266 Résultats
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Clore Gallery : London; Tate Gallery: Liverpool, James Stirling, Michael Wilford and associates
Clore Gallery : London; Tate Gallery: Liverpool, James Stirling, Michael Wilford and associates
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Architecture in Detail series.
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Architecture in Detail series.
Titre:
Clore Gallery : London; Tate Gallery: Liverpool, James Stirling, Michael Wilford and associates
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Architecture in Detail series.
Clore Gallery : London; Tate Gallery: Liverpool, James Stirling, Michael Wilford and associates
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Architecture in Detail series.
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Publication:
janvier 1900, London
janvier 1900, London
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This volume follows the development of country-specific features in the renaissance styles throughout Europe to illustrate how each culture integrated its unique history with renaissance principles, from the medieval picturesque forms of Germanic cities to the inviting chateaux of the French countryside; from England’s imposing royal edifices to the Moorish Cathedrals of Spain.
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This volume follows the development of country-specific features in the renaissance styles throughout Europe to illustrate how each culture integrated its unique history with renaissance principles, from the medieval picturesque forms of Germanic cities to the inviting chateaux of the French countryside; from England’s imposing royal edifices to the Moorish Cathedrals of Spain.
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Icons of Renaissance architecture
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This volume follows the development of country-specific features in the renaissance styles throughout Europe to illustrate how each culture integrated its unique history with renaissance principles, from the medieval picturesque forms of Germanic cities to the inviting chateaux of the French countryside; from England’s imposing royal edifices to the Moorish Cathedrals of Spain.
Icons of Renaissance architecture
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This volume follows the development of country-specific features in the renaissance styles throughout Europe to illustrate how each culture integrated its unique history with renaissance principles, from the medieval picturesque forms of Germanic cities to the inviting chateaux of the French countryside; from England’s imposing royal edifices to the Moorish Cathedrals of Spain.
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mai 2003, Munich
mai 2003, Munich
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Textes en français et en anglais
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Textes en français et en anglais
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Publication:
janvier 1900, Basel
janvier 1900, Basel
Titre:
Place des Nations, Genève : concours international d'idées pour l'aménagement de la Place des Nations
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Textes en français et en anglais
Place des Nations, Genève : concours international d'idées pour l'aménagement de la Place des Nations
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Textes en français et en anglais
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Publication:
janvier 1900, Basel
janvier 1900, Basel
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Histoire du design 1940-1990
Histoire du design 1940-1990
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L'histoire du design de 1940 à 1990 pourrait n'être fondée que sur la vie et l'oeuvre de ses stars: de Loewy à Starck, d'Aalto à Sottsass, de Rietveld à Miyake. Mais Raymond Guidot ne sacrifie pas au culte de la personalité. Son livre, qui ressemble parfois à un film d'anticipation, replace le design dans un movement historique qui englobe les(...)
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L'histoire du design de 1940 à 1990 pourrait n'être fondée que sur la vie et l'oeuvre de ses stars: de Loewy à Starck, d'Aalto à Sottsass, de Rietveld à Miyake. Mais Raymond Guidot ne sacrifie pas au culte de la personalité. Son livre, qui ressemble parfois à un film d'anticipation, replace le design dans un movement historique qui englobe les(...)
Titre:
Histoire du design 1940-1990
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L'histoire du design de 1940 à 1990 pourrait n'être fondée que sur la vie et l'oeuvre de ses stars: de Loewy à Starck, d'Aalto à Sottsass, de Rietveld à Miyake. Mais Raymond Guidot ne sacrifie pas au culte de la personalité. Son livre, qui ressemble parfois à un film d'anticipation, replace le design dans un movement historique qui englobe les évenements politiques, le cinéma, les arts plastiques, la bande dessinée, et l''exploration de l''espace.
