435 Résultats
Classification:
livres
livres
Actions:
Prix:
$41.00
(disponible en magasin)
Résumé:
Published for the first time in English, 'The Complete Essays 1973–1991' comprises sixty-eight texts in which Luigi Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place. As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own(...)
$41.00
(disponible en magasin)
Résumé:
Published for the first time in English, 'The Complete Essays 1973–1991' comprises sixty-eight texts in which Luigi Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place. As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own(...)
Titre:
Luigi Ghirri: the complete essays, 1973-1991
Actions:
Prix:
$41.00
(disponible en magasin)
Résumé:
Published for the first time in English, 'The Complete Essays 1973–1991' comprises sixty-eight texts in which Luigi Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place. As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own practice to explore the history of photography as he considers the work of Walker Evans, William Eggleston, Robert Adams and John Gossage, weaving in references to musicians, writers and painters alike. As themes and ideas overlap, the compilation of texts create a sort of dialectic chamber of curiosities that includes Gulliver, Van Gogh’s yellow house, Cézanne, Morandi’s studio, Mallarmé, the fireworks above Trani Cathedral, neo-realist films, lots of music, Francis Bacon, McLuhan’s global village, Pessoa, poetry. Together, the essays offer an unintentional yet comprehensive treatise on the history and theory of photography, and above all, they constitute a special form of autobiography.
Luigi Ghirri: the complete essays, 1973-1991
Actions:
Prix:
$41.00
(disponible en magasin)
Résumé:
Published for the first time in English, 'The Complete Essays 1973–1991' comprises sixty-eight texts in which Luigi Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place. As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own practice to explore the history of photography as he considers the work of Walker Evans, William Eggleston, Robert Adams and John Gossage, weaving in references to musicians, writers and painters alike. As themes and ideas overlap, the compilation of texts create a sort of dialectic chamber of curiosities that includes Gulliver, Van Gogh’s yellow house, Cézanne, Morandi’s studio, Mallarmé, the fireworks above Trani Cathedral, neo-realist films, lots of music, Francis Bacon, McLuhan’s global village, Pessoa, poetry. Together, the essays offer an unintentional yet comprehensive treatise on the history and theory of photography, and above all, they constitute a special form of autobiography.
Classification:
livres
livres
Publication:
juillet 2016
juillet 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$75.00
(disponible sur commande)
Résumé:
Dutchman Jan Dibbets (b. 1941) is one of the principal artists to have introduced photography into the plastic arts. Beginning in 1967, he embarked on a long-range project that, as we advance into the twenty-first century, he seems not to have abandoned: the "pictorializing" of photography. At a time when photography has massively invaded contemporary art institutionsnot(...)
$75.00
(disponible sur commande)
Résumé:
Dutchman Jan Dibbets (b. 1941) is one of the principal artists to have introduced photography into the plastic arts. Beginning in 1967, he embarked on a long-range project that, as we advance into the twenty-first century, he seems not to have abandoned: the "pictorializing" of photography. At a time when photography has massively invaded contemporary art institutionsnot(...)
Titre:
Jan Dibbets: the photographic work, revised and updated edition
Actions:
Prix:
$75.00
(disponible sur commande)
Résumé:
Dutchman Jan Dibbets (b. 1941) is one of the principal artists to have introduced photography into the plastic arts. Beginning in 1967, he embarked on a long-range project that, as we advance into the twenty-first century, he seems not to have abandoned: the "pictorializing" of photography. At a time when photography has massively invaded contemporary art institutionsnot without generating confusion and excessit is possible to lose track of how radical Dibbets's approach was.
Jan Dibbets: the photographic work, revised and updated edition
Actions:
Prix:
$75.00
(disponible sur commande)
Résumé:
Dutchman Jan Dibbets (b. 1941) is one of the principal artists to have introduced photography into the plastic arts. Beginning in 1967, he embarked on a long-range project that, as we advance into the twenty-first century, he seems not to have abandoned: the "pictorializing" of photography. At a time when photography has massively invaded contemporary art institutionsnot without generating confusion and excessit is possible to lose track of how radical Dibbets's approach was.
Classification:
livres
livres
Publication:
janvier 2015
janvier 2015
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Actions:
Prix:
$129.00
(disponible sur commande)
Résumé:
The Thames & Hudson Dictionary of Photography is a landmark publication that encompasses the history, art, and science of photography in a single volume. At a time when information is instantly accessible on the Internet but is often unreliable or uncited, this ambitious project both reasserts the veracity, reliability, and accuracy of scholarly research in reference(...)
$129.00
(disponible sur commande)
Résumé:
The Thames & Hudson Dictionary of Photography is a landmark publication that encompasses the history, art, and science of photography in a single volume. At a time when information is instantly accessible on the Internet but is often unreliable or uncited, this ambitious project both reasserts the veracity, reliability, and accuracy of scholarly research in reference(...)
