448 Résultats
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The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with(...)
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The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with(...)
Titre:
The corporeal life of seafaring
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The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with adversities – loneliness, loss, and violence, stolen wages and exploitative shipowners – as well as ephemeral moments of joy and solidarity. In the unique arena of the ship, Khalili traces the many forms of corporeality involved in work at sea and the ways the body is engaged by the institutions that engulf seafarers’ lives and work. Illustrated throughout with the author’s own photographs, this book takes in both scholarly and literary accounts to describe with care and imagination the material and physical realities of contemporary commerce at sea. Drawing on the insights of feminists and scholars of racial capitalism, it centres the lives of those so often forgotten or dismissed in enterprises of capital accumulation and the raced and gendered hierarchies that shape them.
The corporeal life of seafaring
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The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with adversities – loneliness, loss, and violence, stolen wages and exploitative shipowners – as well as ephemeral moments of joy and solidarity. In the unique arena of the ship, Khalili traces the many forms of corporeality involved in work at sea and the ways the body is engaged by the institutions that engulf seafarers’ lives and work. Illustrated throughout with the author’s own photographs, this book takes in both scholarly and literary accounts to describe with care and imagination the material and physical realities of contemporary commerce at sea. Drawing on the insights of feminists and scholars of racial capitalism, it centres the lives of those so often forgotten or dismissed in enterprises of capital accumulation and the raced and gendered hierarchies that shape them.
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livres
livres
Publication:
février 2024
février 2024
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livres
livres
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Giulia Paoletti takes readers on a visual journey from the 1840s, when the oldest-surviving daguerreotype from West Africa was made, to the 1960s, when photography became the most popular medium as Senegal achieved its independence. She discusses some of Africa’s most celebrated modernists, such as Mama Casset, and also offers insights into lesser-known photographers like(...)
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Giulia Paoletti takes readers on a visual journey from the 1840s, when the oldest-surviving daguerreotype from West Africa was made, to the 1960s, when photography became the most popular medium as Senegal achieved its independence. She discusses some of Africa’s most celebrated modernists, such as Mama Casset, and also offers insights into lesser-known photographers like(...)
Titre:
Portrait and place: Photography in Senegal 1860-1940
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Giulia Paoletti takes readers on a visual journey from the 1840s, when the oldest-surviving daguerreotype from West Africa was made, to the 1960s, when photography became the most popular medium as Senegal achieved its independence. She discusses some of Africa’s most celebrated modernists, such as Mama Casset, and also offers insights into lesser-known photographers like Oumar Ka and once-anonymous figures such as Macky Kane. Paoletti examines both professional and amateur artists in genres ranging from portraiture to landscape and across media such as glass painting and lithography.
Portrait and place: Photography in Senegal 1860-1940
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Giulia Paoletti takes readers on a visual journey from the 1840s, when the oldest-surviving daguerreotype from West Africa was made, to the 1960s, when photography became the most popular medium as Senegal achieved its independence. She discusses some of Africa’s most celebrated modernists, such as Mama Casset, and also offers insights into lesser-known photographers like Oumar Ka and once-anonymous figures such as Macky Kane. Paoletti examines both professional and amateur artists in genres ranging from portraiture to landscape and across media such as glass painting and lithography.
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livres
livres
Publication:
mars 2024
mars 2024
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$68.95
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You may have found an old Konica at the thrift store or inherited a Leica, or you may be one of the many younger photographers who are being drawn to analogue for the first time, as a way to enrich and expand their practice. In either case, this book provides all the information needed to help you understand your camera and get out and start using it. The fundamental(...)
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You may have found an old Konica at the thrift store or inherited a Leica, or you may be one of the many younger photographers who are being drawn to analogue for the first time, as a way to enrich and expand their practice. In either case, this book provides all the information needed to help you understand your camera and get out and start using it. The fundamental(...)
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Analogue photography: Refence manual for shooting film
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You may have found an old Konica at the thrift store or inherited a Leica, or you may be one of the many younger photographers who are being drawn to analogue for the first time, as a way to enrich and expand their practice. In either case, this book provides all the information needed to help you understand your camera and get out and start using it. The fundamental technical sides of both cameras and photography are covered. There are, however, no tips on how to take "better" photos, no sections on lines and shapes, silhouettes, texture or composition. This is purely a technical manual: once you have mastered the mechanics of photography, you will have total creative control over your camera, a tool for taking photos exactly as you want them. Whether as a primer or a reference manual, this is the perfect book to (re)kindle your love of analogue photography.
