on the quick blossoming of natural wonders and the long deaths that come of human atrocities. All his narratives are punctuated with images--murky photographs, architectural plans, engravings, paintings, newspaper clippings--inserted into the prose without captions and often without obvious connection to the words that surround them. This important volume includes a rare 1993 interview called ì'But the written word is not a true document': A Conversation with W.G. Sebald about Photography and Literature,î in which Sebald talks exclusively about his use of photographs. It contains some of Sebald's most illuminating and poetic remarks about the topic yet.
Classification:
livres
livres
Publication:
mai 2006, Los Angeles
mai 2006, Los Angeles
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Prix:
$90.00
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Résumé:
"Things as they are" presents the story of photojournalism over fifty years, from 1955 until today. It takes us from the golden era of the illustrated press—the heyday of Life magazine and Picture Post, and the moment of the Museum of Modern Art’s defining Family of Man exhibition—to the explosion of digital media in the twenty-first century. This history is told through(...)
$90.00
(disponible sur commande)
Résumé:
"Things as they are" presents the story of photojournalism over fifty years, from 1955 until today. It takes us from the golden era of the illustrated press—the heyday of Life magazine and Picture Post, and the moment of the Museum of Modern Art’s defining Family of Man exhibition—to the explosion of digital media in the twenty-first century. This history is told through(...)
Publication:
mars 2006, New York
mars 2006, New York
Titre:
Things as they are : photojournalism in context since 1955
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$90.00
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Résumé:
"Things as they are" presents the story of photojournalism over fifty years, from 1955 until today. It takes us from the golden era of the illustrated press—the heyday of Life magazine and Picture Post, and the moment of the Museum of Modern Art’s defining Family of Man exhibition—to the explosion of digital media in the twenty-first century. This history is told through the presentation of 125 photojournalism features shot and published throughout the world. These stories are presented in context—shown on the pages of newspapers and magazines, as the public originally experienced them. In this way, "Things as they are" reveals how the events of the world, the art of photographers, and the interests of publishers and the press converged on the printed page. It traces how photojournalism has developed over time alongside changing technology, media, fashions in photography—and a changing world. It includes photo-essays by photographers such as W. Eugene Smith, Sebastião Salgado, Mary Ellen Mark, and James Nachtwey, each accompanied by commentary. An international panel of one hundred photographers, editors, art directors, historians, and magazine collectors has made the final selections for the book. They have chosen stories that exemplify the highest quality of work published around the world during each period as well as stories that have played a key role in shaping the history of photojournalism itself, demonstrating important innovations in photography and in publishing. The book includes a preface by Michiel Munneke, director of World Press Photo; a foreword by Christian Caujolle, curator and founder of Agence Vu Press; an introduction by Mary Panzer that considers the past, present, and future of photojournalism; and a timeline of the period illustrated with iconic winners of the annual World Press Photo awards.
Things as they are : photojournalism in context since 1955
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$90.00
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Résumé:
"Things as they are" presents the story of photojournalism over fifty years, from 1955 until today. It takes us from the golden era of the illustrated press—the heyday of Life magazine and Picture Post, and the moment of the Museum of Modern Art’s defining Family of Man exhibition—to the explosion of digital media in the twenty-first century. This history is told through the presentation of 125 photojournalism features shot and published throughout the world. These stories are presented in context—shown on the pages of newspapers and magazines, as the public originally experienced them. In this way, "Things as they are" reveals how the events of the world, the art of photographers, and the interests of publishers and the press converged on the printed page. It traces how photojournalism has developed over time alongside changing technology, media, fashions in photography—and a changing world. It includes photo-essays by photographers such as W. Eugene Smith, Sebastião Salgado, Mary Ellen Mark, and James Nachtwey, each accompanied by commentary. An international panel of one hundred photographers, editors, art directors, historians, and magazine collectors has made the final selections for the book. They have chosen stories that exemplify the highest quality of work published around the world during each period as well as stories that have played a key role in shaping the history of photojournalism itself, demonstrating important innovations in photography and in publishing. The book includes a preface by Michiel Munneke, director of World Press Photo; a foreword by Christian Caujolle, curator and founder of Agence Vu Press; an introduction by Mary Panzer that considers the past, present, and future of photojournalism; and a timeline of the period illustrated with iconic winners of the annual World Press Photo awards.