Histoire du design 1940-1990
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L'histoire du design de 1940 à 1990 pourrait n'être fondée que sur la vie et l'oeuvre de ses stars: de Loewy à Starck, d'Aalto à Sottsass, de Rietveld à Miyake. Mais Raymond Guidot ne sacrifie pas au culte de la personalité. Son livre, qui ressemble parfois à un film d'anticipation, replace le design dans un movement historique qui englobe les évenements politiques, le cinéma, les arts plastiques, la bande dessinée, et l''exploration de l''espace.
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Publication:
novembre 1994, Paris
novembre 1994, Paris
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Brought up in Sweden by Scottish parents, trained in France, a regular visitor to China and India, Sir William Chambers (1726-1796) was by far the most internationally minded British architect of his time. Settling in London in 1755, Chambers became a favorite of King George III and went on to hold the highest official architectural offices and to build public and private(...)
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Brought up in Sweden by Scottish parents, trained in France, a regular visitor to China and India, Sir William Chambers (1726-1796) was by far the most internationally minded British architect of his time. Settling in London in 1755, Chambers became a favorite of King George III and went on to hold the highest official architectural offices and to build public and private(...)
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Publication:
octobre 1996, New Haven, London
octobre 1996, New Haven, London
Titre:
Sir William Chambers : architect to George III
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Brought up in Sweden by Scottish parents, trained in France, a regular visitor to China and India, Sir William Chambers (1726-1796) was by far the most internationally minded British architect of his time. Settling in London in 1755, Chambers became a favorite of King George III and went on to hold the highest official architectural offices and to build public and private commissions throughout the British Isles. Because of his eclectic neo-Palladian style, seminal Treatise on Civil Architecture (1759), and longterm influence through his numerous pupils, Chambers was regarded as one of the two greatest architects of late eighteenth-century Britain, sharing the honor with the more prolific Robert Adam. In this wide-ranging book, leading scholars of the period present current research on Chambers' Scandinavian and French connections; his Italian studies and projects; his relationship with British royalty; his commissioned buildings, interiors, and gardens; his furniture and metalwork designs; and his Treatise. Chambers designed and commanded works at Buckingham House, Kew, Richmond, and Windsor Castle, and was commissioned in 1774 to design the public offices at Somerset House in London. Charged with creating "an object of national splendour as well as convenience," Chambers met the challenge with a building equal to the best of those created by the French architects with whom he had trained. Selecting the highest quality materials, ornamentation, and painted decoration for Somerset House, Chambers' building showcased the best in British craftsmanship. This book was the catalogue for a William Chambers exhibition mounted in fall 1996 by the Courtauld Institute Galleries at Somerset House, their new home.
Sir William Chambers : architect to George III
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Brought up in Sweden by Scottish parents, trained in France, a regular visitor to China and India, Sir William Chambers (1726-1796) was by far the most internationally minded British architect of his time. Settling in London in 1755, Chambers became a favorite of King George III and went on to hold the highest official architectural offices and to build public and private commissions throughout the British Isles. Because of his eclectic neo-Palladian style, seminal Treatise on Civil Architecture (1759), and longterm influence through his numerous pupils, Chambers was regarded as one of the two greatest architects of late eighteenth-century Britain, sharing the honor with the more prolific Robert Adam. In this wide-ranging book, leading scholars of the period present current research on Chambers' Scandinavian and French connections; his Italian studies and projects; his relationship with British royalty; his commissioned buildings, interiors, and gardens; his furniture and metalwork designs; and his Treatise. Chambers designed and commanded works at Buckingham House, Kew, Richmond, and Windsor Castle, and was commissioned in 1774 to design the public offices at Somerset House in London. Charged with creating "an object of national splendour as well as convenience," Chambers met the challenge with a building equal to the best of those created by the French architects with whom he had trained. Selecting the highest quality materials, ornamentation, and painted decoration for Somerset House, Chambers' building showcased the best in British craftsmanship. This book was the catalogue for a William Chambers exhibition mounted in fall 1996 by the Courtauld Institute Galleries at Somerset House, their new home.
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Publication:
octobre 1996, New Haven, London
octobre 1996, New Haven, London
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An energy-efficiency and sustainable building - this was at the core of the brief for this extension to the Tax Office in Enschede, designed by architect Ruurd Roorda. In addition, the identity desired by the Tax Department (business-like, (...)
