430 Résultats
Classification:
livres
livres
Actions:
Prix:
$30.00
(disponible sur commande)
Résumé:
In this book an international group of specialist historians, critics and photographers revise the dominant models on which our knowledge of the history of photography has been based and set out a number of possible alternatives.
$30.00
(disponible sur commande)
Résumé:
In this book an international group of specialist historians, critics and photographers revise the dominant models on which our knowledge of the history of photography has been based and set out a number of possible alternatives.
Titre:
Photography : crisis of history
Actions:
Prix:
$30.00
(disponible sur commande)
Résumé:
In this book an international group of specialist historians, critics and photographers revise the dominant models on which our knowledge of the history of photography has been based and set out a number of possible alternatives.
Photography : crisis of history
Actions:
Prix:
$30.00
(disponible sur commande)
Résumé:
In this book an international group of specialist historians, critics and photographers revise the dominant models on which our knowledge of the history of photography has been based and set out a number of possible alternatives.
Classification:
livres
livres
Publication:
mars 2001, Barcelona
mars 2001, Barcelona
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$74.95
(disponible sur commande)
Résumé:
"The great wide open" focuses on photographic concepts of the "panoramic," or the wide-angled view, tracing how this specific form of visual representation amplified the idea of the American West as a supposedly virgin and sparsely populated land of endless resources, and an ideal landscape for American enterprise.
$74.95
(disponible sur commande)
Résumé:
"The great wide open" focuses on photographic concepts of the "panoramic," or the wide-angled view, tracing how this specific form of visual representation amplified the idea of the American West as a supposedly virgin and sparsely populated land of endless resources, and an ideal landscape for American enterprise.
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
juin 2001, London
juin 2001, London
Titre:
The great wide open : panoramic photographs of the American West
Actions:
Prix:
$74.95
(disponible sur commande)
Résumé:
"The great wide open" focuses on photographic concepts of the "panoramic," or the wide-angled view, tracing how this specific form of visual representation amplified the idea of the American West as a supposedly virgin and sparsely populated land of endless resources, and an ideal landscape for American enterprise.
The great wide open : panoramic photographs of the American West
Actions:
Prix:
$74.95
(disponible sur commande)
Résumé:
"The great wide open" focuses on photographic concepts of the "panoramic," or the wide-angled view, tracing how this specific form of visual representation amplified the idea of the American West as a supposedly virgin and sparsely populated land of endless resources, and an ideal landscape for American enterprise.
Classification:
livres
livres
Publication:
juin 2001, London
juin 2001, London
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Actions:
Prix:
$52.50
(disponible sur commande)
Résumé:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in (...)
$52.50
(disponible sur commande)
Résumé:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in (...)
Titre:
Each wild idea : writing, photography, history
Actions:
Prix:
$52.50
(disponible sur commande)
Résumé:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
Each wild idea : writing, photography, history
Actions:
Prix:
$52.50
(disponible sur commande)
Résumé:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
Classification:
livres
livres
Publication:
mars 2001, Cambridge
mars 2001, Cambridge
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$65.00
(disponible sur commande)
Résumé:
This book is a selection of virtually unkown and brilliant photographs of India made between 1857 and 1911. Many have never been seen outside of the archives from which they were gathered. The images refelct the British curiosity about every aspect of Indian life and the subtle way in which the imperial presence coloured the customs and manners of an exotic, foreign land.
$65.00
(disponible sur commande)
Résumé:
This book is a selection of virtually unkown and brilliant photographs of India made between 1857 and 1911. Many have never been seen outside of the archives from which they were gathered. The images refelct the British curiosity about every aspect of Indian life and the subtle way in which the imperial presence coloured the customs and manners of an exotic, foreign land.
Titre:
The Last Empire : photography in British India, 1855-1911
Actions:
Prix:
$65.00
(disponible sur commande)
Résumé:
This book is a selection of virtually unkown and brilliant photographs of India made between 1857 and 1911. Many have never been seen outside of the archives from which they were gathered. The images refelct the British curiosity about every aspect of Indian life and the subtle way in which the imperial presence coloured the customs and manners of an exotic, foreign land.
