266 Résultats
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The most comprehensive and up-to-date survey of twentieth-century architecture ever published, this volume presents a global perspective on some of the most significant works, ideas, and directions over the past one hundred years. With essays by Zeynep Çelik, Jean-Louis Cohen, Beatriz Colomina, Jorge Francisco Liernur, Elizabeth A.T. Smith, Anthony Vidler(...)
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The most comprehensive and up-to-date survey of twentieth-century architecture ever published, this volume presents a global perspective on some of the most significant works, ideas, and directions over the past one hundred years. With essays by Zeynep Çelik, Jean-Louis Cohen, Beatriz Colomina, Jorge Francisco Liernur, Elizabeth A.T. Smith, Anthony Vidler(...)
Titre:
At the end of the century : one hundred years of architecture
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The most comprehensive and up-to-date survey of twentieth-century architecture ever published, this volume presents a global perspective on some of the most significant works, ideas, and directions over the past one hundred years. With essays by Zeynep Çelik, Jean-Louis Cohen, Beatriz Colomina, Jorge Francisco Liernur, Elizabeth A.T. Smith, Anthony Vidler and Hajime Yatsuka.
At the end of the century : one hundred years of architecture
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The most comprehensive and up-to-date survey of twentieth-century architecture ever published, this volume presents a global perspective on some of the most significant works, ideas, and directions over the past one hundred years. With essays by Zeynep Çelik, Jean-Louis Cohen, Beatriz Colomina, Jorge Francisco Liernur, Elizabeth A.T. Smith, Anthony Vidler and Hajime Yatsuka.
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octobre 1998, Los Angeles
octobre 1998, Los Angeles
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A complete guide to Japan's 20th century architecture including works by Kenzo Tange, Tadao Ando, and Itsuko Hasegawa as well as by Cesar Pelli, Norman Foster, and Rem Koolhaas.
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A complete guide to Japan's 20th century architecture including works by Kenzo Tange, Tadao Ando, and Itsuko Hasegawa as well as by Cesar Pelli, Norman Foster, and Rem Koolhaas.
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Birkhäuser architectural guide : Japan, 20th century
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A complete guide to Japan's 20th century architecture including works by Kenzo Tange, Tadao Ando, and Itsuko Hasegawa as well as by Cesar Pelli, Norman Foster, and Rem Koolhaas.
Birkhäuser architectural guide : Japan, 20th century
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A complete guide to Japan's 20th century architecture including works by Kenzo Tange, Tadao Ando, and Itsuko Hasegawa as well as by Cesar Pelli, Norman Foster, and Rem Koolhaas.
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janvier 1997, Basel
janvier 1997, Basel
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Leipzig is the perfect example of an east German boomtown. Courageous decisions were made early on, relocating, for instance, the exhibition site out of the inner city and building the most modern fair complex in Europe in just three years. Countless (...)
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Leipzig is the perfect example of an east German boomtown. Courageous decisions were made early on, relocating, for instance, the exhibition site out of the inner city and building the most modern fair complex in Europe in just three years. Countless (...)
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janvier 1900, Basel
janvier 1900, Basel
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Leipzig : buildings 1989-1999
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Leipzig is the perfect example of an east German boomtown. Courageous decisions were made early on, relocating, for instance, the exhibition site out of the inner city and building the most modern fair complex in Europe in just three years. Countless buildings for trade, commerce and the service industry have appeared, and Leipzig is now the largest finance centre in Germany after Frankfurt, with more than 100 bank branches. Leipzig has always profited from its long tradition as a commercial and bourgeois city, home to trade fairs, and at the beginning of this century Saxony's metropolis was the second richest city in Germany. The restoration of prestigious buildings such as the Madlerpassage and Specks Hof became well-known, even industrial monuments found new users and also residential and cultural buildings attracted attention. This book looks critically at the current situation, providing an overview of more than 70 selected buildings.
Leipzig : buildings 1989-1999
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Leipzig is the perfect example of an east German boomtown. Courageous decisions were made early on, relocating, for instance, the exhibition site out of the inner city and building the most modern fair complex in Europe in just three years. Countless buildings for trade, commerce and the service industry have appeared, and Leipzig is now the largest finance centre in Germany after Frankfurt, with more than 100 bank branches. Leipzig has always profited from its long tradition as a commercial and bourgeois city, home to trade fairs, and at the beginning of this century Saxony's metropolis was the second richest city in Germany. The restoration of prestigious buildings such as the Madlerpassage and Specks Hof became well-known, even industrial monuments found new users and also residential and cultural buildings attracted attention. This book looks critically at the current situation, providing an overview of more than 70 selected buildings.
