452 Résultats
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Based on decades of research, this book chronicles Baker and Burke's early days in Peshawar and their move to Muree, the Himalayan hill station on the border of Kashmir. It follows their documenting of the Afghan Wars, some of the earliest war photography, and their return to the plains of Lahore, where they continued to photograph the region’s people and landscape.
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Résumé:
Based on decades of research, this book chronicles Baker and Burke's early days in Peshawar and their move to Muree, the Himalayan hill station on the border of Kashmir. It follows their documenting of the Afghan Wars, some of the earliest war photography, and their return to the plains of Lahore, where they continued to photograph the region’s people and landscape.
Titre:
From Kashmir to Kabul : the photographs of John Burke and William Baker 1860-1900
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Based on decades of research, this book chronicles Baker and Burke's early days in Peshawar and their move to Muree, the Himalayan hill station on the border of Kashmir. It follows their documenting of the Afghan Wars, some of the earliest war photography, and their return to the plains of Lahore, where they continued to photograph the region’s people and landscape.
From Kashmir to Kabul : the photographs of John Burke and William Baker 1860-1900
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Résumé:
Based on decades of research, this book chronicles Baker and Burke's early days in Peshawar and their move to Muree, the Himalayan hill station on the border of Kashmir. It follows their documenting of the Afghan Wars, some of the earliest war photography, and their return to the plains of Lahore, where they continued to photograph the region’s people and landscape.
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livres
livres
Publication:
octobre 2002, Munich
octobre 2002, Munich
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$52.00
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Using New York as an example, the photographic project "EndCommercial" deals with the urban space, dissecting it into its semantic components. Picture for picture, photograph for photograph, the inner grammar of the urban context reveals itself. Collected in and on the streets, the principles of order and life signs of biotopes at the bottom end of the economic process(...)
$52.00
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Using New York as an example, the photographic project "EndCommercial" deals with the urban space, dissecting it into its semantic components. Picture for picture, photograph for photograph, the inner grammar of the urban context reveals itself. Collected in and on the streets, the principles of order and life signs of biotopes at the bottom end of the economic process(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
septembre 2002, Ostfildern
septembre 2002, Ostfildern
Titre:
Endcommercial : reading the city
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Using New York as an example, the photographic project "EndCommercial" deals with the urban space, dissecting it into its semantic components. Picture for picture, photograph for photograph, the inner grammar of the urban context reveals itself. Collected in and on the streets, the principles of order and life signs of biotopes at the bottom end of the economic process are documented: writings on the wall, signs on the street, codes, symbols, fragments, authorship of the anonymous, wear and tear of the public living space and the people who use it. The surprise the book holds is the sudden perception of what has frequently been seen but seldom registered.
Endcommercial : reading the city
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Using New York as an example, the photographic project "EndCommercial" deals with the urban space, dissecting it into its semantic components. Picture for picture, photograph for photograph, the inner grammar of the urban context reveals itself. Collected in and on the streets, the principles of order and life signs of biotopes at the bottom end of the economic process are documented: writings on the wall, signs on the street, codes, symbols, fragments, authorship of the anonymous, wear and tear of the public living space and the people who use it. The surprise the book holds is the sudden perception of what has frequently been seen but seldom registered.
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livres
livres
Publication:
septembre 2002, Ostfildern
septembre 2002, Ostfildern
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$37.95
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In 1976, Robert Adams shot "Fort Collins, Colorado," a nighttime picture of a lone tree in a Colorado parking lot, the crescent moon hanging in the sky above. More than 30 years earlier, Ansel Adams had captured "Moonrise, Hernandez, New Mexico," showing a magnificent vista of desert scrub and clustered buildings, snow-capped mountains in the distance, the full moon(...)
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In 1976, Robert Adams shot "Fort Collins, Colorado," a nighttime picture of a lone tree in a Colorado parking lot, the crescent moon hanging in the sky above. More than 30 years earlier, Ansel Adams had captured "Moonrise, Hernandez, New Mexico," showing a magnificent vista of desert scrub and clustered buildings, snow-capped mountains in the distance, the full moon(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
juin 2002, Andover, Massachusetts
juin 2002, Andover, Massachusetts
Titre:
Reinventing the West : the photography of Ansel Adams and Robert Adams
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In 1976, Robert Adams shot "Fort Collins, Colorado," a nighttime picture of a lone tree in a Colorado parking lot, the crescent moon hanging in the sky above. More than 30 years earlier, Ansel Adams had captured "Moonrise, Hernandez, New Mexico," showing a magnificent vista of desert scrub and clustered buildings, snow-capped mountains in the distance, the full moon majestically presiding in the expansive sky overhead. These two pictures could be neither more different nor more similar; nor could the younger Adams have made his photograph without knowledge of his greatly admired predecessor's. If Ansel Adams created singular images in search of a platonic ideal of nature, Robert Adams explored repetition and conformity; both were responding, in their own personal and aesthetic way, to the landscape of the American West. The first book to juxtapose bodies of work by these two 20th-century master photographers, Reinventing the West reveals how their photographs reflect changing attitudes toward the western landscape and the natural world.
Reinventing the West : the photography of Ansel Adams and Robert Adams
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Résumé:
In 1976, Robert Adams shot "Fort Collins, Colorado," a nighttime picture of a lone tree in a Colorado parking lot, the crescent moon hanging in the sky above. More than 30 years earlier, Ansel Adams had captured "Moonrise, Hernandez, New Mexico," showing a magnificent vista of desert scrub and clustered buildings, snow-capped mountains in the distance, the full moon majestically presiding in the expansive sky overhead. These two pictures could be neither more different nor more similar; nor could the younger Adams have made his photograph without knowledge of his greatly admired predecessor's. If Ansel Adams created singular images in search of a platonic ideal of nature, Robert Adams explored repetition and conformity; both were responding, in their own personal and aesthetic way, to the landscape of the American West. The first book to juxtapose bodies of work by these two 20th-century master photographers, Reinventing the West reveals how their photographs reflect changing attitudes toward the western landscape and the natural world.
