435 Résultats
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livres
livres
Titre:
Nonhuman photography
Nonhuman photography
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Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent. Zylinska argues further that even those(...)
$49.95
(disponible sur commande)
Résumé:
Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent. Zylinska argues further that even those(...)
Titre:
Nonhuman photography
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$49.95
(disponible sur commande)
Résumé:
Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent. Zylinska argues further that even those images produced by humans, whether artists or amateurs, entail a nonhuman, mechanical element—that is, they involve the execution of technical and cultural algorithms that shape our image-making devices as well as our viewing practices. At the same time, she notes, photography is increasingly mobilized to document the precariousness of the human habitat and tasked with helping us imagine a better tomorrow. With its conjoined human-nonhuman agency and vision, Zylinska claims, photography functions as both a form of control and a life-shaping force.
Nonhuman photography
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$49.95
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Résumé:
Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent. Zylinska argues further that even those images produced by humans, whether artists or amateurs, entail a nonhuman, mechanical element—that is, they involve the execution of technical and cultural algorithms that shape our image-making devices as well as our viewing practices. At the same time, she notes, photography is increasingly mobilized to document the precariousness of the human habitat and tasked with helping us imagine a better tomorrow. With its conjoined human-nonhuman agency and vision, Zylinska claims, photography functions as both a form of control and a life-shaping force.
Classification:
livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Comprendre une photographie
Comprendre une photographie
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$29.95
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Regroupant des textes issus de catalogues d’artistes, expositions, articles, etc., Comprendre une photographie est un voyage à travers les oeuvres de photographes divers, d’ André Kertész à Jitka Hanzlová, en passant par Marc Trivier, Jean Mohr ou Martine Franck. Certains des articles regroupés ici ont déjà fait partie de choix de textes de John Berger publiés notamment(...)
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Résumé:
Regroupant des textes issus de catalogues d’artistes, expositions, articles, etc., Comprendre une photographie est un voyage à travers les oeuvres de photographes divers, d’ André Kertész à Jitka Hanzlová, en passant par Marc Trivier, Jean Mohr ou Martine Franck. Certains des articles regroupés ici ont déjà fait partie de choix de textes de John Berger publiés notamment(...)
Publication:
octobre 2017
octobre 2017
Titre:
Comprendre une photographie
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$29.95
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Résumé:
Regroupant des textes issus de catalogues d’artistes, expositions, articles, etc., Comprendre une photographie est un voyage à travers les oeuvres de photographes divers, d’ André Kertész à Jitka Hanzlová, en passant par Marc Trivier, Jean Mohr ou Martine Franck. Certains des articles regroupés ici ont déjà fait partie de choix de textes de John Berger publiés notamment aux éditions de L’Arche, Champ- Vallon ou Le Temps des Cerises, tandis que d’autres sont traduits en français pour la première fois. La présente sélection reprend l’édition anglaise intitulée Understanding a Photograph, établie par Geoff Dyer et publiée en 2013 chez Penguin Books.
Comprendre une photographie
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$29.95
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Regroupant des textes issus de catalogues d’artistes, expositions, articles, etc., Comprendre une photographie est un voyage à travers les oeuvres de photographes divers, d’ André Kertész à Jitka Hanzlová, en passant par Marc Trivier, Jean Mohr ou Martine Franck. Certains des articles regroupés ici ont déjà fait partie de choix de textes de John Berger publiés notamment aux éditions de L’Arche, Champ- Vallon ou Le Temps des Cerises, tandis que d’autres sont traduits en français pour la première fois. La présente sélection reprend l’édition anglaise intitulée Understanding a Photograph, établie par Geoff Dyer et publiée en 2013 chez Penguin Books.
