Urbanomad : Guy Lafranchi
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The latest work by Guy Lafranchi presents new projects for Brazil, Switzerland, Egypt, and Hawaii as well as a number of conceptual projects presented through drawings, paintings, and models. Lebbeus Woods writes of Lafranchi: "I regard his work as original both in substance and approach. The title "Urbanomad" refers to the problems of the past and globalization,(...)
Urbanomad : Guy Lafranchi
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The latest work by Guy Lafranchi presents new projects for Brazil, Switzerland, Egypt, and Hawaii as well as a number of conceptual projects presented through drawings, paintings, and models. Lebbeus Woods writes of Lafranchi: "I regard his work as original both in substance and approach. The title "Urbanomad" refers to the problems of the past and globalization, problems that many architects talk about, but that only a few, such as Lafranchi, convert into architecture of the highest standard."
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In a new double issue, "32BNY" traces the modern urban trajectories of Russia and China, mapping their connections, divergences, and potential futures. From the legacy of Russia in the 1920s, to the volatile architectural energy of China today, 32 revisits what had once seemed irrefutable binaries: communism and capitalism, east and west, history and progress.
32BNY - issue 5/6, winter 2005 : Russia/China 1920/2004
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In a new double issue, "32BNY" traces the modern urban trajectories of Russia and China, mapping their connections, divergences, and potential futures. From the legacy of Russia in the 1920s, to the volatile architectural energy of China today, 32 revisits what had once seemed irrefutable binaries: communism and capitalism, east and west, history and progress.
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Cube
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cube. It's one of nature's purest, most basic forms. We see cubes every day, usually made of elemental materials like sugar and ice. But what if the cube is something altogether more complicated? What happens when cubes are constructed of plywood and bamboo, foam and hay, chopped up telephone books and strands of chicken wire? Cube is a speculative investigation of this(...)
Cube
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cube. It's one of nature's purest, most basic forms. We see cubes every day, usually made of elemental materials like sugar and ice. But what if the cube is something altogether more complicated? What happens when cubes are constructed of plywood and bamboo, foam and hay, chopped up telephone books and strands of chicken wire? Cube is a speculative investigation of this primal shape, a tactile exploration of the imagination in which unexpected materials create surprisingly beautiful and intriguing objects. Imagine you're asked to create something interesting out of this simplest of forms using whatever materials you can find at hand. That's the design exercise architect David Morrow Guthrie gives his students each year at Rice University, and the results, over 50 of which are presented in this handy little block of a book, will inspire any designer who is looking for ideas and inspiration, whether from elemental forms or innovative ways of using materials.
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mars 2005, New York
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"Felder's comprehensive" is an annual desk reference, directory, and product source guide. It contains thousands of listings of reference information for anyone involved in the business or practice of architecture, design, design/build, construction, interior design, facility management, and real-estate development. For example, readers can find listings for more than(...)
Felder's comprehensive : the annual desk reference + resource guide for architects, contractors, engineers, and interior designers, 2005 edition
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"Felder's comprehensive" is an annual desk reference, directory, and product source guide. It contains thousands of listings of reference information for anyone involved in the business or practice of architecture, design, design/build, construction, interior design, facility management, and real-estate development. For example, readers can find listings for more than 12,000 manufacturers of furnishings, fixtures, equipment, and materials listed alphabetically, and, most importantly, by product category. Felder's also lists design competitions, domestic and international trade shows, trade publications and other media, trade associations, professional organizations, and more. Most sections are indexed and cross-referenced for easy referral and identification. Previously priced at $160.00.
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In "Yours in food", John Baldessari, a founding member of the Conceptual art movement, invites us to join him at the dinner table. His carefully composed vignettes appropriated from video and film are accompanied by meditations on eating specially commissioned from the country's foremost contemporary writers and cultural critics, such as Paul Auster, Tim Griffin and(...)
Yours in food, John Baldessari
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In "Yours in food", John Baldessari, a founding member of the Conceptual art movement, invites us to join him at the dinner table. His carefully composed vignettes appropriated from video and film are accompanied by meditations on eating specially commissioned from the country's foremost contemporary writers and cultural critics, such as Paul Auster, Tim Griffin and Francine Prose. Previously priced at $34.95.
