433 Résultats
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How do the most diverse and relevant voices of contemporary photography respond to the urgent issues of today? In this series of small, insightful, and beautifully presented books, Henry Carroll, the bestselling photography writer of the last decade, unpacks the ideas behind images to reflect on race, gender, faith, inequality, beauty, politics, and our shifting(...)
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How do the most diverse and relevant voices of contemporary photography respond to the urgent issues of today? In this series of small, insightful, and beautifully presented books, Henry Carroll, the bestselling photography writer of the last decade, unpacks the ideas behind images to reflect on race, gender, faith, inequality, beauty, politics, and our shifting(...)
Titre:
LAND: Photographs that make you think
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How do the most diverse and relevant voices of contemporary photography respond to the urgent issues of today? In this series of small, insightful, and beautifully presented books, Henry Carroll, the bestselling photography writer of the last decade, unpacks the ideas behind images to reflect on race, gender, faith, inequality, beauty, politics, and our shifting relationship to animals, nature, and the environment. ''LAND: Photographs that make you think'' considers humanity’s changing relationship with the natural world, a relationship that has seen us edge further away from real encounters. The photographs explore how the sublime can be commodified, packaged, and distributed, leading to an alarming emotional distancing. With images from a diverse group of photographers, Carroll explores the impermanence of borders, the human reaction to scenes of devastation on Instagram feeds, and the many variables that inform one’s relationship to land. He considers how a photographer’s response to landscape is subjective, full of meaning that’s coloured by their own psyches, foibles, fears, and hopes. With captivating and striking photography, Carroll invites the reader to contemplate how their inner world influences their interactions with the natural world.
LAND: Photographs that make you think
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How do the most diverse and relevant voices of contemporary photography respond to the urgent issues of today? In this series of small, insightful, and beautifully presented books, Henry Carroll, the bestselling photography writer of the last decade, unpacks the ideas behind images to reflect on race, gender, faith, inequality, beauty, politics, and our shifting relationship to animals, nature, and the environment. ''LAND: Photographs that make you think'' considers humanity’s changing relationship with the natural world, a relationship that has seen us edge further away from real encounters. The photographs explore how the sublime can be commodified, packaged, and distributed, leading to an alarming emotional distancing. With images from a diverse group of photographers, Carroll explores the impermanence of borders, the human reaction to scenes of devastation on Instagram feeds, and the many variables that inform one’s relationship to land. He considers how a photographer’s response to landscape is subjective, full of meaning that’s coloured by their own psyches, foibles, fears, and hopes. With captivating and striking photography, Carroll invites the reader to contemplate how their inner world influences their interactions with the natural world.
Classification:
livres
livres
Publication:
mars 2022
mars 2022
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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Devant la disparition d’un certain nombre de supports de diffusion, de presse et d’édition, les pures pratiques du documentaire et du photojournalisme se sont trouvées en crise depuis les années 1970. Pour continuer de rendre compte de situations sociétales ou idéologiques complexes des photographes venant aussi bien du reportage que des arts plastiques se sont posés la(...)
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Devant la disparition d’un certain nombre de supports de diffusion, de presse et d’édition, les pures pratiques du documentaire et du photojournalisme se sont trouvées en crise depuis les années 1970. Pour continuer de rendre compte de situations sociétales ou idéologiques complexes des photographes venant aussi bien du reportage que des arts plastiques se sont posés la(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
février 2022
février 2022
Titre:
Les fictions documentaires en photographie
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Devant la disparition d’un certain nombre de supports de diffusion, de presse et d’édition, les pures pratiques du documentaire et du photojournalisme se sont trouvées en crise depuis les années 1970. Pour continuer de rendre compte de situations sociétales ou idéologiques complexes des photographes venant aussi bien du reportage que des arts plastiques se sont posés la question de formes mixtes, les fictions documentaires. Se rendant sur le terrain où ils entrent en dialogue avec des communautés concernées, ils produisent des ensembles d’images selon différents protocoles.
Les fictions documentaires en photographie
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Devant la disparition d’un certain nombre de supports de diffusion, de presse et d’édition, les pures pratiques du documentaire et du photojournalisme se sont trouvées en crise depuis les années 1970. Pour continuer de rendre compte de situations sociétales ou idéologiques complexes des photographes venant aussi bien du reportage que des arts plastiques se sont posés la question de formes mixtes, les fictions documentaires. Se rendant sur le terrain où ils entrent en dialogue avec des communautés concernées, ils produisent des ensembles d’images selon différents protocoles.
