436 Résultats
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Interest in both food photography and food as a subject has risen in recent years, and this is the first book to cover food photography's rich history-not only in fine art photography, but also in crossover genres such as commercial and scientific photography and photojournalism. Susan Bright's introduction and commentary accompanying the photographs bring insight and(...)
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Interest in both food photography and food as a subject has risen in recent years, and this is the first book to cover food photography's rich history-not only in fine art photography, but also in crossover genres such as commercial and scientific photography and photojournalism. Susan Bright's introduction and commentary accompanying the photographs bring insight and(...)
Titre:
Feast for the eyes: The story of food in photography
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Interest in both food photography and food as a subject has risen in recent years, and this is the first book to cover food photography's rich history-not only in fine art photography, but also in crossover genres such as commercial and scientific photography and photojournalism. Susan Bright's introduction and commentary accompanying the photographs bring insight and intelligence to this spectacular subject, and trace the progression of the genre from photography's beginnings to present day, featuring artists from all eras-Roger Fenton, Nickolas Muray, Edward Weston, Irving Penn, Stephen Shore, Laura Letinsky, Wolfgang Tillmans, Nobuyoshi Araki, and Martin Parr, to name a few. Through key pictures, Bright explores the important figures and movements of food photography to provide an essential primer.
Feast for the eyes: The story of food in photography
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Interest in both food photography and food as a subject has risen in recent years, and this is the first book to cover food photography's rich history-not only in fine art photography, but also in crossover genres such as commercial and scientific photography and photojournalism. Susan Bright's introduction and commentary accompanying the photographs bring insight and intelligence to this spectacular subject, and trace the progression of the genre from photography's beginnings to present day, featuring artists from all eras-Roger Fenton, Nickolas Muray, Edward Weston, Irving Penn, Stephen Shore, Laura Letinsky, Wolfgang Tillmans, Nobuyoshi Araki, and Martin Parr, to name a few. Through key pictures, Bright explores the important figures and movements of food photography to provide an essential primer.
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livres
livres
Publication:
juin 2017
juin 2017
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Walker Evans: kitchen corner
Walker Evans: kitchen corner
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Walker Evans’s 'Kitchen Corner, Tenant Farmhouse, Hale County, Alabama' shows a painstakingly clean-swept corner in the house of a family of white sharecroppers. Taken in 1936, the photograph was not published until 1960, when it was included in a new edition of Evans and James Agee’s classic 'Let Us Now Praise Famous Men'. The 1960 reissue of the book had an enormous(...)
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Walker Evans’s 'Kitchen Corner, Tenant Farmhouse, Hale County, Alabama' shows a painstakingly clean-swept corner in the house of a family of white sharecroppers. Taken in 1936, the photograph was not published until 1960, when it was included in a new edition of Evans and James Agee’s classic 'Let Us Now Praise Famous Men'. The 1960 reissue of the book had an enormous(...)
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Walker Evans: kitchen corner
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Walker Evans’s 'Kitchen Corner, Tenant Farmhouse, Hale County, Alabama' shows a painstakingly clean-swept corner in the house of a family of white sharecroppers. Taken in 1936, the photograph was not published until 1960, when it was included in a new edition of Evans and James Agee’s classic 'Let Us Now Praise Famous Men'. The 1960 reissue of the book had an enormous impact on perceptions of the Great Depression and its effects on the American South. Olivier Richon’s detailed examination of the image, reveals unexpected visual and literary associations. Richon argues that Evans employs a photographic form that privileges detachment, calling attention to overlooked objects and the architecture of the dispossessed.
Walker Evans: kitchen corner
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Walker Evans’s 'Kitchen Corner, Tenant Farmhouse, Hale County, Alabama' shows a painstakingly clean-swept corner in the house of a family of white sharecroppers. Taken in 1936, the photograph was not published until 1960, when it was included in a new edition of Evans and James Agee’s classic 'Let Us Now Praise Famous Men'. The 1960 reissue of the book had an enormous impact on perceptions of the Great Depression and its effects on the American South. Olivier Richon’s detailed examination of the image, reveals unexpected visual and literary associations. Richon argues that Evans employs a photographic form that privileges detachment, calling attention to overlooked objects and the architecture of the dispossessed.
