437 Résultats
Classification:
livres
livres
Titre:
Holding a camera
Holding a camera
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Résumé:
Artist Alberto Vieceli compiles the strange, humorous and aslant images designed to teach a neophyte camera user how to use their new device. Before one’s camera was one’s phone, the camera makers of the world had to explain the possible uses of their product in the space of a few pages of a user’s manual. How one tilts the camera, holds it with both hands in front of the(...)
$56.00
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Résumé:
Artist Alberto Vieceli compiles the strange, humorous and aslant images designed to teach a neophyte camera user how to use their new device. Before one’s camera was one’s phone, the camera makers of the world had to explain the possible uses of their product in the space of a few pages of a user’s manual. How one tilts the camera, holds it with both hands in front of the(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
septembre 2020
septembre 2020
Titre:
Holding a camera
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$56.00
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Résumé:
Artist Alberto Vieceli compiles the strange, humorous and aslant images designed to teach a neophyte camera user how to use their new device. Before one’s camera was one’s phone, the camera makers of the world had to explain the possible uses of their product in the space of a few pages of a user’s manual. How one tilts the camera, holds it with both hands in front of the waist. How one looks through the viewfinder, gazes one-eyed into the world. How one hides it in stockings, behind the back, and how one lets it peep out from behind the corner of a building, as though he or she were a detective. ''Holding the camera'' shows a pictorial genre from the now extinct era of analog photography. These images that were once distributed a million times over in instructions and advertisements, had almost entirely disappeared from culture, until now.
Holding a camera
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Résumé:
Artist Alberto Vieceli compiles the strange, humorous and aslant images designed to teach a neophyte camera user how to use their new device. Before one’s camera was one’s phone, the camera makers of the world had to explain the possible uses of their product in the space of a few pages of a user’s manual. How one tilts the camera, holds it with both hands in front of the waist. How one looks through the viewfinder, gazes one-eyed into the world. How one hides it in stockings, behind the back, and how one lets it peep out from behind the corner of a building, as though he or she were a detective. ''Holding the camera'' shows a pictorial genre from the now extinct era of analog photography. These images that were once distributed a million times over in instructions and advertisements, had almost entirely disappeared from culture, until now.
Classification:
livres
livres
Publication:
septembre 2020
septembre 2020
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
On photographs
On photographs
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Résumé:
In ''On photographs,'' curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany’s eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke(...)
$45.95
(disponible en magasin)
Résumé:
In ''On photographs,'' curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany’s eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke(...)
Titre:
On photographs
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Résumé:
In ''On photographs,'' curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany’s eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke Dijkstra. There is fashion photography by William Klein, one of Vivian Maier’s contact sheets, and a carefully staged scene by Gregory Crewdson, as well as images culled from magazines and advertisements. Each of the 120 photographs is accompanied by Campany’s lucid and incisive commentary, considering the history of that image and its creator, interpreting its content and meaning, and connecting and contextualizing it with visual culture. Image by image, we absorb and appreciate Campany’s complex yet playful take on photography and its history.
On photographs
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Résumé:
In ''On photographs,'' curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany’s eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke Dijkstra. There is fashion photography by William Klein, one of Vivian Maier’s contact sheets, and a carefully staged scene by Gregory Crewdson, as well as images culled from magazines and advertisements. Each of the 120 photographs is accompanied by Campany’s lucid and incisive commentary, considering the history of that image and its creator, interpreting its content and meaning, and connecting and contextualizing it with visual culture. Image by image, we absorb and appreciate Campany’s complex yet playful take on photography and its history.
Classification:
livres
livres
Publication:
octobre 2020
octobre 2020
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$39.95
(disponible sur commande)
Résumé:
Photography was invented between the publication of Adam Smith’s ''The Wealth of Nations'' and Karl Marx and Friedrich Engels’s ''The Communist Manifesto.'' Taking the intertwined development of capitalism and the camera as their starting point, the essays collected here investigate the relationship between capitalist accumulation and the photographic image, and ask(...)
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Résumé:
Photography was invented between the publication of Adam Smith’s ''The Wealth of Nations'' and Karl Marx and Friedrich Engels’s ''The Communist Manifesto.'' Taking the intertwined development of capitalism and the camera as their starting point, the essays collected here investigate the relationship between capitalist accumulation and the photographic image, and ask(...)
