435 Résultats
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This elegant volume features eighty highlights of th SFMOMA collection, from nineteenth-century daguerreotypes and turn-of-the-century pictorialist works to ground-breaking works by the f.64 Group, experimental European photographs from the 1920s and '30s, works in the American documentary tradition, and contemporary color images.
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This elegant volume features eighty highlights of th SFMOMA collection, from nineteenth-century daguerreotypes and turn-of-the-century pictorialist works to ground-breaking works by the f.64 Group, experimental European photographs from the 1920s and '30s, works in the American documentary tradition, and contemporary color images.
Titre:
Picturing modernity : highlights from the photography collection of the San Francisco Museum of Modern Art
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This elegant volume features eighty highlights of th SFMOMA collection, from nineteenth-century daguerreotypes and turn-of-the-century pictorialist works to ground-breaking works by the f.64 Group, experimental European photographs from the 1920s and '30s, works in the American documentary tradition, and contemporary color images.
Picturing modernity : highlights from the photography collection of the San Francisco Museum of Modern Art
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This elegant volume features eighty highlights of th SFMOMA collection, from nineteenth-century daguerreotypes and turn-of-the-century pictorialist works to ground-breaking works by the f.64 Group, experimental European photographs from the 1920s and '30s, works in the American documentary tradition, and contemporary color images.
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livres
livres
Publication:
mars 1999, San Francisco
mars 1999, San Francisco
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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This book presents Brasser's photos of 59 desolate stations built along the Geisterbahn, an abandoned tramway in Berlin, before the renovation associated with reunification changed their character.
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This book presents Brasser's photos of 59 desolate stations built along the Geisterbahn, an abandoned tramway in Berlin, before the renovation associated with reunification changed their character.
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
janvier 1900, Amsterdam
janvier 1900, Amsterdam
Titre:
Fons Brasser : Berlin Geisterbahn
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This book presents Brasser's photos of 59 desolate stations built along the Geisterbahn, an abandoned tramway in Berlin, before the renovation associated with reunification changed their character.
Fons Brasser : Berlin Geisterbahn
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This book presents Brasser's photos of 59 desolate stations built along the Geisterbahn, an abandoned tramway in Berlin, before the renovation associated with reunification changed their character.
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livres
livres
Publication:
janvier 1900, Amsterdam
janvier 1900, Amsterdam
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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$54.00
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For many people, the name Porto Marghera conjures up images of pollution and the damage done by industry to the environment. Partly in disuse, Porto Marghera is a fascinating industrial area which up to now has been inaccessible to the general public. Fifteen Italian photographers were invited to take part in the project to record the very unusual urban(...)
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For many people, the name Porto Marghera conjures up images of pollution and the damage done by industry to the environment. Partly in disuse, Porto Marghera is a fascinating industrial area which up to now has been inaccessible to the general public. Fifteen Italian photographers were invited to take part in the project to record the very unusual urban(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
juin 1997, Milan
juin 1997, Milan
Titre:
Venezia Marghera : photography and transformations in the contemporary city
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For many people, the name Porto Marghera conjures up images of pollution and the damage done by industry to the environment. Partly in disuse, Porto Marghera is a fascinating industrial area which up to now has been inaccessible to the general public. Fifteen Italian photographers were invited to take part in the project to record the very unusual urban landscape of Porto Marghera, a decisive area for the future of Venice which is on the threshold of profound changes. With an introduction by Phyllis Lambert.
Venezia Marghera : photography and transformations in the contemporary city
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For many people, the name Porto Marghera conjures up images of pollution and the damage done by industry to the environment. Partly in disuse, Porto Marghera is a fascinating industrial area which up to now has been inaccessible to the general public. Fifteen Italian photographers were invited to take part in the project to record the very unusual urban landscape of Porto Marghera, a decisive area for the future of Venice which is on the threshold of profound changes. With an introduction by Phyllis Lambert.
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livres
livres
Publication:
juin 1997, Milan
juin 1997, Milan
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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Catalogue for an exhibition of ninety 19th-century photographs drawn principally from the collection of Michael G. Wilson. Included are the photographs of Sergeant James McDonald's survey of Palestine and Jerusalem, recently discovered photographs by Ernest Benecke, and the rare photographs taken by Maxime Du Camp as he travelled with Flaubert. With an(...)
