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Dorothea Lange’s photographs define how we remember the Depression generation. In this biography, renowned historian Linda Gordon charts Lange’s journey from polio-ridden child to wife and mother, to San Francisco portrait photographer, to chronicler of the Great Depression and World War II. Gordon uses Lange’s life to anchor a moving social history of twentieth-century(...)
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Dorothea Lange’s photographs define how we remember the Depression generation. In this biography, renowned historian Linda Gordon charts Lange’s journey from polio-ridden child to wife and mother, to San Francisco portrait photographer, to chronicler of the Great Depression and World War II. Gordon uses Lange’s life to anchor a moving social history of twentieth-century(...)
Titre:
Dorothea Lange: life beyond limits
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Dorothea Lange’s photographs define how we remember the Depression generation. In this biography, renowned historian Linda Gordon charts Lange’s journey from polio-ridden child to wife and mother, to San Francisco portrait photographer, to chronicler of the Great Depression and World War II. Gordon uses Lange’s life to anchor a moving social history of twentieth-century America, re-creating the bohemian world of San Francisco, the Dust Bowl, and the Japanese American internment camps. She explores Lange’s growing radicalization as she embraced the democratic power of the camera, and she examines Lange’s entire body of work, reproducing more than one hundred images, many of them previously unseen and some of them formerly suppressed.
Dorothea Lange: life beyond limits
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Dorothea Lange’s photographs define how we remember the Depression generation. In this biography, renowned historian Linda Gordon charts Lange’s journey from polio-ridden child to wife and mother, to San Francisco portrait photographer, to chronicler of the Great Depression and World War II. Gordon uses Lange’s life to anchor a moving social history of twentieth-century America, re-creating the bohemian world of San Francisco, the Dust Bowl, and the Japanese American internment camps. She explores Lange’s growing radicalization as she embraced the democratic power of the camera, and she examines Lange’s entire body of work, reproducing more than one hundred images, many of them previously unseen and some of them formerly suppressed.
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livres
livres
Publication:
décembre 2009
décembre 2009
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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$79.95
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This comprehensive book traces the origins and progression of photography from its humble beginnings in daguerreotypes to the gradual mastering of photographic portraits, techniques, and negatives. The wider use of photography in journalism, for documenting architecture and art movements, and its capacity to produce piercing perspectives on the social and political(...)
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This comprehensive book traces the origins and progression of photography from its humble beginnings in daguerreotypes to the gradual mastering of photographic portraits, techniques, and negatives. The wider use of photography in journalism, for documenting architecture and art movements, and its capacity to produce piercing perspectives on the social and political(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
décembre 2009
décembre 2009
Titre:
A history of photography : the Musée d'Orsay collection, 1839-1925
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This comprehensive book traces the origins and progression of photography from its humble beginnings in daguerreotypes to the gradual mastering of photographic portraits, techniques, and negatives. The wider use of photography in journalism, for documenting architecture and art movements, and its capacity to produce piercing perspectives on the social and political climate of the nineteenth and twentieth centuries are all carefully evaluated, as well as the work of amateurs such as Zola who tried their hand at this revolutionary art form. Twenty-five years after the inauguration of France’s first permanent exhibition devoted solely to photography, the Musée d’Orsay continues in its innovative and original thread. This book bears testimony to the unique nature of the museum’s collection, noted for its rare finds, their quality, and the sheer number of works it holds (more than fifty-five thousand). The collection’s most-treasured works are exposed here, including a portrait of Baudelaire by Nadar and the recently acquired portrait of Man Ray by Stieglitz.
A history of photography : the Musée d'Orsay collection, 1839-1925
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This comprehensive book traces the origins and progression of photography from its humble beginnings in daguerreotypes to the gradual mastering of photographic portraits, techniques, and negatives. The wider use of photography in journalism, for documenting architecture and art movements, and its capacity to produce piercing perspectives on the social and political climate of the nineteenth and twentieth centuries are all carefully evaluated, as well as the work of amateurs such as Zola who tried their hand at this revolutionary art form. Twenty-five years after the inauguration of France’s first permanent exhibition devoted solely to photography, the Musée d’Orsay continues in its innovative and original thread. This book bears testimony to the unique nature of the museum’s collection, noted for its rare finds, their quality, and the sheer number of works it holds (more than fifty-five thousand). The collection’s most-treasured works are exposed here, including a portrait of Baudelaire by Nadar and the recently acquired portrait of Man Ray by Stieglitz.
