444 Résultats
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Considéré comme «les plus grandes photographies du monde», les Coloramas présentaient une vision immuable, commémorative et consumériste de la société américaine : un concentré de rêve américain. Mises en scène inouïes et monumentales, ils ont été une source majeure de nostalgie et de mythification.
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Considéré comme «les plus grandes photographies du monde», les Coloramas présentaient une vision immuable, commémorative et consumériste de la société américaine : un concentré de rêve américain. Mises en scène inouïes et monumentales, ils ont été une source majeure de nostalgie et de mythification.
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
janvier 1900, Paris
janvier 1900, Paris
Titre:
Colorama : les plus grandes photographies du monde,
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Considéré comme «les plus grandes photographies du monde», les Coloramas présentaient une vision immuable, commémorative et consumériste de la société américaine : un concentré de rêve américain. Mises en scène inouïes et monumentales, ils ont été une source majeure de nostalgie et de mythification.
Colorama : les plus grandes photographies du monde,
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Considéré comme «les plus grandes photographies du monde», les Coloramas présentaient une vision immuable, commémorative et consumériste de la société américaine : un concentré de rêve américain. Mises en scène inouïes et monumentales, ils ont été une source majeure de nostalgie et de mythification.
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livres
livres
Publication:
janvier 1900, Paris
janvier 1900, Paris
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Europa : l'esprit des villes
Europa : l'esprit des villes
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De Barcelone à Saint-Pétersbourg en passant par Paris, Prague ou Vienne, quarante et un photographes de nationalités et d'horizons divers offrent leur vision de la ville européenne. Du classicisme dérivé d'Atget aux tentatives numériques actuelles, les différents courants de la création photographique contemporaine interrogent la diversité de la cité européenne, révélant(...)
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De Barcelone à Saint-Pétersbourg en passant par Paris, Prague ou Vienne, quarante et un photographes de nationalités et d'horizons divers offrent leur vision de la ville européenne. Du classicisme dérivé d'Atget aux tentatives numériques actuelles, les différents courants de la création photographique contemporaine interrogent la diversité de la cité européenne, révélant(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
octobre 2004, Lyon
octobre 2004, Lyon
Titre:
Europa : l'esprit des villes
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De Barcelone à Saint-Pétersbourg en passant par Paris, Prague ou Vienne, quarante et un photographes de nationalités et d'horizons divers offrent leur vision de la ville européenne. Du classicisme dérivé d'Atget aux tentatives numériques actuelles, les différents courants de la création photographique contemporaine interrogent la diversité de la cité européenne, révélant ses blessures, ses déséquilibres et son étrange beauté. Un large et fascinant panorama que viennent éclairer les textes d'écrivains, universitaires et journalistes. " Europa, l'Esprit des Villes " accompagne la manifestation éponyme, organisée en septembre 2004 dans le cadre de la 11e Biennale de la Danse de Lyon.
Europa : l'esprit des villes
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De Barcelone à Saint-Pétersbourg en passant par Paris, Prague ou Vienne, quarante et un photographes de nationalités et d'horizons divers offrent leur vision de la ville européenne. Du classicisme dérivé d'Atget aux tentatives numériques actuelles, les différents courants de la création photographique contemporaine interrogent la diversité de la cité européenne, révélant ses blessures, ses déséquilibres et son étrange beauté. Un large et fascinant panorama que viennent éclairer les textes d'écrivains, universitaires et journalistes. " Europa, l'Esprit des Villes " accompagne la manifestation éponyme, organisée en septembre 2004 dans le cadre de la 11e Biennale de la Danse de Lyon.
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livres
livres
Publication:
octobre 2004, Lyon
octobre 2004, Lyon
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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Portraits d'arbres met en regard l’inventaire des “Vieux Arbres de la Normandie”, réalisé entre 1890 et 1932 par Henri Gadeau de Kerville, savant et photographe rouennais, avec les œuvres d’une vingtaine d’artistes contemporains parmi lesquels Jean-Marc Bustamante, Rodney Graham ou Nils-Sudo. Sous le terme de “portraits”, il s’agit bien sûr d’évoquer les formes de cet(...)
