430 Résultats
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livres
livres
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Résumé:
Through the intimate and compelling personal stories of American workers in a small factory town, this book explores the meaning of work at the end of the twentieth century. Bill Bamberger took his revealing and powerful photographs during the last four months of operation on the factory floor.
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Résumé:
Through the intimate and compelling personal stories of American workers in a small factory town, this book explores the meaning of work at the end of the twentieth century. Bill Bamberger took his revealing and powerful photographs during the last four months of operation on the factory floor.
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
avril 1998, New York
avril 1998, New York
Titre:
Closing : the life and death of an American factory
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Résumé:
Through the intimate and compelling personal stories of American workers in a small factory town, this book explores the meaning of work at the end of the twentieth century. Bill Bamberger took his revealing and powerful photographs during the last four months of operation on the factory floor.
Closing : the life and death of an American factory
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Résumé:
Through the intimate and compelling personal stories of American workers in a small factory town, this book explores the meaning of work at the end of the twentieth century. Bill Bamberger took his revealing and powerful photographs during the last four months of operation on the factory floor.
Classification:
livres
livres
Publication:
avril 1998, New York
avril 1998, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$91.00
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Résumé:
This book exlores the humourous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary.
$91.00
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Résumé:
This book exlores the humourous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary.
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
mars 1998, University Park, Penn.
mars 1998, University Park, Penn.
Titre:
Positive pleasures : early photography and humor
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$91.00
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Résumé:
This book exlores the humourous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary.
Positive pleasures : early photography and humor
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$91.00
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Résumé:
This book exlores the humourous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary.
Classification:
livres
livres
Publication:
mars 1998, University Park, Penn.
mars 1998, University Park, Penn.
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$98.00
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Résumé:
"Les photographies de Julian Rosefeldt et Piero Steinle illustrent la fin de l'espace réel au profit de l'instantanéité du temps réel. Temps réel de la prise de vue, qui précède celui de l'espace virtuel du monde de demain". Paul Virilio
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"Les photographies de Julian Rosefeldt et Piero Steinle illustrent la fin de l'espace réel au profit de l'instantanéité du temps réel. Temps réel de la prise de vue, qui précède celui de l'espace virtuel du monde de demain". Paul Virilio
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
novembre 1997, Paris
novembre 1997, Paris
Titre:
Paris : Les cathédrales inconnues, espaces vides dans l'ombre de la ville
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"Les photographies de Julian Rosefeldt et Piero Steinle illustrent la fin de l'espace réel au profit de l'instantanéité du temps réel. Temps réel de la prise de vue, qui précède celui de l'espace virtuel du monde de demain". Paul Virilio
Paris : Les cathédrales inconnues, espaces vides dans l'ombre de la ville
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$98.00
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Résumé:
"Les photographies de Julian Rosefeldt et Piero Steinle illustrent la fin de l'espace réel au profit de l'instantanéité du temps réel. Temps réel de la prise de vue, qui précède celui de l'espace virtuel du monde de demain". Paul Virilio
Classification:
livres
livres
Publication:
novembre 1997, Paris
novembre 1997, Paris
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$30.00
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Résumé:
In this book an international group of specialist historians, critics and photographers revise the dominant models on which our knowledge of the history of photography has been based and set out a number of possible alternatives.
$30.00
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Résumé:
In this book an international group of specialist historians, critics and photographers revise the dominant models on which our knowledge of the history of photography has been based and set out a number of possible alternatives.
Titre:
Photography : crisis of history
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Résumé:
In this book an international group of specialist historians, critics and photographers revise the dominant models on which our knowledge of the history of photography has been based and set out a number of possible alternatives.
Photography : crisis of history
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Résumé:
In this book an international group of specialist historians, critics and photographers revise the dominant models on which our knowledge of the history of photography has been based and set out a number of possible alternatives.
Classification:
livres
livres
Publication:
mars 2001, Barcelona
mars 2001, Barcelona
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$74.95
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Résumé:
"The great wide open" focuses on photographic concepts of the "panoramic," or the wide-angled view, tracing how this specific form of visual representation amplified the idea of the American West as a supposedly virgin and sparsely populated land of endless resources, and an ideal landscape for American enterprise.
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Résumé:
"The great wide open" focuses on photographic concepts of the "panoramic," or the wide-angled view, tracing how this specific form of visual representation amplified the idea of the American West as a supposedly virgin and sparsely populated land of endless resources, and an ideal landscape for American enterprise.
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
juin 2001, London
juin 2001, London
Titre:
The great wide open : panoramic photographs of the American West
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$74.95
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Résumé:
"The great wide open" focuses on photographic concepts of the "panoramic," or the wide-angled view, tracing how this specific form of visual representation amplified the idea of the American West as a supposedly virgin and sparsely populated land of endless resources, and an ideal landscape for American enterprise.
The great wide open : panoramic photographs of the American West
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Prix:
$74.95
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Résumé:
"The great wide open" focuses on photographic concepts of the "panoramic," or the wide-angled view, tracing how this specific form of visual representation amplified the idea of the American West as a supposedly virgin and sparsely populated land of endless resources, and an ideal landscape for American enterprise.