Classification:
livres
livres
Publication:
octobre 2018
octobre 2018
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$45.95
(disponible en magasin)
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''Constructing Imperial Berlin'' is the first book to critically assess, contextualize, and frame urban and architectural photographs of the Imperial years in Berlin between 1871 and 1918. Berlin, as it was pronounced Germany's capital in 1871, was fraught with questions that had previously beset Paris and London. How was urban expansion and transformation to be absorbed?(...)
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''Constructing Imperial Berlin'' is the first book to critically assess, contextualize, and frame urban and architectural photographs of the Imperial years in Berlin between 1871 and 1918. Berlin, as it was pronounced Germany's capital in 1871, was fraught with questions that had previously beset Paris and London. How was urban expansion and transformation to be absorbed?(...)
Publication:
janvier 2019
janvier 2019
Titre:
Constructing Imperial Berlin: photography and the metropolis
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''Constructing Imperial Berlin'' is the first book to critically assess, contextualize, and frame urban and architectural photographs of the Imperial years in Berlin between 1871 and 1918. Berlin, as it was pronounced Germany's capital in 1871, was fraught with questions that had previously beset Paris and London. How was urban expansion and transformation to be absorbed? What was the city's understanding of its comparably short history? Given this short history, how did it embody the idea of a capital? A key theme of this book is the close interrelation of the city's rapid physical metamorphosis with repercussions on promotional and critical narratives, the emergence of groundbreaking photographic technologies, and novel forms of mass distribution.
Constructing Imperial Berlin: photography and the metropolis
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''Constructing Imperial Berlin'' is the first book to critically assess, contextualize, and frame urban and architectural photographs of the Imperial years in Berlin between 1871 and 1918. Berlin, as it was pronounced Germany's capital in 1871, was fraught with questions that had previously beset Paris and London. How was urban expansion and transformation to be absorbed? What was the city's understanding of its comparably short history? Given this short history, how did it embody the idea of a capital? A key theme of this book is the close interrelation of the city's rapid physical metamorphosis with repercussions on promotional and critical narratives, the emergence of groundbreaking photographic technologies, and novel forms of mass distribution.
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livres
livres
Publication:
janvier 2019
janvier 2019
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livres
livres
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$66.95
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This publication offers a spectrum of views on how the myriad forms of exhibiting photographies can increase our understanding of how images operate today, as well as what they do to us when we interact with them. In the Digital Age, “photography” is best described with adjectives connoting a medium in constant flux: liquid, fluid, flexible, unstable. As such, there is no(...)
$66.95
(disponible sur commande)
Résumé:
This publication offers a spectrum of views on how the myriad forms of exhibiting photographies can increase our understanding of how images operate today, as well as what they do to us when we interact with them. In the Digital Age, “photography” is best described with adjectives connoting a medium in constant flux: liquid, fluid, flexible, unstable. As such, there is no(...)
Titre:
Why exhibit? Positions on exhibiting photographs
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This publication offers a spectrum of views on how the myriad forms of exhibiting photographies can increase our understanding of how images operate today, as well as what they do to us when we interact with them. In the Digital Age, “photography” is best described with adjectives connoting a medium in constant flux: liquid, fluid, flexible, unstable. As such, there is no primary format for displaying photographs. By drawing upon the diverse perspectives of a group of curators, scholars, photographers, and artists based in the field of contemporary photography, this volume aims to provide a foundation for a wider discourse about exhibiting photographies in the twenty-first century.