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Portraits d'arbres met en regard l’inventaire des “Vieux Arbres de la Normandie”, réalisé entre 1890 et 1932 par Henri Gadeau de Kerville, savant et photographe rouennais, avec les œuvres d’une vingtaine d’artistes contemporains parmi lesquels Jean-Marc Bustamante, Rodney Graham ou Nils-Sudo. Sous le terme de “portraits”, il s’agit bien sûr d’évoquer les formes de cet(...)
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Portraits d'arbres : Henri Gadeau de Kerville au regard de la photographie contemporaine
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Portraits d'arbres met en regard l’inventaire des “Vieux Arbres de la Normandie”, réalisé entre 1890 et 1932 par Henri Gadeau de Kerville, savant et photographe rouennais, avec les œuvres d’une vingtaine d’artistes contemporains parmi lesquels Jean-Marc Bustamante, Rodney Graham ou Nils-Sudo. Sous le terme de “portraits”, il s’agit bien sûr d’évoquer les formes de cet inventaire, mais aussi leur écho dans la représentation actuelle du paysage ou, par métaphore, dans celle de l’individu. L’arbre apparaît ici majestueux ou torturé, isolé ou noyé dans la végétation, comme autant de figures ouvertes à nos sentiments et notre imagination.
Portraits d'arbres : Henri Gadeau de Kerville au regard de la photographie contemporaine
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Portraits d'arbres met en regard l’inventaire des “Vieux Arbres de la Normandie”, réalisé entre 1890 et 1932 par Henri Gadeau de Kerville, savant et photographe rouennais, avec les œuvres d’une vingtaine d’artistes contemporains parmi lesquels Jean-Marc Bustamante, Rodney Graham ou Nils-Sudo. Sous le terme de “portraits”, il s’agit bien sûr d’évoquer les formes de cet inventaire, mais aussi leur écho dans la représentation actuelle du paysage ou, par métaphore, dans celle de l’individu. L’arbre apparaît ici majestueux ou torturé, isolé ou noyé dans la végétation, comme autant de figures ouvertes à nos sentiments et notre imagination.
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livres
livres
Publication:
janvier 1900, Liège
janvier 1900, Liège
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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During the 1970s, the National Endowment for the Arts Photography Surveys granted money to photograph American cities at the bicentennial and years that followed. In “Through the Lens of the City: NEA Photography Surveys of the 1970s”, Mark Rice brings to light this long-neglected photographic endeavour. From 1976 to 1981, the NEA supported more than seventy projects(...)
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Résumé:
During the 1970s, the National Endowment for the Arts Photography Surveys granted money to photograph American cities at the bicentennial and years that followed. In “Through the Lens of the City: NEA Photography Surveys of the 1970s”, Mark Rice brings to light this long-neglected photographic endeavour. From 1976 to 1981, the NEA supported more than seventy projects(...)
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Through the lens of the city : NEA photography surveys of the 1970s
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During the 1970s, the National Endowment for the Arts Photography Surveys granted money to photograph American cities at the bicentennial and years that followed. In “Through the Lens of the City: NEA Photography Surveys of the 1970s”, Mark Rice brings to light this long-neglected photographic endeavour. From 1976 to 1981, the NEA supported more than seventy projects that examined a wide range of people and places in America. Artists involved included such well known photographers as Bruce Davidson, Lee Friedlander, and Joel Meyerowitz and many photographers who became widely known after their work with the surveys, such as Robert Adams, Joe Deal, Terry Evans, and Wendy Ewald. Rice argues that the NEA Photographic Surveys drew from two wells: a widespread sense of nostalgia and an intense public interest in photography. Looking at the works from eight key cities-Atlanta, Buffalo, Durham, East Baltimore, Galveston, Long Beach, Los Angeles, and Venice-the book uncovers marked differences as well as startling similarities in the concerns manifested by different photographers in far-flung places. Although the surveys are interesting both for their artistic merits and for their place in the history of American photography, they are equally important as a documentation of bicentennial-era America and a close examination of American cities. A major shift in the ideals of civil engineering and urban planning was underway in the 1970s. At the same time, ideas and theories about photography were changing along with our notions of what the city could and should be. These surveys, capturing American cities in a fascinating period of flux, show us American photographers matching artistry to subject matter in new and exciting ways.