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livres
livres
Publication:
octobre 2017
octobre 2017
Classification:
livres
livres
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$25.95
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Engagé dans un projet artistique, Philippe Bazin prend parti et analyse des oeuvres de Lewis Baltz, Allan Sekula, Martha Rosler ou encore Bruno Serralongue, ainsi que de photographes moins connus comme Géraldine Millo, David Marié ou Mahaut Lavoine. Les textes rassemblés créent une unité de réflexion autour d'une photographie critique des contextes historiques,(...)
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Résumé:
Engagé dans un projet artistique, Philippe Bazin prend parti et analyse des oeuvres de Lewis Baltz, Allan Sekula, Martha Rosler ou encore Bruno Serralongue, ainsi que de photographes moins connus comme Géraldine Millo, David Marié ou Mahaut Lavoine. Les textes rassemblés créent une unité de réflexion autour d'une photographie critique des contextes historiques,(...)
Titre:
Pour une photographie documentaire critique
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Engagé dans un projet artistique, Philippe Bazin prend parti et analyse des oeuvres de Lewis Baltz, Allan Sekula, Martha Rosler ou encore Bruno Serralongue, ainsi que de photographes moins connus comme Géraldine Millo, David Marié ou Mahaut Lavoine. Les textes rassemblés créent une unité de réflexion autour d'une photographie critique des contextes historiques, esthétiques et idéologiques dans lesquels elle se crée aujourd'hui, une "photographie documentaire critique". Chaque texte ouvre une nouvelle facette de cette photographie, alors que l'ensemble est introduit par un texte qui entend proposer une méthodologie de travail, une "attitude documentaire". Le livre explore ainsi les apports d'une posture critique, dans tous les sens du terme - appréciation, épreuve, seuil, distance, tension, crise, analyse - et s'achève par la formulation d'un "manifeste documentaire" (écrit avec la philosophe Christiane Vollaire).
Pour une photographie documentaire critique
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$25.95
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Résumé:
Engagé dans un projet artistique, Philippe Bazin prend parti et analyse des oeuvres de Lewis Baltz, Allan Sekula, Martha Rosler ou encore Bruno Serralongue, ainsi que de photographes moins connus comme Géraldine Millo, David Marié ou Mahaut Lavoine. Les textes rassemblés créent une unité de réflexion autour d'une photographie critique des contextes historiques, esthétiques et idéologiques dans lesquels elle se crée aujourd'hui, une "photographie documentaire critique". Chaque texte ouvre une nouvelle facette de cette photographie, alors que l'ensemble est introduit par un texte qui entend proposer une méthodologie de travail, une "attitude documentaire". Le livre explore ainsi les apports d'une posture critique, dans tous les sens du terme - appréciation, épreuve, seuil, distance, tension, crise, analyse - et s'achève par la formulation d'un "manifeste documentaire" (écrit avec la philosophe Christiane Vollaire).
Classification:
livres
livres
Publication:
octobre 2017
octobre 2017
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$54.95
(disponible sur commande)
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Réalité éminemment subjective, objet vivant et évolutif, le paysage reflète aussi à travers ses mutations les transformations de la société. Ancré historiquement dans l’art des jardins, le projet de paysage a rencontré plus récemment de nouvelles échelles avec l’aménagement des villes et des territoires, suscitant argumentations et débats. Dès ses origines, la(...)
$54.95
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Résumé:
Réalité éminemment subjective, objet vivant et évolutif, le paysage reflète aussi à travers ses mutations les transformations de la société. Ancré historiquement dans l’art des jardins, le projet de paysage a rencontré plus récemment de nouvelles échelles avec l’aménagement des villes et des territoires, suscitant argumentations et débats. Dès ses origines, la(...)
Titre:
Photopaysage : débattre du projet de paysage par la photographie
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$54.95
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Résumé:
Réalité éminemment subjective, objet vivant et évolutif, le paysage reflète aussi à travers ses mutations les transformations de la société. Ancré historiquement dans l’art des jardins, le projet de paysage a rencontré plus récemment de nouvelles échelles avec l’aménagement des villes et des territoires, suscitant argumentations et débats. Dès ses origines, la photographie a été associée au paysage pour le documenter, témoigner de ses évolutions, le promouvoir, le défendre. Le rôle de la photographie est bien sûr variable en fonction des contextes culturels et des périodes historiques et renvoie à des situations de commande variées.