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An energy-efficiency and sustainable building - this was at the core of the brief for this extension to the Tax Office in Enschede, designed by architect Ruurd Roorda. In addition, the identity desired by the Tax Department (business-like, (...)
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Ruurd Roorda : extension to Tax Office Enschede
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An energy-efficiency and sustainable building - this was at the core of the brief for this extension to the Tax Office in Enschede, designed by architect Ruurd Roorda. In addition, the identity desired by the Tax Department (business-like, honest, trustworthy) needed expressing in the design. Though new techniques were necessary to achieve results, it is a passive building for all that, with low-tech aspects such as thermal mass, daylight and the use of clay uppermost.
Ruurd Roorda : extension to Tax Office Enschede
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An energy-efficiency and sustainable building - this was at the core of the brief for this extension to the Tax Office in Enschede, designed by architect Ruurd Roorda. In addition, the identity desired by the Tax Department (business-like, honest, trustworthy) needed expressing in the design. Though new techniques were necessary to achieve results, it is a passive building for all that, with low-tech aspects such as thermal mass, daylight and the use of clay uppermost.
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Publication:
novembre 1998, Rotterdam
novembre 1998, Rotterdam
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Essays by Vladimir Slapeta, Janos Bonta, John Macsai and Olgierd Czerner.
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Essays by Vladimir Slapeta, Janos Bonta, John Macsai and Olgierd Czerner.
Titre:
East European modernism : architecture in Czechoslovakia, Hungary, and Poland between the wars, 1919-1939
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Essays by Vladimir Slapeta, Janos Bonta, John Macsai and Olgierd Czerner.
East European modernism : architecture in Czechoslovakia, Hungary, and Poland between the wars, 1919-1939
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Essays by Vladimir Slapeta, Janos Bonta, John Macsai and Olgierd Czerner.
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Publication:
octobre 1996, New York
octobre 1996, New York
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$7.00
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Documentation of this Israeli architect's design for the Jewish School in Berlin.
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Documentation of this Israeli architect's design for the Jewish School in Berlin.
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Zvi Hecker : the Heinz-Galinski School in Berlin
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Documentation of this Israeli architect's design for the Jewish School in Berlin.
Zvi Hecker : the Heinz-Galinski School in Berlin
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Documentation of this Israeli architect's design for the Jewish School in Berlin.
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Publication:
juillet 1996, Berlin
juillet 1996, Berlin
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Carlos Jimenez : buildings
Carlos Jimenez : buildings
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Introduction by Rafael Moneo with an essay by Stephen Fox, and postscript by Lars Lerup. Details eight buildings by Jimenez.
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Introduction by Rafael Moneo with an essay by Stephen Fox, and postscript by Lars Lerup. Details eight buildings by Jimenez.
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Carlos Jimenez : buildings
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Introduction by Rafael Moneo with an essay by Stephen Fox, and postscript by Lars Lerup. Details eight buildings by Jimenez.
Carlos Jimenez : buildings
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Introduction by Rafael Moneo with an essay by Stephen Fox, and postscript by Lars Lerup. Details eight buildings by Jimenez.
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Publication:
octobre 1996, New York
octobre 1996, New York
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Titre:
Cruz/Ortiz
Cruz/Ortiz
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$15.00
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Introduction by Rafael Moneo Photographs and drawings of various projects by this Seville-based team are accompanied by project descriptions and commentary.
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Introduction by Rafael Moneo Photographs and drawings of various projects by this Seville-based team are accompanied by project descriptions and commentary.
Titre:
Cruz/Ortiz
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Introduction by Rafael Moneo Photographs and drawings of various projects by this Seville-based team are accompanied by project descriptions and commentary.
Cruz/Ortiz
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Introduction by Rafael Moneo Photographs and drawings of various projects by this Seville-based team are accompanied by project descriptions and commentary.
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Publication:
novembre 1996, New York
novembre 1996, New York
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