Titre:
Capitalism and the camera: essays on photography and extraction
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Photography was invented between the publication of Adam Smith’s ''The Wealth of Nations'' and Karl Marx and Friedrich Engels’s ''The Communist Manifesto.'' Taking the intertwined development of capitalism and the camera as their starting point, the essays collected here investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism’s violence—and if so, how? Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera’s potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and the ways the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge.
Capitalism and the camera: essays on photography and extraction
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$39.95
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Résumé:
Photography was invented between the publication of Adam Smith’s ''The Wealth of Nations'' and Karl Marx and Friedrich Engels’s ''The Communist Manifesto.'' Taking the intertwined development of capitalism and the camera as their starting point, the essays collected here investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism’s violence—and if so, how? Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera’s potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and the ways the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge.
Classification:
livres
livres
Publication:
mai 2021
mai 2021
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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Berenice Abbot (1898–1991) is best known for her work in the fields of architecture, portraiture, and science. She first learned photography in Paris, as an assistant to Man Ray. It was at his studio where she also encountered work by Eugène Atget (1857–1927), who in turn played an influential role in her practice. Abbot was committed to modernity and capturing the poetry(...)
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Résumé:
Berenice Abbot (1898–1991) is best known for her work in the fields of architecture, portraiture, and science. She first learned photography in Paris, as an assistant to Man Ray. It was at his studio where she also encountered work by Eugène Atget (1857–1927), who in turn played an influential role in her practice. Abbot was committed to modernity and capturing the poetry(...)
Titre:
Berenice Abbott: selected writings
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Berenice Abbot (1898–1991) is best known for her work in the fields of architecture, portraiture, and science. She first learned photography in Paris, as an assistant to Man Ray. It was at his studio where she also encountered work by Eugène Atget (1857–1927), who in turn played an influential role in her practice. Abbot was committed to modernity and capturing the poetry of the moment, whether through inventing new techniques for taking pictures of physics experiments or shooting the streets of New York. This book casts a fascinating look back at her writings, combining precise instructions and theoretical content in texts aimed towards either professionals or amateurs.
Berenice Abbott: selected writings
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Résumé:
Berenice Abbot (1898–1991) is best known for her work in the fields of architecture, portraiture, and science. She first learned photography in Paris, as an assistant to Man Ray. It was at his studio where she also encountered work by Eugène Atget (1857–1927), who in turn played an influential role in her practice. Abbot was committed to modernity and capturing the poetry of the moment, whether through inventing new techniques for taking pictures of physics experiments or shooting the streets of New York. This book casts a fascinating look back at her writings, combining precise instructions and theoretical content in texts aimed towards either professionals or amateurs.
Classification:
livres
livres
Publication:
mai 2020
mai 2020
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$45.95
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Résumé:
In 1900, Paris had no skyscrapers, no tourist helicopters, no drones. Yet well before aviation made aerial views more accessible, those who sought such vantages had countless options available to them. They could take in the vista from an observation ride, see a painting of the view from Notre-Dame, or overlook a miniature model city. In Aeroscopics, Patrick Ellis offers(...)
$45.95
(disponible sur commande)
Résumé:
In 1900, Paris had no skyscrapers, no tourist helicopters, no drones. Yet well before aviation made aerial views more accessible, those who sought such vantages had countless options available to them. They could take in the vista from an observation ride, see a painting of the view from Notre-Dame, or overlook a miniature model city. In Aeroscopics, Patrick Ellis offers(...)
Titre:
Aeroscopics: Media of the bird's-eye view
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In 1900, Paris had no skyscrapers, no tourist helicopters, no drones. Yet well before aviation made aerial views more accessible, those who sought such vantages had countless options available to them. They could take in the vista from an observation ride, see a painting of the view from Notre-Dame, or overlook a miniature model city. In Aeroscopics, Patrick Ellis offers a history of the view from above, written from below. Illustrated and premised upon extensive archival work, this interdisciplinary study reveals the forgotten media available to the public in the Balloon Era and after. Ellis resurrects these neglected spectacles as "aeroscopics," opening up new possibilities for the history of aerial vision.
