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Gerhard Richter: landscapes
Gerhard Richter: landscapes
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No genre has fascinated Gerhard Richter so consistently throughout his career as that of landscape. Ever since his softly overpainted Views of Corsica series of 1968-69, the artist has revisited and reprised its possibilities, creating black-and-white townscapes based on newspaper picture and amateur photographs, mountain and park scenes with heavy impasto, illusionistic(...)
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No genre has fascinated Gerhard Richter so consistently throughout his career as that of landscape. Ever since his softly overpainted Views of Corsica series of 1968-69, the artist has revisited and reprised its possibilities, creating black-and-white townscapes based on newspaper picture and amateur photographs, mountain and park scenes with heavy impasto, illusionistic(...)
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mai 2011
mai 2011
Titre:
Gerhard Richter: landscapes
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No genre has fascinated Gerhard Richter so consistently throughout his career as that of landscape. Ever since his softly overpainted Views of Corsica series of 1968-69, the artist has revisited and reprised its possibilities, creating black-and-white townscapes based on newspaper picture and amateur photographs, mountain and park scenes with heavy impasto, illusionistic seascapes in subtly gradated tones and paintings worked with abstract overpainting. Frequently these paintings interrupt or quietly sabotage the transcendent horizon of the Romantic landscape, but the image presented is not exactly ironized as in other paintings of Richter's. This new edition brings us up to date with Richter's enduring fondness for this subject.
Gerhard Richter: landscapes
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No genre has fascinated Gerhard Richter so consistently throughout his career as that of landscape. Ever since his softly overpainted Views of Corsica series of 1968-69, the artist has revisited and reprised its possibilities, creating black-and-white townscapes based on newspaper picture and amateur photographs, mountain and park scenes with heavy impasto, illusionistic seascapes in subtly gradated tones and paintings worked with abstract overpainting. Frequently these paintings interrupt or quietly sabotage the transcendent horizon of the Romantic landscape, but the image presented is not exactly ironized as in other paintings of Richter's. This new edition brings us up to date with Richter's enduring fondness for this subject.
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livres
Publication:
mai 2011
mai 2011
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This publication is the long-awaited collection of essays, reviews and lectures by Tod Papageorge, one of the most influential voices in photography today. As a photographer and the Walker Evans Professor of Photography at the Yale University School of Art, Papageorge has shaped the work and thought of generations of artist-photographers, and, through his critical(...)
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This publication is the long-awaited collection of essays, reviews and lectures by Tod Papageorge, one of the most influential voices in photography today. As a photographer and the Walker Evans Professor of Photography at the Yale University School of Art, Papageorge has shaped the work and thought of generations of artist-photographers, and, through his critical(...)
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Core curriculum : writings on photography
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This publication is the long-awaited collection of essays, reviews and lectures by Tod Papageorge, one of the most influential voices in photography today. As a photographer and the Walker Evans Professor of Photography at the Yale University School of Art, Papageorge has shaped the work and thought of generations of artist-photographers, and, through his critical writings - some of which have gained a cult following through online postings - he has earned a reputation as an unusually eloquent and illuminating guide to the work of many of the most important figures in twentieth-century photography. Among the artists Papageorge discusses in this volume are Eugène Atget, Brassaï, Robert Frank (with Walker Evans), Robert Adams and his close friend Garry Winogrand. The book also includes texts that examine the more general questions of photography's relationship to poetry, and how the evolution of the medium's early technologies led to the twentieth-century creation of the artist-photographer. Among the previously unpublished pieces are an unfinished poem written in response to Susan Sontag's On Photography, a profile of Josef Koudelka and a commencement speech delivered at the Yale School of Art in 2004. The book also includes a number of interviews given by Papageorge, ranging in topic from his own photographic work and background in poetry to his energetic observations on the art of photography.