Why exhibit? Positions on exhibiting photographs
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$66.95
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This publication offers a spectrum of views on how the myriad forms of exhibiting photographies can increase our understanding of how images operate today, as well as what they do to us when we interact with them. In the Digital Age, “photography” is best described with adjectives connoting a medium in constant flux: liquid, fluid, flexible, unstable. As such, there is no primary format for displaying photographs. By drawing upon the diverse perspectives of a group of curators, scholars, photographers, and artists based in the field of contemporary photography, this volume aims to provide a foundation for a wider discourse about exhibiting photographies in the twenty-first century.
Classification:
livres
livres
Publication:
octobre 2018
octobre 2018
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
The documentary impulse
The documentary impulse
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Stuart Franklin took one of the most powerful photographs of the twentieth century - the 'tank man' in Tiananmen Square, Beijing, 1989. From his insightful position as a photographer, Franklin explores why we are driven to visually document our experiences and the world around us. He focuses on photography but traces this universal need through art, literature and(...)
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Stuart Franklin took one of the most powerful photographs of the twentieth century - the 'tank man' in Tiananmen Square, Beijing, 1989. From his insightful position as a photographer, Franklin explores why we are driven to visually document our experiences and the world around us. He focuses on photography but traces this universal need through art, literature and(...)
Titre:
The documentary impulse
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Stuart Franklin took one of the most powerful photographs of the twentieth century - the 'tank man' in Tiananmen Square, Beijing, 1989. From his insightful position as a photographer, Franklin explores why we are driven to visually document our experiences and the world around us. He focuses on photography but traces this universal need through art, literature and science. Looking at photojournalism, war photography and work recording our culture, Franklin identifies some of its driving impulses: curiosity, outrage, reform and ritual; the search for evidence, for beauty, for therapy; and the immortalization of memory. As our understanding of 'documentary' continues to expand, Franklin considers photographic staging - where, perhaps, the future of the genre may lie: in search of truth over fact.
The documentary impulse
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Stuart Franklin took one of the most powerful photographs of the twentieth century - the 'tank man' in Tiananmen Square, Beijing, 1989. From his insightful position as a photographer, Franklin explores why we are driven to visually document our experiences and the world around us. He focuses on photography but traces this universal need through art, literature and science. Looking at photojournalism, war photography and work recording our culture, Franklin identifies some of its driving impulses: curiosity, outrage, reform and ritual; the search for evidence, for beauty, for therapy; and the immortalization of memory. As our understanding of 'documentary' continues to expand, Franklin considers photographic staging - where, perhaps, the future of the genre may lie: in search of truth over fact.
Classification:
livres
livres
Publication:
avril 2016
avril 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$118.00
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Résumé:
La relation entre photographie et architecture est aussi ancienne que l’invention de la photographie elle-même. La toute première image photographique jamais réalisée, en 1826 ou 1827, par Joseph Nicéphore Niépce, représente les édifices présents dans la cour de la demeure familiale. Au fil du temps, ces liens se sont développés, instituant progressivement la photographie(...)
$118.00
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La relation entre photographie et architecture est aussi ancienne que l’invention de la photographie elle-même. La toute première image photographique jamais réalisée, en 1826 ou 1827, par Joseph Nicéphore Niépce, représente les édifices présents dans la cour de la demeure familiale. Au fil du temps, ces liens se sont développés, instituant progressivement la photographie(...)
Titre:
Histoire de la photographie d'architecture
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$118.00
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La relation entre photographie et architecture est aussi ancienne que l’invention de la photographie elle-même. La toute première image photographique jamais réalisée, en 1826 ou 1827, par Joseph Nicéphore Niépce, représente les édifices présents dans la cour de la demeure familiale. Au fil du temps, ces liens se sont développés, instituant progressivement la photographie comme l’outil privilégié des architectes contemporains pour documenter les phases d’un projet ou le résultat final de son exécution. Sur la base d’une interaction forte entre texte et images, l’auteur retrace ici l’évolution de la photographie d’architecture, depuis sa conception au XIXe siècle, entre art et source documentaire, et entre production amateur et proto-professionnelle, jusqu’au rôle essentiel qu’elle joue aujourd’hui. De Daguerre à Baldus, Moholy-Nagy ou Couturier, et de Viollet-le-Duc à Mies van der Rohe, Le Corbusier ou Pagano, cette référence constitue la première synthèse ample et structurée de l’histoire de l’iconographie photographique d’architecture, des origines à nos jours. Cette édition constitue une version révisée et augmentée de l’édition italienne originale.
