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Pourquoi photograhier
Pourquoi photograhier
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Quatrième titre de la collection TXT dédiée aux diverses conceptions de l’image photographique et à l'évolution du médium, ce livre apporte un regard nouveau sur la photographie et sa pédagogie. Il rassemble une sélection d’essais sur les œuvres de plusieurs photographes parmi lesquels Ansel Adams, Eugène Atget, Dorothea Lange, Nicholas Nixon, Susan Meiselas, Michael(...)
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Quatrième titre de la collection TXT dédiée aux diverses conceptions de l’image photographique et à l'évolution du médium, ce livre apporte un regard nouveau sur la photographie et sa pédagogie. Il rassemble une sélection d’essais sur les œuvres de plusieurs photographes parmi lesquels Ansel Adams, Eugène Atget, Dorothea Lange, Nicholas Nixon, Susan Meiselas, Michael(...)
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Pourquoi photograhier
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Quatrième titre de la collection TXT dédiée aux diverses conceptions de l’image photographique et à l'évolution du médium, ce livre apporte un regard nouveau sur la photographie et sa pédagogie. Il rassemble une sélection d’essais sur les œuvres de plusieurs photographes parmi lesquels Ansel Adams, Eugène Atget, Dorothea Lange, Nicholas Nixon, Susan Meiselas, Michael Schmidt, Paul Strand, Edward Weston et leurs publications respectives. Le corpus de textes porte également sur différents genres, époques et sujets photographiques tels que l’expérience de l’espace dans l’Ouest américain chez les paysagistes du XIXe siècle, mais aussi des thèmes plus concrets comme les liens entre collectionneurs et photographes, ou comment vivre de sa pratique photographique. Robert Adams aborde également son thème de prédilection, qui sous-tend tout son travail, celui des questions environnementales et de la protection de la planète. Ces essais sont illustrés d’une trentaine de photographies et peintures reproduites en noir et blanc.
Pourquoi photograhier
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$48.95
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Quatrième titre de la collection TXT dédiée aux diverses conceptions de l’image photographique et à l'évolution du médium, ce livre apporte un regard nouveau sur la photographie et sa pédagogie. Il rassemble une sélection d’essais sur les œuvres de plusieurs photographes parmi lesquels Ansel Adams, Eugène Atget, Dorothea Lange, Nicholas Nixon, Susan Meiselas, Michael Schmidt, Paul Strand, Edward Weston et leurs publications respectives. Le corpus de textes porte également sur différents genres, époques et sujets photographiques tels que l’expérience de l’espace dans l’Ouest américain chez les paysagistes du XIXe siècle, mais aussi des thèmes plus concrets comme les liens entre collectionneurs et photographes, ou comment vivre de sa pratique photographique. Robert Adams aborde également son thème de prédilection, qui sous-tend tout son travail, celui des questions environnementales et de la protection de la planète. Ces essais sont illustrés d’une trentaine de photographies et peintures reproduites en noir et blanc.
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livres
livres
Publication:
novembre 2022
novembre 2022
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Returning to Benjamin
Returning to Benjamin
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Walter Benjamin’s essay of cultural criticism ‘The Work of Art in the Age of Mechanical Reproduction’ has become a ‘classic’ text, one which resonated through the twentieth century and beyond. In this succinct and pointed new essay, the artist and writer Victor Burgin rereads Benjamin’s 1935 text, to elaborate a new argument contending that the camera today is profoundly(...)
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Walter Benjamin’s essay of cultural criticism ‘The Work of Art in the Age of Mechanical Reproduction’ has become a ‘classic’ text, one which resonated through the twentieth century and beyond. In this succinct and pointed new essay, the artist and writer Victor Burgin rereads Benjamin’s 1935 text, to elaborate a new argument contending that the camera today is profoundly(...)
Titre:
Returning to Benjamin
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Walter Benjamin’s essay of cultural criticism ‘The Work of Art in the Age of Mechanical Reproduction’ has become a ‘classic’ text, one which resonated through the twentieth century and beyond. In this succinct and pointed new essay, the artist and writer Victor Burgin rereads Benjamin’s 1935 text, to elaborate a new argument contending that the camera today is profoundly imbricated in that which is not visible.
