442 Résultats
Classification:
livres
livres
Actions:
Prix:
$118.00
(disponible sur commande)
Résumé:
La relation entre photographie et architecture est aussi ancienne que l’invention de la photographie elle-même. La toute première image photographique jamais réalisée, en 1826 ou 1827, par Joseph Nicéphore Niépce, représente les édifices présents dans la cour de la demeure familiale. Au fil du temps, ces liens se sont développés, instituant progressivement la photographie(...)
$118.00
(disponible sur commande)
Résumé:
La relation entre photographie et architecture est aussi ancienne que l’invention de la photographie elle-même. La toute première image photographique jamais réalisée, en 1826 ou 1827, par Joseph Nicéphore Niépce, représente les édifices présents dans la cour de la demeure familiale. Au fil du temps, ces liens se sont développés, instituant progressivement la photographie(...)
Titre:
Histoire de la photographie d'architecture
Actions:
Prix:
$118.00
(disponible sur commande)
Résumé:
La relation entre photographie et architecture est aussi ancienne que l’invention de la photographie elle-même. La toute première image photographique jamais réalisée, en 1826 ou 1827, par Joseph Nicéphore Niépce, représente les édifices présents dans la cour de la demeure familiale. Au fil du temps, ces liens se sont développés, instituant progressivement la photographie comme l’outil privilégié des architectes contemporains pour documenter les phases d’un projet ou le résultat final de son exécution. Sur la base d’une interaction forte entre texte et images, l’auteur retrace ici l’évolution de la photographie d’architecture, depuis sa conception au XIXe siècle, entre art et source documentaire, et entre production amateur et proto-professionnelle, jusqu’au rôle essentiel qu’elle joue aujourd’hui. De Daguerre à Baldus, Moholy-Nagy ou Couturier, et de Viollet-le-Duc à Mies van der Rohe, Le Corbusier ou Pagano, cette référence constitue la première synthèse ample et structurée de l’histoire de l’iconographie photographique d’architecture, des origines à nos jours. Cette édition constitue une version révisée et augmentée de l’édition italienne originale.
Histoire de la photographie d'architecture
Actions:
Prix:
$118.00
(disponible sur commande)
Résumé:
La relation entre photographie et architecture est aussi ancienne que l’invention de la photographie elle-même. La toute première image photographique jamais réalisée, en 1826 ou 1827, par Joseph Nicéphore Niépce, représente les édifices présents dans la cour de la demeure familiale. Au fil du temps, ces liens se sont développés, instituant progressivement la photographie comme l’outil privilégié des architectes contemporains pour documenter les phases d’un projet ou le résultat final de son exécution. Sur la base d’une interaction forte entre texte et images, l’auteur retrace ici l’évolution de la photographie d’architecture, depuis sa conception au XIXe siècle, entre art et source documentaire, et entre production amateur et proto-professionnelle, jusqu’au rôle essentiel qu’elle joue aujourd’hui. De Daguerre à Baldus, Moholy-Nagy ou Couturier, et de Viollet-le-Duc à Mies van der Rohe, Le Corbusier ou Pagano, cette référence constitue la première synthèse ample et structurée de l’histoire de l’iconographie photographique d’architecture, des origines à nos jours. Cette édition constitue une version révisée et augmentée de l’édition italienne originale.
Classification:
livres
livres
Publication:
février 2016
février 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Julia Margaret Cameron
Julia Margaret Cameron
Actions:
Prix:
$22.95
(disponible sur commande)
Résumé:
Bringing together three of the most important early writings about Julia Margaret Cameron—her own autobiographical fragment, "Annals of My Glass House", the biographical essay by Virginia Woolf, and the path-breaking appreciation by Roger Fry—this book is essential for anyone interested in Victorian culture and photography. It is being published to coincide with the 200th(...)
