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Part of "The Information Technology Revolution in Architecture" series reflecting the effects of virtual dimensions on architecture, this volume examines the need to create a new alphabet for the new information space.
$17.95
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Part of "The Information Technology Revolution in Architecture" series reflecting the effects of virtual dimensions on architecture, this volume examines the need to create a new alphabet for the new information space.
Titre:
The architecture of intelligence
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Part of "The Information Technology Revolution in Architecture" series reflecting the effects of virtual dimensions on architecture, this volume examines the need to create a new alphabet for the new information space.
The architecture of intelligence
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Part of "The Information Technology Revolution in Architecture" series reflecting the effects of virtual dimensions on architecture, this volume examines the need to create a new alphabet for the new information space.
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juin 2001, Basel
juin 2001, Basel
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$20.95
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Part of "The Information Technology Revolution in Architecture" series discussing the effects of virtual dimension on architecture, this volume examines the development of telecommunication technologies in architecture as well as the introduction of complex system engineering in building construction.
$20.95
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Part of "The Information Technology Revolution in Architecture" series discussing the effects of virtual dimension on architecture, this volume examines the development of telecommunication technologies in architecture as well as the introduction of complex system engineering in building construction.
Titre:
Advanced technologies : building in the computer age
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Part of "The Information Technology Revolution in Architecture" series discussing the effects of virtual dimension on architecture, this volume examines the development of telecommunication technologies in architecture as well as the introduction of complex system engineering in building construction.
Advanced technologies : building in the computer age
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Part of "The Information Technology Revolution in Architecture" series discussing the effects of virtual dimension on architecture, this volume examines the development of telecommunication technologies in architecture as well as the introduction of complex system engineering in building construction.
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livres
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juin 2001, Basel
juin 2001, Basel
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$18.95
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A sense of harmony and proportion has traditionally been achieved in architectural compositions by using the dimensions of the human body as the starting point. Modern technology now enables(...)
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A sense of harmony and proportion has traditionally been achieved in architectural compositions by using the dimensions of the human body as the starting point. Modern technology now enables(...)
Titre:
New wombs : electronic bodies and architectural disorders
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A sense of harmony and proportion has traditionally been achieved in architectural compositions by using the dimensions of the human body as the starting point. Modern technology now enables us to go beyond these physical dimensions into a virtual world, and this poses a challenge to architecture as we usually perceive it. Interactive, flexible and intelligent models are being called for. Whilst technology is taking us into the realms of virtual reality, architecture on the other hand, is becoming more corporeal. "Postorganic" is the term being used to express this merging of the body and architecture brought about by electronic media. A radical change in perspective is blurring the distinction between the organic and mechanic, and the artificial logic of the computer and the natural logic of man are fusing together.
New wombs : electronic bodies and architectural disorders
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A sense of harmony and proportion has traditionally been achieved in architectural compositions by using the dimensions of the human body as the starting point. Modern technology now enables us to go beyond these physical dimensions into a virtual world, and this poses a challenge to architecture as we usually perceive it. Interactive, flexible and intelligent models are being called for. Whilst technology is taking us into the realms of virtual reality, architecture on the other hand, is becoming more corporeal. "Postorganic" is the term being used to express this merging of the body and architecture brought about by electronic media. A radical change in perspective is blurring the distinction between the organic and mechanic, and the artificial logic of the computer and the natural logic of man are fusing together.
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janvier 1900, Basel
janvier 1900, Basel
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Four individual booklets make up the documentation for the British participants in the Venice Biennale of Architecture 2000.
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Four individual booklets make up the documentation for the British participants in the Venice Biennale of Architecture 2000.
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Publication:
juillet 2000, London
juillet 2000, London
Titre:
4 city visionaries : Alsop & Störmer, David Chipperfield Architects, Nigel Coates & Doug Branson, Zaha Hadid
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Four individual booklets make up the documentation for the British participants in the Venice Biennale of Architecture 2000.
