437 Résultats
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livres
livres
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$39.99
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Résumé:
Through the intimate and compelling personal stories of American workers in a small factory town, this book explores the meaning of work at the end of the twentieth century. Bill Bamberger took his revealing and powerful photographs during the last four months of operation on the factory floor.
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Résumé:
Through the intimate and compelling personal stories of American workers in a small factory town, this book explores the meaning of work at the end of the twentieth century. Bill Bamberger took his revealing and powerful photographs during the last four months of operation on the factory floor.
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
avril 1998, New York
avril 1998, New York
Titre:
Closing : the life and death of an American factory
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Résumé:
Through the intimate and compelling personal stories of American workers in a small factory town, this book explores the meaning of work at the end of the twentieth century. Bill Bamberger took his revealing and powerful photographs during the last four months of operation on the factory floor.
Closing : the life and death of an American factory
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$39.99
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Résumé:
Through the intimate and compelling personal stories of American workers in a small factory town, this book explores the meaning of work at the end of the twentieth century. Bill Bamberger took his revealing and powerful photographs during the last four months of operation on the factory floor.
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livres
livres
Publication:
avril 1998, New York
avril 1998, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$91.00
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Résumé:
This book exlores the humourous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary.
$91.00
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Résumé:
This book exlores the humourous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary.
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
mars 1998, University Park, Penn.
mars 1998, University Park, Penn.
Titre:
Positive pleasures : early photography and humor
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$91.00
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Résumé:
This book exlores the humourous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary.
Positive pleasures : early photography and humor
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$91.00
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Résumé:
This book exlores the humourous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary.
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livres
livres
Publication:
mars 1998, University Park, Penn.
mars 1998, University Park, Penn.
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$98.00
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"Les photographies de Julian Rosefeldt et Piero Steinle illustrent la fin de l'espace réel au profit de l'instantanéité du temps réel. Temps réel de la prise de vue, qui précède celui de l'espace virtuel du monde de demain". Paul Virilio
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"Les photographies de Julian Rosefeldt et Piero Steinle illustrent la fin de l'espace réel au profit de l'instantanéité du temps réel. Temps réel de la prise de vue, qui précède celui de l'espace virtuel du monde de demain". Paul Virilio
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
novembre 1997, Paris
novembre 1997, Paris
Titre:
Paris : Les cathédrales inconnues, espaces vides dans l'ombre de la ville
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$98.00
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"Les photographies de Julian Rosefeldt et Piero Steinle illustrent la fin de l'espace réel au profit de l'instantanéité du temps réel. Temps réel de la prise de vue, qui précède celui de l'espace virtuel du monde de demain". Paul Virilio
Paris : Les cathédrales inconnues, espaces vides dans l'ombre de la ville
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$98.00
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Résumé:
"Les photographies de Julian Rosefeldt et Piero Steinle illustrent la fin de l'espace réel au profit de l'instantanéité du temps réel. Temps réel de la prise de vue, qui précède celui de l'espace virtuel du monde de demain". Paul Virilio
Classification:
livres
livres
Publication:
novembre 1997, Paris
novembre 1997, Paris
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$30.00
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Résumé:
In this book an international group of specialist historians, critics and photographers revise the dominant models on which our knowledge of the history of photography has been based and set out a number of possible alternatives.
$30.00
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Résumé:
In this book an international group of specialist historians, critics and photographers revise the dominant models on which our knowledge of the history of photography has been based and set out a number of possible alternatives.
Titre:
Photography : crisis of history
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$30.00
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In this book an international group of specialist historians, critics and photographers revise the dominant models on which our knowledge of the history of photography has been based and set out a number of possible alternatives.
Photography : crisis of history
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$30.00
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Résumé:
In this book an international group of specialist historians, critics and photographers revise the dominant models on which our knowledge of the history of photography has been based and set out a number of possible alternatives.
Classification:
livres
livres
Publication:
mars 2001, Barcelona
mars 2001, Barcelona
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$74.95
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Résumé:
"The great wide open" focuses on photographic concepts of the "panoramic," or the wide-angled view, tracing how this specific form of visual representation amplified the idea of the American West as a supposedly virgin and sparsely populated land of endless resources, and an ideal landscape for American enterprise.