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Plop: recent projects of the public art fund features projects by forty-six internationally acclaimed artists whose temporary installations were made possible by the Public art fund. Through an in-depth account of each of these projects, it examines the ways in which artists as diverse as Rachel Whiteread and Takashi Murakami, Christian Boltanski and Pipilotti Rist, and(...)
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mai 2004, London, New York
Plop : recent projects of the public art fund
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Plop: recent projects of the public art fund features projects by forty-six internationally acclaimed artists whose temporary installations were made possible by the Public art fund. Through an in-depth account of each of these projects, it examines the ways in which artists as diverse as Rachel Whiteread and Takashi Murakami, Christian Boltanski and Pipilotti Rist, and Andrea Zittel and Vik Muniz have created a dynamic experience of contemporary art.
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In the late nineteenth century, Chicago - the birthplace of modern architecture in the United States - was a magnet for aspiring architects. The city was forced to rebuild after the destruction wrought by the Great Fire of 1871 and also to expand to accommodate a surge in the population. The seemingly endless demand for taller and more sophisticated buildings offered(...)
mai 2004, New York
The Chicago Architectural Club : prelude to the modern
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In the late nineteenth century, Chicago - the birthplace of modern architecture in the United States - was a magnet for aspiring architects. The city was forced to rebuild after the destruction wrought by the Great Fire of 1871 and also to expand to accommodate a surge in the population. The seemingly endless demand for taller and more sophisticated buildings offered young draftsmen an unprecedented opportunity to influence the design of the American skyscraper. "The Chicago Architecture Club : Prelude to the Modern" documents the history of these draughtsmen, the organization they founded, and its role in shaping architectural education and modern architectural practice. Founded in 1885, when architecture was an emerging profession and formal architectural education was in its infancy, the club provided a setting where aspiring draftsmen could develop their skills by creating a professional network and participating in a lively program of lectures, design competitions, and social events. Wilbert R. Hasbrouck documents the personalities and politics of this impressive group, offering an in-depth look at the lesser-known men often largely responsible for the designs credited to their more famous employers. This volume includes hundreds of drawings and photographs. Epilogue by Stanley Tigerman.
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the(...)
Eisenman/Krier : two ideologies, a conference at the Yale school of architecture
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the Canadian Centre for Architecture; Joan Ockman and Mark Wigley of Columbia; Demetri Porphyrios and Vincent Scully of Yale; Robert Somol of the University of California, Los Angeles; Anthony Vidler of the Cooper Union; and Sarah Whiting of Harvard. Eisenman and Krier culminated the event with presentations that made evident their lifelong commitment to architectural language, to architectural scholarship, and to architecture itself as a vital element of society and culture.
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Analyzing Ambasz
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Architect, museum curator, and industrial designer Emilio Ambasz is perhaps most renowned for projects that fuse architecture and landscape—high-rise buildings enveloped in verdant screens of trees and plants, and houses that virtually disappear beneath mounds of earth. It has been said that his work defies easy categorization and analysis, and terms such as poetry,(...)
mai 2004, New York
Analyzing Ambasz
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Architect, museum curator, and industrial designer Emilio Ambasz is perhaps most renowned for projects that fuse architecture and landscape—high-rise buildings enveloped in verdant screens of trees and plants, and houses that virtually disappear beneath mounds of earth. It has been said that his work defies easy categorization and analysis, and terms such as poetry, wonder, and myth are often ascribed to his designs. In this penetrating collection of essays, prominent scholars and architects take up the challenge and set about rigorously "analyzing Ambasz."
Craftsman style
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This volume is a celebration of Craftsman-style architecture, which flourished in America from about 1895 into the 1920s. It took on a more natural and rustic form on this side of the Atlantic than its British counterpart, in keeping with the rugged American frontier ethos.
Craftsman style
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This volume is a celebration of Craftsman-style architecture, which flourished in America from about 1895 into the 1920s. It took on a more natural and rustic form on this side of the Atlantic than its British counterpart, in keeping with the rugged American frontier ethos.
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