433 Résultats
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livres
livres
Titre:
Callahan, Siskind, Sommer
Callahan, Siskind, Sommer
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This exquisitely produced exhibition catalogue highlights the powerful role of such camaraderie in shaping photography at this seminal time, before the emergence of a market for photography and before widespread artistic acceptance of the medium. It brings to light contrasting philosophies of the artist/photographer's role (influenced by Existentialism for Siskind and by(...)
$63.00
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Résumé:
This exquisitely produced exhibition catalogue highlights the powerful role of such camaraderie in shaping photography at this seminal time, before the emergence of a market for photography and before widespread artistic acceptance of the medium. It brings to light contrasting philosophies of the artist/photographer's role (influenced by Existentialism for Siskind and by(...)
Titre:
Callahan, Siskind, Sommer
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$63.00
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Résumé:
This exquisitely produced exhibition catalogue highlights the powerful role of such camaraderie in shaping photography at this seminal time, before the emergence of a market for photography and before widespread artistic acceptance of the medium. It brings to light contrasting philosophies of the artist/photographer's role (influenced by Existentialism for Siskind and by the writings of Spinoza for Sommer), the interest in chance as an artistic process, the expressive potential of photographic found objects and collage, experimental abstraction, close affiliations with fine art movements (New Bauhaus, Abstract Expressionism and Surrealism), and changing attitudes toward the fine-print tradition.
Callahan, Siskind, Sommer
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This exquisitely produced exhibition catalogue highlights the powerful role of such camaraderie in shaping photography at this seminal time, before the emergence of a market for photography and before widespread artistic acceptance of the medium. It brings to light contrasting philosophies of the artist/photographer's role (influenced by Existentialism for Siskind and by the writings of Spinoza for Sommer), the interest in chance as an artistic process, the expressive potential of photographic found objects and collage, experimental abstraction, close affiliations with fine art movements (New Bauhaus, Abstract Expressionism and Surrealism), and changing attitudes toward the fine-print tradition.
Classification:
livres
livres
Publication:
janvier 2009, New York
janvier 2009, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$51.00
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Into the Sunset examines how photography has pictured, established and transformed the idea of the American West, from 1850 to the present. The development of photography coincided with the exploration and settlement of the West, and this simultaneous growth resulted in a complex relationship that has shaped the perception of that region's physical and social landscape to(...)
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Into the Sunset examines how photography has pictured, established and transformed the idea of the American West, from 1850 to the present. The development of photography coincided with the exploration and settlement of the West, and this simultaneous growth resulted in a complex relationship that has shaped the perception of that region's physical and social landscape to(...)
Titre:
Into the sunset: photography's image of the american west
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Into the Sunset examines how photography has pictured, established and transformed the idea of the American West, from 1850 to the present. The development of photography coincided with the exploration and settlement of the West, and this simultaneous growth resulted in a complex relationship that has shaped the perception of that region's physical and social landscape to this day. Published to accompany a major exhibition at The Museum of Modern Art, New York, Into the Sunset charts changing myths and cultural attitudes about the West through photographs dating from the nineteenth to the twenty-first centuries. An expansive and dynamic survey, it brings together photographers as diverse as Carleton E. Watkins and Stephen Shore, Darius Kinsey and Dorothea Lange, Robert Frank and Cindy Sherman, an unknown daguerreotypist and Richard Prince. More than 120 works are organized thematically to highlight the artists' differing views of the West's land and people.
Into the sunset: photography's image of the american west
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Into the Sunset examines how photography has pictured, established and transformed the idea of the American West, from 1850 to the present. The development of photography coincided with the exploration and settlement of the West, and this simultaneous growth resulted in a complex relationship that has shaped the perception of that region's physical and social landscape to this day. Published to accompany a major exhibition at The Museum of Modern Art, New York, Into the Sunset charts changing myths and cultural attitudes about the West through photographs dating from the nineteenth to the twenty-first centuries. An expansive and dynamic survey, it brings together photographers as diverse as Carleton E. Watkins and Stephen Shore, Darius Kinsey and Dorothea Lange, Robert Frank and Cindy Sherman, an unknown daguerreotypist and Richard Prince. More than 120 works are organized thematically to highlight the artists' differing views of the West's land and people.
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livres
livres
Publication:
janvier 2009, New York
janvier 2009, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
William Wylie: Carrara
William Wylie: Carrara
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The legendary Cava di Gioia quarry in Carrara, Italy, was the source of the luminous white marble used by Michelangelo, Bernini, Henry Moore, and other renowned sculptors. Carrara, a volume of stunning photographs by William Wylie, reveals that the beauty of the quarry itself can be as alluring as the sculptures carved from its stone. Wylie is the first photographer to(...)
