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Views of Airports documents a lengthy series of work by Peter Fischli (born 1952) and David Weiss (1946-2012), comprising 1,010 photographs to date, all of which appear here complete for the first time. For this ongoing documentary project, the artistic duo photograph the airports they passed through in their travels around the world over nearly 25 years, in a quest for(...)
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Views of Airports documents a lengthy series of work by Peter Fischli (born 1952) and David Weiss (1946-2012), comprising 1,010 photographs to date, all of which appear here complete for the first time. For this ongoing documentary project, the artistic duo photograph the airports they passed through in their travels around the world over nearly 25 years, in a quest for(...)
Titre:
Peter Fischli / David Weiss : 800 views of airports
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Views of Airports documents a lengthy series of work by Peter Fischli (born 1952) and David Weiss (1946-2012), comprising 1,010 photographs to date, all of which appear here complete for the first time. For this ongoing documentary project, the artistic duo photograph the airports they passed through in their travels around the world over nearly 25 years, in a quest for exotic banality throughout different cultures. Their images of these nondescript airports focus on the humdrum aspect of air travel : the fuel vehicles, the baggage trucks, the daily routines of airport workers, the long antiseptic corridors and sprawling tarmacs surrounded by panoramic views of empty vistas. Whether presenting a Lufthansa airplane sitting idle in a yellowy light, a Swiss Air plane waiting in a neon-haunted dusk or an Air France plane getting its belly filled in the dead of night, Fischli and Weiss’s images present the evanescence of any national identity when reduced to a symbol on a vertical stabilizer. 800 Views of Airports reveal the non-places encircling our world, and the non-journeys that have come to define our contemporary life in transit, while simultaneously offering carefully composed images that are strangely placid and restful.
Peter Fischli / David Weiss : 800 views of airports
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Views of Airports documents a lengthy series of work by Peter Fischli (born 1952) and David Weiss (1946-2012), comprising 1,010 photographs to date, all of which appear here complete for the first time. For this ongoing documentary project, the artistic duo photograph the airports they passed through in their travels around the world over nearly 25 years, in a quest for exotic banality throughout different cultures. Their images of these nondescript airports focus on the humdrum aspect of air travel : the fuel vehicles, the baggage trucks, the daily routines of airport workers, the long antiseptic corridors and sprawling tarmacs surrounded by panoramic views of empty vistas. Whether presenting a Lufthansa airplane sitting idle in a yellowy light, a Swiss Air plane waiting in a neon-haunted dusk or an Air France plane getting its belly filled in the dead of night, Fischli and Weiss’s images present the evanescence of any national identity when reduced to a symbol on a vertical stabilizer. 800 Views of Airports reveal the non-places encircling our world, and the non-journeys that have come to define our contemporary life in transit, while simultaneously offering carefully composed images that are strangely placid and restful.
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livres
livres
Publication:
novembre 2012
novembre 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
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Much of contemporary visual culture can be traced directly to the work of Eadweard Muybridge, photographer and film pioneer. In Muybridge: The Eye In Motion, Stephen Barber analyses Muybridge’s prodigious output principally through the photographer’s own scrapbook, a multi-dimensional and unprecedented “memory-book” that was created in the final years of his life. Based(...)
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Much of contemporary visual culture can be traced directly to the work of Eadweard Muybridge, photographer and film pioneer. In Muybridge: The Eye In Motion, Stephen Barber analyses Muybridge’s prodigious output principally through the photographer’s own scrapbook, a multi-dimensional and unprecedented “memory-book” that was created in the final years of his life. Based(...)