$43.50
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Résumé:
Catalogue for an exhibition of ninety 19th-century photographs drawn principally from the collection of Michael G. Wilson. Included are the photographs of Sergeant James McDonald's survey of Palestine and Jerusalem, recently discovered photographs by Ernest Benecke, and the rare photographs taken by Maxime Du Camp as he travelled with Flaubert. With an(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
octobre 1997, Santa Barbara
octobre 1997, Santa Barbara
Titre:
Revealing the holy land : the photographic exploration of Palestine
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Catalogue for an exhibition of ninety 19th-century photographs drawn principally from the collection of Michael G. Wilson. Included are the photographs of Sergeant James McDonald's survey of Palestine and Jerusalem, recently discovered photographs by Ernest Benecke, and the rare photographs taken by Maxime Du Camp as he travelled with Flaubert. With an introduction by Nitza Rosovsky.
Revealing the holy land : the photographic exploration of Palestine
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Résumé:
Catalogue for an exhibition of ninety 19th-century photographs drawn principally from the collection of Michael G. Wilson. Included are the photographs of Sergeant James McDonald's survey of Palestine and Jerusalem, recently discovered photographs by Ernest Benecke, and the rare photographs taken by Maxime Du Camp as he travelled with Flaubert. With an introduction by Nitza Rosovsky.
Classification:
livres
livres
Publication:
octobre 1997, Santa Barbara
octobre 1997, Santa Barbara
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
New objectivity : August Sander, Karl Blossfeldt, Albert Renger-Patzsch, Bernd and Hilla Becher
New objectivity : August Sander, Karl Blossfeldt, Albert Renger-Patzsch, Bernd and Hilla Becher
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By presenting the systematic approaches to photo-documentation as practised by these 20th century German photographers, this book examines the differences and similarities in their work.
$79.00
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Résumé:
By presenting the systematic approaches to photo-documentation as practised by these 20th century German photographers, this book examines the differences and similarities in their work.
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
septembre 1997, Munich
septembre 1997, Munich
Titre:
New objectivity : August Sander, Karl Blossfeldt, Albert Renger-Patzsch, Bernd and Hilla Becher
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By presenting the systematic approaches to photo-documentation as practised by these 20th century German photographers, this book examines the differences and similarities in their work.
New objectivity : August Sander, Karl Blossfeldt, Albert Renger-Patzsch, Bernd and Hilla Becher
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By presenting the systematic approaches to photo-documentation as practised by these 20th century German photographers, this book examines the differences and similarities in their work.
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livres
livres
Publication:
septembre 1997, Munich
septembre 1997, Munich
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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$29.95
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Résumé:
Taking up where "Notations in Passing" left off, "Riding 1st Class on the Titanic" encompasses Nathan Lyons's work from 1974 to the present. Like the earlier book, this one consists primarily of a series of paired images, beautifully sequenced by the photographer, with very little (...)
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Taking up where "Notations in Passing" left off, "Riding 1st Class on the Titanic" encompasses Nathan Lyons's work from 1974 to the present. Like the earlier book, this one consists primarily of a series of paired images, beautifully sequenced by the photographer, with very little (...)
Titre:
Riding 1st Class on the Titanic : photographs by Nathan Lyons
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Taking up where "Notations in Passing" left off, "Riding 1st Class on the Titanic" encompasses Nathan Lyons's work from 1974 to the present. Like the earlier book, this one consists primarily of a series of paired images, beautifully sequenced by the photographer, with very little text. Found language, such as that on building facades and signs, plays a prominent role in many of the sequences. The book, which accompanies a traveling exhibition organized by the Addison Gallery of American Art, contains a foreword by Adam Weinberg, Director of the Addison Gallery, and an essay by Leroy Searle. The title refers to the paradox of the Titanic, a symbol of invulnerability that became the carrier of our ultimate vulnerability. Lyons's work investigates the value systems that we have embraced, only to discover that their elusive meanings do more to challenge our belief systems than to reinforce them.
Riding 1st Class on the Titanic : photographs by Nathan Lyons
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Taking up where "Notations in Passing" left off, "Riding 1st Class on the Titanic" encompasses Nathan Lyons's work from 1974 to the present. Like the earlier book, this one consists primarily of a series of paired images, beautifully sequenced by the photographer, with very little text. Found language, such as that on building facades and signs, plays a prominent role in many of the sequences. The book, which accompanies a traveling exhibition organized by the Addison Gallery of American Art, contains a foreword by Adam Weinberg, Director of the Addison Gallery, and an essay by Leroy Searle. The title refers to the paradox of the Titanic, a symbol of invulnerability that became the carrier of our ultimate vulnerability. Lyons's work investigates the value systems that we have embraced, only to discover that their elusive meanings do more to challenge our belief systems than to reinforce them.