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livres
livres
Publication:
mars 2006, New York
mars 2006, New York
Classification:
livres
livres
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The cased photographic portrait was fashionable from the early 1840s until the end of the 1860s. Around it grew a considerable industry supplying everything from simple leather covered cases, to sophisticated creations in moulded thermoplastic. This book looks at the photographic portrait from daguerrotype to carte de visite, and at the range of cases in which it was(...)
$61.95
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The cased photographic portrait was fashionable from the early 1840s until the end of the 1860s. Around it grew a considerable industry supplying everything from simple leather covered cases, to sophisticated creations in moulded thermoplastic. This book looks at the photographic portrait from daguerrotype to carte de visite, and at the range of cases in which it was(...)
Titre:
Case histories : the presentation of the photographic portrait 1840-1875
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The cased photographic portrait was fashionable from the early 1840s until the end of the 1860s. Around it grew a considerable industry supplying everything from simple leather covered cases, to sophisticated creations in moulded thermoplastic. This book looks at the photographic portrait from daguerrotype to carte de visite, and at the range of cases in which it was marketed. The cased Victorian photographic portrait was a sophisticated product, with the delicate hand-colouring of the image echoed in the colours of the protective velvet pad and trim with which the case was finished. Hitherto, the relationship between the portrait and its packaging and presentation has not been explored in book form. " Case histories " also highlights British manufacturers of cases and trims, and identifies the only British manufacturer yet found who made moulded thermoplastic cases. Such was the importance of the cased photographic portrait, that moulded picture cases were one of the world’s first uses for moulded plastic.
Case histories : the presentation of the photographic portrait 1840-1875
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$61.95
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Résumé:
The cased photographic portrait was fashionable from the early 1840s until the end of the 1860s. Around it grew a considerable industry supplying everything from simple leather covered cases, to sophisticated creations in moulded thermoplastic. This book looks at the photographic portrait from daguerrotype to carte de visite, and at the range of cases in which it was marketed. The cased Victorian photographic portrait was a sophisticated product, with the delicate hand-colouring of the image echoed in the colours of the protective velvet pad and trim with which the case was finished. Hitherto, the relationship between the portrait and its packaging and presentation has not been explored in book form. " Case histories " also highlights British manufacturers of cases and trims, and identifies the only British manufacturer yet found who made moulded thermoplastic cases. Such was the importance of the cased photographic portrait, that moulded picture cases were one of the world’s first uses for moulded plastic.
Classification:
livres
livres
Publication:
janvier 1900, Suffolk
janvier 1900, Suffolk
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$24.95
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The old dream of social belonging and political sovereignty--the dream of nation--was fraught with anxiety and contradiction for many artists and intellectuals in the 1950s. On the one hand, memories of the Second World War remained vivid and the chauvinism that had enabled it threatened to return with the growing tensions of the Cold War. On the other hand, the need to(...)
$24.95
(disponible sur commande)
Résumé:
The old dream of social belonging and political sovereignty--the dream of nation--was fraught with anxiety and contradiction for many artists and intellectuals in the 1950s. On the one hand, memories of the Second World War remained vivid and the chauvinism that had enabled it threatened to return with the growing tensions of the Cold War. On the other hand, the need to(...)
Titre:
The pivot of the world : photography and its nation
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The old dream of social belonging and political sovereignty--the dream of nation--was fraught with anxiety and contradiction for many artists and intellectuals in the 1950s. On the one hand, memories of the Second World War remained vivid and the chauvinism that had enabled it threatened to return with the growing tensions of the Cold War. On the other hand, the need to bind together into a new global identity--into a world nation or "family of man"--seemed ever more pressing as a bulwark against the rapidly expanding threat of a nuclear World War III. The Pivot of the World looks at an exceptional effort to work out that geopolitical tension by cultural means as developed in three hugely ambitious photographic projects: The Family of Man exhibition that opened in 1955 and traveled the world for the next decade; Robert Frank's influential book The Americans, photographed in 1955-1956 and first published in 1958; and Bernd and Hilla Becher's typological record of industrial architecture, begun in 1957 and continuing today. Each of these projects worked to release the dream of nation--of belonging and sovereignty--from its old civic trappings through the medium of photography's serial form, in the experience of one photograph followed by another and another and another, so that all seem at once intimately connected and at the same time autonomous and distinct. Innovations in the serial composition of photographic form could open new possibilities for social form while the modern desire for political belonging could be made cosmopolitan, could be globalized--but in the most human of ways. This epic sense of purpose lasted only for a moment--it had already passed by the beginning of the 1960s--but it bears particular interest for any historical understanding of the contest over globalization that continues to hold such great consequence for us now.