Titre:
The Thames & Hudson dictionary of photography
Actions:
Prix:
$129.00
(disponible sur commande)
Résumé:
The Thames & Hudson Dictionary of Photography is a landmark publication that encompasses the history, art, and science of photography in a single volume. At a time when information is instantly accessible on the Internet but is often unreliable or uncited, this ambitious project both reasserts the veracity, reliability, and accuracy of scholarly research in reference publishing and offers an immersive, usable, beautifully designed reading experience.
The Thames & Hudson dictionary of photography
Actions:
Prix:
$129.00
(disponible sur commande)
Résumé:
The Thames & Hudson Dictionary of Photography is a landmark publication that encompasses the history, art, and science of photography in a single volume. At a time when information is instantly accessible on the Internet but is often unreliable or uncited, this ambitious project both reasserts the veracity, reliability, and accuracy of scholarly research in reference publishing and offers an immersive, usable, beautifully designed reading experience.
Classification:
livres
livres
Publication:
novembre 2015
novembre 2015
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$30.95
(disponible sur commande)
Résumé:
Through photography, Civil Imagination seeks out relations of partnership, solidarity, and sharing that come into being at the expense of sovereign powers that threaten to destroy them. Azoulay argues that the 'civil' must be distinguished from the 'political' as the interest that citizens have in themselves, in others, in their shared forms of coexistence, as well as in(...)
$30.95
(disponible sur commande)
Résumé:
Through photography, Civil Imagination seeks out relations of partnership, solidarity, and sharing that come into being at the expense of sovereign powers that threaten to destroy them. Azoulay argues that the 'civil' must be distinguished from the 'political' as the interest that citizens have in themselves, in others, in their shared forms of coexistence, as well as in(...)
Titre:
Civil imagination: a political ontology of photograph
Actions:
Prix:
$30.95
(disponible sur commande)
Résumé:
Through photography, Civil Imagination seeks out relations of partnership, solidarity, and sharing that come into being at the expense of sovereign powers that threaten to destroy them. Azoulay argues that the 'civil' must be distinguished from the 'political' as the interest that citizens have in themselves, in others, in their shared forms of coexistence, as well as in the world they create and transform.
Civil imagination: a political ontology of photograph
Actions:
Prix:
$30.95
(disponible sur commande)
Résumé:
Through photography, Civil Imagination seeks out relations of partnership, solidarity, and sharing that come into being at the expense of sovereign powers that threaten to destroy them. Azoulay argues that the 'civil' must be distinguished from the 'political' as the interest that citizens have in themselves, in others, in their shared forms of coexistence, as well as in the world they create and transform.
Classification:
livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Actions:
Prix:
$54.95
(disponible sur commande)
Résumé:
Picturing Mexico: From the Camera Lucida to Film explores the early artistic and cultural factors that contributed to the emergence of film in a heterogeneous media environment at the turn of the 20th century. Focusing his attention upon lithographs and photographs of Mexico created by European and North American visitors, Fullerton argues that the introduction of the(...)
$54.95
(disponible sur commande)
Résumé:
Picturing Mexico: From the Camera Lucida to Film explores the early artistic and cultural factors that contributed to the emergence of film in a heterogeneous media environment at the turn of the 20th century. Focusing his attention upon lithographs and photographs of Mexico created by European and North American visitors, Fullerton argues that the introduction of the(...)
Titre:
Picturing Mexico: from the camera lucida to film
Actions:
Prix:
$54.95
(disponible sur commande)
Résumé:
Picturing Mexico: From the Camera Lucida to Film explores the early artistic and cultural factors that contributed to the emergence of film in a heterogeneous media environment at the turn of the 20th century. Focusing his attention upon lithographs and photographs of Mexico created by European and North American visitors, Fullerton argues that the introduction of the illustrated press and the popular photographic album towards the end of the 19th century transformed the private space of the printed page. He contends that the dynamics of the moving image were informed by the convergence of these media forms.
Picturing Mexico: from the camera lucida to film
Actions:
Prix:
$54.95
(disponible sur commande)
Résumé:
Picturing Mexico: From the Camera Lucida to Film explores the early artistic and cultural factors that contributed to the emergence of film in a heterogeneous media environment at the turn of the 20th century. Focusing his attention upon lithographs and photographs of Mexico created by European and North American visitors, Fullerton argues that the introduction of the illustrated press and the popular photographic album towards the end of the 19th century transformed the private space of the printed page. He contends that the dynamics of the moving image were informed by the convergence of these media forms.
Classification:
livres
livres
Publication:
avril 2014
avril 2014
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Feeling photography
Feeling photography
Actions:
Prix:
$36.95
(disponible sur commande)
Résumé:
This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality,(...)