Photopaysage : débattre du projet de paysage par la photographie
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Prix:
$54.95
(disponible sur commande)
Résumé:
Réalité éminemment subjective, objet vivant et évolutif, le paysage reflète aussi à travers ses mutations les transformations de la société. Ancré historiquement dans l’art des jardins, le projet de paysage a rencontré plus récemment de nouvelles échelles avec l’aménagement des villes et des territoires, suscitant argumentations et débats. Dès ses origines, la photographie a été associée au paysage pour le documenter, témoigner de ses évolutions, le promouvoir, le défendre. Le rôle de la photographie est bien sûr variable en fonction des contextes culturels et des périodes historiques et renvoie à des situations de commande variées.
Classification:
livres
livres
Publication:
février 2018
février 2018
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$90.00
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Résumé:
Dyer takes the viewer/reader on a wildly original journey through both iconic and unseen images from the archive, including eighteen previously unpublished color photographs. The book encompasses most of Winogrand’s themes and subjects and remains broadly faithful to the chronological and geographical facts of his life, but Dyer’s responses to the photographs are(...)
$90.00
(disponible sur commande)
Résumé:
Dyer takes the viewer/reader on a wildly original journey through both iconic and unseen images from the archive, including eighteen previously unpublished color photographs. The book encompasses most of Winogrand’s themes and subjects and remains broadly faithful to the chronological and geographical facts of his life, but Dyer’s responses to the photographs are(...)
Titre:
The street philosophy of Garry Winogrand
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$90.00
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Dyer takes the viewer/reader on a wildly original journey through both iconic and unseen images from the archive, including eighteen previously unpublished color photographs. The book encompasses most of Winogrand’s themes and subjects and remains broadly faithful to the chronological and geographical facts of his life, but Dyer’s responses to the photographs are unorthodox, eye-opening, and often hilarious. This inimitable combination of photographer and writer, images and text, itself offers what Dyer claims for Winogrand’s photography—an education in seeing.
The street philosophy of Garry Winogrand
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$90.00
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Résumé:
Dyer takes the viewer/reader on a wildly original journey through both iconic and unseen images from the archive, including eighteen previously unpublished color photographs. The book encompasses most of Winogrand’s themes and subjects and remains broadly faithful to the chronological and geographical facts of his life, but Dyer’s responses to the photographs are unorthodox, eye-opening, and often hilarious. This inimitable combination of photographer and writer, images and text, itself offers what Dyer claims for Winogrand’s photography—an education in seeing.
Classification:
livres
livres
Publication:
mars 2018
mars 2018
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$32.50
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Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of(...)
$32.50
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Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of(...)
Titre:
The Camera: essence and apparatus
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$32.50
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Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of photographs in the production of beliefs and values, and in the understanding of memory, history, subjectivity and space. This collection brings together for the ?rst time Victor Burgin’s writings related speci?cally to the camera, following the shifts and nuances in his thinking over nearly ?ve decades. Moreover, it allows us to chart the evolution of what the camera was and is, and how its affects are to be understood.
The Camera: essence and apparatus
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$32.50
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Résumé:
Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of photographs in the production of beliefs and values, and in the understanding of memory, history, subjectivity and space. This collection brings together for the ?rst time Victor Burgin’s writings related speci?cally to the camera, following the shifts and nuances in his thinking over nearly ?ve decades. Moreover, it allows us to chart the evolution of what the camera was and is, and how its affects are to be understood.
Classification:
livres
livres
Publication:
mai 2018
mai 2018
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Augmented Photography
Augmented Photography
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$42.95
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Résumé:
"Augmented Photography" is a research project by the Master Photography at ECAL/University of Art and Design Lausanne, examining recent changes in photography. It aims to explore creative potential that has emerged with the digitisation of photographic procedures. It pays particular attention to the ways of producing, modifying, diffusing and teaching photography. The(...)