The Last Empire : photography in British India, 1855-1911
Actions:
Prix:
$65.00
(disponible sur commande)
Résumé:
This book is a selection of virtually unkown and brilliant photographs of India made between 1857 and 1911. Many have never been seen outside of the archives from which they were gathered. The images refelct the British curiosity about every aspect of Indian life and the subtle way in which the imperial presence coloured the customs and manners of an exotic, foreign land.
Classification:
livres
livres
Publication:
juin 2001, New York
juin 2001, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Actions:
Prix:
$59.95
(disponible sur commande)
Résumé:
Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important(...)
$59.95
(disponible sur commande)
Résumé:
Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
septembre 2000, Cambridge, Mass.
septembre 2000, Cambridge, Mass.
Titre:
Photography in Boston : 1955-1985
Actions:
Prix:
$59.95
(disponible sur commande)
Résumé:
Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White. The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography. The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel.
Photography in Boston : 1955-1985
Actions:
Prix:
$59.95
(disponible sur commande)
Résumé:
Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White. The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography. The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel.
Classification:
livres
livres
Publication:
septembre 2000, Cambridge, Mass.
septembre 2000, Cambridge, Mass.
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Actions:
Prix:
$39.99
(disponible sur commande)
Résumé:
Second edition.
$39.99
(disponible sur commande)
Résumé:
Second edition.
Titre:
Photography : a critical introduction
Actions:
Prix:
$39.99
(disponible sur commande)
Résumé:
Second edition.
Photography : a critical introduction
Actions:
Prix:
$39.99
(disponible sur commande)
Résumé:
Second edition.
Classification:
livres
livres
Publication:
avril 2000, London
avril 2000, London
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Those twenties
Those twenties
Actions:
Prix:
$76.95
(disponible sur commande)
Résumé:
The two Essen-based photographers Petra Wittmar and Ulrich Deimel have been considered top league German architecture photographers since their participation in the Venice Architecture Biennale in 1996. Their latest chosen task has been a documentary photographic presentation of architecture from the period between the wars in North-Rhine Westphalia. Important master(...)
$76.95
(disponible sur commande)
Résumé:
The two Essen-based photographers Petra Wittmar and Ulrich Deimel have been considered top league German architecture photographers since their participation in the Venice Architecture Biennale in 1996. Their latest chosen task has been a documentary photographic presentation of architecture from the period between the wars in North-Rhine Westphalia. Important master(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
juillet 2003, Ostfildern-Ruit
juillet 2003, Ostfildern-Ruit
Titre:
Those twenties
Actions:
Prix:
$76.95
(disponible sur commande)
Résumé:
The two Essen-based photographers Petra Wittmar and Ulrich Deimel have been considered top league German architecture photographers since their participation in the Venice Architecture Biennale in 1996. Their latest chosen task has been a documentary photographic presentation of architecture from the period between the wars in North-Rhine Westphalia. Important master builders such as Dominikus Böhm, Fritz Schupp, Peter Behrens or Bruno Paul created structures in the Rhine-Ruhr area. The mine building Zollverein by Schupp/Kremer at Essen can hardly be matched for its functionalist austerity and aesthetic homogeneity, the elegance of the Disch house by Bruno Paul in Cologne has set standards. The photographers also discovered and payed tribute to a number of unknown master pieces, presenting an assembly of portraits of architecture from this era, with characteristic and often surprising details.
