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livres
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Into the Sunset examines how photography has pictured, established and transformed the idea of the American West, from 1850 to the present. The development of photography coincided with the exploration and settlement of the West, and this simultaneous growth resulted in a complex relationship that has shaped the perception of that region's physical and social landscape to(...)
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Into the Sunset examines how photography has pictured, established and transformed the idea of the American West, from 1850 to the present. The development of photography coincided with the exploration and settlement of the West, and this simultaneous growth resulted in a complex relationship that has shaped the perception of that region's physical and social landscape to(...)
Titre:
Into the sunset: photography's image of the american west
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Into the Sunset examines how photography has pictured, established and transformed the idea of the American West, from 1850 to the present. The development of photography coincided with the exploration and settlement of the West, and this simultaneous growth resulted in a complex relationship that has shaped the perception of that region's physical and social landscape to this day. Published to accompany a major exhibition at The Museum of Modern Art, New York, Into the Sunset charts changing myths and cultural attitudes about the West through photographs dating from the nineteenth to the twenty-first centuries. An expansive and dynamic survey, it brings together photographers as diverse as Carleton E. Watkins and Stephen Shore, Darius Kinsey and Dorothea Lange, Robert Frank and Cindy Sherman, an unknown daguerreotypist and Richard Prince. More than 120 works are organized thematically to highlight the artists' differing views of the West's land and people.
Into the sunset: photography's image of the american west
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Into the Sunset examines how photography has pictured, established and transformed the idea of the American West, from 1850 to the present. The development of photography coincided with the exploration and settlement of the West, and this simultaneous growth resulted in a complex relationship that has shaped the perception of that region's physical and social landscape to this day. Published to accompany a major exhibition at The Museum of Modern Art, New York, Into the Sunset charts changing myths and cultural attitudes about the West through photographs dating from the nineteenth to the twenty-first centuries. An expansive and dynamic survey, it brings together photographers as diverse as Carleton E. Watkins and Stephen Shore, Darius Kinsey and Dorothea Lange, Robert Frank and Cindy Sherman, an unknown daguerreotypist and Richard Prince. More than 120 works are organized thematically to highlight the artists' differing views of the West's land and people.
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livres
livres
Publication:
janvier 2009, New York
janvier 2009, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
William Wylie: Carrara
William Wylie: Carrara
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The legendary Cava di Gioia quarry in Carrara, Italy, was the source of the luminous white marble used by Michelangelo, Bernini, Henry Moore, and other renowned sculptors. Carrara, a volume of stunning photographs by William Wylie, reveals that the beauty of the quarry itself can be as alluring as the sculptures carved from its stone. Wylie is the first photographer to(...)
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The legendary Cava di Gioia quarry in Carrara, Italy, was the source of the luminous white marble used by Michelangelo, Bernini, Henry Moore, and other renowned sculptors. Carrara, a volume of stunning photographs by William Wylie, reveals that the beauty of the quarry itself can be as alluring as the sculptures carved from its stone. Wylie is the first photographer to(...)
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William Wylie: Carrara
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The legendary Cava di Gioia quarry in Carrara, Italy, was the source of the luminous white marble used by Michelangelo, Bernini, Henry Moore, and other renowned sculptors. Carrara, a volume of stunning photographs by William Wylie, reveals that the beauty of the quarry itself can be as alluring as the sculptures carved from its stone. Wylie is the first photographer to document Cava di Gioia since Ilario Besi, early in the twentieth century. For six years, Wylie photographed the changing landscape of the quarry, and his images capture the intense physical scale of the site, the dramatic setting, and the character of the stonecutters, or cavatori, who have worked the quarry for generations. Wylie’s astonishing photographs present a remarkable panorama carved by more than twenty centuries of excavation. As well, his images of the stonecutters are sensitive portraits of men shaped by their occupation, toughened and enlivened by their work.
William Wylie: Carrara
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The legendary Cava di Gioia quarry in Carrara, Italy, was the source of the luminous white marble used by Michelangelo, Bernini, Henry Moore, and other renowned sculptors. Carrara, a volume of stunning photographs by William Wylie, reveals that the beauty of the quarry itself can be as alluring as the sculptures carved from its stone. Wylie is the first photographer to document Cava di Gioia since Ilario Besi, early in the twentieth century. For six years, Wylie photographed the changing landscape of the quarry, and his images capture the intense physical scale of the site, the dramatic setting, and the character of the stonecutters, or cavatori, who have worked the quarry for generations. Wylie’s astonishing photographs present a remarkable panorama carved by more than twenty centuries of excavation. As well, his images of the stonecutters are sensitive portraits of men shaped by their occupation, toughened and enlivened by their work.