$42.95
(disponible sur commande)
Résumé:
"Augmented Photography" is a research project by the Master Photography at ECAL/University of Art and Design Lausanne, examining recent changes in photography. It aims to explore creative potential that has emerged with the digitisation of photographic procedures. It pays particular attention to the ways of producing, modifying, diffusing and teaching photography. The(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
octobre 2017
octobre 2017
Titre:
Augmented Photography
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$42.95
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Résumé:
"Augmented Photography" is a research project by the Master Photography at ECAL/University of Art and Design Lausanne, examining recent changes in photography. It aims to explore creative potential that has emerged with the digitisation of photographic procedures. It pays particular attention to the ways of producing, modifying, diffusing and teaching photography. The publication presents also productions done by the Master’s students during practical exercises throughout the 2016-2017 academic year, together with a selection of representative works.
Augmented Photography
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$42.95
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Résumé:
"Augmented Photography" is a research project by the Master Photography at ECAL/University of Art and Design Lausanne, examining recent changes in photography. It aims to explore creative potential that has emerged with the digitisation of photographic procedures. It pays particular attention to the ways of producing, modifying, diffusing and teaching photography. The publication presents also productions done by the Master’s students during practical exercises throughout the 2016-2017 academic year, together with a selection of representative works.
Classification:
livres
livres
Publication:
octobre 2017
octobre 2017
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$45.00
(disponible sur commande)
Résumé:
Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer’s "The Concert"? And what is Susan Meiselas’s take on Instagram and the future of online storytelling? "Aperture Conversations" presents a selection of interviews highlighting critical dialogue(...)
$45.00
(disponible sur commande)
Résumé:
Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer’s "The Concert"? And what is Susan Meiselas’s take on Instagram and the future of online storytelling? "Aperture Conversations" presents a selection of interviews highlighting critical dialogue(...)
Titre:
Aperture conversations: 1985 to the present
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$45.00
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Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer’s "The Concert"? And what is Susan Meiselas’s take on Instagram and the future of online storytelling? "Aperture Conversations" presents a selection of interviews highlighting critical dialogue between photographers, esteemed critics, curators, editors, and artists from 1985 to the present day. Emerging talent along with well-established photographers discuss their work openly and examine the future of the medium. Drawn primarily from "Aperture" magazine with selections from Aperture’s booklist and online platform, "Aperture Conversations" celebrates the artist’s voice, collaborations, and the photography community at large.
Aperture conversations: 1985 to the present
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$45.00
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Résumé:
Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer’s "The Concert"? And what is Susan Meiselas’s take on Instagram and the future of online storytelling? "Aperture Conversations" presents a selection of interviews highlighting critical dialogue between photographers, esteemed critics, curators, editors, and artists from 1985 to the present day. Emerging talent along with well-established photographers discuss their work openly and examine the future of the medium. Drawn primarily from "Aperture" magazine with selections from Aperture’s booklist and online platform, "Aperture Conversations" celebrates the artist’s voice, collaborations, and the photography community at large.
Classification:
livres
livres
Publication:
mai 2018
mai 2018
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$75.50
(disponible sur commande)
Résumé:
Interest in both food photography and food as a subject has risen in recent years, and this is the first book to cover food photography's rich history-not only in fine art photography, but also in crossover genres such as commercial and scientific photography and photojournalism. Susan Bright's introduction and commentary accompanying the photographs bring insight and(...)
$75.50
(disponible sur commande)
Résumé:
Interest in both food photography and food as a subject has risen in recent years, and this is the first book to cover food photography's rich history-not only in fine art photography, but also in crossover genres such as commercial and scientific photography and photojournalism. Susan Bright's introduction and commentary accompanying the photographs bring insight and(...)