$22.95
(disponible sur commande)
Résumé:
Bringing together three of the most important early writings about Julia Margaret Cameron—her own autobiographical fragment, "Annals of My Glass House", the biographical essay by Virginia Woolf, and the path-breaking appreciation by Roger Fry—this book is essential for anyone interested in Victorian culture and photography. It is being published to coincide with the 200th(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
octobre 2016
octobre 2016
Titre:
Julia Margaret Cameron
Actions:
Prix:
$22.95
(disponible sur commande)
Résumé:
Bringing together three of the most important early writings about Julia Margaret Cameron—her own autobiographical fragment, "Annals of My Glass House", the biographical essay by Virginia Woolf, and the path-breaking appreciation by Roger Fry—this book is essential for anyone interested in Victorian culture and photography. It is being published to coincide with the 200th anniversary of her birth, the 150th anniversary of her most extensive exhibition, and two major new exhibitions: Julia Margaret Cameron, at the Victoria & Albert Museum, and Art and Photography from the Pre-Raphaelites to the Modern Age, at Tate Britain.
Julia Margaret Cameron
Actions:
Prix:
$22.95
(disponible sur commande)
Résumé:
Bringing together three of the most important early writings about Julia Margaret Cameron—her own autobiographical fragment, "Annals of My Glass House", the biographical essay by Virginia Woolf, and the path-breaking appreciation by Roger Fry—this book is essential for anyone interested in Victorian culture and photography. It is being published to coincide with the 200th anniversary of her birth, the 150th anniversary of her most extensive exhibition, and two major new exhibitions: Julia Margaret Cameron, at the Victoria & Albert Museum, and Art and Photography from the Pre-Raphaelites to the Modern Age, at Tate Britain.
Classification:
livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Actions:
Prix:
$48.00
(disponible sur commande)
Résumé:
The contributors -- international curators and scholars from a range of disciplines -- examine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world. The contributing authors discuss such(...)
$48.00
(disponible sur commande)
Résumé:
The contributors -- international curators and scholars from a range of disciplines -- examine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world. The contributing authors discuss such(...)
Titre:
The public life of photographs
Actions:
Prix:
$48.00
(disponible sur commande)
Résumé:
The contributors -- international curators and scholars from a range of disciplines -- examine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world. The contributing authors discuss such topics as how photographic images became objects of appropriation and collection; the faith in photographic truthfulness; Life magazine's traveling exhibitions and their effect on the magazine's "media hegemony"; and the curatorial challenges of making vernacular photographs accessible in an artistic environment.
The public life of photographs
Actions:
Prix:
$48.00
(disponible sur commande)
Résumé:
The contributors -- international curators and scholars from a range of disciplines -- examine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world. The contributing authors discuss such topics as how photographic images became objects of appropriation and collection; the faith in photographic truthfulness; Life magazine's traveling exhibitions and their effect on the magazine's "media hegemony"; and the curatorial challenges of making vernacular photographs accessible in an artistic environment.
Classification:
livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$65.00
(disponible sur commande)
Résumé:
The majority of photographic images today are recorded and viewed digitally, rather than on film and paper. Amateurs, photojournalists and commercial photographers alike rarely produce material objects as the final step in their photographic process, making photographs in the form of physical objects increasingly scarce. But what happens to personal and collective(...)
$65.00
(disponible sur commande)
Résumé:
The majority of photographic images today are recorded and viewed digitally, rather than on film and paper. Amateurs, photojournalists and commercial photographers alike rarely produce material objects as the final step in their photographic process, making photographs in the form of physical objects increasingly scarce. But what happens to personal and collective(...)
Titre:
A matter of memory: photography as object in the digital age
Actions:
Prix:
$65.00
(disponible sur commande)
Résumé:
The majority of photographic images today are recorded and viewed digitally, rather than on film and paper. Amateurs, photojournalists and commercial photographers alike rarely produce material objects as the final step in their photographic process, making photographs in the form of physical objects increasingly scarce. But what happens to personal and collective memories when photographic images are not instantly accessible on the face of physical objects? How is society’s relationship to memory changing as digital photographs become the norm? ''A Matter of Memory'' features the work of more than 30 artists including Thomas Barrow, Matthew Brandt, Ellen Carey, John Chiara, Adam Fuss, Robert Heinecken, Leslie Hewitt, Kenneth Josephson, Laura Letinsky, Chris McCaw, Diane Meyer, Yola Monakhov Stockton, Vik Muniz, Floris Neusüss, Marlo Pascual, Matthew Porter, Taryn Simon, Michelle Stuart, Kunié Sugiura, Bertien van Manen, James Welling and Augusta Wood.