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livres
livres
Publication:
mars 2009
mars 2009
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livres
livres
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$39.95
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This collection of Frampton's writings presents his critical essays (many written for Artforum and October) along with additional material, including lectures, correspondence, interviews, production notes, and scripts. It replaces—and supersedes—the long-unavailable Circles of Confusion, published in 1983.
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This collection of Frampton's writings presents his critical essays (many written for Artforum and October) along with additional material, including lectures, correspondence, interviews, production notes, and scripts. It replaces—and supersedes—the long-unavailable Circles of Confusion, published in 1983.
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
avril 2009, Cambridge, London
avril 2009, Cambridge, London
Titre:
On the camera arts and consecutive matters: the writtings of Hollis Frampton
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This collection of Frampton's writings presents his critical essays (many written for Artforum and October) along with additional material, including lectures, correspondence, interviews, production notes, and scripts. It replaces—and supersedes—the long-unavailable Circles of Confusion, published in 1983.
On the camera arts and consecutive matters: the writtings of Hollis Frampton
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Résumé:
This collection of Frampton's writings presents his critical essays (many written for Artforum and October) along with additional material, including lectures, correspondence, interviews, production notes, and scripts. It replaces—and supersedes—the long-unavailable Circles of Confusion, published in 1983.
Classification:
livres
livres
Publication:
avril 2009, Cambridge, London
avril 2009, Cambridge, London
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$13.95
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Paru pour la première fois en 1977, Sur la photographie est devenu le livre culte sur le sujet.
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Paru pour la première fois en 1977, Sur la photographie est devenu le livre culte sur le sujet.
Titre:
Sur la photographie: oeuvre complète
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Paru pour la première fois en 1977, Sur la photographie est devenu le livre culte sur le sujet.
Sur la photographie: oeuvre complète
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Paru pour la première fois en 1977, Sur la photographie est devenu le livre culte sur le sujet.
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livres
livres
Publication:
janvier 1900, Paris
janvier 1900, Paris
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Javier Vallhonrat: acaso
Javier Vallhonrat: acaso
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Résumé:
In the separate lexicon, installed at the beginning of this well conceived photographic book, Vallhonrat provides nine notes on how the images should be interpreted. Among them it is clear that his photographs explore ‘objects, places and actions,' along with ideas such as belonging, identity, and the processes of construction and transformation. Furthermore, these(...)
$80.00
(disponible en magasin)
Résumé:
In the separate lexicon, installed at the beginning of this well conceived photographic book, Vallhonrat provides nine notes on how the images should be interpreted. Among them it is clear that his photographs explore ‘objects, places and actions,' along with ideas such as belonging, identity, and the processes of construction and transformation. Furthermore, these(...)
Titre:
Javier Vallhonrat: acaso
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In the separate lexicon, installed at the beginning of this well conceived photographic book, Vallhonrat provides nine notes on how the images should be interpreted. Among them it is clear that his photographs explore ‘objects, places and actions,' along with ideas such as belonging, identity, and the processes of construction and transformation. Furthermore, these actions, objects and places shown in the images ‘find themselves in a no-mans land between reality, dreams and the fantasy found in children's stories.' Rich and mysterious, the 45 full colour photographs come printed, uninterrupted, one on each double page.
Javier Vallhonrat: acaso
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Résumé:
In the separate lexicon, installed at the beginning of this well conceived photographic book, Vallhonrat provides nine notes on how the images should be interpreted. Among them it is clear that his photographs explore ‘objects, places and actions,' along with ideas such as belonging, identity, and the processes of construction and transformation. Furthermore, these actions, objects and places shown in the images ‘find themselves in a no-mans land between reality, dreams and the fantasy found in children's stories.' Rich and mysterious, the 45 full colour photographs come printed, uninterrupted, one on each double page.
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livres
livres
Publication:
octobre 2009, Madrid
octobre 2009, Madrid
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$34.95
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In "Suspended Conversations" Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Unlike those who isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she shows that the photographic album must be taken as a whole and interpreted as a visual and verbal(...)
