434 Résultats
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livres
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From the advent of early colonial photography in the 19th century to contemporary 'white savior' social-media images, photography continues to play an integral role in the maintenance of white sovereignty. As various scholars have shown, the technology of the camera is not innocent, and neither are the images it produces. The invention and continuation of the 'white(...)
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From the advent of early colonial photography in the 19th century to contemporary 'white savior' social-media images, photography continues to play an integral role in the maintenance of white sovereignty. As various scholars have shown, the technology of the camera is not innocent, and neither are the images it produces. The invention and continuation of the 'white(...)
Titre:
The image of whiteness: Contemporary photography and racialization
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From the advent of early colonial photography in the 19th century to contemporary 'white savior' social-media images, photography continues to play an integral role in the maintenance of white sovereignty. As various scholars have shown, the technology of the camera is not innocent, and neither are the images it produces. The invention and continuation of the 'white race' is not just a political, social and legal phenomenon; it is also a complexly visual one. What does whiteness look like, and how might we begin to trace an antiracist history of artistic resistance that works against it? ''The image of whiteness'' seeks to introduce its reader to some important extracts from the troubling story of whiteness, to describe its falsehoods, its paradoxes and its oppressive nature, and to highlight some of the crucial work photographic artists have done to subvert and critique its image.
The image of whiteness: Contemporary photography and racialization
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From the advent of early colonial photography in the 19th century to contemporary 'white savior' social-media images, photography continues to play an integral role in the maintenance of white sovereignty. As various scholars have shown, the technology of the camera is not innocent, and neither are the images it produces. The invention and continuation of the 'white race' is not just a political, social and legal phenomenon; it is also a complexly visual one. What does whiteness look like, and how might we begin to trace an antiracist history of artistic resistance that works against it? ''The image of whiteness'' seeks to introduce its reader to some important extracts from the troubling story of whiteness, to describe its falsehoods, its paradoxes and its oppressive nature, and to highlight some of the crucial work photographic artists have done to subvert and critique its image.
Classification:
livres
livres
Publication:
juillet 2022
juillet 2022
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
On photography
On photography
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$22.99
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Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred(...)
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Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred(...)
Titre:
On photography
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Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred boundary between lived events and recreated images, and the desires that lead us to record our lives.
On photography
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Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred boundary between lived events and recreated images, and the desires that lead us to record our lives.
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livres
livres
Publication:
août 2019
août 2019
Classification:
livres
livres
Titre:
Jeff Wall
Jeff Wall
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This publication accompanies the artist’s monographic exhibition at Glenstone, a survey of works made between 1978 and 2018. It is his largest exhibition in the US since his widely acclaimed 2007 midcareer survey at the Museum of Modern Art. Comprising nearly 30 artworks, the catalog appraises the full range of the artist’s pioneering oeuvre, from early pictures displayed(...)
$69.00
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This publication accompanies the artist’s monographic exhibition at Glenstone, a survey of works made between 1978 and 2018. It is his largest exhibition in the US since his widely acclaimed 2007 midcareer survey at the Museum of Modern Art. Comprising nearly 30 artworks, the catalog appraises the full range of the artist’s pioneering oeuvre, from early pictures displayed(...)
Titre:
Jeff Wall
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This publication accompanies the artist’s monographic exhibition at Glenstone, a survey of works made between 1978 and 2018. It is his largest exhibition in the US since his widely acclaimed 2007 midcareer survey at the Museum of Modern Art. Comprising nearly 30 artworks, the catalog appraises the full range of the artist’s pioneering oeuvre, from early pictures displayed in backlit lightboxes and black-and-white silver gelatin prints to more recent large-scale inkjet color prints. It also features an introduction by Glenstone cofounder and director Emily Wei Rales and an essay by art critic and poet Barry Schwabsky.
Jeff Wall
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This publication accompanies the artist’s monographic exhibition at Glenstone, a survey of works made between 1978 and 2018. It is his largest exhibition in the US since his widely acclaimed 2007 midcareer survey at the Museum of Modern Art. Comprising nearly 30 artworks, the catalog appraises the full range of the artist’s pioneering oeuvre, from early pictures displayed in backlit lightboxes and black-and-white silver gelatin prints to more recent large-scale inkjet color prints. It also features an introduction by Glenstone cofounder and director Emily Wei Rales and an essay by art critic and poet Barry Schwabsky.
