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Recognized in his own time for extraordinary architectural achievements, Leon Battista Alberti (14041472) five hundred years after his death continues to influence the practice and theory of architecture. This book is the first full-scale study of Alberti's life and architecture in more than a quarter century. Robert Tavernor provides a biographical account of the(...)
On Alberti and the art of building
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Recognized in his own time for extraordinary architectural achievements, Leon Battista Alberti (14041472) five hundred years after his death continues to influence the practice and theory of architecture. This book is the first full-scale study of Alberti's life and architecture in more than a quarter century. Robert Tavernor provides a biographical account of the Italian architect and a detailed consideration of each of the building projects with which he was involved. With new reconstructions of Alberti's buildings and new interpretations of his design intentions, this book will fascinate every reader with an interest in Renaissance architecture. From Alberti's supreme knowledge of the thought and buildings of antiquity, he developed a set of writings on science and the visual arts, including his important treatise on architecture, De re aedificatoria. In this volume, Tavernor examines Alberti's architectural writings and his practical example, his relations with his patrons, how he extended his theory into practice through major building projects across Italy, and how he succeeded in raising the status of architecture to an art-one that sought harmony with the natural world. Focusing on the analysis of Alberti's buildings, the author sets each in historical context; provides a building history; and considers source material, proportional systems, and iconography. He concludes the book with a fresh view of Alberti's theory and practice and a summary of his design process.
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décembre 1998, New Haven
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Une histoire substantielle de la théorie architecturale, de la Renaissance à l'époque contemporaine. L'ouvrage, enrichi de plus de 850 illustrations, offre un panorama chronologique des théoriciens de l'architecture et des architectes majeurs, classés par pays, d'Alberti à Koolhaas.
Théorie de l'architecture : de la renaissance à nos jours
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Une histoire substantielle de la théorie architecturale, de la Renaissance à l'époque contemporaine. L'ouvrage, enrichi de plus de 850 illustrations, offre un panorama chronologique des théoriciens de l'architecture et des architectes majeurs, classés par pays, d'Alberti à Koolhaas.
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Sebastiano Serlio was the most important architectural writer and theorist of the sixteenth century. The author of the first wide-ranging illustrated book on architecture, he produced a complete set of model designs as well as practical solutions for everyday design problems. This volume, the second in a two-volume series of Serlio’s entire works, presents the previously(...)
Sebastio Serlio on architecture : volume two
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Sebastiano Serlio was the most important architectural writer and theorist of the sixteenth century. The author of the first wide-ranging illustrated book on architecture, he produced a complete set of model designs as well as practical solutions for everyday design problems. This volume, the second in a two-volume series of Serlio’s entire works, presents the previously unpublished sixth book, the seventh book, and, as well as The Extraordinary Book of Doors, his little-known Castrametation of the Romans, each of which demonstrates Serlio’s sophisticated design theories. This is the first translation of Serlio’s later works and the first time that the long lost sixth volume has been united with its companion works and restored to its intended position. The book also includes an introduction and notes by translators Vaughan Hart and Peter Hicks that demonstrate Serlio’s significance within the history of architecture and the importance of these neglected texts to our understanding of Serlio’s work.
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juin 2001, New Haven
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Texte établi et traduit par Louis Callebat.
Vitruve : De l'architecture, livre II
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Texte établi et traduit par Louis Callebat.
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mai 2000, Paris
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Momus
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Momus is the most ambitious literary creation of Leon Battista Alberti, the famous humanist-scientist-artist and "universal man" of the Italian Renaissance. In this dark comedy, written around 1450, Alberti charts the lively fortunes of his anti-hero Momus, the unscrupulous and vitriolic god of criticism. Alberti deploys his singular erudition and wit to satirize subjects(...)
Momus
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Momus is the most ambitious literary creation of Leon Battista Alberti, the famous humanist-scientist-artist and "universal man" of the Italian Renaissance. In this dark comedy, written around 1450, Alberti charts the lively fortunes of his anti-hero Momus, the unscrupulous and vitriolic god of criticism. Alberti deploys his singular erudition and wit to satirize subjects from court life and politics to philosophy and intellectuals, from grand architectural designs to human and divine folly. The possible contemporary resonance of Alberti's satire, read variously as a humanist roman-à-clef and as a veiled mockery of the mid-Quattrocento papacy, is among its most intriguing aspects. While his more famous books on architecture, painting, and family life have long been regarded as indispensable to a study of Renaissance culture, Momus has recently attracted increasing attention from scholars as a work anticipating the realism of Machiavelli and the satiric wit of Erasmus. This edition provides a new Latin text, the first to be based on the two earliest manuscripts, both corrected by Alberti himself, and includes the first full translation into English.