Core curriculum : writings on photography
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$29.95
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This publication is the long-awaited collection of essays, reviews and lectures by Tod Papageorge, one of the most influential voices in photography today. As a photographer and the Walker Evans Professor of Photography at the Yale University School of Art, Papageorge has shaped the work and thought of generations of artist-photographers, and, through his critical writings - some of which have gained a cult following through online postings - he has earned a reputation as an unusually eloquent and illuminating guide to the work of many of the most important figures in twentieth-century photography. Among the artists Papageorge discusses in this volume are Eugène Atget, Brassaï, Robert Frank (with Walker Evans), Robert Adams and his close friend Garry Winogrand. The book also includes texts that examine the more general questions of photography's relationship to poetry, and how the evolution of the medium's early technologies led to the twentieth-century creation of the artist-photographer. Among the previously unpublished pieces are an unfinished poem written in response to Susan Sontag's On Photography, a profile of Josef Koudelka and a commencement speech delivered at the Yale School of Art in 2004. The book also includes a number of interviews given by Papageorge, ranging in topic from his own photographic work and background in poetry to his energetic observations on the art of photography.
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livres
livres
Publication:
juin 2011
juin 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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In 2006, Italian photographer Armin Linke was given a commission by the Ministry of Cultural Heritage and Activities, and proposed a photographic mapping of all the institutions now housed in various historical buildings in Rome. The result is a portrait of the Italian State through its architecture, revealing rarely-seen interiors and clandestine functions. With text by(...)
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In 2006, Italian photographer Armin Linke was given a commission by the Ministry of Cultural Heritage and Activities, and proposed a photographic mapping of all the institutions now housed in various historical buildings in Rome. The result is a portrait of the Italian State through its architecture, revealing rarely-seen interiors and clandestine functions. With text by(...)
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Armin Linke: The body of the state
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In 2006, Italian photographer Armin Linke was given a commission by the Ministry of Cultural Heritage and Activities, and proposed a photographic mapping of all the institutions now housed in various historical buildings in Rome. The result is a portrait of the Italian State through its architecture, revealing rarely-seen interiors and clandestine functions. With text by Giorgio Agamben.
Armin Linke: The body of the state
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In 2006, Italian photographer Armin Linke was given a commission by the Ministry of Cultural Heritage and Activities, and proposed a photographic mapping of all the institutions now housed in various historical buildings in Rome. The result is a portrait of the Italian State through its architecture, revealing rarely-seen interiors and clandestine functions. With text by Giorgio Agamben.
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livres
livres
Publication:
janvier 2011
janvier 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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The intriguing images assembled here by collector and curator Robert Flynn Johnson are all mysterious. By turns poignant, humorous, erotic, and disturbing, their subject is the human condition. Every aspect of human experience—both public and private—is explored. Over 220 photographs showcase the work of photographers whose identities have been lost in time.
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The intriguing images assembled here by collector and curator Robert Flynn Johnson are all mysterious. By turns poignant, humorous, erotic, and disturbing, their subject is the human condition. Every aspect of human experience—both public and private—is explored. Over 220 photographs showcase the work of photographers whose identities have been lost in time.
Titre:
The face of the lens: Anonymous photographs
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The intriguing images assembled here by collector and curator Robert Flynn Johnson are all mysterious. By turns poignant, humorous, erotic, and disturbing, their subject is the human condition. Every aspect of human experience—both public and private—is explored. Over 220 photographs showcase the work of photographers whose identities have been lost in time.
The face of the lens: Anonymous photographs
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$34.95
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Résumé:
The intriguing images assembled here by collector and curator Robert Flynn Johnson are all mysterious. By turns poignant, humorous, erotic, and disturbing, their subject is the human condition. Every aspect of human experience—both public and private—is explored. Over 220 photographs showcase the work of photographers whose identities have been lost in time.
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livres
livres
Publication:
avril 2011
avril 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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Louis Jacques Mande Daguerre (1787-1851) was a true nineteenth-century visionary - a painter, printmaker, set designer, entrepreneur, inventor, and pioneer of photography. Though he was widely celebrated beyond his own lifetime for his invention of the daguerreotype, it was his origins as a theatrical designer and purveyor of visual entertainment that paved the way for(...)