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The legendary Cava di Gioia quarry in Carrara, Italy, was the source of the luminous white marble used by Michelangelo, Bernini, Henry Moore, and other renowned sculptors. Carrara, a volume of stunning photographs by William Wylie, reveals that the beauty of the quarry itself can be as alluring as the sculptures carved from its stone. Wylie is the first photographer to(...)
Titre:
William Wylie: Carrara
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The legendary Cava di Gioia quarry in Carrara, Italy, was the source of the luminous white marble used by Michelangelo, Bernini, Henry Moore, and other renowned sculptors. Carrara, a volume of stunning photographs by William Wylie, reveals that the beauty of the quarry itself can be as alluring as the sculptures carved from its stone. Wylie is the first photographer to document Cava di Gioia since Ilario Besi, early in the twentieth century. For six years, Wylie photographed the changing landscape of the quarry, and his images capture the intense physical scale of the site, the dramatic setting, and the character of the stonecutters, or cavatori, who have worked the quarry for generations. Wylie’s astonishing photographs present a remarkable panorama carved by more than twenty centuries of excavation. As well, his images of the stonecutters are sensitive portraits of men shaped by their occupation, toughened and enlivened by their work.
William Wylie: Carrara
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The legendary Cava di Gioia quarry in Carrara, Italy, was the source of the luminous white marble used by Michelangelo, Bernini, Henry Moore, and other renowned sculptors. Carrara, a volume of stunning photographs by William Wylie, reveals that the beauty of the quarry itself can be as alluring as the sculptures carved from its stone. Wylie is the first photographer to document Cava di Gioia since Ilario Besi, early in the twentieth century. For six years, Wylie photographed the changing landscape of the quarry, and his images capture the intense physical scale of the site, the dramatic setting, and the character of the stonecutters, or cavatori, who have worked the quarry for generations. Wylie’s astonishing photographs present a remarkable panorama carved by more than twenty centuries of excavation. As well, his images of the stonecutters are sensitive portraits of men shaped by their occupation, toughened and enlivened by their work.
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livres
livres
Publication:
mars 2009
mars 2009
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livres
livres
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$39.95
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This collection of Frampton's writings presents his critical essays (many written for Artforum and October) along with additional material, including lectures, correspondence, interviews, production notes, and scripts. It replaces—and supersedes—the long-unavailable Circles of Confusion, published in 1983.
$39.95
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Résumé:
This collection of Frampton's writings presents his critical essays (many written for Artforum and October) along with additional material, including lectures, correspondence, interviews, production notes, and scripts. It replaces—and supersedes—the long-unavailable Circles of Confusion, published in 1983.
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
avril 2009, Cambridge, London
avril 2009, Cambridge, London
Titre:
On the camera arts and consecutive matters: the writtings of Hollis Frampton
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This collection of Frampton's writings presents his critical essays (many written for Artforum and October) along with additional material, including lectures, correspondence, interviews, production notes, and scripts. It replaces—and supersedes—the long-unavailable Circles of Confusion, published in 1983.
On the camera arts and consecutive matters: the writtings of Hollis Frampton
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$39.95
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Résumé:
This collection of Frampton's writings presents his critical essays (many written for Artforum and October) along with additional material, including lectures, correspondence, interviews, production notes, and scripts. It replaces—and supersedes—the long-unavailable Circles of Confusion, published in 1983.
Classification:
livres
livres
Publication:
avril 2009, Cambridge, London
avril 2009, Cambridge, London
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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Paru pour la première fois en 1977, Sur la photographie est devenu le livre culte sur le sujet.
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Paru pour la première fois en 1977, Sur la photographie est devenu le livre culte sur le sujet.
Titre:
Sur la photographie: oeuvre complète
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Paru pour la première fois en 1977, Sur la photographie est devenu le livre culte sur le sujet.
Sur la photographie: oeuvre complète
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Paru pour la première fois en 1977, Sur la photographie est devenu le livre culte sur le sujet.
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livres
livres
Publication:
janvier 1900, Paris
janvier 1900, Paris
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Javier Vallhonrat: acaso
Javier Vallhonrat: acaso
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$80.00
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Résumé:
In the separate lexicon, installed at the beginning of this well conceived photographic book, Vallhonrat provides nine notes on how the images should be interpreted. Among them it is clear that his photographs explore ‘objects, places and actions,' along with ideas such as belonging, identity, and the processes of construction and transformation. Furthermore, these(...)
$80.00
(disponible en magasin)
Résumé:
In the separate lexicon, installed at the beginning of this well conceived photographic book, Vallhonrat provides nine notes on how the images should be interpreted. Among them it is clear that his photographs explore ‘objects, places and actions,' along with ideas such as belonging, identity, and the processes of construction and transformation. Furthermore, these(...)