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livres
livres
Publication:
février 2022
février 2022
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$24.95
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Résumé:
Écrire ou photographier ? La question est d’une étonnante modernité. Mais elle n’est pas nouvelle et elle accompagne l’histoire de l’édition. Sylvain Venayre saisit l’occasion de réfléchir au rapport du texte et des images, de l’art de la description des lieux face à l’art de les représenter visuellement, par l’approche des relations entre deux grands artistes du XIXe(...)
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Écrire ou photographier ? La question est d’une étonnante modernité. Mais elle n’est pas nouvelle et elle accompagne l’histoire de l’édition. Sylvain Venayre saisit l’occasion de réfléchir au rapport du texte et des images, de l’art de la description des lieux face à l’art de les représenter visuellement, par l’approche des relations entre deux grands artistes du XIXe(...)
Titre:
Écrire ou photographier : Flaubert et Du Camp en Égypte
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Écrire ou photographier ? La question est d’une étonnante modernité. Mais elle n’est pas nouvelle et elle accompagne l’histoire de l’édition. Sylvain Venayre saisit l’occasion de réfléchir au rapport du texte et des images, de l’art de la description des lieux face à l’art de les représenter visuellement, par l’approche des relations entre deux grands artistes du XIXe siècle : Gustave Flaubert et Maxime Du Camp. Ces deux-là sont âgés de 27 ans, en ce milieu du siècle, quand ils entreprennent de partir en voyage : destination l’Égypte et le Moyen Orient. C’est une destination toute trouvée dans un contexte favorable aux voyages et aux expéditions.
Écrire ou photographier : Flaubert et Du Camp en Égypte
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Écrire ou photographier ? La question est d’une étonnante modernité. Mais elle n’est pas nouvelle et elle accompagne l’histoire de l’édition. Sylvain Venayre saisit l’occasion de réfléchir au rapport du texte et des images, de l’art de la description des lieux face à l’art de les représenter visuellement, par l’approche des relations entre deux grands artistes du XIXe siècle : Gustave Flaubert et Maxime Du Camp. Ces deux-là sont âgés de 27 ans, en ce milieu du siècle, quand ils entreprennent de partir en voyage : destination l’Égypte et le Moyen Orient. C’est une destination toute trouvée dans un contexte favorable aux voyages et aux expéditions.
Classification:
livres
livres
Publication:
octobre 2020
octobre 2020
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$39.95
(disponible en magasin)
Résumé:
This volume is a beautifully illustrated and astute examination of women photographers in Canada as it took shape in the nineteenth and early-twentieth centuries. Throughout, the camera was both a witness to the colonialism, capitalism, and gendered and racialized social organization, and a protagonist. And women across the country, whether residents or visitors, captured(...)
$39.95
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Résumé:
This volume is a beautifully illustrated and astute examination of women photographers in Canada as it took shape in the nineteenth and early-twentieth centuries. Throughout, the camera was both a witness to the colonialism, capitalism, and gendered and racialized social organization, and a protagonist. And women across the country, whether residents or visitors, captured(...)
Titre:
Rare merit: Women in photography in Canada, 1840-1940
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This volume is a beautifully illustrated and astute examination of women photographers in Canada as it took shape in the nineteenth and early-twentieth centuries. Throughout, the camera was both a witness to the colonialism, capitalism, and gendered and racialized social organization, and a protagonist. And women across the country, whether residents or visitors, captured people and places that were entirely new to the lens. This book shows how they did so, and the meaning their work carries.
Rare merit: Women in photography in Canada, 1840-1940
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Résumé:
This volume is a beautifully illustrated and astute examination of women photographers in Canada as it took shape in the nineteenth and early-twentieth centuries. Throughout, the camera was both a witness to the colonialism, capitalism, and gendered and racialized social organization, and a protagonist. And women across the country, whether residents or visitors, captured people and places that were entirely new to the lens. This book shows how they did so, and the meaning their work carries.
Classification:
livres
livres
Publication:
juin 2022
juin 2022
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape(...)
$39.95
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Résumé:
This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape(...)
Titre:
Visions of nature: How landscape photography shaped settler colonialism
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$39.95
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This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate “nature” with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame.
Visions of nature: How landscape photography shaped settler colonialism
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Résumé:
This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate “nature” with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame.
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livres
livres
Publication:
mai 2022
mai 2022
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Muybridge and mobility
Muybridge and mobility
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Coauthored by cultural geographer Tim Cresswell and art historian John Ott, this book reexamines the motion studies as historical forms of “mobility,” in which specific forms of motion are given extraordinary significance and accrued value. Through an interdisciplinary exchange, the authors explore how mobility is contextualized within the transformations of movement that(...)