A matter of memory: photography as object in the digital age
Actions:
Prix:
$65.00
(disponible sur commande)
Résumé:
The majority of photographic images today are recorded and viewed digitally, rather than on film and paper. Amateurs, photojournalists and commercial photographers alike rarely produce material objects as the final step in their photographic process, making photographs in the form of physical objects increasingly scarce. But what happens to personal and collective memories when photographic images are not instantly accessible on the face of physical objects? How is society’s relationship to memory changing as digital photographs become the norm? ''A Matter of Memory'' features the work of more than 30 artists including Thomas Barrow, Matthew Brandt, Ellen Carey, John Chiara, Adam Fuss, Robert Heinecken, Leslie Hewitt, Kenneth Josephson, Laura Letinsky, Chris McCaw, Diane Meyer, Yola Monakhov Stockton, Vik Muniz, Floris Neusüss, Marlo Pascual, Matthew Porter, Taryn Simon, Michelle Stuart, Kunié Sugiura, Bertien van Manen, James Welling and Augusta Wood.
Classification:
livres
livres
Publication:
août 2016
août 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Lewis Baltz : texts
Lewis Baltz : texts
Actions:
Prix:
$35.00
(disponible sur commande)
Résumé:
This is the long-awaited compendium of Lewis Baltz's writings from 1975 until 2007, drawn from his critical writing for magazines such as Art in America, the Times Literary Supplement, L'Architecture d'Aujourd'hui, and Purple. The book includes Baltz's texts on Edward Weston, Walker Evans, Robert Adams, Michael Schmidt, Allan Sekuka, Chris Burden, Thomas Ruff, Barry Le(...)
$35.00
(disponible sur commande)
Résumé:
This is the long-awaited compendium of Lewis Baltz's writings from 1975 until 2007, drawn from his critical writing for magazines such as Art in America, the Times Literary Supplement, L'Architecture d'Aujourd'hui, and Purple. The book includes Baltz's texts on Edward Weston, Walker Evans, Robert Adams, Michael Schmidt, Allan Sekuka, Chris Burden, Thomas Ruff, Barry Le(...)
Titre:
Lewis Baltz : texts
Actions:
Prix:
$35.00
(disponible sur commande)
Résumé:
This is the long-awaited compendium of Lewis Baltz's writings from 1975 until 2007, drawn from his critical writing for magazines such as Art in America, the Times Literary Supplement, L'Architecture d'Aujourd'hui, and Purple. The book includes Baltz's texts on Edward Weston, Walker Evans, Robert Adams, Michael Schmidt, Allan Sekuka, Chris Burden, Thomas Ruff, Barry Le Va, Jeff Wall, Félix González-Torres, John McLaughlin, Slavica Perkovic and Krzysztof Wodiczko, among others. This important publication gives Baltz's literary output the standing it deserves and offers a unique insight into some of history's leading photographers.
Lewis Baltz : texts
Actions:
Prix:
$35.00
(disponible sur commande)
Résumé:
This is the long-awaited compendium of Lewis Baltz's writings from 1975 until 2007, drawn from his critical writing for magazines such as Art in America, the Times Literary Supplement, L'Architecture d'Aujourd'hui, and Purple. The book includes Baltz's texts on Edward Weston, Walker Evans, Robert Adams, Michael Schmidt, Allan Sekuka, Chris Burden, Thomas Ruff, Barry Le Va, Jeff Wall, Félix González-Torres, John McLaughlin, Slavica Perkovic and Krzysztof Wodiczko, among others. This important publication gives Baltz's literary output the standing it deserves and offers a unique insight into some of history's leading photographers.
Classification:
livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$36.00
(disponible sur commande)
Résumé:
Afterimage of Empire provides a philosophical and historical account of early photography in India that focuses on how aesthetic experiments in colonial photography changed the nature of perception. Considering photographs from the Sepoy Revolt of 1857 along with landscape, portraiture, and famine photography, Zahid R. Chaudhary explores larger issues of truth, memory,(...)
$36.00
(disponible sur commande)
Résumé:
Afterimage of Empire provides a philosophical and historical account of early photography in India that focuses on how aesthetic experiments in colonial photography changed the nature of perception. Considering photographs from the Sepoy Revolt of 1857 along with landscape, portraiture, and famine photography, Zahid R. Chaudhary explores larger issues of truth, memory,(...)