4 city visionaries : Alsop & Störmer, David Chipperfield Architects, Nigel Coates & Doug Branson, Zaha Hadid
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Four individual booklets make up the documentation for the British participants in the Venice Biennale of Architecture 2000.
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juillet 2000, London
juillet 2000, London
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$19.50
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In "The Freedom of the Architect", Pritzker Prize-winning architect Rafael Moneo speaks on form, language and history, broadly, and as represented in examples of his own work. He elaborates on how architects today have disassociated their work from the environment, creating autonomous landmarks with little relationship to their surroundings and how the architect as(...)
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In "The Freedom of the Architect", Pritzker Prize-winning architect Rafael Moneo speaks on form, language and history, broadly, and as represented in examples of his own work. He elaborates on how architects today have disassociated their work from the environment, creating autonomous landmarks with little relationship to their surroundings and how the architect as(...)
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Publication:
juillet 2003, Ann Arbor
juillet 2003, Ann Arbor
Titre:
The freedom of the architect : Rafael Moneo
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In "The Freedom of the Architect", Pritzker Prize-winning architect Rafael Moneo speaks on form, language and history, broadly, and as represented in examples of his own work. He elaborates on how architects today have disassociated their work from the environment, creating autonomous landmarks with little relationship to their surroundings and how the architect as individual challenges the role of history in the built environment. Moneo’s reflections on his own work include: The City Hall of Murcia, Spain, The Museum of Fine Arts Houston, the Kursaal Auditorium in San Sebastian, Spain, and the acclaimed Our Lady of the Angels Cathedral in Los Angeles. Spanish born, Madrid-based Moneo’s work unites tradition and innovation. He has developed an extensive body of work as an architectural critic and theoretician and his writing has appeared in "Oppositions" and "Lotus". He is a committed educator, having chaired the Harvard Graduate School of Design and lectured internationally.
The freedom of the architect : Rafael Moneo
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In "The Freedom of the Architect", Pritzker Prize-winning architect Rafael Moneo speaks on form, language and history, broadly, and as represented in examples of his own work. He elaborates on how architects today have disassociated their work from the environment, creating autonomous landmarks with little relationship to their surroundings and how the architect as individual challenges the role of history in the built environment. Moneo’s reflections on his own work include: The City Hall of Murcia, Spain, The Museum of Fine Arts Houston, the Kursaal Auditorium in San Sebastian, Spain, and the acclaimed Our Lady of the Angels Cathedral in Los Angeles. Spanish born, Madrid-based Moneo’s work unites tradition and innovation. He has developed an extensive body of work as an architectural critic and theoretician and his writing has appeared in "Oppositions" and "Lotus". He is a committed educator, having chaired the Harvard Graduate School of Design and lectured internationally.
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juillet 2003, Ann Arbor
juillet 2003, Ann Arbor
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![Gr[o]und : workshop 2002](/img-bookstore/ER8rHi3W6hh0gG1ZY0E7rhTahW4=/700x821/MIG-05271.jpg)
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Gr[o]und : workshop 2002
Gr[o]und : workshop 2002
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The site and subject of the gr(o)und workshop is lower Manhattan. Its underlying theme combines "ground" and the German word "Grund," referring to the foundation of ideas that give a rational structure to urban activity. The workshop designed and constructed new tectonic elements with the aim of making changes in the gr(o)und for a particular, brief period of time. The(...)
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The site and subject of the gr(o)und workshop is lower Manhattan. Its underlying theme combines "ground" and the German word "Grund," referring to the foundation of ideas that give a rational structure to urban activity. The workshop designed and constructed new tectonic elements with the aim of making changes in the gr(o)und for a particular, brief period of time. The(...)
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Gr[o]und : workshop 2002
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The site and subject of the gr(o)und workshop is lower Manhattan. Its underlying theme combines "ground" and the German word "Grund," referring to the foundation of ideas that give a rational structure to urban activity. The workshop designed and constructed new tectonic elements with the aim of making changes in the gr(o)und for a particular, brief period of time. The installation of these new elements in lower Manhattan on a hot, busy day in mid-August is documented and anaylzed.
