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The book explains how convergence relates to, but ultimately differs from integration, consolidation, multi-tasking, automation, and other forms of optimization. The practice-based research builds upon the author’s research in BIM and in the collaborative leveraging of data in design and fabrication. As an investigation and meditation on the impact of technology on the(...)
Convergence: The redesign of design
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The book explains how convergence relates to, but ultimately differs from integration, consolidation, multi-tasking, automation, and other forms of optimization. The practice-based research builds upon the author’s research in BIM and in the collaborative leveraging of data in design and fabrication. As an investigation and meditation on the impact of technology on the education and making of design professionals Convergence explains what is happening in the world of design, and discusses the implications for the future of education, training and practice.
Théorie du design
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Cet ouvrage rassemble une série de contributions qui posent la question de la relation qu’entretient le design graphique – en tant que pratique contemporaine – avec son histoire. Au fil des pages apparaît un panorama varié, où des créateurs de caractères de la Renaissance rencontrent des avant-gardes du XXe siècle, Jan Tschichold, Marie Neurath, Edward Steichen et Richard(...)
Design graphique : les formes de l'histoire
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Cet ouvrage rassemble une série de contributions qui posent la question de la relation qu’entretient le design graphique – en tant que pratique contemporaine – avec son histoire. Au fil des pages apparaît un panorama varié, où des créateurs de caractères de la Renaissance rencontrent des avant-gardes du XXe siècle, Jan Tschichold, Marie Neurath, Edward Steichen et Richard Hamilton, où des incunables côtoient des revues de design, des archives d’école et des expositions de musée. Histoire matérielle et histoire sociale se croisent, analyse typographique et études visuelles se complètent.
Théorie du design
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"Trading Places" rethinks, develops, and tests design-driven practices and methods to engage with participation in public space and public issues. With this book we aim to help art and design researchers, students, practitioners, and the multiple stakeholders they collaborate with, to explore what participatory ways of working in our contemporary urban environment entail.(...)
Trading places: practices of public participation in art and design research
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"Trading Places" rethinks, develops, and tests design-driven practices and methods to engage with participation in public space and public issues. With this book we aim to help art and design researchers, students, practitioners, and the multiple stakeholders they collaborate with, to explore what participatory ways of working in our contemporary urban environment entail. Six approaches are discussed: intervention, performative mapping, play, data mining, modelling in dialogue, and curating. Each approach offers a different kind of logic and produces a different type of knowledge. "Trading Places" invites the reader to discover common ground, explore new territories, and exchange points of view – in short, to trade perspectives on issues of participation.
Théorie du design
Le design
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''Digital Design Theory'' bridges the gap between the discourse of print design and interactive experience by examining the impact of computation on the field of design. As graphic design moves from the creation of closed, static objects to the development of open, interactive frameworks, designers seek to understand their own rapidly shifting profession. Helen(...)
Digital design theory: readings from the field
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''Digital Design Theory'' bridges the gap between the discourse of print design and interactive experience by examining the impact of computation on the field of design. As graphic design moves from the creation of closed, static objects to the development of open, interactive frameworks, designers seek to understand their own rapidly shifting profession. Helen Armstrong's carefully curated introduction to groundbreaking primary texts, from the 1960s to the present, provides the background necessary for an understanding of digital design vocabulary and thought.
Théorie du design
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De l'objet transitionnel à l'objet fétichisé en passant par l'ouvre-boîte, l'ordinateur et le portable, le psychanalyste décrypte la relation aux objets, et leur influence sur la personnalité et le comportement.
Comment l'esprit vient aux objets
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De l'objet transitionnel à l'objet fétichisé en passant par l'ouvre-boîte, l'ordinateur et le portable, le psychanalyste décrypte la relation aux objets, et leur influence sur la personnalité et le comportement.
Théorie du design
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Design has always prided itself on being relevant to the world it serves, but interest in design was once limited to a small community of design professionals. Today, books on “design thinking” are best sellers, and computer and Web-based tools have expanded the definition of who practices design. Looking at objects, letterforms, experiences, and even theatrical(...)
Design: the invention of desire
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Design has always prided itself on being relevant to the world it serves, but interest in design was once limited to a small community of design professionals. Today, books on “design thinking” are best sellers, and computer and Web-based tools have expanded the definition of who practices design. Looking at objects, letterforms, experiences, and even theatrical performances, award-winning author Jessica Helfand asserts that understanding design's purpose is more crucial than ever. Design is meaningful not because it is pretty but because it is an intrinsically humanist discipline, tethered to the very core of why we exist. For example, as designers collaborate with developing nations on everything from more affordable lawn mowers to cleaner drinking water, they must take into consideration the full range of a given community’s complex social needs. Advancing a conversation that is unfolding around the globe, Helfand offers an eye-opening look at how designed things make us feel as well as how—and why—they motivate our behavior.
Théorie du design
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Describes the principles of wabi-sabi, a Japanese aesthetic associated with Japanese tea ceremonies and based on the belief that true beauty comes from imperfection and incompletion, through text and photographs.
Wabi-Sabi for artists, designers, poets and philosophers
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Describes the principles of wabi-sabi, a Japanese aesthetic associated with Japanese tea ceremonies and based on the belief that true beauty comes from imperfection and incompletion, through text and photographs.
Théorie du design
The philosophy of design
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'The Philosophy of Design' is an introduction to the fundamental philosophical issues raised by the contemporary practice of design. The first book to systematically examine design from the perspective of contemporary philosophy, it offers a broad perspective, ranging across key philosophical areas such as aesthetics, epistemology, metaphysics and ethics.
The philosophy of design
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'The Philosophy of Design' is an introduction to the fundamental philosophical issues raised by the contemporary practice of design. The first book to systematically examine design from the perspective of contemporary philosophy, it offers a broad perspective, ranging across key philosophical areas such as aesthetics, epistemology, metaphysics and ethics.
Théorie du design
Parfaites Imperfections
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Soyons honnêtes, nous avons tous connu des échecs. Peut-être pas de gros échecs, mais nous nous sommes tous déjà plantés. Si l'on en croit la sagesse populaire, l'échec, qu'il s'agisse d'une petite bévue, d'un fiasco total ou d'un ratage situé dans l'entre-deux, est de mauvais augure. S'il y a erreur, rien de bon ne peut en sortir. Et si les erreurs qui mènent à l'échec(...)
Parfaites Imperfections
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Soyons honnêtes, nous avons tous connu des échecs. Peut-être pas de gros échecs, mais nous nous sommes tous déjà plantés. Si l'on en croit la sagesse populaire, l'échec, qu'il s'agisse d'une petite bévue, d'un fiasco total ou d'un ratage situé dans l'entre-deux, est de mauvais augure. S'il y a erreur, rien de bon ne peut en sortir. Et si les erreurs qui mènent à l'échec étaient les prémices d'une réussite future ? Ce livre parle du courage d'échouer.
Théorie du design