Titre:
Muybridge : the eye in motion
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Much of contemporary visual culture can be traced directly to the work of Eadweard Muybridge, photographer and film pioneer. In Muybridge: The Eye In Motion, Stephen Barber analyses Muybridge’s prodigious output principally through the photographer’s own scrapbook, a multi-dimensional and unprecedented “memory-book” that was created in the final years of his life. Based on this extensive primary research into Muybridge’s personal archive, this innovative and ground-breaking book illuminates both the preoccupations behind his influence on twentieth-century artists like Francis Bacon, his role in the origins of cinema, and his early prefiguring of the digital world. The result is an original look at the man, his body of work, and his influence. Muybridge’s work was powered by an extreme obsessiveness and excess that enabled him to negate all preconceptions of art and to reconceptualize the dynamics of corporeal and urban forms. Above all, Muybridge envisioned the future of cinema by creating a moving-image projector—the zoopraxiscope—and by constructing the first identifiably cinematic space to project his compositions for an audience.
Muybridge : the eye in motion
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Much of contemporary visual culture can be traced directly to the work of Eadweard Muybridge, photographer and film pioneer. In Muybridge: The Eye In Motion, Stephen Barber analyses Muybridge’s prodigious output principally through the photographer’s own scrapbook, a multi-dimensional and unprecedented “memory-book” that was created in the final years of his life. Based on this extensive primary research into Muybridge’s personal archive, this innovative and ground-breaking book illuminates both the preoccupations behind his influence on twentieth-century artists like Francis Bacon, his role in the origins of cinema, and his early prefiguring of the digital world. The result is an original look at the man, his body of work, and his influence. Muybridge’s work was powered by an extreme obsessiveness and excess that enabled him to negate all preconceptions of art and to reconceptualize the dynamics of corporeal and urban forms. Above all, Muybridge envisioned the future of cinema by creating a moving-image projector—the zoopraxiscope—and by constructing the first identifiably cinematic space to project his compositions for an audience.
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livres
livres
Publication:
novembre 2012
novembre 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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Coffret contenant deux classiques de Walter Benjamin préalablement parus chez le même éditeur: L'oeuvre d'art à l'époque de sa reproductivité et Petite histoire de la photographie.
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Coffret contenant deux classiques de Walter Benjamin préalablement parus chez le même éditeur: L'oeuvre d'art à l'époque de sa reproductivité et Petite histoire de la photographie.
Titre:
Coffret Walter Benjamin : L'Art comme photographie
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Coffret contenant deux classiques de Walter Benjamin préalablement parus chez le même éditeur: L'oeuvre d'art à l'époque de sa reproductivité et Petite histoire de la photographie.
Coffret Walter Benjamin : L'Art comme photographie
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Coffret contenant deux classiques de Walter Benjamin préalablement parus chez le même éditeur: L'oeuvre d'art à l'époque de sa reproductivité et Petite histoire de la photographie.
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livres
livres
Publication:
décembre 2012
décembre 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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$99.95
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The fifteen years in Germany between the end of World War I and the National Socialists’ rise to power in 1933 stand out as one of the twentieth century’s most tumultuous periods. These years of political and economic upheaval famously spawned significant and lasting changes in the arts. However, one noteworthy product of Weimar Germany’s booming cultural life has escaped(...)
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The fifteen years in Germany between the end of World War I and the National Socialists’ rise to power in 1933 stand out as one of the twentieth century’s most tumultuous periods. These years of political and economic upheaval famously spawned significant and lasting changes in the arts. However, one noteworthy product of Weimar Germany’s booming cultural life has escaped(...)
Titre:
The photography of crisis : the photo essays of Weimar Germany
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The fifteen years in Germany between the end of World War I and the National Socialists’ rise to power in 1933 stand out as one of the twentieth century’s most tumultuous periods. These years of political and economic upheaval famously spawned significant and lasting changes in the arts. However, one noteworthy product of Weimar Germany’s booming cultural life has escaped significant critical attention : the photo essay. The Photography of Crisis examines narrative photography and creates a snapshot of where Germany was after World War I and what it would become with the rise of National Socialism. By reading Weimar photo essays within their historical and literary context, Daniel Magilow shows how German photographers intervened in modernity’s key political and philosophical debates regarding the changing notions of nature, culture, personal identity, and national identity.