The pivot of the world : photography and its nation
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Prix:
$24.95
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Résumé:
The old dream of social belonging and political sovereignty--the dream of nation--was fraught with anxiety and contradiction for many artists and intellectuals in the 1950s. On the one hand, memories of the Second World War remained vivid and the chauvinism that had enabled it threatened to return with the growing tensions of the Cold War. On the other hand, the need to bind together into a new global identity--into a world nation or "family of man"--seemed ever more pressing as a bulwark against the rapidly expanding threat of a nuclear World War III. The Pivot of the World looks at an exceptional effort to work out that geopolitical tension by cultural means as developed in three hugely ambitious photographic projects: The Family of Man exhibition that opened in 1955 and traveled the world for the next decade; Robert Frank's influential book The Americans, photographed in 1955-1956 and first published in 1958; and Bernd and Hilla Becher's typological record of industrial architecture, begun in 1957 and continuing today. Each of these projects worked to release the dream of nation--of belonging and sovereignty--from its old civic trappings through the medium of photography's serial form, in the experience of one photograph followed by another and another and another, so that all seem at once intimately connected and at the same time autonomous and distinct. Innovations in the serial composition of photographic form could open new possibilities for social form while the modern desire for political belonging could be made cosmopolitan, could be globalized--but in the most human of ways. This epic sense of purpose lasted only for a moment--it had already passed by the beginning of the 1960s--but it bears particular interest for any historical understanding of the contest over globalization that continues to hold such great consequence for us now.
Classification:
livres
livres
Publication:
janvier 2006, Cambridge, Mass.
janvier 2006, Cambridge, Mass.
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$65.95
(disponible sur commande)
Résumé:
Arababic. Shocking Photos Chilling documents Secrets revealed The amazing scoop from the Al-Zur News agency. A Project by Joan Fontcuberta. In November 2006 Al-Zur the Qatar-based news agency] photojounalists, Mohammed ben Kalish Ezab and Omar ben Salaad, pulled off one of the most stunning scoops in the annals of investigative journalism. Ben Kalish and Ben Salaad(...)
$65.95
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Arababic. Shocking Photos Chilling documents Secrets revealed The amazing scoop from the Al-Zur News agency. A Project by Joan Fontcuberta. In November 2006 Al-Zur the Qatar-based news agency] photojounalists, Mohammed ben Kalish Ezab and Omar ben Salaad, pulled off one of the most stunning scoops in the annals of investigative journalism. Ben Kalish and Ben Salaad(...)
Titre:
Deconstructing Osama: the truth about the case of Manbaa Mokfhi
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$65.95
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Arababic. Shocking Photos Chilling documents Secrets revealed The amazing scoop from the Al-Zur News agency. A Project by Joan Fontcuberta. In November 2006 Al-Zur the Qatar-based news agency] photojounalists, Mohammed ben Kalish Ezab and Omar ben Salaad, pulled off one of the most stunning scoops in the annals of investigative journalism. Ben Kalish and Ben Salaad followed the trail of Dr. Fasqiyta-Ul Junat, a leader of Al Qaeda's military wing. This is how Joan Fontcuberta's latest fiction project starts. A complex and ironic vision of how Western World envisages the arabic world.
