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This volume includes over 200 publications carefully selected by Martin Parr and the critic and curator Gerry Badger. All the books are accompanied by extensive commentaries by Badger and are illustrated as three-dimensional objects, providing a true sense of them as art works in their own right.
Théorie de la photographie
octobre 2006, London
The photobook : a history, volume II
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This volume includes over 200 publications carefully selected by Martin Parr and the critic and curator Gerry Badger. All the books are accompanied by extensive commentaries by Badger and are illustrated as three-dimensional objects, providing a true sense of them as art works in their own right.
Théorie de la photographie
$39.95
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" Image and inscription " answers the question “ What is photography becoming? ” Through essays and artists’ projects, this edition explores the innovation, drift, rupture and revelation of emerging photo-based art-making.
Image and inscription : an anthology of contemporary Canadian photography
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" Image and inscription " answers the question “ What is photography becoming? ” Through essays and artists’ projects, this edition explores the innovation, drift, rupture and revelation of emerging photo-based art-making.
Théorie de la photographie
$67.95
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In 'staged' photography the artist takes on the role of a director, creating or staging an image. He or she uses models, props, costumes or lighting, often creating a theatrical quality. This book traces the history of the staged photograph, focusing on such key themes as the artist as actor, art historical imagery, and narratives and allegories. It includes engaging(...)
Théorie de la photographie
mai 2006, Ottawa / London / New York
Acting the part : photography as theatre
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In 'staged' photography the artist takes on the role of a director, creating or staging an image. He or she uses models, props, costumes or lighting, often creating a theatrical quality. This book traces the history of the staged photograph, focusing on such key themes as the artist as actor, art historical imagery, and narratives and allegories. It includes engaging essays on Victorian tableaux vivants, Surrealism, and iconic photographs from the 1930s and 1940s previously thought to be documentary images but that were in fact staged.
Théorie de la photographie
livres
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In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography.
Burning with desire : the conception of photography
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In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography.
livres
mars 1999, Cambridge, Mass.
Théorie de la photographie
livres
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Originally published in 1973, this 1999 reissue, with new duotone separations using the latest technology, brings this remarkable book back to a new generation.
Looking at photographs : 100 pictures from the collection of the Museum of Modern Art
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Originally published in 1973, this 1999 reissue, with new duotone separations using the latest technology, brings this remarkable book back to a new generation.
livres
septembre 1999, New York
Théorie de la photographie
livres
Parisian views
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In "Parisian Views" Shelley Rice explores both the literal and methaphorical connections between photography and the transformation of Paris by Baron Haussman during the Second Empire (1852-1870). The book presents a series of essays revolving around a central theme: the creation of modern urban space. It is illustrated with photographs from the period by Charles(...)
Parisian views
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In "Parisian Views" Shelley Rice explores both the literal and methaphorical connections between photography and the transformation of Paris by Baron Haussman during the Second Empire (1852-1870). The book presents a series of essays revolving around a central theme: the creation of modern urban space. It is illustrated with photographs from the period by Charles Marville, Henri Le Secq, Edouard-Denis Baldus, and Gustave Le Gray. Also available in pb.
livres
novembre 1997, Cambridge, Mass.
Théorie de la photographie
$23.95
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A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross,
Why people photograph: selected essays and reviews
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A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross,
Théorie de la photographie
livres
$59.95
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Stephan Oettermann's "The Panorama" is the first major historical study to appear in English of the rich phenomenon of the panorama, one of the most influential forms of visual entertainment in the nineteenth century. The panorama is treated not only as a new kind(...)
The Panorama: History of a Mass Medium
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Stephan Oettermann's "The Panorama" is the first major historical study to appear in English of the rich phenomenon of the panorama, one of the most influential forms of visual entertainment in the nineteenth century. The panorama is treated not only as a new kind of image but also as an architectural and informational component of the new urban spaces and media networks.
livres
octobre 1997, New York
Théorie de la photographie
livres
$67.50
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One hundred photographs from the Mariners' Museum in Newport News, Virginia, selected and introduced by John Szarkowski with essays by Richard Benson.
Théorie de la photographie
octobre 1997, New Haven
A maritime album: 100 photographs and their stories
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One hundred photographs from the Mariners' Museum in Newport News, Virginia, selected and introduced by John Szarkowski with essays by Richard Benson.
livres
octobre 1997, New Haven
Théorie de la photographie
livres
Propaganda & dreams
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Photographing the 1930s in the USSR and the US.
Propaganda & dreams
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Photographing the 1930s in the USSR and the US.
livres
janvier 1900, New york
Théorie de la photographie