Aeroscopics: Media of the bird's-eye view
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$45.95
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Résumé:
In 1900, Paris had no skyscrapers, no tourist helicopters, no drones. Yet well before aviation made aerial views more accessible, those who sought such vantages had countless options available to them. They could take in the vista from an observation ride, see a painting of the view from Notre-Dame, or overlook a miniature model city. In Aeroscopics, Patrick Ellis offers a history of the view from above, written from below. Illustrated and premised upon extensive archival work, this interdisciplinary study reveals the forgotten media available to the public in the Balloon Era and after. Ellis resurrects these neglected spectacles as "aeroscopics," opening up new possibilities for the history of aerial vision.
Classification:
livres
livres
Publication:
juillet 2021
juillet 2021
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
On landscape and meaning
On landscape and meaning
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$37.50
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Résumé:
In the sixth installment of The Photography Workshop Series, Richard Misrach- well known for sublime and expansive landscapes that focus on the relationship between humans and their environment- offers his insight into creating photographs that are visually beautiful and contain cultural implications. Aperture Foundation works with the world’s top photographers to distill(...)
$37.50
(disponible sur commande)
Résumé:
In the sixth installment of The Photography Workshop Series, Richard Misrach- well known for sublime and expansive landscapes that focus on the relationship between humans and their environment- offers his insight into creating photographs that are visually beautiful and contain cultural implications. Aperture Foundation works with the world’s top photographers to distill(...)
Titre:
On landscape and meaning
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$37.50
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Résumé:
In the sixth installment of The Photography Workshop Series, Richard Misrach- well known for sublime and expansive landscapes that focus on the relationship between humans and their environment- offers his insight into creating photographs that are visually beautiful and contain cultural implications. Aperture Foundation works with the world’s top photographers to distill their creative approaches to, teachings on, and insights into photography- offering the workshop experience in a book. Our goal is to inspire photographers at all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, in this volume Misrach shares his own creative process and discusses a wide range of issues, from the language of colour photography and the play of light and atmosphere, to transcending place and time through metaphor, myth, and abstraction.
On landscape and meaning
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$37.50
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Résumé:
In the sixth installment of The Photography Workshop Series, Richard Misrach- well known for sublime and expansive landscapes that focus on the relationship between humans and their environment- offers his insight into creating photographs that are visually beautiful and contain cultural implications. Aperture Foundation works with the world’s top photographers to distill their creative approaches to, teachings on, and insights into photography- offering the workshop experience in a book. Our goal is to inspire photographers at all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, in this volume Misrach shares his own creative process and discusses a wide range of issues, from the language of colour photography and the play of light and atmosphere, to transcending place and time through metaphor, myth, and abstraction.
Classification:
livres
livres
Publication:
janvier 2021
janvier 2021
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Photography and belief
Photography and belief
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Résumé:
Identifying a recent shift in the dominance of photography, David Levi Strauss looks at the power of the medium in the age of Photoshop, smart phones, and the internet, asking important questions about how we look and what we trust. Offering a poignant argument in the era of ''fake news,' Strauss draws attention to new changes in the technology of seeing. Some uses of(...)
$20.00
(disponible sur commande)
Résumé:
Identifying a recent shift in the dominance of photography, David Levi Strauss looks at the power of the medium in the age of Photoshop, smart phones, and the internet, asking important questions about how we look and what we trust. Offering a poignant argument in the era of ''fake news,' Strauss draws attention to new changes in the technology of seeing. Some uses of(...)
Titre:
Photography and belief
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$20.00
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Résumé:
Identifying a recent shift in the dominance of photography, David Levi Strauss looks at the power of the medium in the age of Photoshop, smart phones, and the internet, asking important questions about how we look and what we trust. Offering a poignant argument in the era of ''fake news,' Strauss draws attention to new changes in the technology of seeing. Some uses of 'technical images' are causing the connection between images and belief (between seeing and believing) to fray and pull apart. How is this shifting our relationship to images? Will this crisis in what we can believe come to threaten our very purchase on the real? This book is an inquiry into the history and future of our belief in images.
Photography and belief
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$20.00
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Résumé:
Identifying a recent shift in the dominance of photography, David Levi Strauss looks at the power of the medium in the age of Photoshop, smart phones, and the internet, asking important questions about how we look and what we trust. Offering a poignant argument in the era of ''fake news,' Strauss draws attention to new changes in the technology of seeing. Some uses of 'technical images' are causing the connection between images and belief (between seeing and believing) to fray and pull apart. How is this shifting our relationship to images? Will this crisis in what we can believe come to threaten our very purchase on the real? This book is an inquiry into the history and future of our belief in images.