Deconstructing Osama: the truth about the case of Manbaa Mokfhi
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$65.95
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Résumé:
Arababic. Shocking Photos Chilling documents Secrets revealed The amazing scoop from the Al-Zur News agency. A Project by Joan Fontcuberta. In November 2006 Al-Zur the Qatar-based news agency] photojounalists, Mohammed ben Kalish Ezab and Omar ben Salaad, pulled off one of the most stunning scoops in the annals of investigative journalism. Ben Kalish and Ben Salaad followed the trail of Dr. Fasqiyta-Ul Junat, a leader of Al Qaeda's military wing. This is how Joan Fontcuberta's latest fiction project starts. A complex and ironic vision of how Western World envisages the arabic world.
Classification:
livres
livres
Publication:
février 2009
février 2009
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Eco/structure Red Dwellings
Eco/structure Red Dwellings
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This volume comprises the latest photography of musician and photographer Wang Di, best known for his photo-documentation of punk rock in China in the 1990s. In this series, the approach is the same, raw photographic documents of 'red dwellings' - remnants from a Soviet past. Wang Di's photography focuses on the distinctive Soviet style of architecture in Beijing from the(...)
$60.00
(disponible sur commande)
Résumé:
This volume comprises the latest photography of musician and photographer Wang Di, best known for his photo-documentation of punk rock in China in the 1990s. In this series, the approach is the same, raw photographic documents of 'red dwellings' - remnants from a Soviet past. Wang Di's photography focuses on the distinctive Soviet style of architecture in Beijing from the(...)
Titre:
Eco/structure Red Dwellings
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$60.00
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Résumé:
This volume comprises the latest photography of musician and photographer Wang Di, best known for his photo-documentation of punk rock in China in the 1990s. In this series, the approach is the same, raw photographic documents of 'red dwellings' - remnants from a Soviet past. Wang Di's photography focuses on the distinctive Soviet style of architecture in Beijing from the 50's to the 70's, both interiors and exteriors. The Russian style architecture reflects the particular social condition of the period.
Eco/structure Red Dwellings
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$60.00
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Résumé:
This volume comprises the latest photography of musician and photographer Wang Di, best known for his photo-documentation of punk rock in China in the 1990s. In this series, the approach is the same, raw photographic documents of 'red dwellings' - remnants from a Soviet past. Wang Di's photography focuses on the distinctive Soviet style of architecture in Beijing from the 50's to the 70's, both interiors and exteriors. The Russian style architecture reflects the particular social condition of the period.
Classification:
livres
livres
Publication:
juillet 2009, Beijing
juillet 2009, Beijing
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Michael Schmelling: the plan
Michael Schmelling: the plan
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$54.00
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Between 2003 and 2005, Michael Schmelling photographed 12 private residences in the company of Disaster Masters, a New York-based company specializing in cleaning up homes and counseling compulsive hoarders. Featuring 490 photographs printed in black-and-white on 576 newsprint pages, this volume devotes one chapter to each home--producing an arresting art object and a(...)
$54.00
(disponible sur commande)
Résumé:
Between 2003 and 2005, Michael Schmelling photographed 12 private residences in the company of Disaster Masters, a New York-based company specializing in cleaning up homes and counseling compulsive hoarders. Featuring 490 photographs printed in black-and-white on 576 newsprint pages, this volume devotes one chapter to each home--producing an arresting art object and a(...)
Titre:
Michael Schmelling: the plan
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$54.00
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Résumé:
Between 2003 and 2005, Michael Schmelling photographed 12 private residences in the company of Disaster Masters, a New York-based company specializing in cleaning up homes and counseling compulsive hoarders. Featuring 490 photographs printed in black-and-white on 576 newsprint pages, this volume devotes one chapter to each home--producing an arresting art object and a fantastic document of urban archaeology and psychology.
Michael Schmelling: the plan
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$54.00
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Résumé:
Between 2003 and 2005, Michael Schmelling photographed 12 private residences in the company of Disaster Masters, a New York-based company specializing in cleaning up homes and counseling compulsive hoarders. Featuring 490 photographs printed in black-and-white on 576 newsprint pages, this volume devotes one chapter to each home--producing an arresting art object and a fantastic document of urban archaeology and psychology.
Classification:
livres
livres
Publication:
mai 2009, Atlanta
mai 2009, Atlanta
Sujet:
Théorie de la photographie
Théorie de la photographie