Gr[o]und : workshop 2002
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The site and subject of the gr(o)und workshop is lower Manhattan. Its underlying theme combines "ground" and the German word "Grund," referring to the foundation of ideas that give a rational structure to urban activity. The workshop designed and constructed new tectonic elements with the aim of making changes in the gr(o)und for a particular, brief period of time. The installation of these new elements in lower Manhattan on a hot, busy day in mid-August is documented and anaylzed.
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Publication:
janvier 2004, Vienna
janvier 2004, Vienna
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$22.95
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For fifteen years, three architects—James Cathcart, Frank Fantauzzi, and Terence van Elslander—from three different cities have held an ongoing collaboration, creating installations and other works of innovation and art about the act of building. Pamphlet Architecture 25: Gravity catalogs a cross section of their many works, from the portable toilets installed in the(...)
$22.95
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For fifteen years, three architects—James Cathcart, Frank Fantauzzi, and Terence van Elslander—from three different cities have held an ongoing collaboration, creating installations and other works of innovation and art about the act of building. Pamphlet Architecture 25: Gravity catalogs a cross section of their many works, from the portable toilets installed in the(...)
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petits formats
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Publication:
octobre 2003, New York
octobre 2003, New York
Titre:
Pamphlet architecture # 25 : gravity
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For fifteen years, three architects—James Cathcart, Frank Fantauzzi, and Terence van Elslander—from three different cities have held an ongoing collaboration, creating installations and other works of innovation and art about the act of building. Pamphlet Architecture 25: Gravity catalogs a cross section of their many works, from the portable toilets installed in the facade of New York's StoreFront for Art and Architecture to "Big Orbits," a giant solid and a giant void constructed from 4600 shipping palettes. Although strongly conceptual, their work reminds us that a primary function of architecture is to engage the public.
Pamphlet architecture # 25 : gravity
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For fifteen years, three architects—James Cathcart, Frank Fantauzzi, and Terence van Elslander—from three different cities have held an ongoing collaboration, creating installations and other works of innovation and art about the act of building. Pamphlet Architecture 25: Gravity catalogs a cross section of their many works, from the portable toilets installed in the facade of New York's StoreFront for Art and Architecture to "Big Orbits," a giant solid and a giant void constructed from 4600 shipping palettes. Although strongly conceptual, their work reminds us that a primary function of architecture is to engage the public.
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livres
Publication:
octobre 2003, New York
octobre 2003, New York
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"PA 24 : some among them are killers" explores unmanaged landscapes, territories that the author calls "wildernesses." These emerge from the cracks of mapping the spaces, at a variety of scales, that literally reside in the margins of error of our abilities to measure and calibrate space. From Yosemite National Park to the ubiquitous one-gallon milk jug, architect David(...)
$22.95
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"PA 24 : some among them are killers" explores unmanaged landscapes, territories that the author calls "wildernesses." These emerge from the cracks of mapping the spaces, at a variety of scales, that literally reside in the margins of error of our abilities to measure and calibrate space. From Yosemite National Park to the ubiquitous one-gallon milk jug, architect David(...)
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Pamphlet architecture #24 - some among them are killers : unmanaged landscapes for non U.S. military and government users
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"PA 24 : some among them are killers" explores unmanaged landscapes, territories that the author calls "wildernesses." These emerge from the cracks of mapping the spaces, at a variety of scales, that literally reside in the margins of error of our abilities to measure and calibrate space. From Yosemite National Park to the ubiquitous one-gallon milk jug, architect David Ross depicts the relationships between architecture and miscalibration and explores the spatial, tactile, and political ramifications of our reliance on modern devices of precision and overdetermination.