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livres
livres
Publication:
janvier 1960, Cambridge, Mass.
janvier 1960, Cambridge, Mass.
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$75.00
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Accompanying the British Army during its decisive foray into China in 1860, Felice Beato was the first photographer to document a military campaign in progress. He captured not only the immediacy of war, the aftermath of battle, and strategic military positions, but also the sumptuous new Summer Palace before its destruction by the British. His(...)
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Résumé:
Accompanying the British Army during its decisive foray into China in 1860, Felice Beato was the first photographer to document a military campaign in progress. He captured not only the immediacy of war, the aftermath of battle, and strategic military positions, but also the sumptuous new Summer Palace before its destruction by the British. His(...)
Titre:
Of battle and beauty : Felice Beato's photographs of China
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Accompanying the British Army during its decisive foray into China in 1860, Felice Beato was the first photographer to document a military campaign in progress. He captured not only the immediacy of war, the aftermath of battle, and strategic military positions, but also the sumptuous new Summer Palace before its destruction by the British. His photographic record of the Second Opium War consisted of approximately 100 images, including a number of panoramic views, which survive in the form of private albums orignally compiled by British officers as a record of their victorious campaign. In addition to providing a strikingly beautiful glimpse of nineteenth-century China, these images also reveal how photography functioned as an integral component of British imperialism by shaping perceptions about a distant country and its culture. This publication accompanies a major exhibition of Beato's work in China.
Of battle and beauty : Felice Beato's photographs of China
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Résumé:
Accompanying the British Army during its decisive foray into China in 1860, Felice Beato was the first photographer to document a military campaign in progress. He captured not only the immediacy of war, the aftermath of battle, and strategic military positions, but also the sumptuous new Summer Palace before its destruction by the British. His photographic record of the Second Opium War consisted of approximately 100 images, including a number of panoramic views, which survive in the form of private albums orignally compiled by British officers as a record of their victorious campaign. In addition to providing a strikingly beautiful glimpse of nineteenth-century China, these images also reveal how photography functioned as an integral component of British imperialism by shaping perceptions about a distant country and its culture. This publication accompanies a major exhibition of Beato's work in China.
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livres
livres
Publication:
novembre 1999, Santa Barbara
novembre 1999, Santa Barbara
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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Focusing on early nineteenth-century England, and on the works and texts of the inventor of paper photography, William Henry Fox Talbot, Singular Images, Failed Copies historicizes the conceptualization of photography in that era as part of a major historical change. Treating photography not merely as a medium or a system of representation but also as an epistemology,(...)
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Résumé:
Focusing on early nineteenth-century England, and on the works and texts of the inventor of paper photography, William Henry Fox Talbot, Singular Images, Failed Copies historicizes the conceptualization of photography in that era as part of a major historical change. Treating photography not merely as a medium or a system of representation but also as an epistemology,(...)
Titre:
Singular images, failed copies: William Henry Fox Talbot and the early photograph
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Focusing on early nineteenth-century England, and on the works and texts of the inventor of paper photography, William Henry Fox Talbot, Singular Images, Failed Copies historicizes the conceptualization of photography in that era as part of a major historical change. Treating photography not merely as a medium or a system of representation but also as an epistemology, Vered Maimon challenges today's prevalent association of the early photograph with the camera obscura. Instead, she points to material, formal, and conceptual differences between those two types of images by considering the philosophical and aesthetic premises linked with early photography. Through this analysis she argues that the emphasis in Talbot's accounts on the removal of the artist's hand in favor of the pencil of nature did not mark a shift from manual to mechanical and more accurate or objective systems of representation. In Singular Images, Failed Copies, Maimon shows that the perception of the photographic image in the 1830s and 1840s was in fact symptomatic of a crisis in the epistemological framework that had informed philosophical, scientific, and aesthetic thought for two centuries.
Singular images, failed copies: William Henry Fox Talbot and the early photograph
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Focusing on early nineteenth-century England, and on the works and texts of the inventor of paper photography, William Henry Fox Talbot, Singular Images, Failed Copies historicizes the conceptualization of photography in that era as part of a major historical change. Treating photography not merely as a medium or a system of representation but also as an epistemology, Vered Maimon challenges today's prevalent association of the early photograph with the camera obscura. Instead, she points to material, formal, and conceptual differences between those two types of images by considering the philosophical and aesthetic premises linked with early photography. Through this analysis she argues that the emphasis in Talbot's accounts on the removal of the artist's hand in favor of the pencil of nature did not mark a shift from manual to mechanical and more accurate or objective systems of representation. In Singular Images, Failed Copies, Maimon shows that the perception of the photographic image in the 1830s and 1840s was in fact symptomatic of a crisis in the epistemological framework that had informed philosophical, scientific, and aesthetic thought for two centuries.