Classification:
livres
livres
Publication:
août 2022
août 2022
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$49.00
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Using the theme of Currency to invite reflection on the contemporary power of the photograph to relay and relate meaning across distance, the Triennial of Photography Hamburg explores the value of photography in the 21st century. The extension of this economic term to art and visual culture allows for a sustained engagement with photography and its relationship to(...)
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Using the theme of Currency to invite reflection on the contemporary power of the photograph to relay and relate meaning across distance, the Triennial of Photography Hamburg explores the value of photography in the 21st century. The extension of this economic term to art and visual culture allows for a sustained engagement with photography and its relationship to(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
septembre 2022
septembre 2022
Titre:
Lucid knowledge: the currency of the photographic image
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Using the theme of Currency to invite reflection on the contemporary power of the photograph to relay and relate meaning across distance, the Triennial of Photography Hamburg explores the value of photography in the 21st century. The extension of this economic term to art and visual culture allows for a sustained engagement with photography and its relationship to value-making, canon-making, access, circulation, and knowledge production. At a time when the production, distribution, and consumption of photographic images has become ubiquitous and we have learned to structure our contemporary world through a lens, the digital image has become the currency of exchange on social platforms. Fostering interdisciplinary dialogue, this book gathers international perspectives that reflect on how photography shapes today’s narratives, as well as our perception and experience of the world.
Lucid knowledge: the currency of the photographic image
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$49.00
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Résumé:
Using the theme of Currency to invite reflection on the contemporary power of the photograph to relay and relate meaning across distance, the Triennial of Photography Hamburg explores the value of photography in the 21st century. The extension of this economic term to art and visual culture allows for a sustained engagement with photography and its relationship to value-making, canon-making, access, circulation, and knowledge production. At a time when the production, distribution, and consumption of photographic images has become ubiquitous and we have learned to structure our contemporary world through a lens, the digital image has become the currency of exchange on social platforms. Fostering interdisciplinary dialogue, this book gathers international perspectives that reflect on how photography shapes today’s narratives, as well as our perception and experience of the world.
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livres
livres
Publication:
septembre 2022
septembre 2022
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Moving through the space of the picture and the page: photobook as artistic, architectural medium
Moving through the space of the picture and the page: photobook as artistic, architectural medium
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This publication brings together essays on six contemporary Belgian photobook makers and the way they deal with space, time, movement and surface within the book and within the photographic image. The artists discussed are Tine Guns, Dirk Braeckman, Els Martens, Max Pinckers, Vincent Delbrouck and Aglaia Konrad. In recent years, the book has firmly established itself as(...)
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This publication brings together essays on six contemporary Belgian photobook makers and the way they deal with space, time, movement and surface within the book and within the photographic image. The artists discussed are Tine Guns, Dirk Braeckman, Els Martens, Max Pinckers, Vincent Delbrouck and Aglaia Konrad. In recent years, the book has firmly established itself as(...)
Titre:
Moving through the space of the picture and the page: photobook as artistic, architectural medium
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This publication brings together essays on six contemporary Belgian photobook makers and the way they deal with space, time, movement and surface within the book and within the photographic image. The artists discussed are Tine Guns, Dirk Braeckman, Els Martens, Max Pinckers, Vincent Delbrouck and Aglaia Konrad. In recent years, the book has firmly established itself as an artistic medium for photography. Open a photobook today and with any luck you will enter a world full of visual twists and turns. A previously enclosed block suddenly becomes an open volume, and through that volume you can move and navigate. How you do so, through which spaces and at what pace, is largely determined by the book’s architecture.
Moving through the space of the picture and the page: photobook as artistic, architectural medium
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$40.00
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Résumé:
This publication brings together essays on six contemporary Belgian photobook makers and the way they deal with space, time, movement and surface within the book and within the photographic image. The artists discussed are Tine Guns, Dirk Braeckman, Els Martens, Max Pinckers, Vincent Delbrouck and Aglaia Konrad. In recent years, the book has firmly established itself as an artistic medium for photography. Open a photobook today and with any luck you will enter a world full of visual twists and turns. A previously enclosed block suddenly becomes an open volume, and through that volume you can move and navigate. How you do so, through which spaces and at what pace, is largely determined by the book’s architecture.
Classification:
livres
livres
Publication:
septembre 2022
septembre 2022
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$11.95
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Résumé:
Ne regardez jamais l'appareil.