Classification:
livres
livres
Publication:
juin 2001, London
juin 2001, London
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$52.50
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Résumé:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in (...)
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In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in (...)
Titre:
Each wild idea : writing, photography, history
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Résumé:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
Each wild idea : writing, photography, history
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$52.50
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Résumé:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
Classification:
livres
livres
Publication:
mars 2001, Cambridge
mars 2001, Cambridge
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$65.00
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Résumé:
This book is a selection of virtually unkown and brilliant photographs of India made between 1857 and 1911. Many have never been seen outside of the archives from which they were gathered. The images refelct the British curiosity about every aspect of Indian life and the subtle way in which the imperial presence coloured the customs and manners of an exotic, foreign land.
$65.00
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Résumé:
This book is a selection of virtually unkown and brilliant photographs of India made between 1857 and 1911. Many have never been seen outside of the archives from which they were gathered. The images refelct the British curiosity about every aspect of Indian life and the subtle way in which the imperial presence coloured the customs and manners of an exotic, foreign land.
Titre:
The Last Empire : photography in British India, 1855-1911
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$65.00
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Résumé:
This book is a selection of virtually unkown and brilliant photographs of India made between 1857 and 1911. Many have never been seen outside of the archives from which they were gathered. The images refelct the British curiosity about every aspect of Indian life and the subtle way in which the imperial presence coloured the customs and manners of an exotic, foreign land.
The Last Empire : photography in British India, 1855-1911
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Prix:
$65.00
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Résumé:
This book is a selection of virtually unkown and brilliant photographs of India made between 1857 and 1911. Many have never been seen outside of the archives from which they were gathered. The images refelct the British curiosity about every aspect of Indian life and the subtle way in which the imperial presence coloured the customs and manners of an exotic, foreign land.
Classification:
livres
livres
Publication:
juin 2001, New York
juin 2001, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$59.95
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Résumé:
Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important(...)
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Résumé:
Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
septembre 2000, Cambridge, Mass.
septembre 2000, Cambridge, Mass.
Titre:
Photography in Boston : 1955-1985
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Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White. The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography. The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel.
Photography in Boston : 1955-1985
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$59.95
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Résumé:
Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White. The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography. The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel.
Classification:
livres
livres
Publication:
septembre 2000, Cambridge, Mass.
septembre 2000, Cambridge, Mass.
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$39.99
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Résumé:
Second edition.
$39.99
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Résumé:
Second edition.
Titre:
Photography : a critical introduction
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$39.99
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Résumé:
Second edition.
Photography : a critical introduction
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Résumé:
Second edition.
Classification:
livres
livres
Publication:
avril 2000, London
avril 2000, London
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Those twenties
Those twenties
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$76.95
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Résumé:
The two Essen-based photographers Petra Wittmar and Ulrich Deimel have been considered top league German architecture photographers since their participation in the Venice Architecture Biennale in 1996. Their latest chosen task has been a documentary photographic presentation of architecture from the period between the wars in North-Rhine Westphalia. Important master(...)
$76.95
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Résumé:
The two Essen-based photographers Petra Wittmar and Ulrich Deimel have been considered top league German architecture photographers since their participation in the Venice Architecture Biennale in 1996. Their latest chosen task has been a documentary photographic presentation of architecture from the period between the wars in North-Rhine Westphalia. Important master(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
juillet 2003, Ostfildern-Ruit
juillet 2003, Ostfildern-Ruit
Titre:
Those twenties
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$76.95
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Résumé:
The two Essen-based photographers Petra Wittmar and Ulrich Deimel have been considered top league German architecture photographers since their participation in the Venice Architecture Biennale in 1996. Their latest chosen task has been a documentary photographic presentation of architecture from the period between the wars in North-Rhine Westphalia. Important master builders such as Dominikus Böhm, Fritz Schupp, Peter Behrens or Bruno Paul created structures in the Rhine-Ruhr area. The mine building Zollverein by Schupp/Kremer at Essen can hardly be matched for its functionalist austerity and aesthetic homogeneity, the elegance of the Disch house by Bruno Paul in Cologne has set standards. The photographers also discovered and payed tribute to a number of unknown master pieces, presenting an assembly of portraits of architecture from this era, with characteristic and often surprising details.
Those twenties
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Prix:
$76.95
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Résumé:
The two Essen-based photographers Petra Wittmar and Ulrich Deimel have been considered top league German architecture photographers since their participation in the Venice Architecture Biennale in 1996. Their latest chosen task has been a documentary photographic presentation of architecture from the period between the wars in North-Rhine Westphalia. Important master builders such as Dominikus Böhm, Fritz Schupp, Peter Behrens or Bruno Paul created structures in the Rhine-Ruhr area. The mine building Zollverein by Schupp/Kremer at Essen can hardly be matched for its functionalist austerity and aesthetic homogeneity, the elegance of the Disch house by Bruno Paul in Cologne has set standards. The photographers also discovered and payed tribute to a number of unknown master pieces, presenting an assembly of portraits of architecture from this era, with characteristic and often surprising details.
Classification:
livres
livres
Publication:
juillet 2003, Ostfildern-Ruit
juillet 2003, Ostfildern-Ruit
Sujet:
Théorie de la photographie
Théorie de la photographie