Titre:
Feast for the eyes: The story of food in photography
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$75.50
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Interest in both food photography and food as a subject has risen in recent years, and this is the first book to cover food photography's rich history-not only in fine art photography, but also in crossover genres such as commercial and scientific photography and photojournalism. Susan Bright's introduction and commentary accompanying the photographs bring insight and intelligence to this spectacular subject, and trace the progression of the genre from photography's beginnings to present day, featuring artists from all eras-Roger Fenton, Nickolas Muray, Edward Weston, Irving Penn, Stephen Shore, Laura Letinsky, Wolfgang Tillmans, Nobuyoshi Araki, and Martin Parr, to name a few. Through key pictures, Bright explores the important figures and movements of food photography to provide an essential primer.
Feast for the eyes: The story of food in photography
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$75.50
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Résumé:
Interest in both food photography and food as a subject has risen in recent years, and this is the first book to cover food photography's rich history-not only in fine art photography, but also in crossover genres such as commercial and scientific photography and photojournalism. Susan Bright's introduction and commentary accompanying the photographs bring insight and intelligence to this spectacular subject, and trace the progression of the genre from photography's beginnings to present day, featuring artists from all eras-Roger Fenton, Nickolas Muray, Edward Weston, Irving Penn, Stephen Shore, Laura Letinsky, Wolfgang Tillmans, Nobuyoshi Araki, and Martin Parr, to name a few. Through key pictures, Bright explores the important figures and movements of food photography to provide an essential primer.
Classification:
livres
livres
Publication:
juin 2017
juin 2017
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Walker Evans: kitchen corner
Walker Evans: kitchen corner
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$28.50
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Walker Evans’s 'Kitchen Corner, Tenant Farmhouse, Hale County, Alabama' shows a painstakingly clean-swept corner in the house of a family of white sharecroppers. Taken in 1936, the photograph was not published until 1960, when it was included in a new edition of Evans and James Agee’s classic 'Let Us Now Praise Famous Men'. The 1960 reissue of the book had an enormous(...)
$28.50
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Résumé:
Walker Evans’s 'Kitchen Corner, Tenant Farmhouse, Hale County, Alabama' shows a painstakingly clean-swept corner in the house of a family of white sharecroppers. Taken in 1936, the photograph was not published until 1960, when it was included in a new edition of Evans and James Agee’s classic 'Let Us Now Praise Famous Men'. The 1960 reissue of the book had an enormous(...)
Titre:
Walker Evans: kitchen corner
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$28.50
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Résumé:
Walker Evans’s 'Kitchen Corner, Tenant Farmhouse, Hale County, Alabama' shows a painstakingly clean-swept corner in the house of a family of white sharecroppers. Taken in 1936, the photograph was not published until 1960, when it was included in a new edition of Evans and James Agee’s classic 'Let Us Now Praise Famous Men'. The 1960 reissue of the book had an enormous impact on perceptions of the Great Depression and its effects on the American South. Olivier Richon’s detailed examination of the image, reveals unexpected visual and literary associations. Richon argues that Evans employs a photographic form that privileges detachment, calling attention to overlooked objects and the architecture of the dispossessed.
Walker Evans: kitchen corner
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$28.50
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Résumé:
Walker Evans’s 'Kitchen Corner, Tenant Farmhouse, Hale County, Alabama' shows a painstakingly clean-swept corner in the house of a family of white sharecroppers. Taken in 1936, the photograph was not published until 1960, when it was included in a new edition of Evans and James Agee’s classic 'Let Us Now Praise Famous Men'. The 1960 reissue of the book had an enormous impact on perceptions of the Great Depression and its effects on the American South. Olivier Richon’s detailed examination of the image, reveals unexpected visual and literary associations. Richon argues that Evans employs a photographic form that privileges detachment, calling attention to overlooked objects and the architecture of the dispossessed.
Classification:
livres
livres
Publication:
octobre 2018
octobre 2018
Sujet:
Théorie de la photographie
Théorie de la photographie