Histoire de la photographie d'architecture
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La relation entre photographie et architecture est aussi ancienne que l’invention de la photographie elle-même. La toute première image photographique jamais réalisée, en 1826 ou 1827, par Joseph Nicéphore Niépce, représente les édifices présents dans la cour de la demeure familiale. Au fil du temps, ces liens se sont développés, instituant progressivement la photographie comme l’outil privilégié des architectes contemporains pour documenter les phases d’un projet ou le résultat final de son exécution. Sur la base d’une interaction forte entre texte et images, l’auteur retrace ici l’évolution de la photographie d’architecture, depuis sa conception au XIXe siècle, entre art et source documentaire, et entre production amateur et proto-professionnelle, jusqu’au rôle essentiel qu’elle joue aujourd’hui. De Daguerre à Baldus, Moholy-Nagy ou Couturier, et de Viollet-le-Duc à Mies van der Rohe, Le Corbusier ou Pagano, cette référence constitue la première synthèse ample et structurée de l’histoire de l’iconographie photographique d’architecture, des origines à nos jours. Cette édition constitue une version révisée et augmentée de l’édition italienne originale.
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livres
livres
Publication:
février 2016
février 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Julia Margaret Cameron
Julia Margaret Cameron
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Bringing together three of the most important early writings about Julia Margaret Cameron—her own autobiographical fragment, "Annals of My Glass House", the biographical essay by Virginia Woolf, and the path-breaking appreciation by Roger Fry—this book is essential for anyone interested in Victorian culture and photography. It is being published to coincide with the 200th(...)
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Résumé:
Bringing together three of the most important early writings about Julia Margaret Cameron—her own autobiographical fragment, "Annals of My Glass House", the biographical essay by Virginia Woolf, and the path-breaking appreciation by Roger Fry—this book is essential for anyone interested in Victorian culture and photography. It is being published to coincide with the 200th(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
octobre 2016
octobre 2016
Titre:
Julia Margaret Cameron
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Bringing together three of the most important early writings about Julia Margaret Cameron—her own autobiographical fragment, "Annals of My Glass House", the biographical essay by Virginia Woolf, and the path-breaking appreciation by Roger Fry—this book is essential for anyone interested in Victorian culture and photography. It is being published to coincide with the 200th anniversary of her birth, the 150th anniversary of her most extensive exhibition, and two major new exhibitions: Julia Margaret Cameron, at the Victoria & Albert Museum, and Art and Photography from the Pre-Raphaelites to the Modern Age, at Tate Britain.
Julia Margaret Cameron
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Bringing together three of the most important early writings about Julia Margaret Cameron—her own autobiographical fragment, "Annals of My Glass House", the biographical essay by Virginia Woolf, and the path-breaking appreciation by Roger Fry—this book is essential for anyone interested in Victorian culture and photography. It is being published to coincide with the 200th anniversary of her birth, the 150th anniversary of her most extensive exhibition, and two major new exhibitions: Julia Margaret Cameron, at the Victoria & Albert Museum, and Art and Photography from the Pre-Raphaelites to the Modern Age, at Tate Britain.
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livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$48.00
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Résumé:
The contributors -- international curators and scholars from a range of disciplines -- examine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world. The contributing authors discuss such(...)
$48.00
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Résumé:
The contributors -- international curators and scholars from a range of disciplines -- examine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world. The contributing authors discuss such(...)