Returning to Benjamin
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Walter Benjamin’s essay of cultural criticism ‘The Work of Art in the Age of Mechanical Reproduction’ has become a ‘classic’ text, one which resonated through the twentieth century and beyond. In this succinct and pointed new essay, the artist and writer Victor Burgin rereads Benjamin’s 1935 text, to elaborate a new argument contending that the camera today is profoundly imbricated in that which is not visible.
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livres
livres
Publication:
février 2023
février 2023
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$59.95
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The Lebanese photographer Marie al-Khazen not only documented her travels around tourist sites in Lebanon but also sought creative experimentation with her camera by staging scenes, manipulating shadows, and superimposing negatives to produce different effects in her prints. Within her photographs, bedouins and European friends, peasants and landlords, men and women(...)
$59.95
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The Lebanese photographer Marie al-Khazen not only documented her travels around tourist sites in Lebanon but also sought creative experimentation with her camera by staging scenes, manipulating shadows, and superimposing negatives to produce different effects in her prints. Within her photographs, bedouins and European friends, peasants and landlords, men and women(...)
Titre:
Reading Marie al-Khazen’s photographs: Gender, photography, Mandate Lebanon
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The Lebanese photographer Marie al-Khazen not only documented her travels around tourist sites in Lebanon but also sought creative experimentation with her camera by staging scenes, manipulating shadows, and superimposing negatives to produce different effects in her prints. Within her photographs, bedouins and European friends, peasants and landlords, men and women comfortably share the same space. Her photographs include an intriguing collection portraying her family and friends living their everyday lives in 1920s and '30s Zgharta, a village in the north of Lebanon. Yasmine Nachabe Taan explores these photographs, emphasizing the ways in which notions of gender and class are inscribed within them and revealing how they are charged with symbols of women's emancipation to today's viewers, through women's presence as individuals, separate from family restrictions of that time.
Reading Marie al-Khazen’s photographs: Gender, photography, Mandate Lebanon
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$59.95
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The Lebanese photographer Marie al-Khazen not only documented her travels around tourist sites in Lebanon but also sought creative experimentation with her camera by staging scenes, manipulating shadows, and superimposing negatives to produce different effects in her prints. Within her photographs, bedouins and European friends, peasants and landlords, men and women comfortably share the same space. Her photographs include an intriguing collection portraying her family and friends living their everyday lives in 1920s and '30s Zgharta, a village in the north of Lebanon. Yasmine Nachabe Taan explores these photographs, emphasizing the ways in which notions of gender and class are inscribed within them and revealing how they are charged with symbols of women's emancipation to today's viewers, through women's presence as individuals, separate from family restrictions of that time.
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livres
livres
Publication:
août 2022
août 2022
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Prix:
$39.95
(disponible en magasin)
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Newspaper articles, speeches, and essays show Sunil Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta(...)
$39.95
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Newspaper articles, speeches, and essays show Sunil Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta(...)
Publication:
novembre 2022
novembre 2022
Titre:
We were here: Sexuality, photography, and cultural difference
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Newspaper articles, speeches, and essays show Sunil Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta foregrounds the power of cultural activism in the politically fraught contexts of London and Delhi, and illuminates the essential connections between queer migration and self-discovery. Continually questioning given forms of identity, Gupta offers artists and curators multiple strategies of resistance, carving out space for new ways of imagining what it might mean to live, love, and create.
We were here: Sexuality, photography, and cultural difference
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Newspaper articles, speeches, and essays show Sunil Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta foregrounds the power of cultural activism in the politically fraught contexts of London and Delhi, and illuminates the essential connections between queer migration and self-discovery. Continually questioning given forms of identity, Gupta offers artists and curators multiple strategies of resistance, carving out space for new ways of imagining what it might mean to live, love, and create.
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livres
livres
Publication:
novembre 2022
novembre 2022
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livres
livres
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This book collects writer-photographer Nicholas Muellner’s textual and visual essays created between 2009 and 2019. Intertwining memoir, reportage, fiction and theory, he asks: what is existentially at stake today in the making and viewing of photographs? In a time when nearly everyone has become a photographer, Muellner explores how images have become a means through(...)
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This book collects writer-photographer Nicholas Muellner’s textual and visual essays created between 2009 and 2019. Intertwining memoir, reportage, fiction and theory, he asks: what is existentially at stake today in the making and viewing of photographs? In a time when nearly everyone has become a photographer, Muellner explores how images have become a means through(...)
