437 Résultats
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During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced. The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit(...)
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During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced. The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit(...)
Titre:
Photography of protest and community: The radical collectives of the 1970s
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During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced. The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit their work. They wanted to do things in their own way, to create their own magazines and exhibition networks, and to take their politicised photographic and textual commentary on the re-imagination of British cities in the post-war period into community centres, laundrettes, Working Men’s Clubs, polytechnics, nurseries – anywhere that would have them. This book reveals how they created a ‘history from below’, positioning themselves outside of established mainstream media, and aiming to make the invisible visible by bringing the disenfranchised and marginalised into the political debate.
Photography of protest and community: The radical collectives of the 1970s
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During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced. The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit their work. They wanted to do things in their own way, to create their own magazines and exhibition networks, and to take their politicised photographic and textual commentary on the re-imagination of British cities in the post-war period into community centres, laundrettes, Working Men’s Clubs, polytechnics, nurseries – anywhere that would have them. This book reveals how they created a ‘history from below’, positioning themselves outside of established mainstream media, and aiming to make the invisible visible by bringing the disenfranchised and marginalised into the political debate.
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livres
livres
Publication:
décembre 2020
décembre 2020
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Écrits sur l'image
Écrits sur l'image
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Cette publication est le premier recueil des textes d'Alain Bergala sur la photographie. Durant plus de quarante ans, Alain Bergala, à la fois critique de cinéma, réalisateur et grand spécialiste de l'image fixe, a questionné le médium et ses acteurs parmi lesquels Carole Bellaïche, Sophie Calle, Raymond Depardon, Robert Frank, Jean Gaumy, Josef Koudelka, Bernard Plossu,(...)
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Cette publication est le premier recueil des textes d'Alain Bergala sur la photographie. Durant plus de quarante ans, Alain Bergala, à la fois critique de cinéma, réalisateur et grand spécialiste de l'image fixe, a questionné le médium et ses acteurs parmi lesquels Carole Bellaïche, Sophie Calle, Raymond Depardon, Robert Frank, Jean Gaumy, Josef Koudelka, Bernard Plossu,(...)
Titre:
Écrits sur l'image
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Cette publication est le premier recueil des textes d'Alain Bergala sur la photographie. Durant plus de quarante ans, Alain Bergala, à la fois critique de cinéma, réalisateur et grand spécialiste de l'image fixe, a questionné le médium et ses acteurs parmi lesquels Carole Bellaïche, Sophie Calle, Raymond Depardon, Robert Frank, Jean Gaumy, Josef Koudelka, Bernard Plossu, Wim Wenders et bien d'autres. L'ouvrage réunit au total 27 textes publiés entre 1976 et 2020.
Écrits sur l'image
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Cette publication est le premier recueil des textes d'Alain Bergala sur la photographie. Durant plus de quarante ans, Alain Bergala, à la fois critique de cinéma, réalisateur et grand spécialiste de l'image fixe, a questionné le médium et ses acteurs parmi lesquels Carole Bellaïche, Sophie Calle, Raymond Depardon, Robert Frank, Jean Gaumy, Josef Koudelka, Bernard Plossu, Wim Wenders et bien d'autres. L'ouvrage réunit au total 27 textes publiés entre 1976 et 2020.
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livres
livres
Publication:
avril 2022
avril 2022
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$54.95
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Our ideas of wilderness have evolved dramatically over the past one hundred and fifty years, from a view of wild country as an inviolable ''place apart'' to one that exists only within the matrix of human activity. This shift in understanding has provoked complicated questions about the importance of the wild in American environmentalism, as well as new aesthetic(...)
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Our ideas of wilderness have evolved dramatically over the past one hundred and fifty years, from a view of wild country as an inviolable ''place apart'' to one that exists only within the matrix of human activity. This shift in understanding has provoked complicated questions about the importance of the wild in American environmentalism, as well as new aesthetic(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
novembre 2022
novembre 2022
Titre:
Wild visions: Wilderness as image and idea
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Our ideas of wilderness have evolved dramatically over the past one hundred and fifty years, from a view of wild country as an inviolable ''place apart'' to one that exists only within the matrix of human activity. This shift in understanding has provoked complicated questions about the importance of the wild in American environmentalism, as well as new aesthetic expectations as we reframe the wilderness as (to some degree) a human creation. ''Wild visions'' is distinctive in its union of landscape photography and environmental thought, a merging of short, thematic essays with a striking visual narrative. Often, the wild is viewed in binary terms: either revered as sacred and ecologically pure or dismissed as spoiled by human activities. This book portrays wilderness instead as an evolving gamut of understandings, a collage of views and ideas that is still in process.