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Louis Jacques Mande Daguerre (1787-1851) was a true nineteenth-century visionary - a painter, printmaker, set designer, entrepreneur, inventor, and pioneer of photography. Though he was widely celebrated beyond his own lifetime for his invention of the daguerreotype, it was his origins as a theatrical designer and purveyor of visual entertainment that paved the way for(...)
Titre:
Speculating Daguerre : arts & enterprise in the work of L. J. M. Daguerre
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Louis Jacques Mande Daguerre (1787-1851) was a true nineteenth-century visionary - a painter, printmaker, set designer, entrepreneur, inventor, and pioneer of photography. Though he was widely celebrated beyond his own lifetime for his invention of the daguerreotype, it was his origins as a theatrical designer and purveyor of visual entertainment that paved the way for Daguerre's emergence as one of the world's most iconic imagemakers. In "Speculating Daguerre," Stephen C. Pinson reinterprets the story of the man and his time, painting a vivid picture of Daguerre as an innovative artist and savvy impresario whose eventual fame as a photographer eclipsed everything that had come before.
Speculating Daguerre : arts & enterprise in the work of L. J. M. Daguerre
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Louis Jacques Mande Daguerre (1787-1851) was a true nineteenth-century visionary - a painter, printmaker, set designer, entrepreneur, inventor, and pioneer of photography. Though he was widely celebrated beyond his own lifetime for his invention of the daguerreotype, it was his origins as a theatrical designer and purveyor of visual entertainment that paved the way for Daguerre's emergence as one of the world's most iconic imagemakers. In "Speculating Daguerre," Stephen C. Pinson reinterprets the story of the man and his time, painting a vivid picture of Daguerre as an innovative artist and savvy impresario whose eventual fame as a photographer eclipsed everything that had come before.
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livres
livres
Publication:
juin 2011
juin 2011
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livres
livres
Titre:
Photography and death
Photography and death
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography(...)
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography(...)
Titre:
Photography and death
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography and Death reveals the significance of such images, formerly dismissed as disturbing or grotesque, and places them within the context of changing cultural attitudes towards death and loss. Excluding images of death through war, violence, or natural disasters, Audrey Linkman concentrates on photographs of natural deaths within the family. She identifies the range of death-related photographs that have been produced in both Europe and North America since the 1840s and charts changes in their treatment through the decades.
Photography and death
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography and Death reveals the significance of such images, formerly dismissed as disturbing or grotesque, and places them within the context of changing cultural attitudes towards death and loss. Excluding images of death through war, violence, or natural disasters, Audrey Linkman concentrates on photographs of natural deaths within the family. She identifies the range of death-related photographs that have been produced in both Europe and North America since the 1840s and charts changes in their treatment through the decades.
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livres
livres
Publication:
avril 2011
avril 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Photography and anthropology
Photography and anthropology
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In this publication, Christopher Pinney presents an account of the strikingly parallel histories of the two disciplines, as well as a polemical narrative and overview of the use of photography by anthropologists from the 1840s to the present. Through numerous examples from the annals of anthropological photography, this book examines the history of anthropology’s(...)
$43.95
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In this publication, Christopher Pinney presents an account of the strikingly parallel histories of the two disciplines, as well as a polemical narrative and overview of the use of photography by anthropologists from the 1840s to the present. Through numerous examples from the annals of anthropological photography, this book examines the history of anthropology’s(...)
Titre:
Photography and anthropology
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$43.95
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In this publication, Christopher Pinney presents an account of the strikingly parallel histories of the two disciplines, as well as a polemical narrative and overview of the use of photography by anthropologists from the 1840s to the present. Through numerous examples from the annals of anthropological photography, this book examines the history of anthropology’s enchantment with photography alongside the anthropological theory of photography and documentation.