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livres
livres
Publication:
décembre 2009
décembre 2009
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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Spirit photography, or the ability to photograph spiritual entities, was an integral part of the development of photography and is most identified with the late 19th century. Today, artists are returning to this practice in order to show that photography attests not only to the visible but to the invisible world. This publication, accompanied by the work of a wide range(...)
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Spirit photography, or the ability to photograph spiritual entities, was an integral part of the development of photography and is most identified with the late 19th century. Today, artists are returning to this practice in order to show that photography attests not only to the visible but to the invisible world. This publication, accompanied by the work of a wide range(...)
Titre:
La photographie hantée par la photographie spirite
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Spirit photography, or the ability to photograph spiritual entities, was an integral part of the development of photography and is most identified with the late 19th century. Today, artists are returning to this practice in order to show that photography attests not only to the visible but to the invisible world. This publication, accompanied by the work of a wide range of Quebec artists - including Serge Clément, Sorel Cohen, Denis Farley, Marie-Jeanne Musiol, Richard-Max Tremblay and Éliane Excoffier - seeks to show that photography can still make ghosts appear before our very eyes.
La photographie hantée par la photographie spirite
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Spirit photography, or the ability to photograph spiritual entities, was an integral part of the development of photography and is most identified with the late 19th century. Today, artists are returning to this practice in order to show that photography attests not only to the visible but to the invisible world. This publication, accompanied by the work of a wide range of Quebec artists - including Serge Clément, Sorel Cohen, Denis Farley, Marie-Jeanne Musiol, Richard-Max Tremblay and Éliane Excoffier - seeks to show that photography can still make ghosts appear before our very eyes.
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livres
livres
Publication:
février 2010
février 2010
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par(...)
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par(...)
Publication:
février 2010
février 2010
Titre:
Photographies françaises du XIXe siècle
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par soixannte-six présentations individuelles. Parmi les dizaines d’artistes on retrouve Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, et Auguste Salzmann. Après Photographies modernistes du Musée des beaux-arts du Canada, voici la deuxième publication d'une série dédiée à la collection du Musée.
Photographies françaises du XIXe siècle
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par soixannte-six présentations individuelles. Parmi les dizaines d’artistes on retrouve Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, et Auguste Salzmann. Après Photographies modernistes du Musée des beaux-arts du Canada, voici la deuxième publication d'une série dédiée à la collection du Musée.
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livres
livres
Publication:
février 2010
février 2010
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livres
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Vivant entre l'Europe, les États-Unis et le Brésil, Sylvio Perlstein fait partie de ces grands collectionneurs d'art aussi réputés que discrets. Passionné de photographie, il a rassemblé un ensemble exceptionnel de tirages des années 1920 à aujourd'hui ; des chefs-d'oeuvre célèbres ou des trésors méconnus présentés ensemble pour la première fois au public. Catalogue de(...)
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Vivant entre l'Europe, les États-Unis et le Brésil, Sylvio Perlstein fait partie de ces grands collectionneurs d'art aussi réputés que discrets. Passionné de photographie, il a rassemblé un ensemble exceptionnel de tirages des années 1920 à aujourd'hui ; des chefs-d'oeuvre célèbres ou des trésors méconnus présentés ensemble pour la première fois au public. Catalogue de(...)
Titre:
La photographie n'est pas l'art, la collection photographique Silvio Perlstein
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Vivant entre l'Europe, les États-Unis et le Brésil, Sylvio Perlstein fait partie de ces grands collectionneurs d'art aussi réputés que discrets. Passionné de photographie, il a rassemblé un ensemble exceptionnel de tirages des années 1920 à aujourd'hui ; des chefs-d'oeuvre célèbres ou des trésors méconnus présentés ensemble pour la première fois au public. Catalogue de l'exposition "La photographie n'est pas l'art, collection de Sylvio Perlstein" présentée au musée des Beaux-arts d'Ixelles, Belgique (octobre 2009 - jananvier 2010), puis au Musée d'art moderne et contemporain de Strasbourg (février - avril 2010).