Analogue photography: Refence manual for shooting film
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You may have found an old Konica at the thrift store or inherited a Leica, or you may be one of the many younger photographers who are being drawn to analogue for the first time, as a way to enrich and expand their practice. In either case, this book provides all the information needed to help you understand your camera and get out and start using it. The fundamental technical sides of both cameras and photography are covered. There are, however, no tips on how to take "better" photos, no sections on lines and shapes, silhouettes, texture or composition. This is purely a technical manual: once you have mastered the mechanics of photography, you will have total creative control over your camera, a tool for taking photos exactly as you want them. Whether as a primer or a reference manual, this is the perfect book to (re)kindle your love of analogue photography.
Classification:
livres
livres
Publication:
janvier 2017
janvier 2017
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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This book offers a portrait of the lives and struggles of Palestinians living in the occupied Palestinian territories on the West Bank, in particular the South Hebron Hills and the Jordan Valley. Among the topics highlighted are house demolitions; confrontations between Palestinian shepherds or farmers and Israeli settlers, soldiers, and police; the daily challenges of(...)
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This book offers a portrait of the lives and struggles of Palestinians living in the occupied Palestinian territories on the West Bank, in particular the South Hebron Hills and the Jordan Valley. Among the topics highlighted are house demolitions; confrontations between Palestinian shepherds or farmers and Israeli settlers, soldiers, and police; the daily challenges of(...)
Titre:
The bitter landscapes of Palestine
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This book offers a portrait of the lives and struggles of Palestinians living in the occupied Palestinian territories on the West Bank, in particular the South Hebron Hills and the Jordan Valley. Among the topics highlighted are house demolitions; confrontations between Palestinian shepherds or farmers and Israeli settlers, soldiers, and police; the daily challenges of sheer existence posed by the occupation system, intent on pushing Palestinians off their land; and the tenacity and courage that these conditions require. The book endeavors to impart to the reader a sense of the beauty of the landscape, the sound of the language, the taste of friendships, and the richness of a way of life that is threatened with extinction. Voices of activists, both Palestinian and Jewish, are also present. The introduction sets forth, in brief, the historical context that generated present realities in Palestine as well as the history of the authors’ partnership. The book’s viewpoint reflects many years of activism on the peace and human rights front in Palestine as well as an ongoing conversation between two authors who have experienced together the continually renewed astonishment that comes with such encounters.
The bitter landscapes of Palestine
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This book offers a portrait of the lives and struggles of Palestinians living in the occupied Palestinian territories on the West Bank, in particular the South Hebron Hills and the Jordan Valley. Among the topics highlighted are house demolitions; confrontations between Palestinian shepherds or farmers and Israeli settlers, soldiers, and police; the daily challenges of sheer existence posed by the occupation system, intent on pushing Palestinians off their land; and the tenacity and courage that these conditions require. The book endeavors to impart to the reader a sense of the beauty of the landscape, the sound of the language, the taste of friendships, and the richness of a way of life that is threatened with extinction. Voices of activists, both Palestinian and Jewish, are also present. The introduction sets forth, in brief, the historical context that generated present realities in Palestine as well as the history of the authors’ partnership. The book’s viewpoint reflects many years of activism on the peace and human rights front in Palestine as well as an ongoing conversation between two authors who have experienced together the continually renewed astonishment that comes with such encounters.
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livres
livres
Publication:
juillet 2024
juillet 2024
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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"Committing to paper the movements, postures, and words of the people I meet gives me the illusion that I am close to them. I don’t speak to them, I only watch them and listen to them. Yet the emotions they arouse in me are real. I may also be trying to discover something about myself through them, their attitudes or their conversations." Taking Annie Ernaux’s unique(...)
$55.00
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"Committing to paper the movements, postures, and words of the people I meet gives me the illusion that I am close to them. I don’t speak to them, I only watch them and listen to them. Yet the emotions they arouse in me are real. I may also be trying to discover something about myself through them, their attitudes or their conversations." Taking Annie Ernaux’s unique(...)