$36.95
(disponible sur commande)
Résumé:
This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality,(...)
Titre:
Feeling photography
Actions:
Prix:
$36.95
(disponible sur commande)
Résumé:
This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality, as well as queerness, modernity, and loss—run through the essays. At the same time, the contributions are informed by developments in critical race theory, postcolonial studies, and feminist theory.
Feeling photography
Actions:
Prix:
$36.95
(disponible sur commande)
Résumé:
This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality, as well as queerness, modernity, and loss—run through the essays. At the same time, the contributions are informed by developments in critical race theory, postcolonial studies, and feminist theory.
Classification:
livres
livres
Publication:
mars 2014
mars 2014
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Actions:
Prix:
$31.00
(disponible sur commande)
Résumé:
Underpinned by a cross-disciplinary approach that draws together diverse and previously isolated material, this text examines the politics and poetics of the aerial view in relation to architecture, art, film, literature, photography and urbanism, and explores its role in areas such as aesthetics and epistemology. Using examples of specific cultural moments to elucidate(...)
$31.00
(disponible sur commande)
Résumé:
Underpinned by a cross-disciplinary approach that draws together diverse and previously isolated material, this text examines the politics and poetics of the aerial view in relation to architecture, art, film, literature, photography and urbanism, and explores its role in areas such as aesthetics and epistemology. Using examples of specific cultural moments to elucidate(...)
Titre:
Seeing from above: the aerial view in visual culture
Actions:
Prix:
$31.00
(disponible sur commande)
Résumé:
Underpinned by a cross-disciplinary approach that draws together diverse and previously isolated material, this text examines the politics and poetics of the aerial view in relation to architecture, art, film, literature, photography and urbanism, and explores its role in areas such as aesthetics and epistemology. Using examples of specific cultural moments to elucidate the wider theory, this is the only book to provide a cultural history of the aerial imagination and its centrality to visual culture.
Seeing from above: the aerial view in visual culture
Actions:
Prix:
$31.00
(disponible sur commande)
Résumé:
Underpinned by a cross-disciplinary approach that draws together diverse and previously isolated material, this text examines the politics and poetics of the aerial view in relation to architecture, art, film, literature, photography and urbanism, and explores its role in areas such as aesthetics and epistemology. Using examples of specific cultural moments to elucidate the wider theory, this is the only book to provide a cultural history of the aerial imagination and its centrality to visual culture.
Classification:
livres
livres
Publication:
janvier 2014
janvier 2014
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Actions:
Prix:
$38.00
(disponible sur commande)
Résumé:
In this book, practicing photographers and writers across several fields of scholarship share a range of fresh approaches to reading the photobook, developing new ways of understanding how meaning is shaped by an image's interaction with its text and context and engaging with the visual, tactile and interactive experience of the photobook in all its dimensions. Through(...)
$38.00
(disponible sur commande)
Résumé:
In this book, practicing photographers and writers across several fields of scholarship share a range of fresh approaches to reading the photobook, developing new ways of understanding how meaning is shaped by an image's interaction with its text and context and engaging with the visual, tactile and interactive experience of the photobook in all its dimensions. Through(...)
Titre:
The photobook : from Talbot to Ruscha and beyond
Actions:
Prix:
$38.00
(disponible sur commande)
Résumé:
In this book, practicing photographers and writers across several fields of scholarship share a range of fresh approaches to reading the photobook, developing new ways of understanding how meaning is shaped by an image's interaction with its text and context and engaging with the visual, tactile and interactive experience of the photobook in all its dimensions. Through close studies of individual works, the photobook from fetishised objet d'art to cheaply-printed booklet is explored and its unique creative and cultural contributions celebrated.
The photobook : from Talbot to Ruscha and beyond
Actions:
Prix:
$38.00
(disponible sur commande)
Résumé:
In this book, practicing photographers and writers across several fields of scholarship share a range of fresh approaches to reading the photobook, developing new ways of understanding how meaning is shaped by an image's interaction with its text and context and engaging with the visual, tactile and interactive experience of the photobook in all its dimensions. Through close studies of individual works, the photobook from fetishised objet d'art to cheaply-printed booklet is explored and its unique creative and cultural contributions celebrated.
Classification:
livres
livres
Publication:
mai 2012
mai 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Actions:
Prix:
$12.95
(disponible sur commande)
Résumé:
Ce livre est un hommage aux images à la fois tendres et violentes de la photographe Nan Goldin. Goldin est une guerrière, une gardienne de la mémoire. Elle lutte pour qu’on n’oublie pas la vie des femmes, des sidéens, des bannis. Depuis la mort brutale de sa sœur aînée adorée, elle se bat pour le souvenir de ceux qu’elle a perdus. Goldin est une gorgone dont le regard(...)