La photographie n'est pas l'art, la collection photographique Silvio Perlstein
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Vivant entre l'Europe, les États-Unis et le Brésil, Sylvio Perlstein fait partie de ces grands collectionneurs d'art aussi réputés que discrets. Passionné de photographie, il a rassemblé un ensemble exceptionnel de tirages des années 1920 à aujourd'hui ; des chefs-d'oeuvre célèbres ou des trésors méconnus présentés ensemble pour la première fois au public. Catalogue de l'exposition "La photographie n'est pas l'art, collection de Sylvio Perlstein" présentée au musée des Beaux-arts d'Ixelles, Belgique (octobre 2009 - jananvier 2010), puis au Musée d'art moderne et contemporain de Strasbourg (février - avril 2010).
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livres
livres
Publication:
janvier 2010
janvier 2010
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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Much of contemporary visual culture can be traced directly to the work of Eadweard Muybridge, photographer and film pioneer. In Muybridge: The Eye In Motion, Stephen Barber analyses Muybridge’s prodigious output principally through the photographer’s own scrapbook, a multi-dimensional and unprecedented “memory-book” that was created in the final years of his life. Based(...)
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Much of contemporary visual culture can be traced directly to the work of Eadweard Muybridge, photographer and film pioneer. In Muybridge: The Eye In Motion, Stephen Barber analyses Muybridge’s prodigious output principally through the photographer’s own scrapbook, a multi-dimensional and unprecedented “memory-book” that was created in the final years of his life. Based(...)
Titre:
Muybridge : the eye in motion
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Much of contemporary visual culture can be traced directly to the work of Eadweard Muybridge, photographer and film pioneer. In Muybridge: The Eye In Motion, Stephen Barber analyses Muybridge’s prodigious output principally through the photographer’s own scrapbook, a multi-dimensional and unprecedented “memory-book” that was created in the final years of his life. Based on this extensive primary research into Muybridge’s personal archive, this innovative and ground-breaking book illuminates both the preoccupations behind his influence on twentieth-century artists like Francis Bacon, his role in the origins of cinema, and his early prefiguring of the digital world. The result is an original look at the man, his body of work, and his influence. Muybridge’s work was powered by an extreme obsessiveness and excess that enabled him to negate all preconceptions of art and to reconceptualize the dynamics of corporeal and urban forms. Above all, Muybridge envisioned the future of cinema by creating a moving-image projector—the zoopraxiscope—and by constructing the first identifiably cinematic space to project his compositions for an audience.
Muybridge : the eye in motion
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Résumé:
Much of contemporary visual culture can be traced directly to the work of Eadweard Muybridge, photographer and film pioneer. In Muybridge: The Eye In Motion, Stephen Barber analyses Muybridge’s prodigious output principally through the photographer’s own scrapbook, a multi-dimensional and unprecedented “memory-book” that was created in the final years of his life. Based on this extensive primary research into Muybridge’s personal archive, this innovative and ground-breaking book illuminates both the preoccupations behind his influence on twentieth-century artists like Francis Bacon, his role in the origins of cinema, and his early prefiguring of the digital world. The result is an original look at the man, his body of work, and his influence. Muybridge’s work was powered by an extreme obsessiveness and excess that enabled him to negate all preconceptions of art and to reconceptualize the dynamics of corporeal and urban forms. Above all, Muybridge envisioned the future of cinema by creating a moving-image projector—the zoopraxiscope—and by constructing the first identifiably cinematic space to project his compositions for an audience.
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livres
livres
Publication:
novembre 2012
novembre 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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Coffret contenant deux classiques de Walter Benjamin préalablement parus chez le même éditeur: L'oeuvre d'art à l'époque de sa reproductivité et Petite histoire de la photographie.
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Coffret contenant deux classiques de Walter Benjamin préalablement parus chez le même éditeur: L'oeuvre d'art à l'époque de sa reproductivité et Petite histoire de la photographie.
Titre:
Coffret Walter Benjamin : L'Art comme photographie
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Coffret contenant deux classiques de Walter Benjamin préalablement parus chez le même éditeur: L'oeuvre d'art à l'époque de sa reproductivité et Petite histoire de la photographie.
Coffret Walter Benjamin : L'Art comme photographie
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Coffret contenant deux classiques de Walter Benjamin préalablement parus chez le même éditeur: L'oeuvre d'art à l'époque de sa reproductivité et Petite histoire de la photographie.