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This book brings together important and influential essays about architecture written since the Renaissance, copiously illustrated and organized chronologically by country. From Alberti and Palladio to Le Corbusier and Koolhaas, some of architecture's most important treatises are gathered here, each accompanied by an essay discussing its historical context and significance.
Architectural theory from the Renaissance to the present
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This book brings together important and influential essays about architecture written since the Renaissance, copiously illustrated and organized chronologically by country. From Alberti and Palladio to Le Corbusier and Koolhaas, some of architecture's most important treatises are gathered here, each accompanied by an essay discussing its historical context and significance.
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Le palais des Beaux-Arts de Lille conserve depuis 1987 dans ses collections un ensemble de quinze maquettes historiques des villes fortifiées ayant assuré la défense du nord de la France face aux Pays-Bas espagnols à partir du règne de Louis XIV. La collection des plans-reliefs a été créée en 1668 par Louvois, ministre de la guerre de Louis XIV. Outils employés pour la(...)
Les plans en relief : des places fortes du nord
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Le palais des Beaux-Arts de Lille conserve depuis 1987 dans ses collections un ensemble de quinze maquettes historiques des villes fortifiées ayant assuré la défense du nord de la France face aux Pays-Bas espagnols à partir du règne de Louis XIV. La collection des plans-reliefs a été créée en 1668 par Louvois, ministre de la guerre de Louis XIV. Outils employés pour la conception de nouvelles fortifications, puis œuvres de prestige servant la glorification de la puissance des souverains, ces plans-reliefs, chefs-d'œuvre de miniaturisation, offrent le témoignage de plus de deux siècles d'histoire de la fortification bastionnée, de la guerre de siège et de la constitution du territoire, de Louis XIV au XIXe siècle. Ils constituent une source documentaire unique pour l'histoire de la fortification, de l'urbanisme, de l'architecture et du paysage des anciens Pays-Bas français.
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décembre 2006, Paris / Lille
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Bernd Evers a soutenu sa thèse de doctorat en histoire de l'art avant de choisir une carrière de bibliothécaire. De 1985 à 2006, il a dirigé la Kunstbibliothek der Staatlichen Museen zu Berlin. Il a publié de nombreux articles sur les sciences des bibliothèques. Son domaine de recherches comporte en particulier la théorie architecturale du 17e au 19e siècle.
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juillet 2006, Köln, New York, London
Théorie de l'architecture, de la Renaissance à nos jours
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Bernd Evers a soutenu sa thèse de doctorat en histoire de l'art avant de choisir une carrière de bibliothécaire. De 1985 à 2006, il a dirigé la Kunstbibliothek der Staatlichen Museen zu Berlin. Il a publié de nombreux articles sur les sciences des bibliothèques. Son domaine de recherches comporte en particulier la théorie architecturale du 17e au 19e siècle.
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$16.50
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This book brings together all of the most important and influential essays about architecture written since the Renaissance, copiously illustrated and neatly organized chronologically by country. From Alberti and Palladio to Le Corbusier and Koolhaas, the best treatises by architecture’s greatest masters are gathered here, each accompanied by an essay discussing its(...)
Architectural theory from the Renaissance to the present
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This book brings together all of the most important and influential essays about architecture written since the Renaissance, copiously illustrated and neatly organized chronologically by country. From Alberti and Palladio to Le Corbusier and Koolhaas, the best treatises by architecture’s greatest masters are gathered here, each accompanied by an essay discussing its historical context and significance. This is the all-in-one, must-have book for anyone interested in what architects have to say about their craft.
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The only full treatise on architecture and its related arts to survive from classical antiquity, the "Architectura libri decem" ("Ten Books of Architecture") is the (...)
Vitruvius : Ten books on architecture
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The only full treatise on architecture and its related arts to survive from classical antiquity, the "Architectura libri decem" ("Ten Books of Architecture") is the single most important work of architectural history in the Western world, having shaped humanist architecture and the image of the architect from the Renaissance to the present. Extremely influential in the formation of the medieval and modern concept of a broad liberal arts education as the basis for responsible professionals, this work is remarkable also because over half of its content deals with aspects of Hellenistic art, science, and technology, music theory, law, artillery, siege machinery, proportion and philosophy, among other topics. This new, critical edition of Vitruvius' "Ten Books of Architecture" is the first to be published for an English-language audience in more than half a century.
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août 1999, Cambridge
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