$34.95
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Résumé:
Coauthored by cultural geographer Tim Cresswell and art historian John Ott, this book reexamines the motion studies as historical forms of “mobility,” in which specific forms of motion are given extraordinary significance and accrued value. Through an interdisciplinary exchange, the authors explore how mobility is contextualized within the transformations of movement that(...)
Titre:
Muybridge and mobility
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$34.95
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Coauthored by cultural geographer Tim Cresswell and art historian John Ott, this book reexamines the motion studies as historical forms of “mobility,” in which specific forms of motion are given extraordinary significance and accrued value. Through an interdisciplinary exchange, the authors explore how mobility is contextualized within the transformations of movement that marked the nineteenth century and how mobility represents the possibilities of social movement for African Americans. Together, these complementary essays look to Eadweard Muybridge’s works as interventions in knowledge and experience and as opportunities to investigate larger social ramifications and possibilities.
Muybridge and mobility
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$34.95
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Résumé:
Coauthored by cultural geographer Tim Cresswell and art historian John Ott, this book reexamines the motion studies as historical forms of “mobility,” in which specific forms of motion are given extraordinary significance and accrued value. Through an interdisciplinary exchange, the authors explore how mobility is contextualized within the transformations of movement that marked the nineteenth century and how mobility represents the possibilities of social movement for African Americans. Together, these complementary essays look to Eadweard Muybridge’s works as interventions in knowledge and experience and as opportunities to investigate larger social ramifications and possibilities.
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livres
livres
Publication:
mars 2022
mars 2022
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$13.33
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''The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.'' In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered(...)
$13.33
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Résumé:
''The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.'' In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered(...)
Titre:
An interview with Lewis Baltz
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''The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.'' In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
An interview with Lewis Baltz
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''The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.'' In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Classification:
livres
livres
Publication:
août 2020
août 2020
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$18.00
(disponible en magasin)
Résumé:
Confronting the work of widely celebrated photographers Annie Leibovitz, Gregory Crewdson and Andreas Gursky, Photography’s Neoliberal Realism examines how these artists produce capitalism’s equivalent of the Soviet Union’s socialist realism by giving photographic form to widely held and rarely questioned beliefs and ideas. The ideological framework that Colberg terms(...)
$18.00
(disponible en magasin)
Résumé:
Confronting the work of widely celebrated photographers Annie Leibovitz, Gregory Crewdson and Andreas Gursky, Photography’s Neoliberal Realism examines how these artists produce capitalism’s equivalent of the Soviet Union’s socialist realism by giving photographic form to widely held and rarely questioned beliefs and ideas. The ideological framework that Colberg terms(...)
Titre:
Photography's Neoliberal Realism
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$18.00
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Confronting the work of widely celebrated photographers Annie Leibovitz, Gregory Crewdson and Andreas Gursky, Photography’s Neoliberal Realism examines how these artists produce capitalism’s equivalent of the Soviet Union’s socialist realism by giving photographic form to widely held and rarely questioned beliefs and ideas. The ideological framework that Colberg terms ‘neoliberal realism’ serves to cement an economic system whose many fault lines are becoming increasingly clear, such as staggering inequality and racial disparities. This extended essay provides an alternative reading of photographic works laden with artifice, and argues how focusing on this artifice misses the more far-reaching ways such images operate in our visual economy.
Photography's Neoliberal Realism
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$18.00
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Confronting the work of widely celebrated photographers Annie Leibovitz, Gregory Crewdson and Andreas Gursky, Photography’s Neoliberal Realism examines how these artists produce capitalism’s equivalent of the Soviet Union’s socialist realism by giving photographic form to widely held and rarely questioned beliefs and ideas. The ideological framework that Colberg terms ‘neoliberal realism’ serves to cement an economic system whose many fault lines are becoming increasingly clear, such as staggering inequality and racial disparities. This extended essay provides an alternative reading of photographic works laden with artifice, and argues how focusing on this artifice misses the more far-reaching ways such images operate in our visual economy.
Classification:
livres
livres
Publication:
novembre 2020
novembre 2020
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
The parameters of our cage
The parameters of our cage
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$16.95
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In January 2020, Alec Soth received a letter from Chris Fausto Cabrera, an inmate of the Minnesota Correctional Facility in Rush City, in which he asked the photographer to engage in a dialogue. This sparked an expansive and insightful correspondence over the following nine months which, set against the backdrop of the COVID-19 pandemic, Black Lives Matter Movement and(...)