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livres
livres
Publication:
juin 2002, Andover, Massachusetts
juin 2002, Andover, Massachusetts
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Sur l'art et la photographie
Sur l'art et la photographie
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$9.75
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Trois essais du célèbre philosophe sont regroupés dans ce livre : L'oeuvre d'art à l'époque de sa reproductibilité technique (1936), "Du nouveau sur les fleurs" (1928) ainsi que "Peinture et photographie" (1936).
$9.75
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Trois essais du célèbre philosophe sont regroupés dans ce livre : L'oeuvre d'art à l'époque de sa reproductibilité technique (1936), "Du nouveau sur les fleurs" (1928) ainsi que "Peinture et photographie" (1936).
Titre:
Sur l'art et la photographie
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Trois essais du célèbre philosophe sont regroupés dans ce livre : L'oeuvre d'art à l'époque de sa reproductibilité technique (1936), "Du nouveau sur les fleurs" (1928) ainsi que "Peinture et photographie" (1936).
Sur l'art et la photographie
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Trois essais du célèbre philosophe sont regroupés dans ce livre : L'oeuvre d'art à l'époque de sa reproductibilité technique (1936), "Du nouveau sur les fleurs" (1928) ainsi que "Peinture et photographie" (1936).
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livres
livres
Publication:
mai 1997, Paris
mai 1997, Paris
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$27.95
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Résumé:
Second edition, revised and expanded. Introduction by Shelley Rice.
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Second edition, revised and expanded. Introduction by Shelley Rice.
Titre:
Light readings : a photography critic's writings, 1968-1978
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Second edition, revised and expanded. Introduction by Shelley Rice.
Light readings : a photography critic's writings, 1968-1978
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Second edition, revised and expanded. Introduction by Shelley Rice.
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livres
livres
Publication:
septembre 1998, Albuquerque
septembre 1998, Albuquerque
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Beauty in photography
Beauty in photography
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Résumé:
The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
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The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
Titre:
Beauty in photography
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The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
Beauty in photography
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The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
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livres
livres
Publication:
avril 1996
avril 1996
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$25.95
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Résumé:
Catalogue from the exhibition at the RIBA, London.
$25.95
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Catalogue from the exhibition at the RIBA, London.
Titre:
Photography takes command : the camera and British architecture 1890-1939
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Catalogue from the exhibition at the RIBA, London.
Photography takes command : the camera and British architecture 1890-1939
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Catalogue from the exhibition at the RIBA, London.
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livres
livres
Publication:
janvier 1994, London
janvier 1994, London
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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$36.50
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Résumé:
In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography.
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In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography.
Titre:
Burning with desire : the conception of photography
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In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography.
Burning with desire : the conception of photography
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In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography.
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livres
livres
Publication:
mars 1999, Cambridge, Mass.
mars 1999, Cambridge, Mass.
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$50.00
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Résumé:
Originally published in 1973, this 1999 reissue, with new duotone separations using the latest technology, brings this remarkable book back to a new generation.
$50.00
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Originally published in 1973, this 1999 reissue, with new duotone separations using the latest technology, brings this remarkable book back to a new generation.
Titre:
Looking at photographs : 100 pictures from the collection of the Museum of Modern Art
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Originally published in 1973, this 1999 reissue, with new duotone separations using the latest technology, brings this remarkable book back to a new generation.
Looking at photographs : 100 pictures from the collection of the Museum of Modern Art
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$50.00
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Originally published in 1973, this 1999 reissue, with new duotone separations using the latest technology, brings this remarkable book back to a new generation.
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livres
livres
Publication:
septembre 1999, New York
septembre 1999, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Parisian views
Parisian views
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Résumé:
In "Parisian Views" Shelley Rice explores both the literal and methaphorical connections between photography and the transformation of Paris by Baron Haussman during the Second Empire (1852-1870). The book presents a series of essays revolving around a central theme: the creation of modern urban space. It is illustrated with photographs from the period by Charles(...)
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In "Parisian Views" Shelley Rice explores both the literal and methaphorical connections between photography and the transformation of Paris by Baron Haussman during the Second Empire (1852-1870). The book presents a series of essays revolving around a central theme: the creation of modern urban space. It is illustrated with photographs from the period by Charles(...)
Titre:
Parisian views
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$49.95
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In "Parisian Views" Shelley Rice explores both the literal and methaphorical connections between photography and the transformation of Paris by Baron Haussman during the Second Empire (1852-1870). The book presents a series of essays revolving around a central theme: the creation of modern urban space. It is illustrated with photographs from the period by Charles Marville, Henri Le Secq, Edouard-Denis Baldus, and Gustave Le Gray. Also available in pb.
Parisian views
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$49.95
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In "Parisian Views" Shelley Rice explores both the literal and methaphorical connections between photography and the transformation of Paris by Baron Haussman during the Second Empire (1852-1870). The book presents a series of essays revolving around a central theme: the creation of modern urban space. It is illustrated with photographs from the period by Charles Marville, Henri Le Secq, Edouard-Denis Baldus, and Gustave Le Gray. Also available in pb.
Classification:
livres
livres
Publication:
novembre 1997, Cambridge, Mass.
novembre 1997, Cambridge, Mass.
Sujet:
Théorie de la photographie
Théorie de la photographie