Classification:
livres
livres
Publication:
décembre 2015
décembre 2015
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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L'ère post-photographique se caractérise par le massification des images de même que par leur circulation et leur disponibilité sur Internet. Aux fractures ontologiques que la technologie numérique fait subir à la photographie s'ajoutent des mutations profondes de ses valeurs sociales et fonctionnelles. La culture visuelle post-photographique est ainsi marquée, d'un côté,(...)
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L'ère post-photographique se caractérise par le massification des images de même que par leur circulation et leur disponibilité sur Internet. Aux fractures ontologiques que la technologie numérique fait subir à la photographie s'ajoutent des mutations profondes de ses valeurs sociales et fonctionnelles. La culture visuelle post-photographique est ainsi marquée, d'un côté,(...)
Titre:
La condition post-photographique
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L'ère post-photographique se caractérise par le massification des images de même que par leur circulation et leur disponibilité sur Internet. Aux fractures ontologiques que la technologie numérique fait subir à la photographie s'ajoutent des mutations profondes de ses valeurs sociales et fonctionnelles. La culture visuelle post-photographique est ainsi marquée, d'un côté, par une virulente remise en question de la notion d'auteur et, de l'autre, par la légitimation des pratiques appropriationistes. Dans ce nouveau contexte, La condition post-photographique nous invite à nous interroger sur la nature de la création et sur les critères de l'«artisticité».
La condition post-photographique
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L'ère post-photographique se caractérise par le massification des images de même que par leur circulation et leur disponibilité sur Internet. Aux fractures ontologiques que la technologie numérique fait subir à la photographie s'ajoutent des mutations profondes de ses valeurs sociales et fonctionnelles. La culture visuelle post-photographique est ainsi marquée, d'un côté, par une virulente remise en question de la notion d'auteur et, de l'autre, par la légitimation des pratiques appropriationistes. Dans ce nouveau contexte, La condition post-photographique nous invite à nous interroger sur la nature de la création et sur les critères de l'«artisticité».
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livres
livres
Publication:
décembre 2015
décembre 2015
Classification:
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livres
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For its 14th edition, Le Mois de la Photo à Montréal has produced a major reference book, edited by Joan Fontcuberta and illustrated with the works of the 29 artists exhibited in the biennial. In addition, leading experts in the field critically investigate the post-photographic condition, exploring communication and transmission of visual data in cyberspace, the(...)
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Résumé:
For its 14th edition, Le Mois de la Photo à Montréal has produced a major reference book, edited by Joan Fontcuberta and illustrated with the works of the 29 artists exhibited in the biennial. In addition, leading experts in the field critically investigate the post-photographic condition, exploring communication and transmission of visual data in cyberspace, the(...)
Titre:
The post-photographic condition
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For its 14th edition, Le Mois de la Photo à Montréal has produced a major reference book, edited by Joan Fontcuberta and illustrated with the works of the 29 artists exhibited in the biennial. In addition, leading experts in the field critically investigate the post-photographic condition, exploring communication and transmission of visual data in cyberspace, the boundaries of virtual reality, as well as the Internet as a new public space in which the proliferation of images reflect and shape the world. This publication challenges us to re-examine what photography is today. With essays by Joan Fontcuberta, Derrick de Kerckhove, Suzanne Paquet, Fred Ritchin, David Tomas.
The post-photographic condition
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Résumé:
For its 14th edition, Le Mois de la Photo à Montréal has produced a major reference book, edited by Joan Fontcuberta and illustrated with the works of the 29 artists exhibited in the biennial. In addition, leading experts in the field critically investigate the post-photographic condition, exploring communication and transmission of visual data in cyberspace, the boundaries of virtual reality, as well as the Internet as a new public space in which the proliferation of images reflect and shape the world. This publication challenges us to re-examine what photography is today. With essays by Joan Fontcuberta, Derrick de Kerckhove, Suzanne Paquet, Fred Ritchin, David Tomas.
Classification:
livres
livres
Publication:
décembre 2015
décembre 2015