Titre:
Afterimage of empire: photography in nineteenth-century India
Actions:
Prix:
$36.00
(disponible sur commande)
Résumé:
Afterimage of Empire provides a philosophical and historical account of early photography in India that focuses on how aesthetic experiments in colonial photography changed the nature of perception. Considering photographs from the Sepoy Revolt of 1857 along with landscape, portraiture, and famine photography, Zahid R. Chaudhary explores larger issues of truth, memory, and embodiment. The author scrutinizes the colonial context to understand the production of sense itself, proposing a new theory of interpreting the historical difference of aesthetic forms. In rereading colonial photographic images, he shows how the histories of colonialism became aesthetically, mimetically, and perceptually generative. He suggests that photography arrived in India not only as a technology of the colonial state but also as an instrument that eventually extended and transformed sight for photographers and the body politic, both British and Indian.
Afterimage of empire: photography in nineteenth-century India
Actions:
Prix:
$36.00
(disponible sur commande)
Résumé:
Afterimage of Empire provides a philosophical and historical account of early photography in India that focuses on how aesthetic experiments in colonial photography changed the nature of perception. Considering photographs from the Sepoy Revolt of 1857 along with landscape, portraiture, and famine photography, Zahid R. Chaudhary explores larger issues of truth, memory, and embodiment. The author scrutinizes the colonial context to understand the production of sense itself, proposing a new theory of interpreting the historical difference of aesthetic forms. In rereading colonial photographic images, he shows how the histories of colonialism became aesthetically, mimetically, and perceptually generative. He suggests that photography arrived in India not only as a technology of the colonial state but also as an instrument that eventually extended and transformed sight for photographers and the body politic, both British and Indian.
Classification:
livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Photography and travel
Photography and travel
Actions:
Prix:
$42.95
(disponible sur commande)
Résumé:
Photography and travel have been linked since 1839, when Daguerre and Talbot first made their inventions known to the public. The inventors and their advocates immediately recognised photography’s capability to vividly represent the spectacles of the world, and make them accessible to the general public in the comfort of their homes. The unquestionable connection between(...)
$42.95
(disponible sur commande)
Résumé:
Photography and travel have been linked since 1839, when Daguerre and Talbot first made their inventions known to the public. The inventors and their advocates immediately recognised photography’s capability to vividly represent the spectacles of the world, and make them accessible to the general public in the comfort of their homes. The unquestionable connection between(...)
Titre:
Photography and travel
Actions:
Prix:
$42.95
(disponible sur commande)
Résumé:
Photography and travel have been linked since 1839, when Daguerre and Talbot first made their inventions known to the public. The inventors and their advocates immediately recognised photography’s capability to vividly represent the spectacles of the world, and make them accessible to the general public in the comfort of their homes. The unquestionable connection between photography and travel remains vital today. In Photography and Travel, Graham Smith provides a lively account of this partnership, discussing the diverse applications of photography to travel during the nineteenth century, in destinations as exotic as France, Italy, Greece, Egypt, Japan and North America. He then moves to the twentieth century, ranging from seaside excursions to transcontinental travel by rail, road and air. As it has become more democratized, the methods and experiences of travel have developed in many unexpected directions, all of which have created their own new photographic narratives.Photography and Travel shows that photographers have often gone to great lengths – at considerable personal danger – to record exotic destinations, from the ice caves and crevasses of the Mer de Glace to the maw of Vesuvius, from the summit of Mount Everest to the pock-marked surface of the moon.
Photography and travel
Actions:
Prix:
$42.95
(disponible sur commande)
Résumé:
Photography and travel have been linked since 1839, when Daguerre and Talbot first made their inventions known to the public. The inventors and their advocates immediately recognised photography’s capability to vividly represent the spectacles of the world, and make them accessible to the general public in the comfort of their homes. The unquestionable connection between photography and travel remains vital today. In Photography and Travel, Graham Smith provides a lively account of this partnership, discussing the diverse applications of photography to travel during the nineteenth century, in destinations as exotic as France, Italy, Greece, Egypt, Japan and North America. He then moves to the twentieth century, ranging from seaside excursions to transcontinental travel by rail, road and air. As it has become more democratized, the methods and experiences of travel have developed in many unexpected directions, all of which have created their own new photographic narratives.Photography and Travel shows that photographers have often gone to great lengths – at considerable personal danger – to record exotic destinations, from the ice caves and crevasses of the Mer de Glace to the maw of Vesuvius, from the summit of Mount Everest to the pock-marked surface of the moon.