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janvier 1900, Basel
janvier 1900, Basel
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The main architectural work of the Spanish artist.
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The main architectural work of the Spanish artist.
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Fundacion César Manrique, Lanzarote
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The main architectural work of the Spanish artist.
Fundacion César Manrique, Lanzarote
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The main architectural work of the Spanish artist.
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avril 1996, Stuttgart
avril 1996, Stuttgart
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Titre:
Perspective as symbolic form
Perspective as symbolic form
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Translated by Christopher Wood. Disponible en format broché au coût de 20,95$, édition 1997
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Translated by Christopher Wood. Disponible en format broché au coût de 20,95$, édition 1997
Titre:
Perspective as symbolic form
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Translated by Christopher Wood. Disponible en format broché au coût de 20,95$, édition 1997
Perspective as symbolic form
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Translated by Christopher Wood. Disponible en format broché au coût de 20,95$, édition 1997
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juillet 1991, London
juillet 1991, London
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Clore Gallery : London; Tate Gallery: Liverpool, James Stirling, Michael Wilford and associates
Clore Gallery : London; Tate Gallery: Liverpool, James Stirling, Michael Wilford and associates
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Architecture in Detail series.
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Architecture in Detail series.
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Clore Gallery : London; Tate Gallery: Liverpool, James Stirling, Michael Wilford and associates
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Architecture in Detail series.
Clore Gallery : London; Tate Gallery: Liverpool, James Stirling, Michael Wilford and associates
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Architecture in Detail series.
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janvier 1900, London
janvier 1900, London
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This volume follows the development of country-specific features in the renaissance styles throughout Europe to illustrate how each culture integrated its unique history with renaissance principles, from the medieval picturesque forms of Germanic cities to the inviting chateaux of the French countryside; from England’s imposing royal edifices to the Moorish Cathedrals of Spain.
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This volume follows the development of country-specific features in the renaissance styles throughout Europe to illustrate how each culture integrated its unique history with renaissance principles, from the medieval picturesque forms of Germanic cities to the inviting chateaux of the French countryside; from England’s imposing royal edifices to the Moorish Cathedrals of Spain.
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Icons of Renaissance architecture
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This volume follows the development of country-specific features in the renaissance styles throughout Europe to illustrate how each culture integrated its unique history with renaissance principles, from the medieval picturesque forms of Germanic cities to the inviting chateaux of the French countryside; from England’s imposing royal edifices to the Moorish Cathedrals of Spain.
Icons of Renaissance architecture
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This volume follows the development of country-specific features in the renaissance styles throughout Europe to illustrate how each culture integrated its unique history with renaissance principles, from the medieval picturesque forms of Germanic cities to the inviting chateaux of the French countryside; from England’s imposing royal edifices to the Moorish Cathedrals of Spain.
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mai 2003, Munich
mai 2003, Munich
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Textes en français et en anglais
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Textes en français et en anglais
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Publication:
janvier 1900, Basel
janvier 1900, Basel
Titre:
Place des Nations, Genève : concours international d'idées pour l'aménagement de la Place des Nations
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Textes en français et en anglais
Place des Nations, Genève : concours international d'idées pour l'aménagement de la Place des Nations
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Textes en français et en anglais
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janvier 1900, Basel
janvier 1900, Basel
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Histoire du design 1940-1990
Histoire du design 1940-1990
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L'histoire du design de 1940 à 1990 pourrait n'être fondée que sur la vie et l'oeuvre de ses stars: de Loewy à Starck, d'Aalto à Sottsass, de Rietveld à Miyake. Mais Raymond Guidot ne sacrifie pas au culte de la personalité. Son livre, qui ressemble parfois à un film d'anticipation, replace le design dans un movement historique qui englobe les(...)
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L'histoire du design de 1940 à 1990 pourrait n'être fondée que sur la vie et l'oeuvre de ses stars: de Loewy à Starck, d'Aalto à Sottsass, de Rietveld à Miyake. Mais Raymond Guidot ne sacrifie pas au culte de la personalité. Son livre, qui ressemble parfois à un film d'anticipation, replace le design dans un movement historique qui englobe les(...)