Titre:
Lacuna Park: Essays and other adventures in photography by Nicholas Muellner
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This book collects writer-photographer Nicholas Muellner’s textual and visual essays created between 2009 and 2019. Intertwining memoir, reportage, fiction and theory, he asks: what is existentially at stake today in the making and viewing of photographs? In a time when nearly everyone has become a photographer, Muellner explores how images have become a means through which we control and care and lose and desire, and most of all, adapt and compensate, forget, remember, and keep going.
Lacuna Park: Essays and other adventures in photography by Nicholas Muellner
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Résumé:
This book collects writer-photographer Nicholas Muellner’s textual and visual essays created between 2009 and 2019. Intertwining memoir, reportage, fiction and theory, he asks: what is existentially at stake today in the making and viewing of photographs? In a time when nearly everyone has become a photographer, Muellner explores how images have become a means through which we control and care and lose and desire, and most of all, adapt and compensate, forget, remember, and keep going.
Classification:
livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$66.95
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Maurice Scheltens has built up a photographic oeuvre based on still life photography. His work is playful and highly personalised, with work ranging from unique pieces, to applied projects and editorial commissions. Rearranged and re-edited for this publication that reproduces each work on full-gloss paper, the photographs here represent a survey of Scheltens’ work(...)
$66.95
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Résumé:
Maurice Scheltens has built up a photographic oeuvre based on still life photography. His work is playful and highly personalised, with work ranging from unique pieces, to applied projects and editorial commissions. Rearranged and re-edited for this publication that reproduces each work on full-gloss paper, the photographs here represent a survey of Scheltens’ work(...)
Titre:
Maurice Scheltens: on display
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Maurice Scheltens has built up a photographic oeuvre based on still life photography. His work is playful and highly personalised, with work ranging from unique pieces, to applied projects and editorial commissions. Rearranged and re-edited for this publication that reproduces each work on full-gloss paper, the photographs here represent a survey of Scheltens’ work produced over the last ten years. Commissions for Vitra, Nike, Fantastic Man and Wallpaper are presented alongside pieces produced for galleries and museums, and accompanied by a short essay.
Maurice Scheltens: on display
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Résumé:
Maurice Scheltens has built up a photographic oeuvre based on still life photography. His work is playful and highly personalised, with work ranging from unique pieces, to applied projects and editorial commissions. Rearranged and re-edited for this publication that reproduces each work on full-gloss paper, the photographs here represent a survey of Scheltens’ work produced over the last ten years. Commissions for Vitra, Nike, Fantastic Man and Wallpaper are presented alongside pieces produced for galleries and museums, and accompanied by a short essay.
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livres
livres
Publication:
juillet 2009
juillet 2009
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Inside out
Inside out
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This publication presents the fruits of a ten year long investigation into the windows found in various psychiatric institutions, hospitals, sanatoriums, first aid camps, concentration camps and juvenile prisons. In so doing, Hiroki Inoue focuses at the same time on the memories of the scenes where tragic events occurred and the physical spaces where people currently(...)
$49.95
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This publication presents the fruits of a ten year long investigation into the windows found in various psychiatric institutions, hospitals, sanatoriums, first aid camps, concentration camps and juvenile prisons. In so doing, Hiroki Inoue focuses at the same time on the memories of the scenes where tragic events occurred and the physical spaces where people currently(...)
Titre:
Inside out
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$49.95
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This publication presents the fruits of a ten year long investigation into the windows found in various psychiatric institutions, hospitals, sanatoriums, first aid camps, concentration camps and juvenile prisons. In so doing, Hiroki Inoue focuses at the same time on the memories of the scenes where tragic events occurred and the physical spaces where people currently live. The viewer is charmed by the melodious beauty of the monochrome contrast of light and shade that is framed and filtered by the windows while being constantly reminded of the painful confines of institutional space. A total of 60, thought-provoking, colour photographs are presented one to a page or over double spreads and accompanied by a short essay by Reiko Kokatsu.