Classification:
livres
livres
Publication:
octobre 2020
octobre 2020
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$50.00
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Résumé:
When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography’s 'boom years,' chronicling the medium’s(...)
$50.00
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Résumé:
When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography’s 'boom years,' chronicling the medium’s(...)
Titre:
How photography became contemporary
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When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography’s 'boom years,' chronicling the medium’s increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography’s embrace by museums and galleries, as well as its politicization in the culture wars of the 80s and 90s.
How photography became contemporary
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Résumé:
When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography’s 'boom years,' chronicling the medium’s increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography’s embrace by museums and galleries, as well as its politicization in the culture wars of the 80s and 90s.
Classification:
livres
livres
Publication:
avril 2021
avril 2021
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Photo No-nos
Photo No-nos
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$29.95
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Résumé:
At turns humorous and absurd, heartfelt and searching, 'Photo No-Nos' is for photographers of all levels wishing to avoid easy metaphors and to sharpen their visual communication skills. Photographers often have unwritten lists of subjects they tell themselves not to shoot — things that are cliché, exploitative, derivative, sometimes even arbitrary. 'Photo No-Nos'(...)
$29.95
(disponible sur commande)
Résumé:
At turns humorous and absurd, heartfelt and searching, 'Photo No-Nos' is for photographers of all levels wishing to avoid easy metaphors and to sharpen their visual communication skills. Photographers often have unwritten lists of subjects they tell themselves not to shoot — things that are cliché, exploitative, derivative, sometimes even arbitrary. 'Photo No-Nos'(...)
Titre:
Photo No-nos
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$29.95
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At turns humorous and absurd, heartfelt and searching, 'Photo No-Nos' is for photographers of all levels wishing to avoid easy metaphors and to sharpen their visual communication skills. Photographers often have unwritten lists of subjects they tell themselves not to shoot — things that are cliché, exploitative, derivative, sometimes even arbitrary. 'Photo No-Nos' features ideas, stories, and anecdotes from many of the world’s most talented photographers and photography professionals, along with an encyclopedic list of more than a thousand taboo subjects compiled from and with pictures by contributors. Not a strict guide, but a series of meditations on 'bad' pictures, 'Photo No-Nos' covers a wide range of topics, from sunsets and roses to issues of colonialism, stereotypes, and social responsibility.
Photo No-nos
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$29.95
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At turns humorous and absurd, heartfelt and searching, 'Photo No-Nos' is for photographers of all levels wishing to avoid easy metaphors and to sharpen their visual communication skills. Photographers often have unwritten lists of subjects they tell themselves not to shoot — things that are cliché, exploitative, derivative, sometimes even arbitrary. 'Photo No-Nos' features ideas, stories, and anecdotes from many of the world’s most talented photographers and photography professionals, along with an encyclopedic list of more than a thousand taboo subjects compiled from and with pictures by contributors. Not a strict guide, but a series of meditations on 'bad' pictures, 'Photo No-Nos' covers a wide range of topics, from sunsets and roses to issues of colonialism, stereotypes, and social responsibility.
Classification:
livres
livres
Publication:
août 2021
août 2021
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$45.00
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Résumé:
''Adjusting the lens'' explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call(...)
$45.00
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Résumé:
''Adjusting the lens'' explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
novembre 2021
novembre 2021
Titre:
Adjusting the lens: indigenous activism, colonial legacies, and photographic heritage
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$45.00
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Résumé:
''Adjusting the lens'' explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call attention to how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record. ''Adjusting the lens'' presents original research in this emerging field in Indigenous photography studies, juxtaposing the historical and the contemporary across a range of geographically and culturally distinctive contexts. The transnational perspective of this exciting collection challenges old ways of thinking and meaningfully advances the crucially important project of reclamation.
Adjusting the lens: indigenous activism, colonial legacies, and photographic heritage
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$45.00
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Résumé:
''Adjusting the lens'' explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call attention to how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record. ''Adjusting the lens'' presents original research in this emerging field in Indigenous photography studies, juxtaposing the historical and the contemporary across a range of geographically and culturally distinctive contexts. The transnational perspective of this exciting collection challenges old ways of thinking and meaningfully advances the crucially important project of reclamation.
Classification:
livres
livres
Publication:
novembre 2021
novembre 2021
Sujet:
Théorie de la photographie
Théorie de la photographie