Publication:
mars 2024
mars 2024
Titre:
Exteriors: Annie Ernaud and photography
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"Committing to paper the movements, postures, and words of the people I meet gives me the illusion that I am close to them. I don’t speak to them, I only watch them and listen to them. Yet the emotions they arouse in me are real. I may also be trying to discover something about myself through them, their attitudes or their conversations." Taking Annie Ernaux’s unique artistic endeavour to "describe reality as through the eyes of a photographer and to preserve the mystery and opacity of the lives I encountered," this project by writer and curator Lou Stoppard uncovers the profound ways the written and visual image can inform and inflect on one another. In doing so, it proposes a new way of thinking about literature and photography, and the ways in which shared themes – such as class, travel, social stereotypes, and individual identity within the modern urban environment – might be explored between these two forms.
Exteriors: Annie Ernaud and photography
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"Committing to paper the movements, postures, and words of the people I meet gives me the illusion that I am close to them. I don’t speak to them, I only watch them and listen to them. Yet the emotions they arouse in me are real. I may also be trying to discover something about myself through them, their attitudes or their conversations." Taking Annie Ernaux’s unique artistic endeavour to "describe reality as through the eyes of a photographer and to preserve the mystery and opacity of the lives I encountered," this project by writer and curator Lou Stoppard uncovers the profound ways the written and visual image can inform and inflect on one another. In doing so, it proposes a new way of thinking about literature and photography, and the ways in which shared themes – such as class, travel, social stereotypes, and individual identity within the modern urban environment – might be explored between these two forms.
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livres
livres
Publication:
mars 2024
mars 2024
Classification:
livres
livres
Titre:
Those twenties
Those twenties
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The two Essen-based photographers Petra Wittmar and Ulrich Deimel have been considered top league German architecture photographers since their participation in the Venice Architecture Biennale in 1996. Their latest chosen task has been a documentary photographic presentation of architecture from the period between the wars in North-Rhine Westphalia. Important master(...)
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The two Essen-based photographers Petra Wittmar and Ulrich Deimel have been considered top league German architecture photographers since their participation in the Venice Architecture Biennale in 1996. Their latest chosen task has been a documentary photographic presentation of architecture from the period between the wars in North-Rhine Westphalia. Important master(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
juillet 2003, Ostfildern-Ruit
juillet 2003, Ostfildern-Ruit
Titre:
Those twenties
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The two Essen-based photographers Petra Wittmar and Ulrich Deimel have been considered top league German architecture photographers since their participation in the Venice Architecture Biennale in 1996. Their latest chosen task has been a documentary photographic presentation of architecture from the period between the wars in North-Rhine Westphalia. Important master builders such as Dominikus Böhm, Fritz Schupp, Peter Behrens or Bruno Paul created structures in the Rhine-Ruhr area. The mine building Zollverein by Schupp/Kremer at Essen can hardly be matched for its functionalist austerity and aesthetic homogeneity, the elegance of the Disch house by Bruno Paul in Cologne has set standards. The photographers also discovered and payed tribute to a number of unknown master pieces, presenting an assembly of portraits of architecture from this era, with characteristic and often surprising details.
Those twenties
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The two Essen-based photographers Petra Wittmar and Ulrich Deimel have been considered top league German architecture photographers since their participation in the Venice Architecture Biennale in 1996. Their latest chosen task has been a documentary photographic presentation of architecture from the period between the wars in North-Rhine Westphalia. Important master builders such as Dominikus Böhm, Fritz Schupp, Peter Behrens or Bruno Paul created structures in the Rhine-Ruhr area. The mine building Zollverein by Schupp/Kremer at Essen can hardly be matched for its functionalist austerity and aesthetic homogeneity, the elegance of the Disch house by Bruno Paul in Cologne has set standards. The photographers also discovered and payed tribute to a number of unknown master pieces, presenting an assembly of portraits of architecture from this era, with characteristic and often surprising details.
Classification:
livres
livres
Publication:
juillet 2003, Ostfildern-Ruit
juillet 2003, Ostfildern-Ruit
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$63.00
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Résumé:
In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from(...)
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In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from(...)