Photography and anthropology
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$43.95
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In this publication, Christopher Pinney presents an account of the strikingly parallel histories of the two disciplines, as well as a polemical narrative and overview of the use of photography by anthropologists from the 1840s to the present. Through numerous examples from the annals of anthropological photography, this book examines the history of anthropology’s enchantment with photography alongside the anthropological theory of photography and documentation.
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livres
livres
Publication:
avril 2011
avril 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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$57.00
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This first major monograph of Los Angeles-based artist Judy Fiskin includes reproductions of nearly three hundred images taken from 1973 to 1995. Since Fiskin turned to video in the late 1990s, this compendium represents her complete photographic oeuvre, including many images never before published.
$57.00
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This first major monograph of Los Angeles-based artist Judy Fiskin includes reproductions of nearly three hundred images taken from 1973 to 1995. Since Fiskin turned to video in the late 1990s, this compendium represents her complete photographic oeuvre, including many images never before published.
Titre:
Judy Fiskin: Some aesthetic decisions
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This first major monograph of Los Angeles-based artist Judy Fiskin includes reproductions of nearly three hundred images taken from 1973 to 1995. Since Fiskin turned to video in the late 1990s, this compendium represents her complete photographic oeuvre, including many images never before published.
Judy Fiskin: Some aesthetic decisions
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This first major monograph of Los Angeles-based artist Judy Fiskin includes reproductions of nearly three hundred images taken from 1973 to 1995. Since Fiskin turned to video in the late 1990s, this compendium represents her complete photographic oeuvre, including many images never before published.
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livres
livres
Publication:
décembre 2011
décembre 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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In the late 1960s, Polaroid Corporation founder Edwin Land initiated a project to invite more than 800 artists around the world to shoot on Polaroid film, supplying them with the company's latest products. Over the ensuing decades, more than 4,500 works, by photographers ranging from Ansel Adams to Andy Warhol, were presented to the company and found their way into(...)
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In the late 1960s, Polaroid Corporation founder Edwin Land initiated a project to invite more than 800 artists around the world to shoot on Polaroid film, supplying them with the company's latest products. Over the ensuing decades, more than 4,500 works, by photographers ranging from Ansel Adams to Andy Warhol, were presented to the company and found their way into(...)
Titre:
From polaroid to impossible: masterpieces of instant photography, the Westlicht collection
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In the late 1960s, Polaroid Corporation founder Edwin Land initiated a project to invite more than 800 artists around the world to shoot on Polaroid film, supplying them with the company's latest products. Over the ensuing decades, more than 4,500 works, by photographers ranging from Ansel Adams to Andy Warhol, were presented to the company and found their way into Polaroid's International Collection at their European headquarters near Frankfurt am Main. In 2008 Polaroid went bankrupt. The company was bought by the Impossible Project (who promptly invented a new kind of instant film at the Polaroid factory in Enschede) and its legendary collection was acquired by the Westlicht Schauplatz museum in Vienna. From Polaroid to Impossible celebrates both this acquisition and the launch of a new Polaroid collection spearheaded by Westlicht and the Impossible Project. It offers the first overview of the European Polaroid Collection, and includes selected Polaroid masterpieces by figures such as Ansel Adams, Barbara Crane, Giselle Freund, Gottfried Helnwein, Sally Mann, Robert Mapplethorpe, Helmut Newton, Stephen Shore, Aaron Siskind, Andy Warhol, William Wegman and Minor White; artists like Miyako Ishiuchi, Andreas Mahl and Catherine Wagner, who made specialties of the medium; plus newly commissioned Impossible instant photography by contemporary artists such as Nobuyoshi Araki, David Leventhal, Mary Ellen Mark and Stefanie Schneider. Numerous images are reproduced in full color at 1:1 scale, making this volume a luscious and giftworthy celebration of the charm of the Polaroid photograph.