$11.95
(disponible en magasin)
Résumé:
Ne regardez jamais l'appareil.
Titre:
Walter Benjamin : Petite histoire de la photographie
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Ne regardez jamais l'appareil.
Walter Benjamin : Petite histoire de la photographie
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Résumé:
Ne regardez jamais l'appareil.
Classification:
livres
livres
Publication:
juin 2012
juin 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$39.95
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Résumé:
Photography Changes Everything offers a provocative rethinking of photography’s impact on our culture and our daily lives. Compiling hundreds of images and responses from leading authorities on photography, it offers a brilliant, reader-friendly exploration of the many ways in which photographs package information and values, demand and hold attention, and shape our(...)
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Photography Changes Everything offers a provocative rethinking of photography’s impact on our culture and our daily lives. Compiling hundreds of images and responses from leading authorities on photography, it offers a brilliant, reader-friendly exploration of the many ways in which photographs package information and values, demand and hold attention, and shape our(...)
Titre:
Photography changes everything
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Photography Changes Everything offers a provocative rethinking of photography’s impact on our culture and our daily lives. Compiling hundreds of images and responses from leading authorities on photography, it offers a brilliant, reader-friendly exploration of the many ways in which photographs package information and values, demand and hold attention, and shape our knowledge of and experience in the world. The volume draws on the extraordinary visual assets of the Smithsonian Institution’s museums, science centers and archives to launch an unprecedented interdisciplinary dialogue on photography’s capacity to shape and change our experience of the world. This publication features over 300 images and nearly 100 engaging short texts commissioned from experts, writers, inventors, public figures and others--from Hugh Hefner to John Baldessari, John Waters, Robert Adams, Sandra Phillips and many others. Each story responds to images selected by project contributors.
Photography changes everything
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Photography Changes Everything offers a provocative rethinking of photography’s impact on our culture and our daily lives. Compiling hundreds of images and responses from leading authorities on photography, it offers a brilliant, reader-friendly exploration of the many ways in which photographs package information and values, demand and hold attention, and shape our knowledge of and experience in the world. The volume draws on the extraordinary visual assets of the Smithsonian Institution’s museums, science centers and archives to launch an unprecedented interdisciplinary dialogue on photography’s capacity to shape and change our experience of the world. This publication features over 300 images and nearly 100 engaging short texts commissioned from experts, writers, inventors, public figures and others--from Hugh Hefner to John Baldessari, John Waters, Robert Adams, Sandra Phillips and many others. Each story responds to images selected by project contributors.
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
The Moiré effect
The Moiré effect
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The life of legendary Swiss photographer Ernst Moiré is so shrouded in speculation that he sometimes seems more like a phantasm than the flesh-and-blood figure whose name will forever be linked with the well-known printer’s error. Yet as scholar Lytle Shaw reveals in The Moiré Effect, when it comes to Monsieur Moiré and his circle, fact is often stranger than fiction. (...)
$12.00
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The life of legendary Swiss photographer Ernst Moiré is so shrouded in speculation that he sometimes seems more like a phantasm than the flesh-and-blood figure whose name will forever be linked with the well-known printer’s error. Yet as scholar Lytle Shaw reveals in The Moiré Effect, when it comes to Monsieur Moiré and his circle, fact is often stranger than fiction. (...)
Titre:
The Moiré effect
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The life of legendary Swiss photographer Ernst Moiré is so shrouded in speculation that he sometimes seems more like a phantasm than the flesh-and-blood figure whose name will forever be linked with the well-known printer’s error. Yet as scholar Lytle Shaw reveals in The Moiré Effect, when it comes to Monsieur Moiré and his circle, fact is often stranger than fiction. This publication tracks the artist from his humble Alpine beginnings as the son of a postal clerk to his fateful founding of a Zurich photography studio in the 1890s and his subsequent role in the lives of a number of curious figures.
The Moiré effect
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The life of legendary Swiss photographer Ernst Moiré is so shrouded in speculation that he sometimes seems more like a phantasm than the flesh-and-blood figure whose name will forever be linked with the well-known printer’s error. Yet as scholar Lytle Shaw reveals in The Moiré Effect, when it comes to Monsieur Moiré and his circle, fact is often stranger than fiction. This publication tracks the artist from his humble Alpine beginnings as the son of a postal clerk to his fateful founding of a Zurich photography studio in the 1890s and his subsequent role in the lives of a number of curious figures.
