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Cette somme rassemble un choix de textes parus et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer,(...)
Entre les beaux-arts et les médias: photographie et art moderne
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Cette somme rassemble un choix de textes parus et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer, entre oeuvre et activité.
Théorie de la photographie
Athens, still remains
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Athens, Still Remains is an extended commentary on a series of photographs of contemporary Athens by the French photographer Jean-François Bonhomme. First published in French and Greek in 1996, Athens, Still Remains is Derrida’s most sustained analysis of the photographic medium in relationship to the history of philosophy and his most personal reflection on that medium.(...)
Athens, still remains
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Athens, Still Remains is an extended commentary on a series of photographs of contemporary Athens by the French photographer Jean-François Bonhomme. First published in French and Greek in 1996, Athens, Still Remains is Derrida’s most sustained analysis of the photographic medium in relationship to the history of philosophy and his most personal reflection on that medium. At once photographic analysis, philosophical essay, and autobiographical narrative, this book presents an original theory of photography and throws a fascinating light on Derrida’s life and work.
Théorie de la photographie
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This special issue of positions analyzes how the creation and proliferation of photographic images in East Asia affect global perceptions of the region's gender, ethnic, historical, and cultural identities. The contributors assess the ways that East Asia's relationship to the world and to its own past are increasingly mediated by the global circulation of visual images.(...)
Photography's places: Positions East Asia cultures critique
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This special issue of positions analyzes how the creation and proliferation of photographic images in East Asia affect global perceptions of the region's gender, ethnic, historical, and cultural identities. The contributors assess the ways that East Asia's relationship to the world and to its own past are increasingly mediated by the global circulation of visual images. They approach photography as both an object and medium of cultural critique.
Théorie de la photographie
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Mirrors of memory seeks to understand how various kinds of photographs--of sculptures; archaeological sites in Greece, Rome, and Egypt; medical conditions; ethnographic scenes--fed into Freud's thinking as he elaborated the concepts of psychoanalysis. Illustrated with reproductions of the photos from Freud's voluminous collection, Bergstein argues that studying the(...)
Mirrors of memory: Freud, photography, and the history of art
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Mirrors of memory seeks to understand how various kinds of photographs--of sculptures; archaeological sites in Greece, Rome, and Egypt; medical conditions; ethnographic scenes--fed into Freud's thinking as he elaborated the concepts of psychoanalysis. Illustrated with reproductions of the photos from Freud's voluminous collection, Bergstein argues that studying the man and his photographs uncovers a key to the origins of psychoanalysis.
Théorie de la photographie
Time and photography
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Photography is fundamentally a time-based medium. The relationships between photography and time are manifold: snapshots are slices of time, time can be directly represented within the image, time can be photographys theme and philosophical horizon, photographic practices develop and change across time. This book brings together the various aspect of time in photography(...)
Time and photography
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Photography is fundamentally a time-based medium. The relationships between photography and time are manifold: snapshots are slices of time, time can be directly represented within the image, time can be photographys theme and philosophical horizon, photographic practices develop and change across time. This book brings together the various aspect of time in photography and of photography in time. Its chapters focus on seminal authors (including Fox Talbot, Victor Burgin, and Robert Morris) and genres, with examples ranging from the very first photographic pictures to the most recent uses of photography in and outside art. Given the multifaceted dimensions of the notion of time, the book fosters an interdisciplinary approach, gathering essays by historians of photography as well as by authors with a critical or philosophical background. It shows how some interpretations of photography are indebted to fields that have a great expertise in analyzing time, such as narratology and literature.
Théorie de la photographie
Photography and the USA
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In Photography and the USA, Mick Gidley asks how and why photography has been such a significant force in shaping American culture. Featuring approximately one hundred iconic and lesser-known images, this book encompasses the major movements, artists, and works that are crucial to understanding American photography. Focusing on works that reveal the many different(...)
Photography and the USA
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In Photography and the USA, Mick Gidley asks how and why photography has been such a significant force in shaping American culture. Featuring approximately one hundred iconic and lesser-known images, this book encompasses the major movements, artists, and works that are crucial to understanding American photography. Focusing on works that reveal the many different facets of America, its landscapes and its people, Gidley explores the ambiguities of American history and culture.
Théorie de la photographie
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In the mid-1950s, Swiss-born New Yorker Robert Frank embarked on a ten-thousand-mile road trip across America, capturing thousands of photographs of all levels of a rapidly changing society. The resultant photo book, "The Americans", represents a seminal moment in both photography and in America's understanding of itself. To mark the book’s fiftieth anniversary, Jonathan(...)
Robert Frank's The Americans: the art of documentary photography
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In the mid-1950s, Swiss-born New Yorker Robert Frank embarked on a ten-thousand-mile road trip across America, capturing thousands of photographs of all levels of a rapidly changing society. The resultant photo book, "The Americans", represents a seminal moment in both photography and in America's understanding of itself. To mark the book’s fiftieth anniversary, Jonathan Day revisits this pivotal work and contributes a critical commentary. Though the importance of The Americans has been widely acknowledged, it still retains much of its mystery. This analysis places it in the context of contemporary photography, literature, music, and advertising from its own period through the present.
Théorie de la photographie
Photography and flight
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Photography and Flight reveals how the camera lens from far away continues to unearth telling details about the land and those who live upon it. While digital technology and remote sensing have changed the landscape of photography, this book argues that they have not diminished the significance of aerial photography in providing images of the earth. Rather, new(...)
Photography and flight
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Photography and Flight reveals how the camera lens from far away continues to unearth telling details about the land and those who live upon it. While digital technology and remote sensing have changed the landscape of photography, this book argues that they have not diminished the significance of aerial photography in providing images of the earth. Rather, new technologies and resulting innovations such as Google Earth have enabled the mass democratization of access to such information.
Théorie de la photographie
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As traces left behind by the last 200 years of profound historical change, architecture and photography contribute both to the contemporary skyline and to our image of the past. Their common history provides an indispensable background to discussions of what has been called the contemporary past modernity considered as an open problem rather than a closed historical(...)
Architecture, photography and the contemporary past
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As traces left behind by the last 200 years of profound historical change, architecture and photography contribute both to the contemporary skyline and to our image of the past. Their common history provides an indispensable background to discussions of what has been called the contemporary past modernity considered as an open problem rather than a closed historical period. In both cases, an irregular border can be traced between the discursive and its opposite, the material. The intersection offers an interesting confrontation between traditional academic historiography and the artistic application of historical perspectives, an exploration of the contemporary past.
Théorie de la photographie
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The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before. Found imagery(...)
Post-photography: the artist with a camera
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The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before. Found imagery has become increasingly important in post-photographic practice, with the internet serving as a laboratory for a major kind of image-making experimentation. But artists also continue to create entirely original works using avant-garde techniques drawn from both the digital and analogue eras. This book is split into five sections – Something Borrowed, Something New; Layers of Reality; All the World Is Staged; Hand and Eye; and Post-Photojournalism – which cover the key strategies adopted by 53 of the most exciting and innovative international artist-photographers of the 21st century.
Théorie de la photographie