Those twenties
Actions:
Prix:
$76.95
(disponible sur commande)
Résumé:
The two Essen-based photographers Petra Wittmar and Ulrich Deimel have been considered top league German architecture photographers since their participation in the Venice Architecture Biennale in 1996. Their latest chosen task has been a documentary photographic presentation of architecture from the period between the wars in North-Rhine Westphalia. Important master builders such as Dominikus Böhm, Fritz Schupp, Peter Behrens or Bruno Paul created structures in the Rhine-Ruhr area. The mine building Zollverein by Schupp/Kremer at Essen can hardly be matched for its functionalist austerity and aesthetic homogeneity, the elegance of the Disch house by Bruno Paul in Cologne has set standards. The photographers also discovered and payed tribute to a number of unknown master pieces, presenting an assembly of portraits of architecture from this era, with characteristic and often surprising details.
Classification:
livres
livres
Publication:
juillet 2003, Ostfildern-Ruit
juillet 2003, Ostfildern-Ruit
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$63.00
(disponible sur commande)
Résumé:
In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from(...)
$63.00
(disponible sur commande)
Résumé:
In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from(...)
Titre:
The last picture show : artists using photography 1960 - 1982
Actions:
Prix:
$63.00
(disponible sur commande)
Résumé:
In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from their first glimmerings in the 1960's in the work of artists such as Bernd and Hilla Becher, Bruce Nauman, and Edward Ruscha to their rise to art world prominence in the work of the Picture Theory artists of the late 1970's and early 1980's, including Silvia Kolbowski, Richard Prince, and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the exhibition catalogue includes a wide array of works by Vito Acconci, John Baldessari, Gilbert & George, Yves Klein, Barbara Kruger, Gordon Matta-Clark, Charles Ray, Jeff Wall, Andy Warhol, William Wegman, and others.
The last picture show : artists using photography 1960 - 1982
Actions:
Prix:
$63.00
(disponible sur commande)
Résumé:
In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from their first glimmerings in the 1960's in the work of artists such as Bernd and Hilla Becher, Bruce Nauman, and Edward Ruscha to their rise to art world prominence in the work of the Picture Theory artists of the late 1970's and early 1980's, including Silvia Kolbowski, Richard Prince, and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the exhibition catalogue includes a wide array of works by Vito Acconci, John Baldessari, Gilbert & George, Yves Klein, Barbara Kruger, Gordon Matta-Clark, Charles Ray, Jeff Wall, Andy Warhol, William Wegman, and others.
Classification:
livres
livres
Publication:
novembre 2003, Minneapolis
novembre 2003, Minneapolis
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Actions:
Prix:
$115.95
(disponible sur commande)
Résumé:
Le 7 janvier 1839, le physicien François Arago, lors d'une séance de l'Académie des sciences de Paris, présente un nouveau procédé permettant de reproduire de manière mécanique et chimique, sans intervention manuelle, les images qui se forment dans la chambre obscure : le daguerréotype, marquant ainsi la naissance officielle de la photographie. Image unique, sur plaque(...)
$115.95
(disponible sur commande)
Résumé:
Le 7 janvier 1839, le physicien François Arago, lors d'une séance de l'Académie des sciences de Paris, présente un nouveau procédé permettant de reproduire de manière mécanique et chimique, sans intervention manuelle, les images qui se forment dans la chambre obscure : le daguerréotype, marquant ainsi la naissance officielle de la photographie. Image unique, sur plaque(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
mai 2003, Paris
mai 2003, Paris
Titre:
Le daguerréotype français : un objet photographique
Actions:
Prix:
$115.95
(disponible sur commande)
Résumé:
Le 7 janvier 1839, le physicien François Arago, lors d'une séance de l'Académie des sciences de Paris, présente un nouveau procédé permettant de reproduire de manière mécanique et chimique, sans intervention manuelle, les images qui se forment dans la chambre obscure : le daguerréotype, marquant ainsi la naissance officielle de la photographie. Image unique, sur plaque de cuivre recouverte d'argent, aux reflets changeants, polie, et souvent réfléchissante comme un miroir, l'invention de Daguerre devait définitivement modifier le regard posé sur le monde et ses représentations, artistiques comme scientifiques. C'est bien cet un art nouveau au milieu d'une vieille civilisation », selon les propres termes du savant Gay-Lussac en 1839, que l'exposition et cet ouvrage entendent faire découvrir en s'attachant à la production française, dans toute sa diversité.