Wild visions: Wilderness as image and idea
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Our ideas of wilderness have evolved dramatically over the past one hundred and fifty years, from a view of wild country as an inviolable ''place apart'' to one that exists only within the matrix of human activity. This shift in understanding has provoked complicated questions about the importance of the wild in American environmentalism, as well as new aesthetic expectations as we reframe the wilderness as (to some degree) a human creation. ''Wild visions'' is distinctive in its union of landscape photography and environmental thought, a merging of short, thematic essays with a striking visual narrative. Often, the wild is viewed in binary terms: either revered as sacred and ecologically pure or dismissed as spoiled by human activities. This book portrays wilderness instead as an evolving gamut of understandings, a collage of views and ideas that is still in process.
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livres
livres
Publication:
novembre 2022
novembre 2022
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$34.95
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From the advent of early colonial photography in the 19th century to contemporary 'white savior' social-media images, photography continues to play an integral role in the maintenance of white sovereignty. As various scholars have shown, the technology of the camera is not innocent, and neither are the images it produces. The invention and continuation of the 'white(...)
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From the advent of early colonial photography in the 19th century to contemporary 'white savior' social-media images, photography continues to play an integral role in the maintenance of white sovereignty. As various scholars have shown, the technology of the camera is not innocent, and neither are the images it produces. The invention and continuation of the 'white(...)
Titre:
The image of whiteness: Contemporary photography and racialization
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From the advent of early colonial photography in the 19th century to contemporary 'white savior' social-media images, photography continues to play an integral role in the maintenance of white sovereignty. As various scholars have shown, the technology of the camera is not innocent, and neither are the images it produces. The invention and continuation of the 'white race' is not just a political, social and legal phenomenon; it is also a complexly visual one. What does whiteness look like, and how might we begin to trace an antiracist history of artistic resistance that works against it? ''The image of whiteness'' seeks to introduce its reader to some important extracts from the troubling story of whiteness, to describe its falsehoods, its paradoxes and its oppressive nature, and to highlight some of the crucial work photographic artists have done to subvert and critique its image.
The image of whiteness: Contemporary photography and racialization
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From the advent of early colonial photography in the 19th century to contemporary 'white savior' social-media images, photography continues to play an integral role in the maintenance of white sovereignty. As various scholars have shown, the technology of the camera is not innocent, and neither are the images it produces. The invention and continuation of the 'white race' is not just a political, social and legal phenomenon; it is also a complexly visual one. What does whiteness look like, and how might we begin to trace an antiracist history of artistic resistance that works against it? ''The image of whiteness'' seeks to introduce its reader to some important extracts from the troubling story of whiteness, to describe its falsehoods, its paradoxes and its oppressive nature, and to highlight some of the crucial work photographic artists have done to subvert and critique its image.
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livres
livres
Publication:
juillet 2022
juillet 2022
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
On photography
On photography
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Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred(...)
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Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred(...)
Titre:
On photography
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Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred boundary between lived events and recreated images, and the desires that lead us to record our lives.
On photography
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Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred boundary between lived events and recreated images, and the desires that lead us to record our lives.
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livres
livres
Publication:
août 2019
août 2019
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livres
livres
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Photographic historian Edwards looks at the popularity of the amateur photographic survey movement in England between the mid-1880s and the end of World War I, when over a thousand amateur photographers took well over 50,000 photographs documenting nearby churches, cottages, and other local features. Edwards sees this movement as a form of popular history.
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Photographic historian Edwards looks at the popularity of the amateur photographic survey movement in England between the mid-1880s and the end of World War I, when over a thousand amateur photographers took well over 50,000 photographs documenting nearby churches, cottages, and other local features. Edwards sees this movement as a form of popular history.
Titre:
The camera as historian : amateur photographers and historical imagination, 1885-1918
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Photographic historian Edwards looks at the popularity of the amateur photographic survey movement in England between the mid-1880s and the end of World War I, when over a thousand amateur photographers took well over 50,000 photographs documenting nearby churches, cottages, and other local features. Edwards sees this movement as a form of popular history.
The camera as historian : amateur photographers and historical imagination, 1885-1918
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Photographic historian Edwards looks at the popularity of the amateur photographic survey movement in England between the mid-1880s and the end of World War I, when over a thousand amateur photographers took well over 50,000 photographs documenting nearby churches, cottages, and other local features. Edwards sees this movement as a form of popular history.
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livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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Résumé:
Ne regardez jamais l'appareil.
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Résumé:
Ne regardez jamais l'appareil.
Titre:
Walter Benjamin : Petite histoire de la photographie
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Ne regardez jamais l'appareil.
Walter Benjamin : Petite histoire de la photographie
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Ne regardez jamais l'appareil.
Classification:
livres
livres
Publication:
juin 2012
juin 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$39.95
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Photography Changes Everything offers a provocative rethinking of photography’s impact on our culture and our daily lives. Compiling hundreds of images and responses from leading authorities on photography, it offers a brilliant, reader-friendly exploration of the many ways in which photographs package information and values, demand and hold attention, and shape our(...)