Titre:
The public life of photographs
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The contributors -- international curators and scholars from a range of disciplines -- examine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world. The contributing authors discuss such topics as how photographic images became objects of appropriation and collection; the faith in photographic truthfulness; Life magazine's traveling exhibitions and their effect on the magazine's "media hegemony"; and the curatorial challenges of making vernacular photographs accessible in an artistic environment.
The public life of photographs
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$48.00
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Résumé:
The contributors -- international curators and scholars from a range of disciplines -- examine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world. The contributing authors discuss such topics as how photographic images became objects of appropriation and collection; the faith in photographic truthfulness; Life magazine's traveling exhibitions and their effect on the magazine's "media hegemony"; and the curatorial challenges of making vernacular photographs accessible in an artistic environment.
Classification:
livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$65.00
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Résumé:
The majority of photographic images today are recorded and viewed digitally, rather than on film and paper. Amateurs, photojournalists and commercial photographers alike rarely produce material objects as the final step in their photographic process, making photographs in the form of physical objects increasingly scarce. But what happens to personal and collective(...)
$65.00
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Résumé:
The majority of photographic images today are recorded and viewed digitally, rather than on film and paper. Amateurs, photojournalists and commercial photographers alike rarely produce material objects as the final step in their photographic process, making photographs in the form of physical objects increasingly scarce. But what happens to personal and collective(...)
Titre:
A matter of memory: photography as object in the digital age
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$65.00
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The majority of photographic images today are recorded and viewed digitally, rather than on film and paper. Amateurs, photojournalists and commercial photographers alike rarely produce material objects as the final step in their photographic process, making photographs in the form of physical objects increasingly scarce. But what happens to personal and collective memories when photographic images are not instantly accessible on the face of physical objects? How is society’s relationship to memory changing as digital photographs become the norm? ''A Matter of Memory'' features the work of more than 30 artists including Thomas Barrow, Matthew Brandt, Ellen Carey, John Chiara, Adam Fuss, Robert Heinecken, Leslie Hewitt, Kenneth Josephson, Laura Letinsky, Chris McCaw, Diane Meyer, Yola Monakhov Stockton, Vik Muniz, Floris Neusüss, Marlo Pascual, Matthew Porter, Taryn Simon, Michelle Stuart, Kunié Sugiura, Bertien van Manen, James Welling and Augusta Wood.
A matter of memory: photography as object in the digital age
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$65.00
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The majority of photographic images today are recorded and viewed digitally, rather than on film and paper. Amateurs, photojournalists and commercial photographers alike rarely produce material objects as the final step in their photographic process, making photographs in the form of physical objects increasingly scarce. But what happens to personal and collective memories when photographic images are not instantly accessible on the face of physical objects? How is society’s relationship to memory changing as digital photographs become the norm? ''A Matter of Memory'' features the work of more than 30 artists including Thomas Barrow, Matthew Brandt, Ellen Carey, John Chiara, Adam Fuss, Robert Heinecken, Leslie Hewitt, Kenneth Josephson, Laura Letinsky, Chris McCaw, Diane Meyer, Yola Monakhov Stockton, Vik Muniz, Floris Neusüss, Marlo Pascual, Matthew Porter, Taryn Simon, Michelle Stuart, Kunié Sugiura, Bertien van Manen, James Welling and Augusta Wood.
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livres
livres
Publication:
août 2016
août 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$54.95
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Résumé:
Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a(...)
$54.95
(disponible sur commande)
Résumé:
Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a(...)
Titre:
Photography against the grain: essays and photo works 1973-1983
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Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a collective model of progress. Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider's position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent – women, labourers, minorities and the institutional structures that reinforce cultural biases.
Photography against the grain: essays and photo works 1973-1983
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$54.95
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Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a collective model of progress. Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider's position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent – women, labourers, minorities and the institutional structures that reinforce cultural biases.
Classification:
livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