The photography of crisis : the photo essays of Weimar Germany
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The fifteen years in Germany between the end of World War I and the National Socialists’ rise to power in 1933 stand out as one of the twentieth century’s most tumultuous periods. These years of political and economic upheaval famously spawned significant and lasting changes in the arts. However, one noteworthy product of Weimar Germany’s booming cultural life has escaped significant critical attention : the photo essay. The Photography of Crisis examines narrative photography and creates a snapshot of where Germany was after World War I and what it would become with the rise of National Socialism. By reading Weimar photo essays within their historical and literary context, Daniel Magilow shows how German photographers intervened in modernity’s key political and philosophical debates regarding the changing notions of nature, culture, personal identity, and national identity.
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livres
livres
Publication:
décembre 2012
décembre 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$26.50
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
Publication:
avril 2013
avril 2013
Titre:
Bending the frame : photojournalism, documentary, and the citizen
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
Bending the frame : photojournalism, documentary, and the citizen
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
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livres
livres
Publication:
avril 2013
avril 2013
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livres
livres
Titre:
Gary Winogrand
Gary Winogrand
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This retrospective catalogue looks at the full sweep of Winogrand’s career. Drawing from his enormous output, which at the time of his death included thousands of rolls of undeveloped film and unpublished contact sheets, the book will serve as a substantial compendium of Winogrand’s work to date. Illustrated with both iconic images and photographs that have never been(...)
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This retrospective catalogue looks at the full sweep of Winogrand’s career. Drawing from his enormous output, which at the time of his death included thousands of rolls of undeveloped film and unpublished contact sheets, the book will serve as a substantial compendium of Winogrand’s work to date. Illustrated with both iconic images and photographs that have never been(...)
Titre:
Gary Winogrand
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This retrospective catalogue looks at the full sweep of Winogrand’s career. Drawing from his enormous output, which at the time of his death included thousands of rolls of undeveloped film and unpublished contact sheets, the book will serve as a substantial compendium of Winogrand’s work to date. Illustrated with both iconic images and photographs that have never been seen before now, and featuring essays by leading scholars of American photography, Garry Winogrand presents a vivid portrait of an artist who unflinchingly captured America’s swings between optimism and upheaval in the postwar era.
Gary Winogrand
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This retrospective catalogue looks at the full sweep of Winogrand’s career. Drawing from his enormous output, which at the time of his death included thousands of rolls of undeveloped film and unpublished contact sheets, the book will serve as a substantial compendium of Winogrand’s work to date. Illustrated with both iconic images and photographs that have never been seen before now, and featuring essays by leading scholars of American photography, Garry Winogrand presents a vivid portrait of an artist who unflinchingly captured America’s swings between optimism and upheaval in the postwar era.
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livres
livres
Publication:
avril 2013
avril 2013
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
The universe next door
The universe next door
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Across his career, Morell has approached photography with remarkable wit and creativity, examining everyday objects with childlike curiosity. The first in-depth treatment in fifteen years, this book examines Morell’s career to the present day, including his earlier works in black-and-white and never before published color photographs from the past decade.
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Across his career, Morell has approached photography with remarkable wit and creativity, examining everyday objects with childlike curiosity. The first in-depth treatment in fifteen years, this book examines Morell’s career to the present day, including his earlier works in black-and-white and never before published color photographs from the past decade.
Titre:
The universe next door
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Across his career, Morell has approached photography with remarkable wit and creativity, examining everyday objects with childlike curiosity. The first in-depth treatment in fifteen years, this book examines Morell’s career to the present day, including his earlier works in black-and-white and never before published color photographs from the past decade.
The universe next door
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Across his career, Morell has approached photography with remarkable wit and creativity, examining everyday objects with childlike curiosity. The first in-depth treatment in fifteen years, this book examines Morell’s career to the present day, including his earlier works in black-and-white and never before published color photographs from the past decade.
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livres
livres
Publication:
juin 2013
juin 2013
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
On writing with photography
On writing with photography
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From James Agee to W. G. Sebald, there has been an explosion of modern documentary narratives and fiction combining text and photography in complex and fascinating ways. However, these contemporary experiments are part of a tradition that stretches back to the early years of photography. Writers have been integrating photographs into their work for as long as photographs(...)