Inside out
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This publication presents the fruits of a ten year long investigation into the windows found in various psychiatric institutions, hospitals, sanatoriums, first aid camps, concentration camps and juvenile prisons. In so doing, Hiroki Inoue focuses at the same time on the memories of the scenes where tragic events occurred and the physical spaces where people currently live. The viewer is charmed by the melodious beauty of the monochrome contrast of light and shade that is framed and filtered by the windows while being constantly reminded of the painful confines of institutional space. A total of 60, thought-provoking, colour photographs are presented one to a page or over double spreads and accompanied by a short essay by Reiko Kokatsu.
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livres
livres
Publication:
juillet 2009
juillet 2009
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography(...)
$34.99
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Résumé:
Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography(...)
Titre:
Photography degree zero, reflections on Roland Barthes's camera lucida
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Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes.
Photography degree zero, reflections on Roland Barthes's camera lucida
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$34.99
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Résumé:
Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes.
Classification:
livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$10.00
(disponible sur commande)
Résumé:
Sous la direction de Gaëlle Morel, la publication du Mois de la Photo à Montréal 2009, intitulée Les Espaces de l’image, regroupera les contributions inédites d’historiens de l’art et de critiques intéressés par la question des enjeux scénographiques. Seront ainsi abordées l’histoire de la projection comme procédé installatif et l’histoire des expositions de photographie(...)
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Sous la direction de Gaëlle Morel, la publication du Mois de la Photo à Montréal 2009, intitulée Les Espaces de l’image, regroupera les contributions inédites d’historiens de l’art et de critiques intéressés par la question des enjeux scénographiques. Seront ainsi abordées l’histoire de la projection comme procédé installatif et l’histoire des expositions de photographie(...)
Publication:
août 2009
août 2009
Titre:
Les espaces de l'image, Mois de la photo à Montréal 2009,
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Sous la direction de Gaëlle Morel, la publication du Mois de la Photo à Montréal 2009, intitulée Les Espaces de l’image, regroupera les contributions inédites d’historiens de l’art et de critiques intéressés par la question des enjeux scénographiques. Seront ainsi abordées l’histoire de la projection comme procédé installatif et l’histoire des expositions de photographie montrant la richesse des solutions spatiales envisagées au XXe siècle.
Les espaces de l'image, Mois de la photo à Montréal 2009,
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$10.00
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Résumé:
Sous la direction de Gaëlle Morel, la publication du Mois de la Photo à Montréal 2009, intitulée Les Espaces de l’image, regroupera les contributions inédites d’historiens de l’art et de critiques intéressés par la question des enjeux scénographiques. Seront ainsi abordées l’histoire de la projection comme procédé installatif et l’histoire des expositions de photographie montrant la richesse des solutions spatiales envisagées au XXe siècle.
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livres
livres
Publication:
août 2009
août 2009
Classification:
livres
livres
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$54.00
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Spanning from the 1970s until today, this monograph traces the development of the Chilean-born, New York-based conceptualist--from his earliest public interventions to his latest installations. Working with public interventions, installations, photography and video, Jaar examines the nature of images and their viewers' relationships to them. His work tackles the very(...)
$54.00
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Résumé:
Spanning from the 1970s until today, this monograph traces the development of the Chilean-born, New York-based conceptualist--from his earliest public interventions to his latest installations. Working with public interventions, installations, photography and video, Jaar examines the nature of images and their viewers' relationships to them. His work tackles the very(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
septembre 2009
septembre 2009
Titre:
Alfredo Jaar: la politique des images
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Spanning from the 1970s until today, this monograph traces the development of the Chilean-born, New York-based conceptualist--from his earliest public interventions to his latest installations. Working with public interventions, installations, photography and video, Jaar examines the nature of images and their viewers' relationships to them. His work tackles the very possibility of producing art based on events that we would prefer to ignore, and of creating images in a context characterized both by their over-abundance and, paradoxically, by their invisibility.
Alfredo Jaar: la politique des images
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Spanning from the 1970s until today, this monograph traces the development of the Chilean-born, New York-based conceptualist--from his earliest public interventions to his latest installations. Working with public interventions, installations, photography and video, Jaar examines the nature of images and their viewers' relationships to them. His work tackles the very possibility of producing art based on events that we would prefer to ignore, and of creating images in a context characterized both by their over-abundance and, paradoxically, by their invisibility.
Classification:
livres
livres
Publication:
septembre 2009
septembre 2009
Sujet:
Théorie de la photographie
Théorie de la photographie