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livres
livres
Publication:
décembre 2012
décembre 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$99.95
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The fifteen years in Germany between the end of World War I and the National Socialists’ rise to power in 1933 stand out as one of the twentieth century’s most tumultuous periods. These years of political and economic upheaval famously spawned significant and lasting changes in the arts. However, one noteworthy product of Weimar Germany’s booming cultural life has escaped(...)
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Résumé:
The fifteen years in Germany between the end of World War I and the National Socialists’ rise to power in 1933 stand out as one of the twentieth century’s most tumultuous periods. These years of political and economic upheaval famously spawned significant and lasting changes in the arts. However, one noteworthy product of Weimar Germany’s booming cultural life has escaped(...)
Titre:
The photography of crisis : the photo essays of Weimar Germany
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The fifteen years in Germany between the end of World War I and the National Socialists’ rise to power in 1933 stand out as one of the twentieth century’s most tumultuous periods. These years of political and economic upheaval famously spawned significant and lasting changes in the arts. However, one noteworthy product of Weimar Germany’s booming cultural life has escaped significant critical attention : the photo essay. The Photography of Crisis examines narrative photography and creates a snapshot of where Germany was after World War I and what it would become with the rise of National Socialism. By reading Weimar photo essays within their historical and literary context, Daniel Magilow shows how German photographers intervened in modernity’s key political and philosophical debates regarding the changing notions of nature, culture, personal identity, and national identity.
The photography of crisis : the photo essays of Weimar Germany
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The fifteen years in Germany between the end of World War I and the National Socialists’ rise to power in 1933 stand out as one of the twentieth century’s most tumultuous periods. These years of political and economic upheaval famously spawned significant and lasting changes in the arts. However, one noteworthy product of Weimar Germany’s booming cultural life has escaped significant critical attention : the photo essay. The Photography of Crisis examines narrative photography and creates a snapshot of where Germany was after World War I and what it would become with the rise of National Socialism. By reading Weimar photo essays within their historical and literary context, Daniel Magilow shows how German photographers intervened in modernity’s key political and philosophical debates regarding the changing notions of nature, culture, personal identity, and national identity.
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livres
livres
Publication:
décembre 2012
décembre 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$26.50
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
Publication:
avril 2013
avril 2013
Titre:
Bending the frame : photojournalism, documentary, and the citizen
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
Bending the frame : photojournalism, documentary, and the citizen
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
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livres
livres
Publication:
avril 2013
avril 2013
Classification:
livres
livres
Titre:
Gary Winogrand
Gary Winogrand
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This retrospective catalogue looks at the full sweep of Winogrand’s career. Drawing from his enormous output, which at the time of his death included thousands of rolls of undeveloped film and unpublished contact sheets, the book will serve as a substantial compendium of Winogrand’s work to date. Illustrated with both iconic images and photographs that have never been(...)
$95.00
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Résumé:
This retrospective catalogue looks at the full sweep of Winogrand’s career. Drawing from his enormous output, which at the time of his death included thousands of rolls of undeveloped film and unpublished contact sheets, the book will serve as a substantial compendium of Winogrand’s work to date. Illustrated with both iconic images and photographs that have never been(...)
Titre:
Gary Winogrand
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This retrospective catalogue looks at the full sweep of Winogrand’s career. Drawing from his enormous output, which at the time of his death included thousands of rolls of undeveloped film and unpublished contact sheets, the book will serve as a substantial compendium of Winogrand’s work to date. Illustrated with both iconic images and photographs that have never been seen before now, and featuring essays by leading scholars of American photography, Garry Winogrand presents a vivid portrait of an artist who unflinchingly captured America’s swings between optimism and upheaval in the postwar era.
Gary Winogrand
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This retrospective catalogue looks at the full sweep of Winogrand’s career. Drawing from his enormous output, which at the time of his death included thousands of rolls of undeveloped film and unpublished contact sheets, the book will serve as a substantial compendium of Winogrand’s work to date. Illustrated with both iconic images and photographs that have never been seen before now, and featuring essays by leading scholars of American photography, Garry Winogrand presents a vivid portrait of an artist who unflinchingly captured America’s swings between optimism and upheaval in the postwar era.
Classification:
livres
livres
Publication:
avril 2013
avril 2013
Sujet:
Théorie de la photographie
Théorie de la photographie