Titre:
Histoire du design 1940-1990
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L'histoire du design de 1940 à 1990 pourrait n'être fondée que sur la vie et l'oeuvre de ses stars: de Loewy à Starck, d'Aalto à Sottsass, de Rietveld à Miyake. Mais Raymond Guidot ne sacrifie pas au culte de la personalité. Son livre, qui ressemble parfois à un film d'anticipation, replace le design dans un movement historique qui englobe les évenements politiques, le cinéma, les arts plastiques, la bande dessinée, et l''exploration de l''espace.
Histoire du design 1940-1990
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L'histoire du design de 1940 à 1990 pourrait n'être fondée que sur la vie et l'oeuvre de ses stars: de Loewy à Starck, d'Aalto à Sottsass, de Rietveld à Miyake. Mais Raymond Guidot ne sacrifie pas au culte de la personalité. Son livre, qui ressemble parfois à un film d'anticipation, replace le design dans un movement historique qui englobe les évenements politiques, le cinéma, les arts plastiques, la bande dessinée, et l''exploration de l''espace.
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novembre 1994, Paris
novembre 1994, Paris
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Brought up in Sweden by Scottish parents, trained in France, a regular visitor to China and India, Sir William Chambers (1726-1796) was by far the most internationally minded British architect of his time. Settling in London in 1755, Chambers became a favorite of King George III and went on to hold the highest official architectural offices and to build public and private(...)
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Brought up in Sweden by Scottish parents, trained in France, a regular visitor to China and India, Sir William Chambers (1726-1796) was by far the most internationally minded British architect of his time. Settling in London in 1755, Chambers became a favorite of King George III and went on to hold the highest official architectural offices and to build public and private(...)
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Publication:
octobre 1996, New Haven, London
octobre 1996, New Haven, London
Titre:
Sir William Chambers : architect to George III
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Brought up in Sweden by Scottish parents, trained in France, a regular visitor to China and India, Sir William Chambers (1726-1796) was by far the most internationally minded British architect of his time. Settling in London in 1755, Chambers became a favorite of King George III and went on to hold the highest official architectural offices and to build public and private commissions throughout the British Isles. Because of his eclectic neo-Palladian style, seminal Treatise on Civil Architecture (1759), and longterm influence through his numerous pupils, Chambers was regarded as one of the two greatest architects of late eighteenth-century Britain, sharing the honor with the more prolific Robert Adam. In this wide-ranging book, leading scholars of the period present current research on Chambers' Scandinavian and French connections; his Italian studies and projects; his relationship with British royalty; his commissioned buildings, interiors, and gardens; his furniture and metalwork designs; and his Treatise. Chambers designed and commanded works at Buckingham House, Kew, Richmond, and Windsor Castle, and was commissioned in 1774 to design the public offices at Somerset House in London. Charged with creating "an object of national splendour as well as convenience," Chambers met the challenge with a building equal to the best of those created by the French architects with whom he had trained. Selecting the highest quality materials, ornamentation, and painted decoration for Somerset House, Chambers' building showcased the best in British craftsmanship. This book was the catalogue for a William Chambers exhibition mounted in fall 1996 by the Courtauld Institute Galleries at Somerset House, their new home.
Sir William Chambers : architect to George III
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Brought up in Sweden by Scottish parents, trained in France, a regular visitor to China and India, Sir William Chambers (1726-1796) was by far the most internationally minded British architect of his time. Settling in London in 1755, Chambers became a favorite of King George III and went on to hold the highest official architectural offices and to build public and private commissions throughout the British Isles. Because of his eclectic neo-Palladian style, seminal Treatise on Civil Architecture (1759), and longterm influence through his numerous pupils, Chambers was regarded as one of the two greatest architects of late eighteenth-century Britain, sharing the honor with the more prolific Robert Adam. In this wide-ranging book, leading scholars of the period present current research on Chambers' Scandinavian and French connections; his Italian studies and projects; his relationship with British royalty; his commissioned buildings, interiors, and gardens; his furniture and metalwork designs; and his Treatise. Chambers designed and commanded works at Buckingham House, Kew, Richmond, and Windsor Castle, and was commissioned in 1774 to design the public offices at Somerset House in London. Charged with creating "an object of national splendour as well as convenience," Chambers met the challenge with a building equal to the best of those created by the French architects with whom he had trained. Selecting the highest quality materials, ornamentation, and painted decoration for Somerset House, Chambers' building showcased the best in British craftsmanship. This book was the catalogue for a William Chambers exhibition mounted in fall 1996 by the Courtauld Institute Galleries at Somerset House, their new home.
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Publication:
octobre 1996, New Haven, London
octobre 1996, New Haven, London
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