$16.95
(disponible sur commande)
Résumé:
In January 2020, Alec Soth received a letter from Chris Fausto Cabrera, an inmate of the Minnesota Correctional Facility in Rush City, in which he asked the photographer to engage in a dialogue. This sparked an expansive and insightful correspondence over the following nine months which, set against the backdrop of the COVID-19 pandemic, Black Lives Matter Movement and(...)
Titre:
The parameters of our cage
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$16.95
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In January 2020, Alec Soth received a letter from Chris Fausto Cabrera, an inmate of the Minnesota Correctional Facility in Rush City, in which he asked the photographer to engage in a dialogue. This sparked an expansive and insightful correspondence over the following nine months which, set against the backdrop of the COVID-19 pandemic, Black Lives Matter Movement and growing unrest, reaches to the heart of contemporary America. In amongst their exchanges of personal histories and shared influences – from Ralph Ellison’s The Invisible Man and André 3000, to Robert Frank’s The Americans and Rilke’s 'Letters to a Young Poet' – developed a searing investigation of the redemptive power of art and the imagination, justice and accountability, life inside America’s prisons, and the astonishing capacity of empathy and curiosity to bring two people together.
The parameters of our cage
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$16.95
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Résumé:
In January 2020, Alec Soth received a letter from Chris Fausto Cabrera, an inmate of the Minnesota Correctional Facility in Rush City, in which he asked the photographer to engage in a dialogue. This sparked an expansive and insightful correspondence over the following nine months which, set against the backdrop of the COVID-19 pandemic, Black Lives Matter Movement and growing unrest, reaches to the heart of contemporary America. In amongst their exchanges of personal histories and shared influences – from Ralph Ellison’s The Invisible Man and André 3000, to Robert Frank’s The Americans and Rilke’s 'Letters to a Young Poet' – developed a searing investigation of the redemptive power of art and the imagination, justice and accountability, life inside America’s prisons, and the astonishing capacity of empathy and curiosity to bring two people together.
Classification:
livres
livres
Publication:
octobre 2020
octobre 2020
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Holding a camera
Holding a camera
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$56.00
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Artist Alberto Vieceli compiles the strange, humorous and aslant images designed to teach a neophyte camera user how to use their new device. Before one’s camera was one’s phone, the camera makers of the world had to explain the possible uses of their product in the space of a few pages of a user’s manual. How one tilts the camera, holds it with both hands in front of the(...)
$56.00
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Résumé:
Artist Alberto Vieceli compiles the strange, humorous and aslant images designed to teach a neophyte camera user how to use their new device. Before one’s camera was one’s phone, the camera makers of the world had to explain the possible uses of their product in the space of a few pages of a user’s manual. How one tilts the camera, holds it with both hands in front of the(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
septembre 2020
septembre 2020
Titre:
Holding a camera
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$56.00
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Résumé:
Artist Alberto Vieceli compiles the strange, humorous and aslant images designed to teach a neophyte camera user how to use their new device. Before one’s camera was one’s phone, the camera makers of the world had to explain the possible uses of their product in the space of a few pages of a user’s manual. How one tilts the camera, holds it with both hands in front of the waist. How one looks through the viewfinder, gazes one-eyed into the world. How one hides it in stockings, behind the back, and how one lets it peep out from behind the corner of a building, as though he or she were a detective. ''Holding the camera'' shows a pictorial genre from the now extinct era of analog photography. These images that were once distributed a million times over in instructions and advertisements, had almost entirely disappeared from culture, until now.
Holding a camera
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$56.00
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Résumé:
Artist Alberto Vieceli compiles the strange, humorous and aslant images designed to teach a neophyte camera user how to use their new device. Before one’s camera was one’s phone, the camera makers of the world had to explain the possible uses of their product in the space of a few pages of a user’s manual. How one tilts the camera, holds it with both hands in front of the waist. How one looks through the viewfinder, gazes one-eyed into the world. How one hides it in stockings, behind the back, and how one lets it peep out from behind the corner of a building, as though he or she were a detective. ''Holding the camera'' shows a pictorial genre from the now extinct era of analog photography. These images that were once distributed a million times over in instructions and advertisements, had almost entirely disappeared from culture, until now.
Classification:
livres
livres
Publication:
septembre 2020
septembre 2020
Sujet:
Théorie de la photographie
Théorie de la photographie