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Résumé:
"The great wide open" focuses on photographic concepts of the "panoramic," or the wide-angled view, tracing how this specific form of visual representation amplified the idea of the American West as a supposedly virgin and sparsely populated land of endless resources, and an ideal landscape for American enterprise.
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
juin 2001, London
juin 2001, London
Titre:
The great wide open : panoramic photographs of the American West
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$74.95
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Résumé:
"The great wide open" focuses on photographic concepts of the "panoramic," or the wide-angled view, tracing how this specific form of visual representation amplified the idea of the American West as a supposedly virgin and sparsely populated land of endless resources, and an ideal landscape for American enterprise.
The great wide open : panoramic photographs of the American West
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Prix:
$74.95
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Résumé:
"The great wide open" focuses on photographic concepts of the "panoramic," or the wide-angled view, tracing how this specific form of visual representation amplified the idea of the American West as a supposedly virgin and sparsely populated land of endless resources, and an ideal landscape for American enterprise.
Classification:
livres
livres
Publication:
juin 2001, London
juin 2001, London
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$52.50
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Résumé:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in (...)
$52.50
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In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in (...)
Titre:
Each wild idea : writing, photography, history
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Résumé:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
Each wild idea : writing, photography, history
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$52.50
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Résumé:
In "Each Wild Idea", Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
Classification:
livres
livres
Publication:
mars 2001, Cambridge
mars 2001, Cambridge
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$65.00
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Résumé:
This book is a selection of virtually unkown and brilliant photographs of India made between 1857 and 1911. Many have never been seen outside of the archives from which they were gathered. The images refelct the British curiosity about every aspect of Indian life and the subtle way in which the imperial presence coloured the customs and manners of an exotic, foreign land.
$65.00
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Résumé:
This book is a selection of virtually unkown and brilliant photographs of India made between 1857 and 1911. Many have never been seen outside of the archives from which they were gathered. The images refelct the British curiosity about every aspect of Indian life and the subtle way in which the imperial presence coloured the customs and manners of an exotic, foreign land.
Titre:
The Last Empire : photography in British India, 1855-1911
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$65.00
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Résumé:
This book is a selection of virtually unkown and brilliant photographs of India made between 1857 and 1911. Many have never been seen outside of the archives from which they were gathered. The images refelct the British curiosity about every aspect of Indian life and the subtle way in which the imperial presence coloured the customs and manners of an exotic, foreign land.
The Last Empire : photography in British India, 1855-1911
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$65.00
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Résumé:
This book is a selection of virtually unkown and brilliant photographs of India made between 1857 and 1911. Many have never been seen outside of the archives from which they were gathered. The images refelct the British curiosity about every aspect of Indian life and the subtle way in which the imperial presence coloured the customs and manners of an exotic, foreign land.
Classification:
livres
livres
Publication:
juin 2001, New York
juin 2001, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
On photography
On photography
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$25.00
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Résumé:
"On Photography" first appeared in 1977 and is described by its author as "a progress of essays about the meaning and career of photographs." It begins with the famous "In Plato’s Cave" essay, then offers five other prose meditations on this topic, and concludes with a fascinating and far-reaching "Brief Anthology of Quotations."
$25.00
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Résumé:
"On Photography" first appeared in 1977 and is described by its author as "a progress of essays about the meaning and career of photographs." It begins with the famous "In Plato’s Cave" essay, then offers five other prose meditations on this topic, and concludes with a fascinating and far-reaching "Brief Anthology of Quotations."
Publication:
janvier 2001, New York
janvier 2001, New York
Titre:
On photography
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$25.00
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Résumé:
"On Photography" first appeared in 1977 and is described by its author as "a progress of essays about the meaning and career of photographs." It begins with the famous "In Plato’s Cave" essay, then offers five other prose meditations on this topic, and concludes with a fascinating and far-reaching "Brief Anthology of Quotations."
On photography
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$25.00
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Résumé:
"On Photography" first appeared in 1977 and is described by its author as "a progress of essays about the meaning and career of photographs." It begins with the famous "In Plato’s Cave" essay, then offers five other prose meditations on this topic, and concludes with a fascinating and far-reaching "Brief Anthology of Quotations."