Through the lens of the city : NEA photography surveys of the 1970s
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During the 1970s, the National Endowment for the Arts Photography Surveys granted money to photograph American cities at the bicentennial and years that followed. In “Through the Lens of the City: NEA Photography Surveys of the 1970s”, Mark Rice brings to light this long-neglected photographic endeavour. From 1976 to 1981, the NEA supported more than seventy projects that examined a wide range of people and places in America. Artists involved included such well known photographers as Bruce Davidson, Lee Friedlander, and Joel Meyerowitz and many photographers who became widely known after their work with the surveys, such as Robert Adams, Joe Deal, Terry Evans, and Wendy Ewald. Rice argues that the NEA Photographic Surveys drew from two wells: a widespread sense of nostalgia and an intense public interest in photography. Looking at the works from eight key cities-Atlanta, Buffalo, Durham, East Baltimore, Galveston, Long Beach, Los Angeles, and Venice-the book uncovers marked differences as well as startling similarities in the concerns manifested by different photographers in far-flung places. Although the surveys are interesting both for their artistic merits and for their place in the history of American photography, they are equally important as a documentation of bicentennial-era America and a close examination of American cities. A major shift in the ideals of civil engineering and urban planning was underway in the 1970s. At the same time, ideas and theories about photography were changing along with our notions of what the city could and should be. These surveys, capturing American cities in a fascinating period of flux, show us American photographers matching artistry to subject matter in new and exciting ways.
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livres
livres
Publication:
janvier 2005, Jackson, Mississippi
janvier 2005, Jackson, Mississippi
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Prix:
$35.00
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Résumé:
Drawing on the writings of Wallace Stevens, Marilynne Robinson and other poets, artists, musicians and thinkers, Brooklyn-based photographer Tim Carpenter (born 1968) argues passionately—in one main essay and a series of lively digressions—that photography is unique among the arts in its capacity for easing the fundamental ache of our mortality; for managing the breach(...)
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Drawing on the writings of Wallace Stevens, Marilynne Robinson and other poets, artists, musicians and thinkers, Brooklyn-based photographer Tim Carpenter (born 1968) argues passionately—in one main essay and a series of lively digressions—that photography is unique among the arts in its capacity for easing the fundamental ache of our mortality; for managing the breach(...)
Titre:
To photograph is to learn how to die: An essay with digressions
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Drawing on the writings of Wallace Stevens, Marilynne Robinson and other poets, artists, musicians and thinkers, Brooklyn-based photographer Tim Carpenter (born 1968) argues passionately—in one main essay and a series of lively digressions—that photography is unique among the arts in its capacity for easing the fundamental ache of our mortality; for managing the breach that separates the self from all that is not the self; for enriching one’s sense of freedom and personhood; and for cultivating meaning in an otherwise meaningless reality. Printed in three colors that reflect the various ''voices'' of the book, the text design follows several channels of thought, inviting various approaches to reading. A unique and instructive contribution to the literature on photography, Carpenter’s research offers both a timely polemic and a timeless resource for those who use a camera.
To photograph is to learn how to die: An essay with digressions
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Drawing on the writings of Wallace Stevens, Marilynne Robinson and other poets, artists, musicians and thinkers, Brooklyn-based photographer Tim Carpenter (born 1968) argues passionately—in one main essay and a series of lively digressions—that photography is unique among the arts in its capacity for easing the fundamental ache of our mortality; for managing the breach that separates the self from all that is not the self; for enriching one’s sense of freedom and personhood; and for cultivating meaning in an otherwise meaningless reality. Printed in three colors that reflect the various ''voices'' of the book, the text design follows several channels of thought, inviting various approaches to reading. A unique and instructive contribution to the literature on photography, Carpenter’s research offers both a timely polemic and a timeless resource for those who use a camera.
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livres
livres
Publication:
janvier 2023
janvier 2023
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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This volume is an essential primer of how to look at and understand photographs, by one of the world's most influential photographers, Stephen Shore. In this book, Shore explores ways of understanding photographs from all periods and all types - from iconic images to found photographs, from negatives to digital files. This books serves as an indispensable tool for(...)
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This volume is an essential primer of how to look at and understand photographs, by one of the world's most influential photographers, Stephen Shore. In this book, Shore explores ways of understanding photographs from all periods and all types - from iconic images to found photographs, from negatives to digital files. This books serves as an indispensable tool for(...)