Titre:
The last picture show : artists using photography 1960 - 1982
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In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from their first glimmerings in the 1960's in the work of artists such as Bernd and Hilla Becher, Bruce Nauman, and Edward Ruscha to their rise to art world prominence in the work of the Picture Theory artists of the late 1970's and early 1980's, including Silvia Kolbowski, Richard Prince, and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the exhibition catalogue includes a wide array of works by Vito Acconci, John Baldessari, Gilbert & George, Yves Klein, Barbara Kruger, Gordon Matta-Clark, Charles Ray, Jeff Wall, Andy Warhol, William Wegman, and others.
The last picture show : artists using photography 1960 - 1982
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In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from their first glimmerings in the 1960's in the work of artists such as Bernd and Hilla Becher, Bruce Nauman, and Edward Ruscha to their rise to art world prominence in the work of the Picture Theory artists of the late 1970's and early 1980's, including Silvia Kolbowski, Richard Prince, and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the exhibition catalogue includes a wide array of works by Vito Acconci, John Baldessari, Gilbert & George, Yves Klein, Barbara Kruger, Gordon Matta-Clark, Charles Ray, Jeff Wall, Andy Warhol, William Wegman, and others.
Classification:
livres
livres
Publication:
novembre 2003, Minneapolis
novembre 2003, Minneapolis
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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Le 7 janvier 1839, le physicien François Arago, lors d'une séance de l'Académie des sciences de Paris, présente un nouveau procédé permettant de reproduire de manière mécanique et chimique, sans intervention manuelle, les images qui se forment dans la chambre obscure : le daguerréotype, marquant ainsi la naissance officielle de la photographie. Image unique, sur plaque(...)
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Le 7 janvier 1839, le physicien François Arago, lors d'une séance de l'Académie des sciences de Paris, présente un nouveau procédé permettant de reproduire de manière mécanique et chimique, sans intervention manuelle, les images qui se forment dans la chambre obscure : le daguerréotype, marquant ainsi la naissance officielle de la photographie. Image unique, sur plaque(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
mai 2003, Paris
mai 2003, Paris
Titre:
Le daguerréotype français : un objet photographique
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Le 7 janvier 1839, le physicien François Arago, lors d'une séance de l'Académie des sciences de Paris, présente un nouveau procédé permettant de reproduire de manière mécanique et chimique, sans intervention manuelle, les images qui se forment dans la chambre obscure : le daguerréotype, marquant ainsi la naissance officielle de la photographie. Image unique, sur plaque de cuivre recouverte d'argent, aux reflets changeants, polie, et souvent réfléchissante comme un miroir, l'invention de Daguerre devait définitivement modifier le regard posé sur le monde et ses représentations, artistiques comme scientifiques. C'est bien cet un art nouveau au milieu d'une vieille civilisation », selon les propres termes du savant Gay-Lussac en 1839, que l'exposition et cet ouvrage entendent faire découvrir en s'attachant à la production française, dans toute sa diversité.
Le daguerréotype français : un objet photographique
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Le 7 janvier 1839, le physicien François Arago, lors d'une séance de l'Académie des sciences de Paris, présente un nouveau procédé permettant de reproduire de manière mécanique et chimique, sans intervention manuelle, les images qui se forment dans la chambre obscure : le daguerréotype, marquant ainsi la naissance officielle de la photographie. Image unique, sur plaque de cuivre recouverte d'argent, aux reflets changeants, polie, et souvent réfléchissante comme un miroir, l'invention de Daguerre devait définitivement modifier le regard posé sur le monde et ses représentations, artistiques comme scientifiques. C'est bien cet un art nouveau au milieu d'une vieille civilisation », selon les propres termes du savant Gay-Lussac en 1839, que l'exposition et cet ouvrage entendent faire découvrir en s'attachant à la production française, dans toute sa diversité.
Classification:
livres
livres
Publication:
mai 2003, Paris
mai 2003, Paris
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$29.95
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Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally(...)
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Résumé:
Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
mars 2003, Durham, N.C.
mars 2003, Durham, N.C.