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livres
livres
Publication:
janvier 2001, New York
janvier 2001, New York
Classification:
livres
livres
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$32.95
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Résumé:
Loin d'un surréalisme onirique, ce recueil de textes montre le rôle de la photographie dans les stratégies du mouvement emmené par André Breton. La puissance du document assure, dans les années 1920-1930, le passage d'une culture artistique à une culture politique. Pour parvenir à cette conversion, la photographie donne une vision concrète des concepts surréalistes en(...)
$32.95
(disponible sur commande)
Résumé:
Loin d'un surréalisme onirique, ce recueil de textes montre le rôle de la photographie dans les stratégies du mouvement emmené par André Breton. La puissance du document assure, dans les années 1920-1930, le passage d'une culture artistique à une culture politique. Pour parvenir à cette conversion, la photographie donne une vision concrète des concepts surréalistes en(...)
Titre:
L'image au service de la révolution : photographie, surréalisme, politique
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$32.95
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Résumé:
Loin d'un surréalisme onirique, ce recueil de textes montre le rôle de la photographie dans les stratégies du mouvement emmené par André Breton. La puissance du document assure, dans les années 1920-1930, le passage d'une culture artistique à une culture politique. Pour parvenir à cette conversion, la photographie donne une vision concrète des concepts surréalistes en prenant pour modèle les révolutions scientifiques. L’image mentale devient, grâce à Dali, Brassaï ou encore Man Ray, une force objective susceptible d’engager l’avant-garde dans la grande histoire.
L'image au service de la révolution : photographie, surréalisme, politique
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Prix:
$32.95
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Résumé:
Loin d'un surréalisme onirique, ce recueil de textes montre le rôle de la photographie dans les stratégies du mouvement emmené par André Breton. La puissance du document assure, dans les années 1920-1930, le passage d'une culture artistique à une culture politique. Pour parvenir à cette conversion, la photographie donne une vision concrète des concepts surréalistes en prenant pour modèle les révolutions scientifiques. L’image mentale devient, grâce à Dali, Brassaï ou encore Man Ray, une force objective susceptible d’engager l’avant-garde dans la grande histoire.
Classification:
livres
livres
Publication:
juin 2007, Paris
juin 2007, Paris
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$55.00
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Résumé:
Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a(...)
$55.00
(disponible sur commande)
Résumé:
Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
juin 2007, Montreal Kingston London Ithica
juin 2007, Montreal Kingston London Ithica
Titre:
Scissors, paper, stone : Expressions of memory in contemporary photographic art
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$55.00
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Résumé:
Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a mental process. Langford organizes the book around the conceit of the child's game scissors, paper, stone, using it to ground her discussion of the tensions between remembering and forgetting, the intersection of memory and imagination, and the relationship between memory and history. Scissors, Paper, Stone explores the great variety of photographic art produced by Canadian artists as expressions of memory. Their work, including images by Carl Beam, Carole Condé and Karl Beveridge, Donigan Cumming, Stan Denniston, Robert Houle, Robert Minden, Michael Snow, Diana Thorneycroft, Jeff Wall, and Jin-me Yoon, is presented as part of a rich interdisciplinary study of contemporary photography and how it has shaped modern memory.
Scissors, paper, stone : Expressions of memory in contemporary photographic art
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$55.00
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Résumé:
Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a mental process. Langford organizes the book around the conceit of the child's game scissors, paper, stone, using it to ground her discussion of the tensions between remembering and forgetting, the intersection of memory and imagination, and the relationship between memory and history. Scissors, Paper, Stone explores the great variety of photographic art produced by Canadian artists as expressions of memory. Their work, including images by Carl Beam, Carole Condé and Karl Beveridge, Donigan Cumming, Stan Denniston, Robert Houle, Robert Minden, Michael Snow, Diana Thorneycroft, Jeff Wall, and Jin-me Yoon, is presented as part of a rich interdisciplinary study of contemporary photography and how it has shaped modern memory.
Classification:
livres
livres
Publication:
juin 2007, Montreal Kingston London Ithica
juin 2007, Montreal Kingston London Ithica
Sujet:
Théorie de la photographie
Théorie de la photographie