Titre:
The nature of photographs: A primer
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This volume is an essential primer of how to look at and understand photographs, by one of the world's most influential photographers, Stephen Shore. In this book, Shore explores ways of understanding photographs from all periods and all types - from iconic images to found photographs, from negatives to digital files. This books serves as an indispensable tool for students, teachers and everyone who wants to take better pictures or learn to look at them in a more informed way.
The nature of photographs: A primer
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This volume is an essential primer of how to look at and understand photographs, by one of the world's most influential photographers, Stephen Shore. In this book, Shore explores ways of understanding photographs from all periods and all types - from iconic images to found photographs, from negatives to digital files. This books serves as an indispensable tool for students, teachers and everyone who wants to take better pictures or learn to look at them in a more informed way.
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livres
livres
Publication:
février 2010
février 2010
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$39.95
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In this book, Rebecca Bengal considers the photographers who have defined our relationship to the medium. Through generous essays and interviews, she contemplates photography’s narrative power, from the radical intimacy of Nan Goldin’s New York demimonde to Justine Kurland’s pictures of rebel girls on the open road. Bengal brings us closer to pioneering artists and the(...)
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In this book, Rebecca Bengal considers the photographers who have defined our relationship to the medium. Through generous essays and interviews, she contemplates photography’s narrative power, from the radical intimacy of Nan Goldin’s New York demimonde to Justine Kurland’s pictures of rebel girls on the open road. Bengal brings us closer to pioneering artists and the(...)
Titre:
Strange hours: Photography, memory and the lives of artists
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In this book, Rebecca Bengal considers the photographers who have defined our relationship to the medium. Through generous essays and interviews, she contemplates photography’s narrative power, from the radical intimacy of Nan Goldin’s New York demimonde to Justine Kurland’s pictures of rebel girls on the open road. Bengal brings us closer to pioneering artists and the personal and political stories surrounding their images. She travels with Alec Soth in Minneapolis, searching for the houses where Prince once lived, and revisits Chauncey Hare’s 1979 protest against the Museum of Modern Art. She speaks with Dawoud Bey about his evocative portraits and explores Diana Markosian’s cinematic take on her family’s immigration to the US. Throughout Strange Hours, Bengal’s prose is attuned to the alchemy of experience, chance, and vision that has always pushed photography’s potential for unforgettable storytelling.
Strange hours: Photography, memory and the lives of artists
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In this book, Rebecca Bengal considers the photographers who have defined our relationship to the medium. Through generous essays and interviews, she contemplates photography’s narrative power, from the radical intimacy of Nan Goldin’s New York demimonde to Justine Kurland’s pictures of rebel girls on the open road. Bengal brings us closer to pioneering artists and the personal and political stories surrounding their images. She travels with Alec Soth in Minneapolis, searching for the houses where Prince once lived, and revisits Chauncey Hare’s 1979 protest against the Museum of Modern Art. She speaks with Dawoud Bey about his evocative portraits and explores Diana Markosian’s cinematic take on her family’s immigration to the US. Throughout Strange Hours, Bengal’s prose is attuned to the alchemy of experience, chance, and vision that has always pushed photography’s potential for unforgettable storytelling.
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livres
livres
Publication:
juin 2023
juin 2023
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$39.95
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Résumé:
In this volume, Graciela Iturbide—known for her portraits and landscapes imbued with poetic ambiguity and documentary truth—explores photographing in ways that employ a deeply personal vision, while also reflecting subjects’ rich cultural backgrounds. Aperture works with the world’s top photographers to distill their creative approaches, teachings, and insights on(...)