Titre:
Photography's other histories
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Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally disseminated and locally appropriated medium. Essays firmly grounded in photographic practice — in the actual making of pictures — suggest the extraordinary diversity of nonwestern photography "Photography’s Other Histories" explores from a variety of geographic, cultural, and historic perspectives the role of photography in raising historical consciousness. It includes two first-person pieces by indigenous Australians and one by a Seminole/Muskogee/Diné artist. Some of the essays analyze representations of colonial subjects—from the limited ways Westerners have depicted Navajos to Japanese photos recording the occupation of Manchuria and from the changing nature of the "contract" between Aboriginal subjects and photographers to the surprising range of cultural influences evident in the photographs colonialist F. R. Barton took in New Guinea in the late 1800s and early 1900s. Focusing on photographic self-fashioning and the development of vernacular modernisms, other essays highlight the visionary quality of much popular photography. Case studies centered in early-twentieth-century Peru and contemporary India, Kenya, and Nigeria chronicle the diverse practices that have flourished in postcolonial societies. "Photography’s Other Histories" recasts popular photography around the world, as not simply reproducing culture but creating it.
Photography's other histories
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Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally disseminated and locally appropriated medium. Essays firmly grounded in photographic practice — in the actual making of pictures — suggest the extraordinary diversity of nonwestern photography "Photography’s Other Histories" explores from a variety of geographic, cultural, and historic perspectives the role of photography in raising historical consciousness. It includes two first-person pieces by indigenous Australians and one by a Seminole/Muskogee/Diné artist. Some of the essays analyze representations of colonial subjects—from the limited ways Westerners have depicted Navajos to Japanese photos recording the occupation of Manchuria and from the changing nature of the "contract" between Aboriginal subjects and photographers to the surprising range of cultural influences evident in the photographs colonialist F. R. Barton took in New Guinea in the late 1800s and early 1900s. Focusing on photographic self-fashioning and the development of vernacular modernisms, other essays highlight the visionary quality of much popular photography. Case studies centered in early-twentieth-century Peru and contemporary India, Kenya, and Nigeria chronicle the diverse practices that have flourished in postcolonial societies. "Photography’s Other Histories" recasts popular photography around the world, as not simply reproducing culture but creating it.
Classification:
livres
livres
Publication:
mars 2003, Durham, N.C.
mars 2003, Durham, N.C.
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Art and photography
Art and photography
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$115.00
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Résumé:
"Art and Photography" is the first book of its kind to survey the major presence of photography in artistic practice from the 1960s onwards. Today photography is art's pre-eminent medium, yet it took the whole of the last century for it to acquire this status. On its invention, the photograph was considered a purely mechanical, artless object which could not be considered(...)
$115.00
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Résumé:
"Art and Photography" is the first book of its kind to survey the major presence of photography in artistic practice from the 1960s onwards. Today photography is art's pre-eminent medium, yet it took the whole of the last century for it to acquire this status. On its invention, the photograph was considered a purely mechanical, artless object which could not be considered(...)
Titre:
Art and photography
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$115.00
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Résumé:
"Art and Photography" is the first book of its kind to survey the major presence of photography in artistic practice from the 1960s onwards. Today photography is art's pre-eminent medium, yet it took the whole of the last century for it to acquire this status. On its invention, the photograph was considered a purely mechanical, artless object which could not be considered among the fine arts. Despite its increasing use by the century's most significant artists, only since the late 1960s have art museums gradually begun to exhibit and acquire the photograph as an artwork. This volume provides an authoritative overview of photography's place in recent art history, contextualised in the Documents section by original artists statements and interviews, and texts by leading critics, writers and theorists of the late twentieth century.
Art and photography
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$115.00
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"Art and Photography" is the first book of its kind to survey the major presence of photography in artistic practice from the 1960s onwards. Today photography is art's pre-eminent medium, yet it took the whole of the last century for it to acquire this status. On its invention, the photograph was considered a purely mechanical, artless object which could not be considered among the fine arts. Despite its increasing use by the century's most significant artists, only since the late 1960s have art museums gradually begun to exhibit and acquire the photograph as an artwork. This volume provides an authoritative overview of photography's place in recent art history, contextualised in the Documents section by original artists statements and interviews, and texts by leading critics, writers and theorists of the late twentieth century.
Classification:
livres
livres
Publication:
août 2003, London
août 2003, London
Sujet:
Théorie de la photographie
Théorie de la photographie