Titre:
Javier Vallhonrat: acaso
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$80.00
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In the separate lexicon, installed at the beginning of this well conceived photographic book, Vallhonrat provides nine notes on how the images should be interpreted. Among them it is clear that his photographs explore ‘objects, places and actions,' along with ideas such as belonging, identity, and the processes of construction and transformation. Furthermore, these actions, objects and places shown in the images ‘find themselves in a no-mans land between reality, dreams and the fantasy found in children's stories.' Rich and mysterious, the 45 full colour photographs come printed, uninterrupted, one on each double page.
Javier Vallhonrat: acaso
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In the separate lexicon, installed at the beginning of this well conceived photographic book, Vallhonrat provides nine notes on how the images should be interpreted. Among them it is clear that his photographs explore ‘objects, places and actions,' along with ideas such as belonging, identity, and the processes of construction and transformation. Furthermore, these actions, objects and places shown in the images ‘find themselves in a no-mans land between reality, dreams and the fantasy found in children's stories.' Rich and mysterious, the 45 full colour photographs come printed, uninterrupted, one on each double page.
Classification:
livres
livres
Publication:
octobre 2009, Madrid
octobre 2009, Madrid
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$35.95
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La publication Alt. +1000 présente le travail photographique de huit artistes proposant un regard personnel sur l’environnement Alpin. Aux images de Vanessa Püntener sur le monde paysan d’aujourd’hui et celles de Thomas Flechtner montrant la montagne dans sa dimension la plus pure s’ajoutent les travaux de six jeunes photographes suisses et français. Leur démarche(...)
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La publication Alt. +1000 présente le travail photographique de huit artistes proposant un regard personnel sur l’environnement Alpin. Aux images de Vanessa Püntener sur le monde paysan d’aujourd’hui et celles de Thomas Flechtner montrant la montagne dans sa dimension la plus pure s’ajoutent les travaux de six jeunes photographes suisses et français. Leur démarche(...)
Titre:
Alt + 1000 festival de photographie de montagne
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La publication Alt. +1000 présente le travail photographique de huit artistes proposant un regard personnel sur l’environnement Alpin. Aux images de Vanessa Püntener sur le monde paysan d’aujourd’hui et celles de Thomas Flechtner montrant la montagne dans sa dimension la plus pure s’ajoutent les travaux de six jeunes photographes suisses et français. Leur démarche invite à contempler la montagne sous un angle nouveau. Loin de la carte postale touristique, ces artistes évoquent la montagne sous des facettes inattendues : effrayante, spectaculaire, domptée, abandonnée, décalée, féerique. Parallèlement, les rencontres entre reporters et plasticiens permettent de proposer une lecture multiple du monde. Le spectateur est amené à déplacer son point de vue et à réévaluer la question des critères esthétiques. En un temps où l’image stéréotypée de la montagne-ski ou de la montagne-performance en est venue à écoeurer le public au point qu’il se détourne du monde alpin, ce livre est une excellente occasion de promouvoir une révolution du regard.
Alt + 1000 festival de photographie de montagne
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La publication Alt. +1000 présente le travail photographique de huit artistes proposant un regard personnel sur l’environnement Alpin. Aux images de Vanessa Püntener sur le monde paysan d’aujourd’hui et celles de Thomas Flechtner montrant la montagne dans sa dimension la plus pure s’ajoutent les travaux de six jeunes photographes suisses et français. Leur démarche invite à contempler la montagne sous un angle nouveau. Loin de la carte postale touristique, ces artistes évoquent la montagne sous des facettes inattendues : effrayante, spectaculaire, domptée, abandonnée, décalée, féerique. Parallèlement, les rencontres entre reporters et plasticiens permettent de proposer une lecture multiple du monde. Le spectateur est amené à déplacer son point de vue et à réévaluer la question des critères esthétiques. En un temps où l’image stéréotypée de la montagne-ski ou de la montagne-performance en est venue à écoeurer le public au point qu’il se détourne du monde alpin, ce livre est une excellente occasion de promouvoir une révolution du regard.
Classification:
livres
livres
Publication:
septembre 2008, Rossinière
septembre 2008, Rossinière
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Photo No-nos
Photo No-nos
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At turns humorous and absurd, heartfelt and searching, 'Photo No-Nos' is for photographers of all levels wishing to avoid easy metaphors and to sharpen their visual communication skills. Photographers often have unwritten lists of subjects they tell themselves not to shoot — things that are cliché, exploitative, derivative, sometimes even arbitrary. 'Photo No-Nos'(...)
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At turns humorous and absurd, heartfelt and searching, 'Photo No-Nos' is for photographers of all levels wishing to avoid easy metaphors and to sharpen their visual communication skills. Photographers often have unwritten lists of subjects they tell themselves not to shoot — things that are cliché, exploitative, derivative, sometimes even arbitrary. 'Photo No-Nos'(...)