Pamphlet architecture #24 - some among them are killers : unmanaged landscapes for non U.S. military and government users
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$22.95
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Résumé:
"PA 24 : some among them are killers" explores unmanaged landscapes, territories that the author calls "wildernesses." These emerge from the cracks of mapping the spaces, at a variety of scales, that literally reside in the margins of error of our abilities to measure and calibrate space. From Yosemite National Park to the ubiquitous one-gallon milk jug, architect David Ross depicts the relationships between architecture and miscalibration and explores the spatial, tactile, and political ramifications of our reliance on modern devices of precision and overdetermination.
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livres
livres
Publication:
octobre 2003, New York
octobre 2003, New York
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$18.95
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"Hyperbodies" are buildings and environments which can continuously change shape and content. The mutations of such buildings depend on the input coming from their user as well as from the surroundings. This interaction between user and building is determined by a data flow which the hyperbody uses and converts into a ”hypersurface” structure, which then alters our(...)
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"Hyperbodies" are buildings and environments which can continuously change shape and content. The mutations of such buildings depend on the input coming from their user as well as from the surroundings. This interaction between user and building is determined by a data flow which the hyperbody uses and converts into a ”hypersurface” structure, which then alters our(...)
Titre:
Hyperbodies : toward an e-motive architecture
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"Hyperbodies" are buildings and environments which can continuously change shape and content. The mutations of such buildings depend on the input coming from their user as well as from the surroundings. This interaction between user and building is determined by a data flow which the hyperbody uses and converts into a ”hypersurface” structure, which then alters our perception of space in and around the hyperbody. The architect programs this interaction and can thereby define the specific character of the building. In this book, the author provides a concise overview of this latest digital tool.
Hyperbodies : toward an e-motive architecture
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$18.95
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"Hyperbodies" are buildings and environments which can continuously change shape and content. The mutations of such buildings depend on the input coming from their user as well as from the surroundings. This interaction between user and building is determined by a data flow which the hyperbody uses and converts into a ”hypersurface” structure, which then alters our perception of space in and around the hyperbody. The architect programs this interaction and can thereby define the specific character of the building. In this book, the author provides a concise overview of this latest digital tool.
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livres
livres
Publication:
août 2003, Basel
août 2003, Basel
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$21.95
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Résumé:
The young digital architects of the Mediterranean countries leave the legacy of classical architecture and move on to radical new beginnings. How do young architects in Italy, France, Spain and Greece react to the new digital age? The electronic tools give them the chance to free themselves from the burden of tradition, to explore fascinating opportunities in their(...)
$21.95
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The young digital architects of the Mediterranean countries leave the legacy of classical architecture and move on to radical new beginnings. How do young architects in Italy, France, Spain and Greece react to the new digital age? The electronic tools give them the chance to free themselves from the burden of tradition, to explore fascinating opportunities in their(...)
Titre:
Digital odyssey : a new voyage in the Mediterranean
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The young digital architects of the Mediterranean countries leave the legacy of classical architecture and move on to radical new beginnings. How do young architects in Italy, France, Spain and Greece react to the new digital age? The electronic tools give them the chance to free themselves from the burden of tradition, to explore fascinating opportunities in their architecture. This book provides a concise overview of their work, using previously unpublished material. The team IAN+ was formed in 1997 in Rome by Carmelo Baglivo, Luca Galofaro and Stefania Manna.
Digital odyssey : a new voyage in the Mediterranean
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$21.95
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The young digital architects of the Mediterranean countries leave the legacy of classical architecture and move on to radical new beginnings. How do young architects in Italy, France, Spain and Greece react to the new digital age? The electronic tools give them the chance to free themselves from the burden of tradition, to explore fascinating opportunities in their architecture. This book provides a concise overview of their work, using previously unpublished material. The team IAN+ was formed in 1997 in Rome by Carmelo Baglivo, Luca Galofaro and Stefania Manna.
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livres
livres
Publication:
août 2003, Basel
août 2003, Basel
Sujet:
petits formats
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