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In this volume, Graciela Iturbide—known for her portraits and landscapes imbued with poetic ambiguity and documentary truth—explores photographing in ways that employ a deeply personal vision, while also reflecting subjects’ rich cultural backgrounds. Aperture works with the world’s top photographers to distill their creative approaches, teachings, and insights on(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
septembre 2022
septembre 2022
Titre:
Graciela Iturbide on dreams, symbols, and imagination
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In this volume, Graciela Iturbide—known for her portraits and landscapes imbued with poetic ambiguity and documentary truth—explores photographing in ways that employ a deeply personal vision, while also reflecting subjects’ rich cultural backgrounds. Aperture works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography—offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, Iturbide shares her creative process and artistic inspirations, and discusses a wide range of issues, from the importance of surprise and recognizing what speaks to you, to capturing symbolism and meaning in the everyday
Graciela Iturbide on dreams, symbols, and imagination
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In this volume, Graciela Iturbide—known for her portraits and landscapes imbued with poetic ambiguity and documentary truth—explores photographing in ways that employ a deeply personal vision, while also reflecting subjects’ rich cultural backgrounds. Aperture works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography—offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, Iturbide shares her creative process and artistic inspirations, and discusses a wide range of issues, from the importance of surprise and recognizing what speaks to you, to capturing symbolism and meaning in the everyday
Classification:
livres
livres
Publication:
septembre 2022
septembre 2022
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$39.95
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In this volume of ''The Photography Workshop Series'', Vik Muniz—known for his playful pictures that complicate what is understood as a photograph, sculpture, or painting—offers his insight into thinking creatively and seeing the familiar in new and surprising ways. Aperture works with the world’s top photographers to distill their creative approaches, teachings, and(...)
$39.95
(disponible en magasin)
Résumé:
In this volume of ''The Photography Workshop Series'', Vik Muniz—known for his playful pictures that complicate what is understood as a photograph, sculpture, or painting—offers his insight into thinking creatively and seeing the familiar in new and surprising ways. Aperture works with the world’s top photographers to distill their creative approaches, teachings, and(...)
Titre:
Vik Muniz: the photography workshop series
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In this volume of ''The Photography Workshop Series'', Vik Muniz—known for his playful pictures that complicate what is understood as a photograph, sculpture, or painting—offers his insight into thinking creatively and seeing the familiar in new and surprising ways. Aperture works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography—offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, Vik Muniz—whose signature style appropriates and reinterprets iconic images—shares his creative practice and discusses a wide range of topics, from generating ideas and creating artworks that challenge viewers’ perceptions, to thinking through collaboration, imperfection, and the interplay of subject, scale, and material.
Vik Muniz: the photography workshop series
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Résumé:
In this volume of ''The Photography Workshop Series'', Vik Muniz—known for his playful pictures that complicate what is understood as a photograph, sculpture, or painting—offers his insight into thinking creatively and seeing the familiar in new and surprising ways. Aperture works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography—offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, Vik Muniz—whose signature style appropriates and reinterprets iconic images—shares his creative practice and discusses a wide range of topics, from generating ideas and creating artworks that challenge viewers’ perceptions, to thinking through collaboration, imperfection, and the interplay of subject, scale, and material.
Classification:
livres
livres
Publication:
août 2025
août 2025
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Photography after capitalism
Photography after capitalism
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In ''Photography after capitalism,'' Benedict Burbridge makes the case for a radically expanded conception of photography, encompassing the types of labor too often obscured by black-boxed technologies, slick platform interfaces, and the compulsion to display lives to others. His lively and polemical analysis of today's vernacular photographic cultures shines new light on(...)
$40.00
(disponible en magasin)
Résumé:
In ''Photography after capitalism,'' Benedict Burbridge makes the case for a radically expanded conception of photography, encompassing the types of labor too often obscured by black-boxed technologies, slick platform interfaces, and the compulsion to display lives to others. His lively and polemical analysis of today's vernacular photographic cultures shines new light on(...)
Titre:
Photography after capitalism
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In ''Photography after capitalism,'' Benedict Burbridge makes the case for a radically expanded conception of photography, encompassing the types of labor too often obscured by black-boxed technologies, slick platform interfaces, and the compulsion to display lives to others. His lively and polemical analysis of today's vernacular photographic cultures shines new light on the hidden work of smartphone assembly teams, digital content moderators, Street View car drivers, Google "Scan-Ops,"low-paid gallery interns, homeless participant photographers, and the photo-sharing masses.
Photography after capitalism
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Résumé:
In ''Photography after capitalism,'' Benedict Burbridge makes the case for a radically expanded conception of photography, encompassing the types of labor too often obscured by black-boxed technologies, slick platform interfaces, and the compulsion to display lives to others. His lively and polemical analysis of today's vernacular photographic cultures shines new light on the hidden work of smartphone assembly teams, digital content moderators, Street View car drivers, Google "Scan-Ops,"low-paid gallery interns, homeless participant photographers, and the photo-sharing masses.
Classification:
livres
livres
Publication:
novembre 2022
novembre 2022
Sujet:
Théorie de la photographie
Théorie de la photographie