Titre:
Photo No-nos
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At turns humorous and absurd, heartfelt and searching, 'Photo No-Nos' is for photographers of all levels wishing to avoid easy metaphors and to sharpen their visual communication skills. Photographers often have unwritten lists of subjects they tell themselves not to shoot — things that are cliché, exploitative, derivative, sometimes even arbitrary. 'Photo No-Nos' features ideas, stories, and anecdotes from many of the world’s most talented photographers and photography professionals, along with an encyclopedic list of more than a thousand taboo subjects compiled from and with pictures by contributors. Not a strict guide, but a series of meditations on 'bad' pictures, 'Photo No-Nos' covers a wide range of topics, from sunsets and roses to issues of colonialism, stereotypes, and social responsibility.
Photo No-nos
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At turns humorous and absurd, heartfelt and searching, 'Photo No-Nos' is for photographers of all levels wishing to avoid easy metaphors and to sharpen their visual communication skills. Photographers often have unwritten lists of subjects they tell themselves not to shoot — things that are cliché, exploitative, derivative, sometimes even arbitrary. 'Photo No-Nos' features ideas, stories, and anecdotes from many of the world’s most talented photographers and photography professionals, along with an encyclopedic list of more than a thousand taboo subjects compiled from and with pictures by contributors. Not a strict guide, but a series of meditations on 'bad' pictures, 'Photo No-Nos' covers a wide range of topics, from sunsets and roses to issues of colonialism, stereotypes, and social responsibility.
Classification:
livres
livres
Publication:
août 2021
août 2021
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$45.00
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''Adjusting the lens'' explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call(...)
$45.00
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''Adjusting the lens'' explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
novembre 2021
novembre 2021
Titre:
Adjusting the lens: indigenous activism, colonial legacies, and photographic heritage
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''Adjusting the lens'' explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call attention to how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record. ''Adjusting the lens'' presents original research in this emerging field in Indigenous photography studies, juxtaposing the historical and the contemporary across a range of geographically and culturally distinctive contexts. The transnational perspective of this exciting collection challenges old ways of thinking and meaningfully advances the crucially important project of reclamation.
Adjusting the lens: indigenous activism, colonial legacies, and photographic heritage
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$45.00
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Résumé:
''Adjusting the lens'' explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call attention to how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record. ''Adjusting the lens'' presents original research in this emerging field in Indigenous photography studies, juxtaposing the historical and the contemporary across a range of geographically and culturally distinctive contexts. The transnational perspective of this exciting collection challenges old ways of thinking and meaningfully advances the crucially important project of reclamation.
Classification:
livres
livres
Publication:
novembre 2021
novembre 2021
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$45.95
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''Since 1839...'' offers a selection of essays by the renowned photography historian Clément Chéroux. Appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art (MoMA) in New York in 2020,Chéroux takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. These texts,(...)
$45.95
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''Since 1839...'' offers a selection of essays by the renowned photography historian Clément Chéroux. Appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art (MoMA) in New York in 2020,Chéroux takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. These texts,(...)
Titre:
Since 1839...: Eleven essays on photography
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''Since 1839...'' offers a selection of essays by the renowned photography historian Clément Chéroux. Appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art (MoMA) in New York in 2020,Chéroux takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. These texts, newly translated into English and published together in one volume for the first time, reflect the breadth of Chéroux’s thinking, the rigor of his approach, and his endless curiosity about photographs. In this volume, Chéroux presents unique case studies and untold stories. He discusses ways of sharing images, from the nineteenth century to the digital age; considers the utopian ideals of early photography; and analyzes the duality of amateur photography. Among other things, he describes the appeal of photographs snapped from a speeding train and explains historical value of first-generation prints of photographs. Through an analysis of key photographs taken on 9/11, Chéroux shows that the same six images were seen again and again in the press. Widely ranging, erudite, and engaging, these essays present Chéroux's innovative investigations of the histories of photography.
Since 1839...: Eleven essays on photography
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$45.95
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Résumé:
''Since 1839...'' offers a selection of essays by the renowned photography historian Clément Chéroux. Appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art (MoMA) in New York in 2020,Chéroux takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. These texts, newly translated into English and published together in one volume for the first time, reflect the breadth of Chéroux’s thinking, the rigor of his approach, and his endless curiosity about photographs. In this volume, Chéroux presents unique case studies and untold stories. He discusses ways of sharing images, from the nineteenth century to the digital age; considers the utopian ideals of early photography; and analyzes the duality of amateur photography. Among other things, he describes the appeal of photographs snapped from a speeding train and explains historical value of first-generation prints of photographs. Through an analysis of key photographs taken on 9/11, Chéroux shows that the same six images were seen again and again in the press. Widely ranging, erudite, and engaging, these essays present Chéroux's innovative investigations of the histories of photography.
Classification:
livres
livres
Publication:
novembre 2021
novembre 2021
Sujet:
Théorie de la photographie
Théorie de la photographie