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$66.50
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Résumé:
By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography's development, in which champions of photographic "purity," such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation,(...)
$66.50
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By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography's development, in which champions of photographic "purity," such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation,(...)
Titre:
Faking it: manipulated photography before photoshop
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$66.50
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By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography's development, in which champions of photographic "purity," such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation, including Henry Peach Robinson, Edward Steichen, and John Heartfield, are treated as conspicuous anomalies. Among the techniques discussed on these pages--abundantly illustrated with works from an international array of public and private collections--are multiple exposure, combination printing, photomontage, composite portraiture, over-painting, hand coloring, and retouching.
Faking it: manipulated photography before photoshop
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$66.50
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By tracing the history of manipulated photography from the earliest days of the medium to the release of Photoshop 1.0 in 1990, Mia Fineman offers a corrective to the dominant narrative of photography's development, in which champions of photographic "purity," such as Paul Strand, Edward Weston, and Henri Cartier-Bresson, get all the glory, while devotees of manipulation, including Henry Peach Robinson, Edward Steichen, and John Heartfield, are treated as conspicuous anomalies. Among the techniques discussed on these pages--abundantly illustrated with works from an international array of public and private collections--are multiple exposure, combination printing, photomontage, composite portraiture, over-painting, hand coloring, and retouching.
Classification:
livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$65.00
(disponible sur commande)
Résumé:
Views of Airports documents a lengthy series of work by Peter Fischli (born 1952) and David Weiss (1946-2012), comprising 1,010 photographs to date, all of which appear here complete for the first time. For this ongoing documentary project, the artistic duo photograph the airports they passed through in their travels around the world over nearly 25 years, in a quest for(...)
$65.00
(disponible sur commande)
Résumé:
Views of Airports documents a lengthy series of work by Peter Fischli (born 1952) and David Weiss (1946-2012), comprising 1,010 photographs to date, all of which appear here complete for the first time. For this ongoing documentary project, the artistic duo photograph the airports they passed through in their travels around the world over nearly 25 years, in a quest for(...)
Titre:
Peter Fischli / David Weiss : 800 views of airports
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Views of Airports documents a lengthy series of work by Peter Fischli (born 1952) and David Weiss (1946-2012), comprising 1,010 photographs to date, all of which appear here complete for the first time. For this ongoing documentary project, the artistic duo photograph the airports they passed through in their travels around the world over nearly 25 years, in a quest for exotic banality throughout different cultures. Their images of these nondescript airports focus on the humdrum aspect of air travel : the fuel vehicles, the baggage trucks, the daily routines of airport workers, the long antiseptic corridors and sprawling tarmacs surrounded by panoramic views of empty vistas. Whether presenting a Lufthansa airplane sitting idle in a yellowy light, a Swiss Air plane waiting in a neon-haunted dusk or an Air France plane getting its belly filled in the dead of night, Fischli and Weiss’s images present the evanescence of any national identity when reduced to a symbol on a vertical stabilizer. 800 Views of Airports reveal the non-places encircling our world, and the non-journeys that have come to define our contemporary life in transit, while simultaneously offering carefully composed images that are strangely placid and restful.
Peter Fischli / David Weiss : 800 views of airports
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$65.00
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Résumé:
Views of Airports documents a lengthy series of work by Peter Fischli (born 1952) and David Weiss (1946-2012), comprising 1,010 photographs to date, all of which appear here complete for the first time. For this ongoing documentary project, the artistic duo photograph the airports they passed through in their travels around the world over nearly 25 years, in a quest for exotic banality throughout different cultures. Their images of these nondescript airports focus on the humdrum aspect of air travel : the fuel vehicles, the baggage trucks, the daily routines of airport workers, the long antiseptic corridors and sprawling tarmacs surrounded by panoramic views of empty vistas. Whether presenting a Lufthansa airplane sitting idle in a yellowy light, a Swiss Air plane waiting in a neon-haunted dusk or an Air France plane getting its belly filled in the dead of night, Fischli and Weiss’s images present the evanescence of any national identity when reduced to a symbol on a vertical stabilizer. 800 Views of Airports reveal the non-places encircling our world, and the non-journeys that have come to define our contemporary life in transit, while simultaneously offering carefully composed images that are strangely placid and restful.
Classification:
livres
livres
Publication:
novembre 2012
novembre 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