From polaroid to impossible: masterpieces of instant photography, the Westlicht collection
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$60.00
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In the late 1960s, Polaroid Corporation founder Edwin Land initiated a project to invite more than 800 artists around the world to shoot on Polaroid film, supplying them with the company's latest products. Over the ensuing decades, more than 4,500 works, by photographers ranging from Ansel Adams to Andy Warhol, were presented to the company and found their way into Polaroid's International Collection at their European headquarters near Frankfurt am Main. In 2008 Polaroid went bankrupt. The company was bought by the Impossible Project (who promptly invented a new kind of instant film at the Polaroid factory in Enschede) and its legendary collection was acquired by the Westlicht Schauplatz museum in Vienna. From Polaroid to Impossible celebrates both this acquisition and the launch of a new Polaroid collection spearheaded by Westlicht and the Impossible Project. It offers the first overview of the European Polaroid Collection, and includes selected Polaroid masterpieces by figures such as Ansel Adams, Barbara Crane, Giselle Freund, Gottfried Helnwein, Sally Mann, Robert Mapplethorpe, Helmut Newton, Stephen Shore, Aaron Siskind, Andy Warhol, William Wegman and Minor White; artists like Miyako Ishiuchi, Andreas Mahl and Catherine Wagner, who made specialties of the medium; plus newly commissioned Impossible instant photography by contemporary artists such as Nobuyoshi Araki, David Leventhal, Mary Ellen Mark and Stefanie Schneider. Numerous images are reproduced in full color at 1:1 scale, making this volume a luscious and giftworthy celebration of the charm of the Polaroid photograph.
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livres
livres
Publication:
juillet 2011
juillet 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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$42.00
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After the death of his wife, Andre Kertesz consoled himself by taking up a new camera, the Polaroid SX70. As with earlier equipment, he mastered the camera and produced a provocative body of work that both honored his wife and lifted him out of depression. Here Kertesz dips into his reserves one last time, tapping new people, ideas, and tools to generate a whole new body(...)
$42.00
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Résumé:
After the death of his wife, Andre Kertesz consoled himself by taking up a new camera, the Polaroid SX70. As with earlier equipment, he mastered the camera and produced a provocative body of work that both honored his wife and lifted him out of depression. Here Kertesz dips into his reserves one last time, tapping new people, ideas, and tools to generate a whole new body(...)
Publication:
novembre 2011
novembre 2011
Titre:
André Kertész : the polaroids
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After the death of his wife, Andre Kertesz consoled himself by taking up a new camera, the Polaroid SX70. As with earlier equipment, he mastered the camera and produced a provocative body of work that both honored his wife and lifted him out of depression. Here Kertesz dips into his reserves one last time, tapping new people, ideas, and tools to generate a whole new body of work through which he transforms from a broken man into a youthful artist. Taken in his apartment just north of New York City's Washington Square, many of these photographs were shot either from his window or in the windowsill. We see a fertile mind at work, combining personal objects into striking still lifes set against cityscape backgrounds, reflected and transformed in glass surfaces. Almost entirely unpublished work, these photographs are a testament to the genius of the photographer's eye as manifested in the simple Polaroid.
André Kertész : the polaroids
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$42.00
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Résumé:
After the death of his wife, Andre Kertesz consoled himself by taking up a new camera, the Polaroid SX70. As with earlier equipment, he mastered the camera and produced a provocative body of work that both honored his wife and lifted him out of depression. Here Kertesz dips into his reserves one last time, tapping new people, ideas, and tools to generate a whole new body of work through which he transforms from a broken man into a youthful artist. Taken in his apartment just north of New York City's Washington Square, many of these photographs were shot either from his window or in the windowsill. We see a fertile mind at work, combining personal objects into striking still lifes set against cityscape backgrounds, reflected and transformed in glass surfaces. Almost entirely unpublished work, these photographs are a testament to the genius of the photographer's eye as manifested in the simple Polaroid.
Classification:
livres
livres
Publication:
novembre 2011
novembre 2011