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Résumé:
In "Suspended Conversations" Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Unlike those who isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she shows that the photographic album must be taken as a whole and interpreted as a visual and verbal(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
avril 2008, Montréal, Kingston, London, Ithaca
avril 2008, Montréal, Kingston, London, Ithaca
Titre:
Suspended conversations : the afterlife of memory in photographic albums
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In "Suspended Conversations" Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Unlike those who isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she shows that the photographic album must be taken as a whole and interpreted as a visual and verbal performance that extends oral consciousness. Albums are treasured by families, collected as illustrations of the past by museums of social history, and examined by scholars for what they can reveal about attitudes and sensibilities. Most agree that albums are stories that come to life in the retelling - but when no one is left to tell the tale, the intrigue of the album becomes a puzzle, a suspended conversation. Langford argues that oral consciousness provides the missing key. By correlating photography and orality she shows how albums were designed to work as performances and how we can unlock their mysteries. "Suspended Conversations" brings to light a collection of photographic travelogues, memoirs, thematic collections, and family sagas compiled between 1860 and 1960 and held by the McCord Museum of Canadian History. Langford not only provides a fascinating glimpse of the preoccupations of previous centuries but brings photography into the great conversation of how we remember and how we send our stories into the future.
Suspended conversations : the afterlife of memory in photographic albums
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Résumé:
In "Suspended Conversations" Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Unlike those who isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she shows that the photographic album must be taken as a whole and interpreted as a visual and verbal performance that extends oral consciousness. Albums are treasured by families, collected as illustrations of the past by museums of social history, and examined by scholars for what they can reveal about attitudes and sensibilities. Most agree that albums are stories that come to life in the retelling - but when no one is left to tell the tale, the intrigue of the album becomes a puzzle, a suspended conversation. Langford argues that oral consciousness provides the missing key. By correlating photography and orality she shows how albums were designed to work as performances and how we can unlock their mysteries. "Suspended Conversations" brings to light a collection of photographic travelogues, memoirs, thematic collections, and family sagas compiled between 1860 and 1960 and held by the McCord Museum of Canadian History. Langford not only provides a fascinating glimpse of the preoccupations of previous centuries but brings photography into the great conversation of how we remember and how we send our stories into the future.
Classification:
livres
livres
Publication:
avril 2008, Montréal, Kingston, London, Ithaca
avril 2008, Montréal, Kingston, London, Ithaca
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Sur l'art et la photographie
Sur l'art et la photographie
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Trois essais du célèbre philosophe sont regroupés dans ce livre : L'oeuvre d'art à l'époque de sa reproductibilité technique (1936), "Du nouveau sur les fleurs" (1928) ainsi que "Peinture et photographie" (1936).
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Trois essais du célèbre philosophe sont regroupés dans ce livre : L'oeuvre d'art à l'époque de sa reproductibilité technique (1936), "Du nouveau sur les fleurs" (1928) ainsi que "Peinture et photographie" (1936).
Titre:
Sur l'art et la photographie
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Trois essais du célèbre philosophe sont regroupés dans ce livre : L'oeuvre d'art à l'époque de sa reproductibilité technique (1936), "Du nouveau sur les fleurs" (1928) ainsi que "Peinture et photographie" (1936).
Sur l'art et la photographie
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Trois essais du célèbre philosophe sont regroupés dans ce livre : L'oeuvre d'art à l'époque de sa reproductibilité technique (1936), "Du nouveau sur les fleurs" (1928) ainsi que "Peinture et photographie" (1936).
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livres
livres
Publication:
mai 1997, Paris
mai 1997, Paris
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$27.95
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Résumé:
Second edition, revised and expanded. Introduction by Shelley Rice.
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Second edition, revised and expanded. Introduction by Shelley Rice.
Titre:
Light readings : a photography critic's writings, 1968-1978
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Second edition, revised and expanded. Introduction by Shelley Rice.
Light readings : a photography critic's writings, 1968-1978
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Second edition, revised and expanded. Introduction by Shelley Rice.
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livres
livres
Publication:
septembre 1998, Albuquerque
septembre 1998, Albuquerque
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Beauty in photography
Beauty in photography
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The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
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The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
Titre:
Beauty in photography
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The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
Beauty in photography
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The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
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livres
livres
Publication:
avril 1996
avril 1996
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$25.95
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Catalogue from the exhibition at the RIBA, London.
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Catalogue from the exhibition at the RIBA, London.
Titre:
Photography takes command : the camera and British architecture 1890-1939
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Catalogue from the exhibition at the RIBA, London.
Photography takes command : the camera and British architecture 1890-1939
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Catalogue from the exhibition at the RIBA, London.
Classification:
livres
livres
Publication:
janvier 1994, London
janvier 1994, London
Sujet:
Théorie de la photographie
Théorie de la photographie