$12.95
(disponible sur commande)
Résumé:
Ce livre est un hommage aux images à la fois tendres et violentes de la photographe Nan Goldin. Goldin est une guerrière, une gardienne de la mémoire. Elle lutte pour qu’on n’oublie pas la vie des femmes, des sidéens, des bannis. Depuis la mort brutale de sa sœur aînée adorée, elle se bat pour le souvenir de ceux qu’elle a perdus. Goldin est une gorgone dont le regard(...)
Titre:
Nan Goldin: guerrière et gorgone
Actions:
Prix:
$12.95
(disponible sur commande)
Résumé:
Ce livre est un hommage aux images à la fois tendres et violentes de la photographe Nan Goldin. Goldin est une guerrière, une gardienne de la mémoire. Elle lutte pour qu’on n’oublie pas la vie des femmes, des sidéens, des bannis. Depuis la mort brutale de sa sœur aînée adorée, elle se bat pour le souvenir de ceux qu’elle a perdus. Goldin est une gorgone dont le regard sidère. Elle demande de poser les yeux sur ce qui est étranger, elle exige que les secrets soient dénudés. Martine Delvaux met ici ses pas dans les pas de Goldin, et avance avec elle dans la colère, la rébellion et l’amour fou.
Nan Goldin: guerrière et gorgone
Actions:
Prix:
$12.95
(disponible sur commande)
Résumé:
Ce livre est un hommage aux images à la fois tendres et violentes de la photographe Nan Goldin. Goldin est une guerrière, une gardienne de la mémoire. Elle lutte pour qu’on n’oublie pas la vie des femmes, des sidéens, des bannis. Depuis la mort brutale de sa sœur aînée adorée, elle se bat pour le souvenir de ceux qu’elle a perdus. Goldin est une gorgone dont le regard sidère. Elle demande de poser les yeux sur ce qui est étranger, elle exige que les secrets soient dénudés. Martine Delvaux met ici ses pas dans les pas de Goldin, et avance avec elle dans la colère, la rébellion et l’amour fou.
Classification:
livres
livres
Publication:
avril 2014
avril 2014
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$57.95
(disponible sur commande)
Résumé:
August Sander (1876-1964), Walker Evans (1903-1975) : ils ont produit quelques-unes des icônes du XXe siècle tout en prétendant n’y être pour rien. Le « style documentaire » (la formule est d’Evans, 1935) relève du paradoxe. Par quel miracle ces photographes qui présentent leurs œuvres comme des duplications du monde, de purs reflets, qui assurent que c’est le motif qui(...)
$57.95
(disponible sur commande)
Résumé:
August Sander (1876-1964), Walker Evans (1903-1975) : ils ont produit quelques-unes des icônes du XXe siècle tout en prétendant n’y être pour rien. Le « style documentaire » (la formule est d’Evans, 1935) relève du paradoxe. Par quel miracle ces photographes qui présentent leurs œuvres comme des duplications du monde, de purs reflets, qui assurent que c’est le motif qui(...)
Titre:
Le style documentaire: D'August Sander à Walker Evans, 1920-1945
Actions:
Prix:
$57.95
(disponible sur commande)
Résumé:
August Sander (1876-1964), Walker Evans (1903-1975) : ils ont produit quelques-unes des icônes du XXe siècle tout en prétendant n’y être pour rien. Le « style documentaire » (la formule est d’Evans, 1935) relève du paradoxe. Par quel miracle ces photographes qui présentent leurs œuvres comme des duplications du monde, de purs reflets, qui assurent que c’est le motif qui fait la photo, que c’est le modèle qui dicte l’image, par quel miracle ces réductionnistes, ces objectivistes ont-ils non seulement engendré une suite infinie de disciples, mais aussi fourni les témoignages les plus durables sur l’Allemagne de Weimar (Sander) et sur l’Amérique de la Dépression (Evans) ?
Le style documentaire: D'August Sander à Walker Evans, 1920-1945
Actions:
Prix:
$57.95
(disponible sur commande)
Résumé:
August Sander (1876-1964), Walker Evans (1903-1975) : ils ont produit quelques-unes des icônes du XXe siècle tout en prétendant n’y être pour rien. Le « style documentaire » (la formule est d’Evans, 1935) relève du paradoxe. Par quel miracle ces photographes qui présentent leurs œuvres comme des duplications du monde, de purs reflets, qui assurent que c’est le motif qui fait la photo, que c’est le modèle qui dicte l’image, par quel miracle ces réductionnistes, ces objectivistes ont-ils non seulement engendré une suite infinie de disciples, mais aussi fourni les témoignages les plus durables sur l’Allemagne de Weimar (Sander) et sur l’Amérique de la Dépression (Evans) ?
Classification:
livres
livres
Publication:
mai 2014
mai 2014
Sujet:
Théorie de la photographie
Théorie de la photographie