Le daguerréotype français : un objet photographique
Actions:
Prix:
$115.95
(disponible sur commande)
Résumé:
Le 7 janvier 1839, le physicien François Arago, lors d'une séance de l'Académie des sciences de Paris, présente un nouveau procédé permettant de reproduire de manière mécanique et chimique, sans intervention manuelle, les images qui se forment dans la chambre obscure : le daguerréotype, marquant ainsi la naissance officielle de la photographie. Image unique, sur plaque de cuivre recouverte d'argent, aux reflets changeants, polie, et souvent réfléchissante comme un miroir, l'invention de Daguerre devait définitivement modifier le regard posé sur le monde et ses représentations, artistiques comme scientifiques. C'est bien cet un art nouveau au milieu d'une vieille civilisation », selon les propres termes du savant Gay-Lussac en 1839, que l'exposition et cet ouvrage entendent faire découvrir en s'attachant à la production française, dans toute sa diversité.
Classification:
livres
livres
Publication:
mai 2003, Paris
mai 2003, Paris
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Actions:
Prix:
$29.95
(disponible sur commande)
Résumé:
Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally(...)
$29.95
(disponible sur commande)
Résumé:
Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
mars 2003, Durham, N.C.
mars 2003, Durham, N.C.
Titre:
Photography's other histories
Actions:
Prix:
$29.95
(disponible sur commande)
Résumé:
Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally disseminated and locally appropriated medium. Essays firmly grounded in photographic practice — in the actual making of pictures — suggest the extraordinary diversity of nonwestern photography "Photography’s Other Histories" explores from a variety of geographic, cultural, and historic perspectives the role of photography in raising historical consciousness. It includes two first-person pieces by indigenous Australians and one by a Seminole/Muskogee/Diné artist. Some of the essays analyze representations of colonial subjects—from the limited ways Westerners have depicted Navajos to Japanese photos recording the occupation of Manchuria and from the changing nature of the "contract" between Aboriginal subjects and photographers to the surprising range of cultural influences evident in the photographs colonialist F. R. Barton took in New Guinea in the late 1800s and early 1900s. Focusing on photographic self-fashioning and the development of vernacular modernisms, other essays highlight the visionary quality of much popular photography. Case studies centered in early-twentieth-century Peru and contemporary India, Kenya, and Nigeria chronicle the diverse practices that have flourished in postcolonial societies. "Photography’s Other Histories" recasts popular photography around the world, as not simply reproducing culture but creating it.
Photography's other histories
Actions:
Prix:
$29.95
(disponible sur commande)
Résumé:
Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally disseminated and locally appropriated medium. Essays firmly grounded in photographic practice — in the actual making of pictures — suggest the extraordinary diversity of nonwestern photography "Photography’s Other Histories" explores from a variety of geographic, cultural, and historic perspectives the role of photography in raising historical consciousness. It includes two first-person pieces by indigenous Australians and one by a Seminole/Muskogee/Diné artist. Some of the essays analyze representations of colonial subjects—from the limited ways Westerners have depicted Navajos to Japanese photos recording the occupation of Manchuria and from the changing nature of the "contract" between Aboriginal subjects and photographers to the surprising range of cultural influences evident in the photographs colonialist F. R. Barton took in New Guinea in the late 1800s and early 1900s. Focusing on photographic self-fashioning and the development of vernacular modernisms, other essays highlight the visionary quality of much popular photography. Case studies centered in early-twentieth-century Peru and contemporary India, Kenya, and Nigeria chronicle the diverse practices that have flourished in postcolonial societies. "Photography’s Other Histories" recasts popular photography around the world, as not simply reproducing culture but creating it.
Classification:
livres
livres
Publication:
mars 2003, Durham, N.C.
mars 2003, Durham, N.C.
Sujet:
Théorie de la photographie
Théorie de la photographie