Classification:
livres
livres
Publication:
juin 2012
juin 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Photography and landscape
Photography and landscape
Actions:
Prix:
$49.95
(disponible sur commande)
Résumé:
Photography and Landscape is a collaboration between a writer about photography and a landscape photographer that provides a new critical account of landscape photography which focuses on the settler societies of the United States and Australia. Beginning with the frontier days of the American West, the subsequent century-long popularity of landscape photography is(...)
$49.95
(disponible sur commande)
Résumé:
Photography and Landscape is a collaboration between a writer about photography and a landscape photographer that provides a new critical account of landscape photography which focuses on the settler societies of the United States and Australia. Beginning with the frontier days of the American West, the subsequent century-long popularity of landscape photography is(...)
Titre:
Photography and landscape
Actions:
Prix:
$49.95
(disponible sur commande)
Résumé:
Photography and Landscape is a collaboration between a writer about photography and a landscape photographer that provides a new critical account of landscape photography which focuses on the settler societies of the United States and Australia. Beginning with the frontier days of the American West, the subsequent century-long popularity of landscape photography is exemplified by images from Carleton Watkins to Ansel Adams, the New Topographics to Richard Misrach, all of whose works are considered here. Along with discussions of other contemporary photographers, this illustrated volume demonstrates the influence of settler societies on landscape photography, in which photographers captured the fascination with and the appeal of the land and its expense.
Photography and landscape
Actions:
Prix:
$49.95
(disponible sur commande)
Résumé:
Photography and Landscape is a collaboration between a writer about photography and a landscape photographer that provides a new critical account of landscape photography which focuses on the settler societies of the United States and Australia. Beginning with the frontier days of the American West, the subsequent century-long popularity of landscape photography is exemplified by images from Carleton Watkins to Ansel Adams, the New Topographics to Richard Misrach, all of whose works are considered here. Along with discussions of other contemporary photographers, this illustrated volume demonstrates the influence of settler societies on landscape photography, in which photographers captured the fascination with and the appeal of the land and its expense.
Classification:
livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
Photographic historian Edwards looks at the popularity of the amateur photographic survey movement in England between the mid-1880s and the end of World War I, when over a thousand amateur photographers took well over 50,000 photographs documenting nearby churches, cottages, and other local features. Edwards sees this movement as a form of popular history.
$34.95
(disponible sur commande)
Résumé:
Photographic historian Edwards looks at the popularity of the amateur photographic survey movement in England between the mid-1880s and the end of World War I, when over a thousand amateur photographers took well over 50,000 photographs documenting nearby churches, cottages, and other local features. Edwards sees this movement as a form of popular history.
Titre:
The camera as historian : amateur photographers and historical imagination, 1885-1918
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
Photographic historian Edwards looks at the popularity of the amateur photographic survey movement in England between the mid-1880s and the end of World War I, when over a thousand amateur photographers took well over 50,000 photographs documenting nearby churches, cottages, and other local features. Edwards sees this movement as a form of popular history.
The camera as historian : amateur photographers and historical imagination, 1885-1918
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
Photographic historian Edwards looks at the popularity of the amateur photographic survey movement in England between the mid-1880s and the end of World War I, when over a thousand amateur photographers took well over 50,000 photographs documenting nearby churches, cottages, and other local features. Edwards sees this movement as a form of popular history.
Classification:
livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Actions:
Prix:
$11.95
(disponible en magasin)
Résumé:
Ne regardez jamais l'appareil.
$11.95
(disponible en magasin)
Résumé:
Ne regardez jamais l'appareil.
Titre:
Walter Benjamin : Petite histoire de la photographie
Actions:
Prix:
$11.95
(disponible en magasin)
Résumé:
Ne regardez jamais l'appareil.
Walter Benjamin : Petite histoire de la photographie
Actions:
Prix:
$11.95
(disponible en magasin)
Résumé:
Ne regardez jamais l'appareil.
Classification:
livres
livres
Publication:
juin 2012
juin 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