$31.95
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From James Agee to W. G. Sebald, there has been an explosion of modern documentary narratives and fiction combining text and photography in complex and fascinating ways. However, these contemporary experiments are part of a tradition that stretches back to the early years of photography. Writers have been integrating photographs into their work for as long as photographs(...)
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On writing with photography
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$31.95
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From James Agee to W. G. Sebald, there has been an explosion of modern documentary narratives and fiction combining text and photography in complex and fascinating ways. However, these contemporary experiments are part of a tradition that stretches back to the early years of photography. Writers have been integrating photographs into their work for as long as photographs have existed, producing rich, multilayered creations; and photographers have always made images that incorporate, respond to, or function as writing. On Writing with Photography explores what happens to texts—and images—when they are brought together.
On writing with photography
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$31.95
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From James Agee to W. G. Sebald, there has been an explosion of modern documentary narratives and fiction combining text and photography in complex and fascinating ways. However, these contemporary experiments are part of a tradition that stretches back to the early years of photography. Writers have been integrating photographs into their work for as long as photographs have existed, producing rich, multilayered creations; and photographers have always made images that incorporate, respond to, or function as writing. On Writing with Photography explores what happens to texts—and images—when they are brought together.
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livres
livres
Publication:
février 2013
février 2013
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Photography and exploration
Photography and exploration
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In Photography and Exploration, James R. Ryan uses a variety of examples, from polar journeys to space missions, to show how exploration photographs have been created, circulated, and consumed as objects of both scientific research and art.
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In Photography and Exploration, James R. Ryan uses a variety of examples, from polar journeys to space missions, to show how exploration photographs have been created, circulated, and consumed as objects of both scientific research and art.
Titre:
Photography and exploration
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In Photography and Exploration, James R. Ryan uses a variety of examples, from polar journeys to space missions, to show how exploration photographs have been created, circulated, and consumed as objects of both scientific research and art.
Photography and exploration
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$34.95
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In Photography and Exploration, James R. Ryan uses a variety of examples, from polar journeys to space missions, to show how exploration photographs have been created, circulated, and consumed as objects of both scientific research and art.
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livres
livres
Publication:
juin 2013
juin 2013
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$24.95
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Quarries constitute one of the most important subjects in celebrated artist Edward Burtynsky's photographic oeuvre. His images of the Vermont quarries, both active and abandoned, are particularly striking as works of art but also allude to the storied history of the northern New England marble and granite industry. This volume will feature Burtynsky's photographs of these(...)
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Quarries constitute one of the most important subjects in celebrated artist Edward Burtynsky's photographic oeuvre. His images of the Vermont quarries, both active and abandoned, are particularly striking as works of art but also allude to the storied history of the northern New England marble and granite industry. This volume will feature Burtynsky's photographs of these(...)
Titre:
Nature transformed : Edward Burtynsky's Vermont Quarry photographs in context
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Quarries constitute one of the most important subjects in celebrated artist Edward Burtynsky's photographic oeuvre. His images of the Vermont quarries, both active and abandoned, are particularly striking as works of art but also allude to the storied history of the northern New England marble and granite industry. This volume will feature Burtynsky's photographs of these quarries, some reproduced for the first time, within a geological and historical context that includes the impact of Italian stoneworkers upon the communities of Rutland and Barre.
Nature transformed : Edward Burtynsky's Vermont Quarry photographs in context
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$24.95
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Résumé:
Quarries constitute one of the most important subjects in celebrated artist Edward Burtynsky's photographic oeuvre. His images of the Vermont quarries, both active and abandoned, are particularly striking as works of art but also allude to the storied history of the northern New England marble and granite industry. This volume will feature Burtynsky's photographs of these quarries, some reproduced for the first time, within a geological and historical context that includes the impact of Italian stoneworkers upon the communities of Rutland and Barre.
Classification:
livres
livres
Publication:
janvier 2013
janvier 2013
Sujet:
Théorie de la photographie
Théorie de la photographie