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Photography Changes Everything offers a provocative rethinking of photography’s impact on our culture and our daily lives. Compiling hundreds of images and responses from leading authorities on photography, it offers a brilliant, reader-friendly exploration of the many ways in which photographs package information and values, demand and hold attention, and shape our(...)
Titre:
Photography changes everything
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Photography Changes Everything offers a provocative rethinking of photography’s impact on our culture and our daily lives. Compiling hundreds of images and responses from leading authorities on photography, it offers a brilliant, reader-friendly exploration of the many ways in which photographs package information and values, demand and hold attention, and shape our knowledge of and experience in the world. The volume draws on the extraordinary visual assets of the Smithsonian Institution’s museums, science centers and archives to launch an unprecedented interdisciplinary dialogue on photography’s capacity to shape and change our experience of the world. This publication features over 300 images and nearly 100 engaging short texts commissioned from experts, writers, inventors, public figures and others--from Hugh Hefner to John Baldessari, John Waters, Robert Adams, Sandra Phillips and many others. Each story responds to images selected by project contributors.
Photography changes everything
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Photography Changes Everything offers a provocative rethinking of photography’s impact on our culture and our daily lives. Compiling hundreds of images and responses from leading authorities on photography, it offers a brilliant, reader-friendly exploration of the many ways in which photographs package information and values, demand and hold attention, and shape our knowledge of and experience in the world. The volume draws on the extraordinary visual assets of the Smithsonian Institution’s museums, science centers and archives to launch an unprecedented interdisciplinary dialogue on photography’s capacity to shape and change our experience of the world. This publication features over 300 images and nearly 100 engaging short texts commissioned from experts, writers, inventors, public figures and others--from Hugh Hefner to John Baldessari, John Waters, Robert Adams, Sandra Phillips and many others. Each story responds to images selected by project contributors.
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
The Moiré effect
The Moiré effect
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The life of legendary Swiss photographer Ernst Moiré is so shrouded in speculation that he sometimes seems more like a phantasm than the flesh-and-blood figure whose name will forever be linked with the well-known printer’s error. Yet as scholar Lytle Shaw reveals in The Moiré Effect, when it comes to Monsieur Moiré and his circle, fact is often stranger than fiction. (...)
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The life of legendary Swiss photographer Ernst Moiré is so shrouded in speculation that he sometimes seems more like a phantasm than the flesh-and-blood figure whose name will forever be linked with the well-known printer’s error. Yet as scholar Lytle Shaw reveals in The Moiré Effect, when it comes to Monsieur Moiré and his circle, fact is often stranger than fiction. (...)
Titre:
The Moiré effect
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The life of legendary Swiss photographer Ernst Moiré is so shrouded in speculation that he sometimes seems more like a phantasm than the flesh-and-blood figure whose name will forever be linked with the well-known printer’s error. Yet as scholar Lytle Shaw reveals in The Moiré Effect, when it comes to Monsieur Moiré and his circle, fact is often stranger than fiction. This publication tracks the artist from his humble Alpine beginnings as the son of a postal clerk to his fateful founding of a Zurich photography studio in the 1890s and his subsequent role in the lives of a number of curious figures.
The Moiré effect
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The life of legendary Swiss photographer Ernst Moiré is so shrouded in speculation that he sometimes seems more like a phantasm than the flesh-and-blood figure whose name will forever be linked with the well-known printer’s error. Yet as scholar Lytle Shaw reveals in The Moiré Effect, when it comes to Monsieur Moiré and his circle, fact is often stranger than fiction. This publication tracks the artist from his humble Alpine beginnings as the son of a postal clerk to his fateful founding of a Zurich photography studio in the 1890s and his subsequent role in the lives of a number of curious figures.
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$66.50
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By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography's development, in which champions of photographic "purity," such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation,(...)
$66.50
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By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography's development, in which champions of photographic "purity," such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation,(...)
Titre:
Faking it: manipulated photography before photoshop
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$66.50
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By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography's development, in which champions of photographic "purity," such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation, including Henry Peach Robinson, Edward Steichen, and John Heartfield, are treated as conspicuous anomalies. Among the techniques discussed on these pages--abundantly illustrated with works from an international array of public and private collections--are multiple exposure, combination printing, photomontage, composite portraiture, over-painting, hand coloring, and retouching.
Faking it: manipulated photography before photoshop
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$66.50
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By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography's development, in which champions of photographic "purity," such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation, including Henry Peach Robinson, Edward Steichen, and John Heartfield, are treated as conspicuous anomalies. Among the techniques discussed on these pages--abundantly illustrated with works from an international array of public and private collections--are multiple exposure, combination printing, photomontage, composite portraiture, over-painting, hand coloring, and retouching.
Classification:
livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
